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Best Famous Sunnier Poems

Here is a collection of the all-time best famous Sunnier poems. This is a select list of the best famous Sunnier poetry. Reading, writing, and enjoying famous Sunnier poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sunnier poems.

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Written by Margaret Atwood | Create an image from this poem

Bored

 All those times I was bored
out of my mind.
Holding the log while he sawed it.
Holding the string while he measured, boards, distances between things, or pounded stakes into the ground for rows and rows of lettuces and beets, which I then (bored) weeded.
Or sat in the back of the car, or sat still in boats, sat, sat, while at the prow, stern, wheel he drove, steered, paddled.
It wasn't even boredom, it was looking, looking hard and up close at the small details.
Myopia.
The worn gunwales, the intricate twill of the seat cover.
The acid crumbs of loam, the granular pink rock, its igneous veins, the sea-fans of dry moss, the blackish and then the graying bristles on the back of his neck.
Sometimes he would whistle, sometimes I would.
The boring rhythm of doing things over and over, carrying the wood, drying the dishes.
Such minutiae.
It's what the animals spend most of their time at, ferrying the sand, grain by grain, from their tunnels, shuffling the leaves in their burrows.
He pointed such things out, and I would look at the whorled texture of his square finger, earth under the nail.
Why do I remember it as sunnier all the time then, although it more often rained, and more birdsong? I could hardly wait to get the hell out of there to anywhere else.
Perhaps though boredom is happier.
It is for dogs or groundhogs.
Now I wouldn't be bored.
Now I would know too much.
Now I would know.


Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary.
Past the sweet gum Superb above the cabin, along the wall— Stones gathered from the level field nearby When first we cleared it.
(Angry bumblebees Stung the two mules.
They kicked.
Thirteen, I ran.
) And then the field: thread-leaf maple, deciduous Magnolia, hybrid broom, and, further down, In light shade, one Franklinia Alatamaha In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother Later would make preserves of, to give to friends Or sell, in autumn, with the foxgrape, quince, Elderberry, and muscadine.
Around The granite overhang, moist den of foxes; Gradually up a long hill, high in pine, Park-like, years of dry needles on the ground, And dogwood, slopes the settlers terraced; pine We cut at Christmas, berries, hollies, anise, And cones for sale in Mister Haymore’s yard In town, below the Courthouse Square.
James Haymore, One of the two good teachers at Boys’ High, Ironic and demanding, chemistry; Mary Lou Culver taught us English: essays, Plot summaries, outlines, meters, kinds of clauses (Noun, adjective, and adverb, five at a time), Written each day and then revised, and she Up half the night to read them once again Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers Set a house, unpainted, the porch fallen in, The road a red clay strip without a bridge, A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon Out of the gluey mire, earth’s rust.
Then, here And there, back from the road, the specimen Shrubs and small trees my father planted, some Taller than we were, some in bloom, some berried, And some we still brought water to.
We always Paused at the weed-filled hole beside the beech That, one year, brought forth beech nuts by the thousands, A hole still reminiscent of the man Chewing tobacco in among his whiskers My father happened on, who, discovered, told Of dreaming he should dig there for the gold And promised to give half of what he found.
During the wars with Germany and Japan, Descendents of the settlers, of Oliver Brand And of that man built Flying Fortresses For Lockheed, in Atlanta; now they build Brick mansions in the woods they left, with lawns To paved and lighted streets, azaleas, camellias Blooming among the pines and tulip trees— Mercedes Benz and Cadillac Republicans.
There was another stream further along Divided through a marsh, lined by the fence We stretched to posts with Mister Garner’s help The time he needed cash for his son’s bail And offered all his place.
A noble spring Under the oak root cooled his milk and butter.
He called me “honey,” working with us there (My father bought three acres as a gift), His wife pale, hair a country orange, voice Uncanny, like a ghost’s, through the open door Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid Sliver and grey, red comb and long sharp spurs, Once chased Aunt Jennie as far as the daphne bed The two big king snakes were familiars of.
My father’s dog would challenge him sometimes To laughter and applause.
Once, in Stone Mountain, Travelers, stopped for gas, drove off with Smokey; Angrily, grievingly, leaving his work, my father Traced the car and found them way far south, Had them arrested and, bringing Smokey home, Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy, Grey Junior, down to meet us.
The rose trees, Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog, Camellias cracked and blackened by the freeze, Bay tree, mimosa, mountain laurel, apple, Monkey pine twenty feet high, banana shrub, The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block, Smooth concrete floor, roof pale aluminum Half-covered by a clematis, the pump Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune, Childlike enough to lead us.
He brought home, Although he could not even drive a tractor, Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages, Frank Guess, the judge, Grandmother’s longtime neighbor, Whose children my mother taught in Cradle Roll, Heard Mort’s examination, he broke in As if in disbelief on the bank’s attorneys: “Gentlemen, must we continue this charade?” Finally, past the compost heap, the garden, Tomatoes and sweet corn for succotash, Okra for frying, Kentucky Wonders, limas, Cucumbers, squashes, leeks heaped round with soil, Lavender, dill, parsley, and rosemary, Tithonia and zinnias between the rows; The greenhouse by the rock wall, used for cuttings In late spring, frames to grow them strong for planting Through winter into summer.
Early one morning Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia We planted as a stem divides the path The others lie, too young, at Silver Hill, Except my mother.
Ninety-five, she lives Three thousand miles away, beside the bare Pacific, in rooms that overlook the Mission, The Riviera, and the silver range La Cumbre east.
Magnolia grandiflora And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings Of twenty years ago: the great oak’s arm Extended, Zeuslike, straight and strong, wisteria Tangled among the branches, amaryllis Around the base; her cat, UC, at ease In marigolds; the weeping cherry, pink And white arms like a blessing to the blue Bird feeder Mort made; cabin, scarlet sweet gum Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind, Active, ready for laughter, open to fear, Pity, and wonder that such things may be, Some Sundays, I think, she must walk the line, Aunt Jennie, too, if she were still alive, And Eleanor, whose story is untold, Their presences like muses, prompting me In my small study, all listening to the sea, All of one mind, the true posterity.
Written by Alfred Lord Tennyson | Create an image from this poem

