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Best Famous Sultana Poems

Here is a collection of the all-time best famous Sultana poems. This is a select list of the best famous Sultana poetry. Reading, writing, and enjoying famous Sultana poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sultana poems.

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Written by Robert William Service | Create an image from this poem

Insomnia

 Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St.
Denis The bells of Paris chime to me; "You're young," they say, "and strong and free.
" I do not turn with sighs and groans To ease my limbs, to rest my bones, As if my bed were stuffed with stones, No peevish murmur tips my tongue -- Ah no! for every sound upflung Says: "Lad, you're free and strong and young.
" And so beneath the sheet's caress My body purrs with happiness; Joy bubbles in my veins.
.
.
.
Ah yes, My very blood that leaps along Is chiming in a joyous song, Because I'm young and free and strong.
Maybe it is the springtide.
I am so happy I am afraid.
The sense of living fills me with exultation.
I want to sing, to dance; I am dithyrambic with delight.
I think the moon must be to blame: It fills the room with fairy flame; It paints the wall, it seems to pour A dappled flood upon the floor.
I rise and through the window stare .
.
.
Ye gods! how marvelously fair! From Montrouge to the Martyr's Hill, A silver city rapt and still; Dim, drowsy deeps of opal haze, And spire and dome in diamond blaze; The little lisping leaves of spring Like sequins softly glimmering; Each roof a plaque of argent sheen, A gauzy gulf the space between; Each chimney-top a thing of grace, Where merry moonbeams prank and chase; And all that sordid was and mean, Just Beauty, deathless and serene.
O magic city of a dream! From glory unto glory gleam; And I will gaze and pity those Who on their pillows drowse and doze .
.
.
And as I've nothing else to do, Of tea I'll make a rousing brew, And coax my pipes until they croon, And chant a ditty to the moon.
There! my tea is black and strong.
Inspiration comes with every sip.
Now for the moon.
The moon peeped out behind the hill As yellow as an apricot; Then up and up it climbed until Into the sky it fairly got; The sky was vast and violet; The poor moon seemed to faint in fright, And pale it grew and paler yet, Like fine old silver, rinsed and bright.
And yet it climbed so bravely on Until it mounted heaven-high; Then earthward it serenely shone, A silver sovereign of the sky, A bland sultana of the night, Surveying realms of lily light.


Written by Victor Hugo | Create an image from this poem

MOONLIGHT ON THE BOSPHORUS

 ("La lune était sereine.") 
 
 {X., September, 1828.} 


 Bright shone the merry moonbeams dancing o'er the wave; 
 At the cool casement, to the evening breeze flung wide, 
 Leans the Sultana, and delights to watch the tide, 
 With surge of silvery sheen, yon sleeping islets lave. 
 
 From her hand, as it falls, vibrates the light guitar. 
 She listens—hark! that sound that echoes dull and low. 
 Is it the beat upon the Archipelago 
 Of some long galley's oar, from Scio bound afar? 
 
 Is it the cormorants, whose black wings, one by one, 
 Cut the blue wave that o'er them breaks in liquid pearls? 
 Is it some hovering sprite with whistling scream that hurls 
 Down to the deep from yon old tower a loosened stone? 
 
 Who thus disturbs the tide near the seraglio? 
 'Tis no dark cormorants that on the ripple float, 
 'Tis no dull plume of stone—no oars of Turkish boat, 
 With measured beat along the water creeping slow. 
 
 'Tis heavy sacks, borne each by voiceless dusky slaves; 
 And could you dare to sound the depths of yon dark tide, 
 Something like human form would stir within its side. 
 Bright shone the merry moonbeams dancing o'er the wave. 
 
 JOHN L. O'SULLIVAN. 


 




Written by Victor Hugo | Create an image from this poem

THE FAVORITE SULTANA

 ("N'ai-je pas pour toi, belle juive.") 
 
 {XII., Oct. 27, 1828.} 


 To please you, Jewess, jewel! 
 I have thinned my harem out! 
 Must every flirting of your fan 
 Presage a dying shout? 
 
 Grace for the damsels tender 
 Who have fear to hear your laugh, 
 For seldom gladness gilds your lips 
 But blood you mean to quaff. 
 
 In jealousy so zealous, 
 Never was there woman worse; 
 You'd have no roses but those grown 
 Above some buried corse. 
 
 Am I not pinioned firmly? 
 Why be angered if the door 
 Repulses fifty suing maids 
 Who vainly there implore? 
 
 Let them live on—to envy 
 My own empress of the world, 
 To whom all Stamboul like a dog 
 Lies at the slippers curled. 
 
 To you my heroes lower 
 Those scarred ensigns none have cowed; 
 To you their turbans are depressed 
 That elsewhere march so proud. 
 
 To you Bassora offers 
 Her respect, and Trebizonde 
 Her carpets richly wrought, and spice 
 And gems, of which you're fond. 
 
 To you the Cyprus temples 
 Dare not bar or close the doors; 
 For you the mighty Danube sends 
 The choicest of its stores. 
 
 Fear you the Grecian maidens, 
 Pallid lilies of the isles? 
 Or the scorching-eyed sand-rover 
 From Baalbec's massy piles? 
 
 Compared with yours, oh, daughter 
 Of King Solomon the grand, 
 What are round ebon bosoms, 
 High brows from Hellas' strand? 
 
 You're neither blanched nor blackened, 
 For your tint of olive's clear; 
 Yours are lips of ripest cherry, 
 You are straight as Arab spear. 
 
