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Best Famous Suggestive Poems

Here is a collection of the all-time best famous Suggestive poems. This is a select list of the best famous Suggestive poetry. Reading, writing, and enjoying famous Suggestive poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of suggestive poems.

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Written by Charlotte Bronte | Create an image from this poem

Life

 I leave the office, take the stairs,
in time to mail a letter
before 3 in the afternoon--the last dispatch.
The red, white and blue air mail
falls past the slot for foreign mail
and hits bottom with a sound
that tells me my letter is alone.
They will have to bring in a plane
from a place of coastline and beaches,
from a climate of fresh figs and apricot,
to cradle my one letter. Up in the air
it will leave behind some of its ugly nuance,
its unpleasant habit of humanity
which wants to smear itself over others:
the spot in which it wasn't clear, perhaps,
how to take my words, which were suggestive,
the paragraph in which the names of flowers,
ostensibly to indicate travel,
make a bed for lovers,
the parts that contain spit and phlegm,
the words only a wet tongue can manage,
hissing sounds and letters of the alphabet
which can only be formed
by biting down on the bottom lip.
In the next-to-last paragraph, some hair
came off in the comb. Then clothes
were gathered from everywhere in the room
in one sentence, and the sun rose
while a door closed with sincerity.
No doubt such sincerity will be judged,
but first the investigation of the postmark.
Am I where I was expected? Did I have at hand
the right denominations of stamps,
or did I make a childish quilt of ones and sevens?
Ah yes, they will have to cancel me twice.
Once to make my words worthless.
Once more to stop me from writing.


Written by John Ashbery | Create an image from this poem

Daffy Duck In Hollywood

 Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight 
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering, 
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore) 
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is 
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in 
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its 
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others, 
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited 
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better 
For him we ought to be! And how little, finally, 
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our 
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination. 
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself. 
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the 
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we 
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind 
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us, 
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
Written by Andrew Barton Paterson | Create an image from this poem

Investigating Flora

 'Twas in scientific circles 
That the great Professor Brown 
Had a world-wide reputation 
As a writer of renown. 
He had striven finer feelings 
In our natures to implant 
By his Treatise on the Morals 
Of the Red-eyed Bulldog Ant. 
He had hoisted an opponent 
Who had trodden unawares 
On his "Reasons for Bare Patches 
On the Female Native Bears". 
So they gave him an appointment 
As instructor to a band 
Of the most attractive females 
To be gathered in the land. 
'Twas a "Ladies' Science Circle" -- 
Just the latest social fad 
For the Nicest People only, 
And to make their rivals mad. 
They were fond of "science rambles" 
To the country from the town -- 
A parade of female beauty 
In the leadership of Brown. 
They would pick a place for luncheon 
And catch beetles on their rugs; 
The Professor called 'em "optera" -- 
They calld 'em "nasty bugs". 
Well, the thing was bound to perish 
For no lovely woman can 
Feel the slightest interest 
In a club without a Man -- 
The Professor hardly counted 
He was crazy as a loon, 
With a countenance suggestive 
Of an elderly baboon. 
But the breath of Fate blew on it 
With a sharp and sudden blast, 
And the "Ladies' Science Circle" 
Is a memory of the past. 

There were two-and-twenty members, 
Mostly young and mostly fair, 
Who had made a great excursion 
To a place called Dontknowwhere, 
At the crossing of Lost River, 
On the road to No Man's Land. 
There they met an old selector, 
With a stockwhip in his hand, 
And the sight of so much beauty 
Sent him slightly "off his nut"; 
So he asked them, smiling blandly, 
"Would they come down to the hut?" 
"I am come," said the Professor, 
In his thin and reedy voice, 
"To investigate your flora, 
Which I feel is very choice." 
The selector stared dumbfounded, 
Till at last he found his tongue: 
"To investigate my Flora! 
Oh, you howlin' Brigham Young! 
Why, you've two-and-twenty wimmen -- 
Reg'lar slap-up wimmen, too! 
And you're after little Flora! 
And a crawlin' thing like you! 
Oh, you Mormonite gorilla! 
Well, I've heard it from the first 
That you wizened little fellers 
Is a hundred times the worst! 

