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Best Famous Summoned Poems

Here is a collection of the all-time best famous Summoned poems. This is a select list of the best famous Summoned poetry. Reading, writing, and enjoying famous Summoned poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of summoned poems.

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Written by Rainer Maria Rilke | Create an image from this poem

Childhood

 It would be good to give much thought, before
you try to find words for something so lost,
for those long childhood afternoons you knew
that vanished so completely --and why?

We're still reminded--: sometimes by a rain,
but we can no longer say what it means;
life was never again so filled with meeting,
with reunion and with passing on

as back then, when nothing happened to us
except what happens to things and creatures:
we lived their world as something human,
and became filled to the brim with figures.
And became as lonely as a sheperd and as overburdened by vast distances, and summoned and stirred as from far away, and slowly, like a long new thread, introduced into that picture-sequence where now having to go on bewilders us.


Written by Leonard Cohen | Create an image from this poem

Anthem

 The birds they sang 
at the break of day 
Start again 
I heard them say 
Don't dwell on what 
has passed away 
or what is yet to be.
Ah the wars they will be fought again The holy dove She will be caught again bought and sold and bought again the dove is never free.
Ring the bells that still can ring Forget your perfect offering There is a crack in everything That's how the light gets in.
We asked for signs the signs were sent: the birth betrayed the marriage spent Yeah the widowhood of every government -- signs for all to see.
I can't run no more with that lawless crowd while the killers in high places say their prayers out loud.
But they've summoned, they've summoned up a thundercloud and they're going to hear from me.
Ring the bells that still can ring .
.
.
You can add up the parts but you won't have the sum You can strike up the march, there is no drum Every heart, every heart to love will come but like a refugee.
Ring the bells that still can ring Forget your perfect offering There is a crack, a crack in everything That's how the light gets in.
Ring the bells that still can ring Forget your perfect offering There is a crack, a crack in everything That's how the light gets in.
That's how the light gets in.
That's how the light gets in.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Lamentation

