Written by
Alfred Lord Tennyson |
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play.
"
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine.
"
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait.
"
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
|
Written by
Stephen Dunn |
The sky in the trees, the trees mixed up
with what's left of heaven, nearby a patch
of daffodils rooted down
where dirt and stones comprise a kind
of night, unmetaphysical, cool as a skeptic's
final sentence.
What this scene needs
is a nude absentmindedly sunning herself
on a large rock, thinks the man fed up
with nature, or perhaps a lost tiger,
the maximum amount of wildness a landscape
can bear, but the man knows and fears
his history of tampering with everything,
and besides to anyone who might see him
he's just a figure in a clearing
in a forest in a universe
that is as random as desire itself,
his desire in particular, so much going on
with and without him, moles humping up
the ground near the daffodils, a mockingbird
publishing its cacaphonous anthology,
and those little Calvinists, the ants,
making it all the more difficult
for a person in America
to close his office, skip to the beach.
But what this scene needs are wisteria
and persimmons, thinks the woman
sunning herself absentmindedly on the rock,
a few magnificent words that one
might want to eat if one were a lover
of words, the hell with first principles,
the noon sun on my body, tempered
by a breeze that cannot be doubted.
And as she thinks, she who exists
only in the man's mind, a deer grazes
beyond their knowing, a deer tick riding
its back, and in the gifted air
mosquitos, dragonflies, and tattered
mute angels no one has called upon in years.
|
Written by
Alfred Lord Tennyson |
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play.
"
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine.
"
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait.
"
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
|
Written by
Alfred Lord Tennyson |
COME into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad, 5
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky, 10
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd 15
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, 'There is but one
With whom she has heart to be gay.
20
When will the dancers leave her alone?
She is weary of dance and play.
'
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone 25
The last wheel echoes away.
I said to the rose, 'The brief night goes
In babble and revel and wine.
O young lord-lover, what sighs are those
For one that will never be thine? 30
But mine, but mine,' so I sware to the rose,
'For ever and ever, mine.
'
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood, 35
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs 40
He sets the jewel-print of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake 45
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me; 50
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls, 55
Queen lily and rose in one;
Shine out, little head, sunning over with curls.
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
60
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, 'She is near, she is near;'
And the white rose weeps, 'She is late;'
The larkspur listens, 'I hear, I hear;' 65
And the lily whispers, 'I wait.
'
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed; 70
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
|
Written by
Edmund Blunden |
I came to the churchyard where pretty Joy lies
On a morning in April, a rare sunny day;
Such bloom rose around, and so many birds' cries
That I sang for delight as I followed the way.
I sang for delight in the ripening of spring,
For dandelions even were suns come to earth;
Not a moment went by but a new lark took wing
To wait on the season with melody's mirth.
Love-making birds were my mates all the road,
And who would wish surer delight for the eye
Than to see pairing goldfinches gleaming abroad
Or yellowhammers sunning on paling and sty?
And stocks in the almswomen's garden were blown,
With rich Easter roses each side of the door;
The lazy white owls in the glade cool and lone
Paid calls on their cousins in the elm's chambered core.
This peace, then, and happiness thronged me around.
Nor could I go burdened with grief, but made merry
Till I came to the gate of that overgrown ground
Where scarce once a year sees the priest come to bury.
Over the mounds stood the nettles in pride,
And, where no fine flowers, there kind weeds dared to wave;
It seemed but as yesterday she lay by my side,
And now my dog ate of the grass on her grave.
He licked my hand wondering to see me muse so,
And wished I would lead on the journey or home,
As though not a moment of spring were to go
In brooding; but I stood, if her spirit might come
And tell me her life, since we left her that day
In the white lilied coffin, and rained down our tears;
But the grave held no answer, though long I should stay;
How strange that this clay should mingle with hers!
So I called my good dog, and went on my way;
Joy's spirit shone then in each flower I went by,
And clear as the noon, in coppice and ley,
Her sweet dawning smile and her violet eye!
|
Written by
John Burnside |
As cats bring their smiling
mouse-kills and hypnotised birds,
slinking home under the light
of a summer's morning
to offer the gift of a corpse,
you carry home the snake you thought
was sunning itself on a rock
at the river's edge:
sun-fretted, gracile,
it shimmies and sways in your hands
like a muscle of light,
and you gather it up like a braid
for my admiration.
I can't shake the old wife's tale
that snakes never die,
they hang in a seamless dream
of frogskin and water,
preserving a ribbon of heat
in a bone or a vein,
a cold-blooded creature's
promise of resurrection,
and I'm amazed to see you shuffle off
the woman I've know for years,
tracing the lithe, hard body, the hinge of the jaw,
the tension where sex might be, that I always assume
is neuter, when I walk our muffled house
at nightfall, throwing switches, locking doors.
|
Written by
Richard Wilbur |
Securely sunning in a forest glade,
A mild, well-meaning snake
Approved the adaptations he had made
For safety’s sake.
He liked the skin he had—
Its mottled camouflage, its look of mail,
And was content that he had thought to add
A rattling tail.
The tail was not for drumming up a fight;
No, nothing of the sort.
And he would only use his poisoned bite
As last resort.
|
Written by
Donald Justice |
We shall not ever meet them bearded in heaven
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come memory, let us seek them there in the shadows.
|
Written by
Walter de la Mare |
While at her bedroom window once,
Learning her task for school,
Little Louisa lonely sat
In the morning clear and cool,
She slanted her small bead-brown eyes
Across the empty street,
And saw Death softly watching her
In the sunshine pale and sweet.
His was a long lean sallow face;
He sat with half-shut eyes,
Like a old sailor in a ship
Becalmed 'neath tropic skies.
Beside him in the dust he had set
His staff and shady hat;
These, peeping small, Louisa saw
Quite clearly where she sat -
The thinness of his coal-black locks,
His hands so long and lean
They scarcely seemed to grasp at all
The keys that hung between:
Both were of gold, but one was small,
And with this last did he
Wag in the air, as if to say,
"Come hither, child, to me!"
Louisa laid her lesson book
On the cold window-sill;
And in the sleepy sunshine house
Went softly down, until
She stood in the half-opened door,
And peeped.
But strange to say
Where Death just now had sunning sat
Only a shadow lay:
Just the tall chimney's round-topped cowl,
And the small sun behind,
Had with its shadow in the dust
Called sleepy Death to mind.
But most she thought how strange it was
Two keys that he should bear,
And that, when beckoning, he should wag
The littlest in the air.
|
Written by
Louise Bogan |
She has attained the permanence
She dreamed of, where old stones lie sunning.
Untended stalks blow over her
Even and swift, like young men running.
Always in the heart she loved
Others had lived, -- she heard their laughter.
She lies where none has lain before,
Where certainly none will follow after.
|