But a dried-up ape like you are, 
To be marchin' through the land 
With a pack of lovely wimmen -- 
Well, I cannot understand!" 
"You mistake," said the Professor, 
In a most indignant tone -- 
While the ladies shrieked and jabbered 
In a fashion of their own -- 
"You mistake about these ladies, 
I'm a lecturer of theirs; 
I am Brown, who wrote the Treatise 
On the Female Native Bears! 
When I said we wanted flora, 
What I meant was native flowers." 
"Well, you said you wanted Flora, 
And I'll swear you don't get ours! 
But here's Flora's self a-comin', 
And it's time for you to skip, 
Or I'll write a treatise on you, 
And I'll write it with the whip! 

Now I want no explanations; 
Just you hook it out of sight, 
Or you'll charm the poor girl some'ow!" 
The Professor looked in fright: 
She was six feet high and freckled, 
And her hair was turkey-red. 
The Professor gave a whimper, 
And threw down his bag and fled, 
And the Ladies' Science Circle, 
With a simultaneous rush, 
Travelled after its Professor, 
And went screaming through the bush! 

At the crossing of Lost River, 
On the road to No Man's Land, 
Where the grim and ghostly gumtrees 
Block the view on every hand, 
There they weep and wail and wander, 
Always seeking for the track, 
For the hapless old Professor 
Hasn't sense to guide 'em back; 
And they clutch at one another, 
And they yell and scream in fright 
As they see the gruesome creatures 
Of the grim Australian night; 
And they hear the mopoke's hooting, 
And the dingo's howl so dread, 
And the flying foxes jabber 
From the gum trees overhead; 
While the weird and wary wombats, 
In their subterranean caves, 
Are a-digging, always digging, 
At those wretched people's graves; 
And the pike-horned Queensland bullock, 
From his shelter in the scrub, 
Has his eye on the proceedings 
Of the Ladies' Science Club.
Written by Rudyard Kipling | Create an image from this poem

The Undertakers Horse

 The eldest son bestrides him,
And the pretty daughter rides him,
And I meet him oft o' mornings on the Course;
And there kindles in my bosom
An emotion chill and gruesome
As I canter past the Undertaker's Horse.

Neither shies he nor is restive,
But a hideously suggestive
Trot, professional and placid, he affects;
And the cadence of his hoof-beats
To my mind this grim reproof beats: --
"Mend your pace, my friend, I'm coming. Who's the next?"

Ah! stud-bred of ill-omen,
I have watched the strongest go -- men
Of pith and might and muscle -- at your heels,
Down the plantain-bordered highway,
(Heaven send it ne'er be my way!)
In a lacquered box and jetty upon wheels.

Answer, sombre beast and dreary,
Where is Brown, the young, the cheery,
Smith, the pride of all his friends and half the Force?
You were at that last dread dak
We must cover at a walk,
Bring them back to me, O Undertaker's Horse!

With your mane unhogged and flowing,
And your curious way of going,
And that businesslike black crimping of your tail,
E'en with Beauty on your back, Sir,
Pacing as a lady's hack, Sir,
What wonder when I meet you I turn pale?

It may be you wait your time, Beast,
Till I write my last bad rhyme, Beast --
Quit the sunlight, cut the rhyming, drop the glass --
Follow after with the others,
Where some dusky heathen smothers
Us with marigolds in lieu of English grass.

Or, perchance, in years to follow,
I shall watch your plump sides hollow,
See Carnifex (gone lame) become a corse --
See old age at last o'erpower you,
And the Station Pack devour you,
I shall chuckle then, O Undertaker's Horse!