The Progress of Spring

 THE groundflame of the crocus breaks the mould, 
Fair Spring slides hither o'er the Southern sea, 
Wavers on her thin stem the snowdrop cold 
That trembles not to kisses of the bee: 
Come Spring, for now from all the dripping eaves 
The spear of ice has wept itself away, 
And hour by hour unfolding woodbine leaves 
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run; The frost-bead melts upon her golden hair; Her mantle, slowly greening in the Sun, Now wraps her close, now arching leaves her bar To breaths of balmier air; Up leaps the lark, gone wild to welcome her, About her glance the ****, and shriek the jays, Before her skims the jubilant woodpecker, The linnet's bosom blushes at her gaze, While round her brows a woodland culver flits, Watching her large light eyes and gracious looks, And in her open palm a halcyon sits Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood, On farm and field: but enter also here, Diffuse thyself at will thro' all my blood, And, tho' thy violet sicken into sere, Lodge with me all the year! Once more a downy drift against the brakes, Self-darken'd in the sky, descending slow! But gladly see I thro' the wavering flakes Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths, On their perpetual pine, nor round the beech; They fuse themselves to little spicy baths, Solved in the tender blushes of the peach; They lose themselves and die On that new life that gems the hawthorn line; Thy gay lent-lilies wave and put them by, And out once more in varnish'd glory shine Thy stars of celandine.
She floats across the hamlet.
Heaven lours, But in the tearful splendour of her smiles I see the slowl-thickening chestnut towers Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies, A clamorous cuckoo stoops to meet her hand; Her light makes rainbows in my closing eyes, I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad To roll her North below thy deepening dome, But ere thy maiden birk be wholly clad, And these low bushes dip their twigs in foam, Make all true hearths thy home.
Across my garden! and the thicket stirs, The fountain pulses high in sunnier jets, The blackcap warbles, and the turtle purrs, The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove, And scatters on her throat the sparks of dew, The kingcup fills her footprint, and above Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen, Bountiful, beautiful, apparell'd gay, Whose mantle, every shade of glancing green, Flies back in fragrant breezes to display A tunic white as May! She whispers, 'From the South I bring you balm, For on a tropic mountain was I born, While some dark dweller by the coco-palm Watch'd my far meadow zoned with airy morn; From under rose a muffled moan of floods; I sat beneath a solitude of snow; There no one came, the turf was fresh, the woods Plunged gulf on gulf thro' all their vales below I saw beyond their silent tops The steaming marshes of the scarlet cranes, The slant seas leaning oll the mangrove copse, And summer basking in the sultry plains About a land of canes; 'Then from my vapour-girdle soaring forth I scaled the buoyant highway of the birds, And drank the dews and drizzle of the North, That I might mix with men, and hear their words On pathway'd plains; for--while my hand exults Within the bloodless heart of lowly flowers To work old laws of Love to fresh results, Thro' manifold effect of simple powers-- I too would teach the man Beyond the darker hour to see the bright, That his fresh life may close as it began, The still-fulfilling promise of a light Narrowing the bounds of night.
' So wed thee with my soul, that I may mark The coming year's great good and varied ills, And new developments, whatever spark Be struck from out the clash of warring wills; Or whether, since our nature cannot rest, The smoke of war's volcano burst again From hoary deeps that belt the changeful West, Old Empires, dwellings of the kings of men; Or should those fail, that hold the helm, While the long day of knowledge grows and warms, And in the heart of this most ancient realm A hateful voice be utter'd, and alarms Sounding 'To arms! to arms!' A simpler, saner lesson might he learn Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn, And in their time thy warblers rise on wing.
How surely glidest thou from March to May, And changest, breathing it, the sullen wind, Thy scope of operation, day by day, Larger and fuller, like the human mind ' Thy warmths from bud to bud Accomplish that blind model in the seed, And men have hopes, which race the restless blood That after many changes may succeed Life, which is Life indeed.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Children