 In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary, Often said to Chibiabos, "O my brother! do not leave me, Lest the Evil Spirits harm you!" Chibiabos, young and heedless, Laughing shook his coal-black tresses, Answered ever sweet and childlike, "Do not fear for me, O brother! Harm and evil come not near me!" Once when Peboan, the Winter, Roofed with ice the Big-Sea-Water, When the snow-flakes, whirling downward, Hissed among the withered oak-leaves, Changed the pine-trees into wigwams, Covered all the earth with silence, Armed with arrows, shod with snow-shoes, Heeding not his brother's warning, Fearing not the Evil Spirits, Forth to hunt the deer with antlers All alone went Chibiabos.
Right across the Big-Sea-Water Sprang with speed the deer before him.
With the wind and snow he followed, O'er the treacherous ice he followed, Wild with all the fierce commotion And the rapture of the hunting.
But beneath, the Evil Spirits Lay in ambush, waiting for him, Broke the treacherous ice beneath him, Dragged him downward to the bottom, Buried in the sand his body.
Unktahee, the god of water, He the god of the Dacotahs, Drowned him in the deep abysses Of the lake of Gitche Gumee.
From the headlands Hiawatha Sent forth such a wail of anguish, Such a fearful lamentation, That the bison paused to listen, And the wolves howled from the prairies, And the thunder in the distance Starting answered "Baim-wawa!" Then his face with black he painted, With his robe his head he covered, In his wigwam sat lamenting, Seven long weeks he sat lamenting, Uttering still this moan of sorrow: "He is dead, the sweet musician! He the sweetest of all singers! He has gone from us forever, He has moved a little nearer To the Master of all music, To the Master of all singing! O my brother, Chibiabos!" And the melancholy fir-trees Waved their dark green fans above him, Waved their purple cones above him, Sighing with him to console him, Mingling with his lamentation Their complaining, their lamenting.
Came the Spring, and all the forest Looked in vain for Chibiabos; Sighed the rivulet, Sebowisha, Sighed the rushes in the meadow.
From the tree-tops sang the bluebird, Sang the bluebird, the Owaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician!" From the wigwam sang the robin, Sang the robin, the Opechee, "Chibiabos! Chibiabos! He is dead, the sweetest singer!" And at night through all the forest Went the whippoorwill complaining, Wailing went the Wawonaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician! He the sweetest of all singers!" Then the Medicine-men, the Medas, The magicians, the Wabenos, And the Jossakeeds, the Prophets, Came to visit Hiawatha; Built a Sacred Lodge beside him, To appease him, to console him, Walked in silent, grave procession, Bearing each a pouch of healing, Skin of beaver, lynx, or otter, Filled with magic roots and simples, Filled with very potent medicines.
When he heard their steps approaching~, Hiawatha ceased lamenting, Called no more on Chibiabos; Naught he questioned, naught he answered, But his mournful head uncovered, From his face the mourning colors Washed he slowly and in silence, Slowly and in silence followed Onward to the Sacred Wigwam.
There a magic drink they gave him, Made of Nahma-wusk, the spearmint, And Wabeno-wusk, the yarrow, Roots of power, and herbs of healing; Beat their drums, and shook their rattles; Chanted singly and in chorus, Mystic songs like these, they chanted.
"I myself, myself! behold me! `T Is the great Gray Eagle talking; Come, ye white crows, come and hear him! The loud-speaking thunder helps me; All the unseen spirits help me; I can hear their voices calling, All around the sky I hear them! I can blow you strong, my brother, I can heal you, Hiawatha!" "Hi-au-ha!" replied the chorus, "Wayha-way!" the mystic chorus.
Friends of mine are all the serpents! Hear me shake my skin of hen-hawk! Mahng, the white loon, I can kill him; I can shoot your heart and kill it! I can blow you strong, my brother, I can heal you, Hiawatha !" "Hi-au-ha!" replied the chorus, "Wayhaway!" the mystic chorus.
"I myself, myself! the prophet! When I speak the wigwam trembles, Shakes the Sacred Lodge with terror, Hands unseen begin to shake it! When I walk, the sky I tread on Bends and makes a noise beneath me! I can blow you strong, my brother! Rise and speak, O Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus.
Then they shook their medicine-pouches O'er the head of Hiawatha, Danced their medicine-dance around him; And upstarting wild and haggard, Like a man from dreams awakened, He was healed of all his madness.
As the clouds are swept from heaven, Straightway from his brain departed All his moody melancholy; As the ice is swept from rivers, Straightway from his heart departed All his sorrow and affliction.
Then they summoned Chibiabos From his grave beneath the waters, From the sands of Gitche Gumee Summoned Hiawatha's brother.
And so mighty was the magic Of that cry and invocation, That he heard it as he lay there Underneath the Big-Sea-Water; From the sand he rose and listened, Heard the music and the singing, Came, obedient to the summons, To the doorway of the wigwam, But to enter they forbade him.
Through a chink a coal they gave him, Through the door a burning fire-brand; Ruler in the Land of Spirits, Ruler o'er the dead, they made him, Telling him a fire to kindle For all those that died thereafter, Camp-fires for their night encampments On their solitary journey To the kingdom of Ponemah, To the land of the Hereafter.
From the village of his childhood, From the homes of those who knew him, Passing silent through the forest, Like a smoke-wreath wafted sideways, Slowly vanished Chibiabos! Where he passed, the branches moved not, Where he trod, the grasses bent not, And the fallen leaves of last year Made no sound beneath his footstep.
Four whole days he journeyed onward Down the pathway of the dead men; On the dead-man's strawberry feasted, Crossed the melancholy river, On the swinging log he crossed it, Came unto the Lake of Silver, In the Stone Canoe was carried To the Islands of the Blessed, To the land of ghosts and shadows.
On that journey, moving slowly, Many weary spirits saw he, Panting under heavy burdens, Laden with war-clubs, bows and arrows, Robes of fur, and pots and kettles, And with food that friends had given For that solitary journey.
"Ay! why do the living," said they, "Lay such heavy burdens on us! Better were it to go naked, Better were it to go fasting, Than to bear such heavy burdens On our long and weary journey!" Forth then issued Hiawatha, Wandered eastward, wandered westward, Teaching men the use of simples And the antidotes for poisons, And the cure of all diseases.
Thus was first made known to mortals All the mystery of Medamin, All the sacred art of healing.
Written by Anne Sexton | Create an image from this poem