But to insult, jibe, and quest, I've
Still the hideously suggestive
Trot that hammers out the unrelenting text,
And I hear it hard behind me
In what place soe'er I find me: --
"'Sure to catch you sooner or later. Who's the next?"
Written by Rg Gregory | Create an image from this poem

the adventures (from frederick and the enchantress – dance drama)

  (i) introduction

  his home in ruins
  his parents gone
  frederick seeks
  to reclaim his throne

   to the golden mountain
   he sets his path
   the enchantress listening
   schemes with wrath

  four desperate trials
  which she takes from store
  to silence frederick
  for ever more

 (ii) the mist

  softly mist suppress all sight
  swirling stealthily as night
  slur the sureness of his steps
  suffocate his sweetest hopes
  swirling curling slip and slide
  persuasively seduce his stride

  from following its essential course
  seal his senses at its source
  bemuse the soil he stands upon
  till power of choice has wholly gone
  seething surreptitious veil
  across the face of light prevail
  against this taciturn and proud
  insurgent - o smother him swift cloud

  yet if you cannot steal his breath
  thus snuffing him to hasty death
  at least in your umbrageous mask
  stifle his ambitious task
  mystify his restless brain
  sweep him swirl him home again


 (iii) the bog

  once more the muffling mists enclose
  frederick in their vaporous throes
  forcing him with unseeing sway
  to veer from his intended way

  back they push and back
  make him fall
  stumble catch
  his foot become
  emmired snatch
  hopelessly at fog
  no grip slip further back
  into the sucking fingers of the bog
  into the slush

  squelching and splotch-
  ing the marsh
  gushes and gurgles
  engulfing foot leg
  chuckling suckles
  the heaving thigh
  the plush slugged waist
  sucking still and still flushing
  with suggestive slurp
  plop slap
  sluggishly upwards
  unctuous lugubrious
  soaking and enjoying
  with spongy gestures
  the swallowed wallowing
  body - the succulence
  of soft shoulder
  squirming
  elbow
  wrist
  then
  all.......

  but no
  his desperate palm
  struggling to forsake
  the clutches of the swamp
  finds one stark branch overhanging
  to fix glad fingers to and out of the maw
  of the murderous mud safely delivers him



 (iv) the magic forest

  safely - distorted joke
  from bog to twisted forest
  gnarled trees writhe and fork
  asphixiated trunks - angular branches
  hook claw throttle frederick in their creaking
  joints
   jagged weird
  knotted and misshapen
  petrified maniacal
  figures frantically contorted
  grotesque eccentric in the moon-toothed
  half-light
  tug clutch struggle
  with the haggard form
  zigzag he staggers
  awe-plagued giddy
  near-garrotted mind-deranged
  forcing his sagging limbs through the mangled danger

  till almost beyond redemption beyond self-care
  he once again survives to breathe free air


 (v) the barrier of thorns

  immediately a barrier of thorns
  springs up to choke his track
  thick brier evil bramble twitch
  stick sharp needles in his skin
  hag's spite inflicts its bitter sting
  frederick (provoked to attack
  stung stabbed by jabbing spines
  wincing with agony and grief) seeks to hack
  a clear way through
     picking swinging at
  the spiky barricade inch by prickly inch
  smarting with anger bristling with a thin
  itch and tingling of success - acute
  with aching glory the afflicted victim
  of a witch's pique frederick
  frederick the king snips hews chops
  rips slashes cracks cleaves rends pierces
  pierces and shatters into pointless pieces
  this mighty barrier of barbs - comes through at last
  (belzivetta's malignant magic smashed)
  to freedom peace of mind and dreamless sleep


Written by Henry Lawson | Create an image from this poem

The Captain of the Push

 As the night was falling slowly down on city, town and bush, 
From a slum in Jones's Alley sloped the Captain of the Push; 
And he scowled towards the North, and he scowled towards the South, 
As he hooked his little finger in the corners of his mouth. 
Then his whistle, loud and shrill, woke the echoes of the `Rocks', 
And a dozen ghouls came sloping round the corners of the blocks. 

There was nought to rouse their anger; yet the oath that each one swore 
Seemed less fit for publication than the one that went before. 
For they spoke the gutter language with the easy flow that comes 
Only to the men whose childhood knew the brothels and the slums. 
Then they spat in turns, and halted; and the one that came behind, 
Spitting fiercely on the pavement, called on Heaven to strike him blind. 

Let us first describe the captain, bottle-shouldered, pale and thin, 
For he was the beau-ideal of a Sydney larrikin; 
E'en his hat was most suggestive of the city where we live, 
With a gallows-tilt that no one, save a larrikin, can give; 
And the coat, a little shorter than the writer would desire, 
Showed a more or less uncertain portion of his strange attire. 