 Come to me, O ye children!
For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.
Ye open the eastern windows, That look towards the sun, Where thoughts are singing swallows And the brooks of morning run.
In your hearts are the birds and the sunshine, In your thoughts the brooklet's flow, But in mine is the wind of Autumn And the first fall of the snow.
Ah! what would the world be to us If the children were no more? We should dread the desert behind us Worse than the dark before.
What the leaves are to the forest, With light and air for food, Ere their sweet and tender juices Have been hardened into wood, -- That to the world are children; Through them it feels the glow Of a brighter and sunnier climate Than reaches the trunks below.
Come to me, O ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere.
For what are all our contrivings, And the wisdom of our books, When compared with your caresses, And the gladness of your looks? Ye are better than all the ballads That ever were sung or said; For ye are living poems, And all the rest are dead.
Written by Percy Bysshe Shelley | Create an image from this poem

Hellas

THE world's great age begins anew  
The golden years return  
The earth doth like a snake renew 
Her winter weeds outworn; 
Heaven smiles and faiths and empires gleam 5 
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains From waves serener far; A new Peneus rolls his fountains Against the morning star; 10 Where fairer Tempes bloom there sleep Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main Fraught with a later prize; Another Orpheus sings again 15 And loves and weeps and dies; A new Ulysses leaves once more Calypso for his native shore.
O write no more the tale of Troy If earth Death's scroll must be¡ª 20 Nor mix with Laian rage the joy Which dawns upon the free Although a subtler Sphinx renew Riddles of death Thebes never knew.
Another Athens shall arise 25 And to remoter time Bequeath like sunset to the skies The splendour of its prime; And leave if naught so bright may live All earth can take or Heaven can give.
30 Saturn and Love their long repose Shall burst more bright and good Than all who fell than One who rose Than many unsubdued: Not gold not blood their altar dowers 35 But votive tears and symbol flowers.
O cease! must hate and death return? Cease! must men kill and die? Cease! drain not to its dregs the urn Of bitter prophecy! 40 The world is weary of the past¡ª O might it die or rest at last!


Written by Percy Bysshe Shelley | Create an image from this poem

Chorus from Hellas

 The world`s great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faith and empires gleam,
Like a wrecks of a dissolving dream.
A brighter Hellas rears its mountains From waves serener far; A new Peneus rolls his fountains Against the morning star.
Where fairer Tempes bloom, there sleep Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main, Fraught with a later prize; Another Orpheus sings again, And loves, and weeps, and dies.
A new Ulyssses leaves once more Calypso for his native shore.
.
.
Written by Percy Bysshe Shelley | Create an image from this poem

An Exhortation

 Chameleons feed on light and air: 
Poets' food is love and fame: 
If in this wide world of care 
Poets could but find the same 
With as little toil as they, 
Would they ever change their hue 
As the light chameleons do, 
Suiting it to every ray 
Twenty times a day? 