Rumpelstiltskin

 Inside many of us
is a small old man
who wants to get out.
No bigger than a two-year-old whom you'd call lamb chop yet this one is old and malformed.
His head is okay but the rest of him wasn't Sanforized? He is a monster of despair.
He is all decay.
He speaks up as tiny as an earphone with Truman's asexual voice: I am your dwarf.
I am the enemy within.
I am the boss of your dreams.
No.
I am not the law in your mind, the grandfather of watchfulness.
I am the law of your members, the kindred of blackness and impulse.
See.
Your hand shakes.
It is not palsy or booze.
It is your Doppelganger trying to get out.
Beware .
.
.
Beware .
.
.
There once was a miller with a daughter as lovely as a grape.
He told the king that she could spin gold out of common straw.
The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
She wept, of course, huge aquamarine tears.
The door opened and in popped a dwarf.
He was as ugly as a wart.
Little thing, what are you? she cried.
With his tiny no-sex voice he replied: I am a dwarf.
I have been exhibited on Bond Street and no child will ever call me Papa.
I have no private life.
If I'm in my cups the whole town knows by breakfast and no child will ever call me Papa I am eighteen inches high.
I am no bigger than a partridge.
I am your evil eye and no child will ever call me Papa.
Stop this Papa foolishness, she cried.
Can you perhaps spin straw into gold? Yes indeed, he said, that I can do.
He spun the straw into gold and she gave him her necklace as a small reward.
When the king saw what she had done he put her in a bigger room of straw and threatened death once more.
Again she cried.
Again the dwarf came.
Again he spun the straw into gold.
She gave him her ring as a small reward.
The king put her in an even bigger room but this time he promised to marry her if she succeeded.
Again she cried.
Again the dwarf came.
But she had nothing to give him.
Without a reward the dwarf would not spin.
He was on the scent of something bigger.
He was a regular bird dog.
Give me your first-born and I will spin.
She thought: Piffle! He is a silly little man.
And so she agreed.
So he did the trick.
Gold as good as Fort Knox.
The king married her and within a year a son was born.
He was like most new babies, as ugly as an artichoke but the queen thought him in pearl.
She gave him her dumb lactation, delicate, trembling, hidden, warm, etc.
And then the dwarf appeared to claim his prize.
Indeed! I have become a papa! cried the little man.
She offered him all the kingdom but he wanted only this - a living thing to call his own.
And being mortal who can blame him? The queen cried two pails of sea water.
She was as persistent as a Jehovah's Witness.
And the dwarf took pity.
He said: I will give you three days to guess my name and if you cannot do it I will collect your child.
The queen sent messengers throughout the land to find names of the most unusual sort.
When he appeared the next day she asked: Melchior? Balthazar? But each time the dwarf replied: No! No! That's not my name.
The next day she asked: Spindleshanks? Spiderlegs? But it was still no-no.
On the third day the messenger came back with a strange story.
He told her: As I came around the corner of the wood where the fox says good night to the hare I saw a little house with a fire burning in front of it.
Around that fire a ridiculous little man was leaping on one leg and singing: Today I bake.
Tomorrow I brew my beer.
The next day the queen's only child will be mine.
Not even the census taker knows that Rumpelstiltskin is my name .
.
.
The queen was delighted.
She had the name! Her breath blew bubbles.
When the dwarf returned she called out: Is your name by any chance Rumpelstiltskin? He cried: The devil told you that! He stamped his right foot into the ground and sank in up to his waist.
Then he tore himself in two.
Somewhat like a split broiler.
He laid his two sides down on the floor, one part soft as a woman, one part a barbed hook, one part papa, one part Doppelganger.
Written by Kahlil Gibran | Create an image from this poem

Two Infants II

 A prince stood on the balcony of his palace addressing a great multitude summoned for the occasion and said, "Let me offer you and this whole fortunate country my congratulations upon the birth of a new prince who will carry the name of my noble family, and of whom you will be justly proud.
He is the new bearer of a great and illustrious ancestry, and upon him depends the brilliant future of this realm.
Sing and be merry!" The voices of the throngs, full of joy and thankfulness, flooded the sky with exhilarating song, welcoming the new tyrant who would affix the yoke of oppression to their necks by ruling the weak with bitter authority, and exploiting their bodies and killing their souls.
For that destiny, the people were singing and drinking ecstatically to the heady of the new Emir.
Another child entered life and that kingdom at the same time.
While the crowds were glorifying the strong and belittling themselves by singing praise to a potential despot, and while the angels of heaven were weeping over the people's weakness and servitude, a sick woman was thinking.
She lived in an old, deserted hovel and, lying in her hard bed beside her newly born infant wrapped with ragged swaddles, was starving to death.
She was a penurious and miserable young wife neglected by humanity; her husband had fallen into the trap of death set by the prince's oppression, leaving a solitary woman to whom God had sent, that night, a tiny companion to prevent her from working and sustaining life.
As the mass dispersed and silence was restored to the vicinity, the wretched woman placed the infant on her lap and looked into his face and wept as if she were to baptize him with tears.
And with a hunger weakened voice she spoke to the child saying, "Why have you left the spiritual world and come to share with me the bitterness of earthly life? Why have you deserted the angels and the spacious firmament and come to this miserable land of humans, filled with agony, oppression, and heartlessness? I have nothing to give you except tears; will you be nourished on tears instead of milk? I have no silk clothes to put on you; will my naked, shivering arms give you warmth? The little animals graze in the pasture and return safely to their shed; and the small birds pick the seeds and sleep placidly between the branches.
But you, my beloved, have naught save a loving but destitute mother.
" Then she took the infant to her withered breast and clasped her arms around him as if wanting to join the two bodies in one, as before.
She lifted her burning eyes slowly toward heaven and cried, "God! Have mercy on my unfortunate countrymen!" At that moment the clouds floated from the face of the moon, whose beams penetrated the transom of that poor home and fell upon two corpses.