That which tailors know as `trousers' -- known by him as `bloomin' bags' -- 
Hanging loosely from his person, swept, with tattered ends, the flags; 
And he had a pointed sternpost to the boots that peeped below 
(Which he laced up from the centre of the nail of his great toe), 
And he wore his shirt uncollar'd, and the tie correctly wrong; 
But I think his vest was shorter than should be in one so long. 

And the captain crooked his finger at a stranger on the kerb, 
Whom he qualified politely with an adjective and verb, 
And he begged the Gory Bleeders that they wouldn't interrupt 
Till he gave an introduction -- it was painfully abrupt -- 
`Here's the bleedin' push, me covey -- here's a (something) from the bush! 
Strike me dead, he wants to join us!' said the captain of the push. 

Said the stranger: `I am nothing but a bushy and a dunce; 
`But I read about the Bleeders in the WEEKLY GASBAG once; 
`Sitting lonely in the humpy when the wind began to "whoosh," 
`How I longed to share the dangers and the pleasures of the push! 
`Gosh! I hate the swells and good 'uns -- I could burn 'em in their beds; 
`I am with you, if you'll have me, and I'll break their blazing heads.' 

`Now, look here,' exclaimed the captain to the stranger from the bush, 
`Now, look here -- suppose a feller was to split upon the push, 
`Would you lay for him and fetch him, even if the traps were round? 
`Would you lay him out and kick him to a jelly on the ground? 
`Would you jump upon the nameless -- kill, or cripple him, or both? 
`Speak? or else I'll SPEAK!' The stranger answered, `My kerlonial oath!' 

`Now, look here,' exclaimed the captain to the stranger from the bush, 
`Now, look here -- suppose the Bleeders let you come and join the push, 
`Would you smash a bleedin' bobby if you got the blank alone? 
`Would you break a swell or Chinkie -- split his garret with a stone? 
`Would you have a "moll" to keep yer -- like to swear off work for good?' 
`Yes, my oath!' replied the stranger. `My kerlonial oath! I would!' 

`Now, look here,' exclaimed the captain to the stranger from the bush, 
`Now, look here -- before the Bleeders let yer come and join the push, 
`You must prove that you're a blazer -- you must prove that you have grit 
`Worthy of a Gory Bleeder -- you must show your form a bit -- 
`Take a rock and smash that winder!' and the stranger, nothing loth, 
Took the rock -- and smash! They only muttered, `My kerlonial oath!' 

So they swore him in, and found him sure of aim and light of heel, 
And his only fault, if any, lay in his excessive zeal; 
He was good at throwing metal, but we chronicle with pain 
That he jumped upon a victim, damaging the watch and chain, 
Ere the Bleeders had secured them; yet the captain of the push 
Swore a dozen oaths in favour of the stranger from the bush. 

Late next morn the captain, rising, hoarse and thirsty from his lair, 
Called the newly-feather'd Bleeder, but the stranger wasn't there! 
Quickly going through the pockets of his `bloomin' bags,' he learned 
That the stranger had been through him for the stuff his `moll' had earned; 
And the language that he muttered I should scarcely like to tell. 
(Stars! and notes of exclamation!! blank and dash will do as well). 

In the night the captain's signal woke the echoes of the `Rocks,' 
Brought the Gory Bleeders sloping thro' the shadows of the blocks; 
And they swore the stranger's action was a blood-escaping shame, 
While they waited for the nameless, but the nameless never came. 
And the Bleeders soon forgot him; but the captain of the push 
Still is `laying' round, in ballast, for the nameless `from the bush.'
Written by Alan Seeger | Create an image from this poem

Sonnet 05

 Seeing you have not come with me, nor spent 
This day's suggestive beauty as we ought, 
I have gone forth alone and been content 
To make you mistress only of my thought. 
And I have blessed the fate that was so kind 
In my life's agitations to include 
This moment's refuge where my sense can find 
Refreshment, and my soul beatitude. 
Oh, be my gentle love a little while! 
Walk with me sometimes. Let me see you smile. 
Watching some night under a wintry sky, 
Before the charge, or on the bed of pain, 
These blessed memories shall revive again 
And be a power to cheer and fortify

Book: Radiant Verses: A Journey Through Inspiring Poetry