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Best Famous Sunstroke Poems

Here is a collection of the all-time best famous Sunstroke poems. This is a select list of the best famous Sunstroke poetry. Reading, writing, and enjoying famous Sunstroke poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sunstroke poems.

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Written by Derek Walcott | Create an image from this poem

Forest Of Europe

 The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.
The inlaid copper laurel of an oak shines though the brown-bricked glass above your head as bright as whisky, while the wintry breath of lines from Mandelstam, which you recite, uncoils as visibly as cigarette smoke.
"The rustling of ruble notes by the lemon Neva.
" Under your exile's tongue, crisp under heel, the gutturals crackle like decaying leaves, the phrase from Mandelstam circles with light in a brown room, in barren Oklahoma.
There is a Gulag Archipelago under this ice, where the salt, mineral spring of the long Trail of Tears runnels these plains as hard and open as a herdsman's face sun-cracked and stubbled with unshaven snow.
Growing in whispers from the Writers' Congress, the snow circles like cossacks round the corpse of a tired Choctaw till it is a blizzard of treaties and white papers as we lose sight of the single human through the cause.
So every spring these branches load their shelves, like libraries with newly published leaves, till waste recycles them—paper to snow— but, at zero of suffering, one mind lasts like this oak with a few brazen leaves.
As the train passed the forest's tortured icons, ths floes clanging like freight yards, then the spires of frozen tears, the stations screeching steam, he drew them in a single winters' breath whose freezing consonants turned into stone.
He saw the poetry in forlorn stations under clouds vast as Asia, through districts that could gulp Oklahoma like a grape, not these tree-shaded prairie halts but space so desolate it mocked destinations.
Who is that dark child on the parapets of Europe, watching the evening river mint its sovereigns stamped with power, not with poets, the Thames and the Neva rustling like banknotes, then, black on gold, the Hudson's silhouettes? >From frozen Neva to the Hudson pours, under the airport domes, the echoing stations, the tributary of emigrants whom exile has made as classless as the common cold, citizens of a language that is now yours, and every February, every "last autumn", you write far from the threshing harvesters folding wheat like a girl plaiting her hair, far from Russia's canals quivering with sunstroke, a man living with English in one room.
The tourist archipelagoes of my South are prisons too, corruptible, and though there is no harder prison than writing verse, what's poetry, if it is worth its salt, but a phrase men can pass from hand to mouth? >From hand to mouth, across the centuries, the bread that lasts when systems have decayed, when, in his forest of barbed-wire branches, a prisoner circles, chewing the one phrase whose music will last longer than the leaves, whose condensation is the marble sweat of angels' foreheads, which will never dry till Borealis shuts the peacock lights of its slow fan from L.
A.
to Archangel, and memory needs nothing to repeat.
Frightened and starved, with divine fever Osip Mandelstam shook, and every metaphor shuddered him with ague, each vowel heavier than a boundary stone, "to the rustling of ruble notes by the lemon Neva," but now that fever is a fire whose glow warms our hands, Joseph, as we grunt like primates exchanging gutturals in this wintry cave of a brown cottage, while in drifts outside mastodons force their systems through the snow.


Written by Christina Rossetti | Create an image from this poem

From 'Later Life'

 VI
We lack, yet cannot fix upon the lack: 
Not this, nor that; yet somewhat, certainly.
We see the things we do not yearn to see Around us: and what see we glancing back? Lost hopes that leave our hearts upon the rack, Hopes that were never ours yet seem’d to be, For which we steer’d on life’s salt stormy sea Braving the sunstroke and the frozen pack.
If thus to look behind is all in vain, And all in vain to look to left or right, Why face we not our future once again, Launching with hardier hearts across the main, Straining dim eyes to catch the invisible sight, And strong to bear ourselves in patient pain? IX Star Sirius and the Pole Star dwell afar Beyond the drawings each of other’s strength: One blazes through the brief bright summer’s length Lavishing life-heat from a flaming car; While one unchangeable upon a throne Broods o’er the frozen heart of earth alone, Content to reign the bright particular star Of some who wander or of some who groan.
They own no drawings each of other’s strength, Nor vibrate in a visible sympathy, Nor veer along their courses each toward Yet are their orbits pitch’d in harmony Of one dear heaven, across whose depth and length Mayhap they talk together without speech.
Written by Adela Florence Cory Nicolson | Create an image from this poem

Sunstroke

   Softly the feathery Palm-trees fade in the violet Distance,
   Faintly the lingering light touches the edge of the sea,
   Sadly the Music of Waves, drifts, faint as an Anthem's insistence,
   Heard in the aisles of a dream, over the sandhills, to me.

   Now that the Lights are reversed, and the Singing changed into sighing,
   Now that the wings of our fierce, fugitive passion are furled,
   Take I unto myself, all alone in the light that is dying,
   Much of the sorrow that lies hid at the Heart of the World.

   Sad am I, sad for your loss: for failing the charm of your presence,
   Even the sunshine has paled, leaving the Zenith less blue.
   Even the ocean lessens the light of its green opalescence,
   Since, to my sorrow I loved, loved and grew weary of, you.

   Why was our passion so fleeting, why had the flush of your beauty
   Only so slender a spell, only so futile a power?
   Yet, even thus ever is life, save when long custom or duty
   Moulds into sober fruit Love's fragile and fugitive flower.

   Fain would my soul have been faithful; never an alien pleasure
   Lured me away from the light lit in your luminous eyes,
   But we have altered the World as pitiful man has leisure
   To criticise, balance, take counsel, assuredly lies.

   All through the centuries Man has gathered his flower, and fenced it,
   —Infinite strife to attain; infinite struggle to keep,—
   Holding his treasure awhile, all Fate and all forces against it,
   Knowing it his no more, if ever his vigilance sleep.

   But we have altered the World as pitiful man has grown stronger,
   So that the things we love are as easily kept as won,
   Therefore the ancient fight can engage and detain us no longer,
   And all too swiftly, alas, passion is over and done.

   Far too speedily now we can gather the coveted treasure,
   Enjoy it awhile, be satiated, begin to tire;
   And what shall be done henceforth with the profitless after-leisure,
   Who has the breath to kindle the ash of a faded fire?

   Ah, if it only had lasted!  After my ardent endeavour
   Came the delirious Joy, flooding my life like a sea,
   Days of delight that are burnt on the brain for ever and ever,
   Days and nights when you loved, before you grew weary of me.

   Softly the sunset decreases dim in the violet Distance,
   Even as Love's own fervour has faded away from me,
   Leaving the weariness, the monotonous Weight of Existence,—
   All the farewells in the world weep in the sound of the sea.

Book: Reflection on the Important Things