Poets are on this cold earth, 
As chameleons might be, 
Hidden from their early birth 
In a cave beneath the sea; 
Where light is, chameleons change: 
Where love is not, poets do: 
Fame is love disguised: if few 
Find either, never think it strange 
That poets range.
Yet dare not stain with wealth or power A poet's free and heavenly mind: If bright chameleons should devour Any food but beams and wind, They would grow as earthly soon As their brother lizards are.
Children of a sunnier star, Spirits from beyond the moon, O, refuse the boon!
Written by Henrik Ibsen | Create an image from this poem

BURNT SHIPS

 TO skies that were brighter 
Turned he his prows; 
To gods that were lighter 
Made he his vows.
The snow-land's mountains Sank in the deep; Sunnier fountains Lulled him to sleep.
He burns his vessels, The smoke flung forth On blue cloud-trestles A bridge to the north.
From the sun-warmed lowland Each night that betides, To the huts of the snow-land A horseman rides.
Written by William Butler Yeats | Create an image from this poem

The Shadowy Waters: Introductory Lines

 I walked among the seven woods of Coole:
Shan-walla, where a willow-hordered pond
Gathers the wild duck from the winter dawn;
Shady Kyle-dortha; sunnier Kyle-na-no,
Where many hundred squirrels are as happy
As though they had been hidden hy green houghs
Where old age cannot find them; Paire-na-lee,
Where hazel and ash and privet hlind the paths:
Dim Pairc-na-carraig, where the wild bees fling
Their sudden fragrances on the green air;
Dim Pairc-na-tarav, where enchanted eyes
Have seen immortal, mild, proud shadows walk;
Dim Inchy wood, that hides badger and fox
And marten-cat, and borders that old wood
Wise Buddy Early called the wicked wood:
Seven odours, seven murmurs, seven woods.
I had not eyes like those enchanted eyes, Yet dreamed that beings happier than men Moved round me in the shadows, and at night My dreams were clown hy voices and by fires; And the images I have woven in this story Of Forgael and Dectora and the empty waters Moved round me in the voices and the fires, And more I may not write of, for they that cleave The waters of sleep can make a chattering tongue Heavy like stone, their wisdom being half silence.
How shall I name you, immortal, mild, proud shadows? I only know that all we know comes from you, And that you come from Eden on flying feet.
Is Eden far away, or do you hide From human thought, as hares and mice and coneys That run before the reaping-hook and lie In the last ridge of the barley? Do our woods And winds and ponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? And do you gather about us when pale light Shining on water and fallen among leaves, And winds blowing from flowers, and whirr of feathers And the green quiet, have uplifted the heart? I have made this poem for you, that men may read it Before they read of Forgael and Dectora, As men in the old times, before the harps began, Poured out wine for the high invisible ones.
Written by Fannie Isabelle Sherrick | Create an image from this poem

Summer Rain

Oh, what is so pure as the glad summer rain,
That falls on the grass where the sunlight has lain?
And what is so fair as the flowers that lie
All bathed in the tears of the soft summer sky?
The blue of the heavens is dimmed by the rain
That wears away sorrow and washes out pain;
But we know that the flowers we cherish would die
Were it not for the tears of the cloud-laden sky.
The rose is the sweeter when kissed by the rain,
And hearts are the dearer where sorrow has lain;
The sky is the fairer that rain-clouds have swept,
And no eyes are so bright as the eyes that have wept.
Oh, they are so happy, these flowers that die,
They laugh in the sunshine, oh, why cannot I?
They droop in the shadow, they smile in the sun,
Yet they die in the winter when summer is done.
The lily is lovely, and fragrant her breath,
But the beauty she wears is the emblem of death;
The rain is so fair as it falls on the flowers,
But the clouds are the shadows of sunnier hours.
Why laugh in the sunshine, why smile in the rain?
The world is a shadow and life is a pain;
Why live in the summer, why dream in the sun,
To die in the winter, when summer is done?
Oh, there is the truth that each life underlies,
That baffles the poets and sages so wise;
Ah! there is the bitter that lies in the sweet
As we gather the roses that bloom at our feet.
Oh, flowers forgive me, I'm willful to-day,
Oh, take back the lesson you gave me I pray;
For I slept in the sunshine, I woke in the rain
And it banished forever my sorrow and pain.

Book: Shattered Sighs