Written by Li Po | Create an image from this poem

Song Of The Jade Cup

 A jade cup was broken because old age came
too soon to give fulfilment to hopes; after drinking
three cups of wine I wiped my sword and
started to dance under an autumn moon first
singing in a high voice then unable to halt
tears coming; I remember the day when first
I was summoned to court and I was feasted splendidly
writing poems in praise of the Emperor, making
jokes with officials around several times changing
my horse, taking the best from the
imperial stables; with my whip studded with
jade and coral presented to me by the Emperor,
my life was free and easy, people calling me
the "Banished Immortal.
" Hsi Shih was good at smiling as well as frowning, useless for ordinary girls to try and imitate her.
Surely it was only her loveliness the king adored, but unfortunately jealousy within the palace led to her death.
Written by Delmore Schwartz | Create an image from this poem

Apollo Musagete Poetry And The Leader Of The Muses

 Nothing is given which is not taken.
Little or nothing is taken which is not freely desired, freely, truly and fully.
"You would not seek me if you had not found me": this is true of all that is supremely desired and admired.
.
.
"An enigma is an animal," said the hurried, harried schoolboy: And a horse divided against itself cannot stand; And a moron is a man who believes in having too many wives: what harm is there in that? O the endless fecundity of poetry is equaled By its endless inexhaustible freshness, as in the discovery of America and of poetry.
Hence it is clear that the truth is not strait and narrow but infinite: All roads lead to Rome and to poetry and to poem, sweet poem and from, away and towards are the same typography.
Hence the poet must be, in a way, stupid and naive and a little child; Unless ye be as a little child ye cannot enter the kingdom of poetry.
Hence the poet must be able to become a tiger like Blake; a carousel like Rilke.
Hence he must be all things to be free, for all impersonations a doormat and a monument to all situations possible or actual The cuckold, the cuckoo, the conqueror, and the coxcomb.
It is to him in the zoo that the zoo cries out and the hyena: "Hello, take off your hat, king of the beasts, and be seated, Mr.
Bones.
" And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit as Baudelaire studied la charogne of Jeanne Duval.
The poet must be or become both Keats and Renoir and Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned out of her mind drowning in the river called forever river and ever.
.
.
Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady (As Baudelaire refused Madame Sabatier when the fair blonde summoned him, For Jeanne Duval was enough and more than enough, although she cuckolded him With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness, His devotion and conception of the divinity of Beauty would have suffered an absolute diminution.
) The poet must be both Casanova and St.
Anthony, He must be Adonis, Nero, Hippolytus, Heathcliff, and Phaedre, Genghis Kahn, Genghis Cohen, and Gordon Martini Dandy Ghandi and St.
Francis, Professor Tenure, and Dizzy the dean and Disraeli of Death.
He would have worn the horns of existence upon his head, He would have perceived them regarding the looking-glass, He would have needed them the way a moose needs a hatrack; Above his heavy head and in his loaded eyes, black and scorched, He would have seen the meaning of the hat-rack, above the glass Looking in the dark foyer.
For the poet must become nothing but poetry, He must be nothing but a poem when he is writing Until he is absent-minded as the dead are Forgetful as the nymphs of Lethe and a lobotomy.
.
.
("the fat weed that rots on Lethe wharf").
Written by John Donne | Create an image from this poem