 Hence, launch no longer lightning 
 On these paltry slaves of ours. 
 Why should your flow of tears be matched 
 By their mean life-blood showers? 
 
 Think only of our banquets 
 Brought and served by charming girls, 
 For beauties sultans must adorn 
 As dagger-hilts the pearls. 


 




Written by Victor Hugo | Create an image from this poem

ZARA, THE BATHER

 ("Sara, belle d'indolence.") 
 
 {XIX., August, 1828.} 


 In a swinging hammock lying, 
 Lightly flying, 
 Zara, lovely indolent, 
 O'er a fountain's crystal wave 
 There to lave 
 Her young beauty—see her bent. 
 
 As she leans, so sweet and soft, 
 Flitting oft, 
 O'er the mirror to and fro, 
 Seems that airy floating bat, 
 Like a feather 
 From some sea-gull's wing of snow. 
 
 Every time the frail boat laden 
 With the maiden 
 Skims the water in its flight, 
 Starting from its trembling sheen, 
 Swift are seen 
 A white foot and neck so white. 
 
 As that lithe foot's timid tips 
 Quick she dips, 
 Passing, in the rippling pool, 
 (Blush, oh! snowiest ivory!) 
 Frolic, she 
 Laughs to feel the pleasant cool. 
 
 Here displayed, but half concealed— 
 Half revealed, 
 Each bright charm shall you behold, 
 In her innocence emerging, 
 As a-verging 
 On the wave her hands grow cold. 
 
 For no star howe'er divine 
 Has the shine 
 Of a maid's pure loveliness, 
 Frightened if a leaf but quivers 
 As she shivers, 
 Veiled with naught but dripping trees. 
 
 By the happy breezes fanned 
 See her stand,— 
 Blushing like a living rose, 
 On her bosom swelling high 
 If a fly 
 Dare to seek a sweet repose. 
 
 In those eyes which maiden pride 
 Fain would hide, 
 Mark how passion's lightnings sleep! 
 And their glance is brighter far 
 Than the star 
 Brightest in heaven's bluest deep. 
 
 O'er her limbs the glittering current 
 In soft torrent 
 Rains adown the gentle girl, 
 As if, drop by drop, should fall, 
 One and all 
 From her necklace every pearl. 
 
 Lengthening still the reckless pleasure 
 At her leisure, 
 Care-free Zara ever slow 
 As the hammock floats and swings 
 Smiles and sings, 
 To herself, so sweet and low. 
 
 "Oh, were I a capitana, 
 Or sultana, 
 Amber should be always mixt 
 In my bath of jewelled stone, 
 Near my throne, 
 Griffins twain of gold betwixt. 
 
 "Then my hammock should be silk, 
 White as milk; 
 And, more soft than down of dove, 
 Velvet cushions where I sit 
 Should emit 
 Perfumes that inspire love. 
 
 "Then should I, no danger near, 
 Free from fear, 
 Revel in my garden's stream; 
 Nor amid the shadows deep 
 Dread the peep, 
 Of two dark eyes' kindling gleam. 
 
 "He who thus would play the spy, 
 On the die 
 For such sight his head must throw; 
 In his blood the sabre naked 
 Would be slakèd, 
 Of my slaves of ebon brow. 
 
 "Then my rich robes trailing show 
 As I go, 
 None to chide should be so bold; 
 And upon my sandals fine 
 How should shine 
 Rubies worked in cloth-of-gold!" 
 
 Fancying herself a queen, 
 All unseen, 
 Thus vibrating in delight; 
 In her indolent coquetting 
 Quite forgetting 
 How the hours wing their flight. 
 
 As she lists the showery tinkling 
 Of the sprinkling 
 By her wanton curvets made; 
 Never pauses she to think 
 Of the brink 
 Where her wrapper white is laid. 
 
 To the harvest-fields the while, 
 In long file, 
 Speed her sisters' lively band, 
 Like a flock of birds in flight 
 Streaming light, 
 Dancing onward hand in hand. 
 
 And they're singing, every one, 
 As they run 
 This the burden of their lay: 
 "Fie upon such idleness! 
 Not to dress 
 Earlier on harvest-day!" 
 
 JOHN L. O'SULLIVAN. 


 




Written by Robert Burns | Create an image from this poem

303. Song—The Gowden Locks of Anna

 YESTREEN I had a pint o’ wine,
 A place where body saw na;
Yestreen lay on this breast o’ mine
 The gowden locks of Anna.
The hungry Jew in wilderness, Rejoicing o’er his manna, Was naething to my hinny bliss Upon the lips of Anna.
Ye monarchs, take the East and West Frae Indus to Savannah; Gie me, within my straining grasp, The melting form of Anna: There I’ll despise Imperial charms, An Empress or Sultana, While dying raptures in her arms I give and take wi’ Anna! Awa, thou flaunting God of Day! Awa, thou pale Diana! Ilk Star, gae hide thy twinkling ray, When I’m to meet my Anna! Come, in thy raven plumage, Night, (Sun, Moon, and Stars, withdrawn a’;) And bring an angel-pen to write My transports with my Anna! POSTSCRIPTThe Kirk an’ State may join an’ tell, To do sic things I maunna: The Kirk an’ State may gae to hell, And I’ll gae to my Anna.
She is the sunshine o’ my e’e, To live but her I canna; Had I on earth but wishes three, The first should be my Anna.



Book: Shattered Sighs