Holy Sonnet IV: Oh My Black Soul! Now Art Thou Summoned

 Oh my black soul! now art thou summoned
By sickness, death's herald, and champion;
Thou art like a pilgrim, which abroad hath done
Treason, and durst not turn to whence he is fled;
Or like a thief, which till death's doom be read,
Wisheth himself delivered from prison,
But damned and haled to execution,
Wisheth that still he might be imprisoned.
Yet grace, if thou repent, thou canst not lack; But who shall give thee that grace to begin? Oh make thy self with holy mourning black, And red with blushing, as thou art with sin; Or wash thee in Christ's blood, which hath this might That being red, it dyes red souls to white
Written by Rudyard Kipling | Create an image from this poem

Cold Iron

 Cold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
" "Good!" said the Baron, sitting in his hall, "But Iron -- Cold Iron -- is master of them all.
" So he made rebellion 'gainst the King his liege, Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall, "But Iron -- Cold Iron -- shall be master for you all!" Woe for the Baron and his knights so strong, When the cruel cannon-balls laid 'em all along; He was taken prisoner, he was cast in thrall, And Iron -- Cold Iron -- was master of it all! Yet his King spake kindly (ah, how kind a Lord!) "What if I release thee now and give thee back thy sword?" "Nay!" said the Baron, "mock not at my fall, For Iron -- Cold Iron -- is master of men all.
" "Tears are for the craven, prayers are for the clown -- Halters for the silly neck that cannot keep a crown.
" "As my loss is grievous, so my hope is small, For Iron -- Cold Iron -- must be master of men all!" Yet his King made answer (few such Kings there be!) "Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall How Iron -- Cold Iron -- can be master of men all!" He took the Wine and blessed it.
He blessed and brake the Bread, With His own Hands He served Them, and presently He said: "See! These Hands they pierced with nails, outside My city wall, Show Iron -- Cold Iron -- to be master of men all.
" "Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall -- For Iron -- Cold Iron -- must be master of men all!" "Crowns are for the valiant -- sceptres for the bold! Thrones and powers for mighty men who dare to take and hold.
" "Nay!" said the Baron, kneeling in his hall, "But Iron -- Cold Iron -- is master of men all! Iron out of Calvary is master of men all!"
Written by Hilaire Belloc | Create an image from this poem

Lord Lundy

 Who was too Freely Moved to Tears, and thereby ruined his Political Career 

Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said, "Lundy! It's time to go to Bed!" He bellowed like a Little Turk.
Or if his father Lord Dunquerque Said "Hi!" in a Commanding Tone, "Hi, Lundy! Leave the Cat alone!" Lord Lundy, letting go its tail, Would raise so terrible a wail As moved His Grandpapa the Duke To utter the severe rebuke: "When I, Sir! was a little Boy, An Animal was not a Toy!" His father's Elder Sister, who Was married to a Parvenoo, Confided to Her Husband, Drat! The Miserable, Peevish Brat! Why don't they drown the Little Beast?" Suggestions which, to say the least, Are not what we expect to hear From Daughters of an English Peer.
His Grandmamma, His Mother's Mother, Who had some dignity or other, The Garter, or no matter what, I can't remember all the Lot! Said "Oh! That I were Brisk and Spry To give him that for which to cry!" (An empty wish, alas! For she Was Blind and nearly ninety-three).
The Dear Old Butler thought-but there! I really neither know nor care For what the Dear Old Butler thought! In my opinion, Butlers ought To know their place, and not to play The Old Retainer night and day.
I'm getting tired and so are you, Let's cut the poem into two! Second Part It happened to Lord Lundy then, As happens to so many men: Towards the age of twenty-six, They shoved him into politics; In which profession he commanded The Income that his rank demanded In turn as Secretary for India, the Colonies, and War.
But very soon his friends began To doubt is he were quite the man: Thus if a member rose to say (As members do from day to day), "Arising out of that reply .
.
.
!" Lord Lundy would begin to cry.
A Hint at harmless little jobs Would shake him with convulsive sobs.
While as for Revelations, these Would simply bring him to his knees, And leave him whimpering like a child.
It drove his colleagues raving wild! They let him sink from Post to Post, From fifteen hundred at the most To eight, and barely six--and then To be Curator of Big Ben!.
.
.
And finally there came a Threat To oust him from the Cabinet! The Duke -- his aged grand-sire -- bore The shame till he could bear no more.
He rallied his declining powers, Summoned the youth to Brackley Towers, And bitterly addressed him thus-- "Sir! you have disappointed us! We had intended you to be The next Prime Minister but three: The stocks were sold; the Press was squared: The Middle Class was quite prepared.
But as it is! .
.
.
My language fails! Go out and govern New South Wales!" The Aged Patriot groaned and died: And gracious! how Lord Lundy cried!

Book: Shattered Sighs