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Best Famous Suckle Poems

Here is a collection of the all-time best famous Suckle poems. This is a select list of the best famous Suckle poetry. Reading, writing, and enjoying famous Suckle poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of suckle poems.

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Written by Sylvia Plath | Create an image from this poem

Virgin In A Tree

 How this tart fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black

Habit which deflects
All amorous arrows.
For to sheathe the virgin shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed.
Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed.
Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.
' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This virgin on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud.
Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy Till irony's bough break.


Written by George (Lord) Byron | Create an image from this poem

Isles of Greece The

 The isles of Greece, the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus
sprung!
Eternal summer gilds them yet,
But all, except their sun, is set.
.
.
The mountains look on Marathon-- And Marathon looks on the sea; And musing there an hour alone, I dreamed that Greece might still be free; For standing on the Persians' grave, I could not deem myself a slave.
A king sat on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations--all were his! He counted them at break of day-- And when the sun set, where were they? And where are they? And where art thou? My country? On thy voiceless shore The heroic lay is tuneless now-- The heroic bosom beats no more! And must thy lyre, so long divine, Degenerate into hands like mine? 'Tis something, in the dearth of fame, Though linked among a fettered race, To feel at least a patriot's shame, Even as I sing, suffuse my face; For what is left the poet here? For Greeks a blush--for Greece a tear.
.
.
.
Fill high the bowl with Samian wine! Our virgins dance beneath the shade-- I see their glorious black eyes shine; But gazing on each glowing maid, My own the burning teardrop laves, To think such breasts must suckle slaves.
Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swanlike, let me sing and die: A land of slaves shall ne'er be mine-- Dash down yon cup of Samian wine!
Written by Philip Freneau | Create an image from this poem

The Wild Honey-Suckle

 Fair flower, that dost so comely grow,
Hid in this silent, dull retreat,
Untouched thy honied blossoms blow,
Unseen thy little branches greet;
.
.
.
No roving foot shall crush thee here, .
.
.
No busy hand provoke a tear.
By Nature's self in white arrayed, She bade thee shun the vulgar eye, And planted here the gaurdian shade, And sent soft waters murmuring by; .
.
.
Thus quietly thy summer goes, .
.
.
Thy days declinging to repose.
Smit with those charms, that must decay, I grieve to see your future doom; They died--nor were those flowers more gay, The flowers that did in Eden bloom; .
.
.
Unpitying frosts, and Autumn's power .
.
.
Shall leave no vestige of this flower.
From morning suns and evenign dews At first thy little being came: If nothing once, you nothing lose, For when you die you are the same; .
.
.
The space between, is but an hour, .
.
.
The frail duration of a flower.
Written by Algernon Charles Swinburne | Create an image from this poem

Before A Crucifix

 Here, down between the dusty trees,
At this lank edge of haggard wood,
Women with labour-loosened knees,
With gaunt backs bowed by servitude,
Stop, shift their loads, and pray, and fare
Forth with souls easier for the prayer.
The suns have branded black, the rains Striped grey this piteous God of theirs; The face is full of prayers and pains, To which they bring their pains and prayers; Lean limbs that shew the labouring bones, And ghastly mouth that gapes and groans.
God of this grievous people, wrought After the likeness of their race, By faces like thine own besought, Thine own blind helpless eyeless face, I too, that have nor tongue nor knee For prayer, I have a word to thee.
It was for this then, that thy speech Was blown about the world in flame And men's souls shot up out of reach Of fear or lust or thwarting shame - That thy faith over souls should pass As sea-winds burning the grey grass? It was for this, that prayers like these Should spend themselves about thy feet, And with hard overlaboured knees Kneeling, these slaves of men should beat Bosoms too lean to suckle sons And fruitless as their orisons? It was for this, that men should make Thy name a fetter on men's necks, Poor men's made poorer for thy sake, And women's withered out of sex? It was for this, that slaves should be, Thy word was passed to set men free? The nineteenth wave of the ages rolls Now deathward since thy death and birth.
Hast thou fed full men's starved-out souls? Hast thou brought freedom upon earth? Or are there less oppressions done In this wild world under the sun? Nay, if indeed thou be not dead, Before thy terrene shrine be shaken, Look down, turn usward, bow thine head; O thou that wast of God forsaken, Look on thine household here, and see These that have not forsaken thee.
Thy faith is fire upon their lips, Thy kingdom golden in their hands; They scourge us with thy words for whips, They brand us with thy words for brands; The thirst that made thy dry throat shrink To their moist mouths commends the drink.
The toothed thorns that bit thy brows Lighten the weight of gold on theirs; Thy nakedness enrobes thy spouse With the soft sanguine stuff she wears Whose old limbs use for ointment yet Thine agony and bloody sweat.
The blinding buffets on thine head On their crowned heads confirm the crown; Thy scourging dyes their raiment red, And with thy bands they fasten down For burial in the blood-bought field The nations by thy stripes unhealed.
With iron for thy linen bands And unclean cloths for winding-sheet They bind the people's nail-pierced hands, They hide the people's nail-pierced feet; And what man or what angel known Shall roll back the sepulchral stone? But these have not the rich man's grave To sleep in when their pain is done.
These were not fit for God to save.
As naked hell-fire is the sun In their eyes living, and when dead These have not where to lay their head.
They have no tomb to dig, and hide; Earth is not theirs, that they should sleep.
On all these tombless crucified No lovers' eyes have time to weep.
So still, for all man's tears and creeds, The sacred body hangs and bleeds.
Through the left hand a nail is driven, Faith, and another through the right, Forged in the fires of hell and heaven, Fear that puts out the eye of light: And the feet soiled and scarred and pale Are pierced with falsehood for a nail.
And priests against the mouth divine Push their sponge full of poison yet And bitter blood for myrrh and wine, And on the same reed is it set Wherewith before they buffeted The people's disanointed head.
O sacred head, O desecrate, O labour-wounded feet and hands, O blood poured forth in pledge to fate Of nameless lives in divers lands, O slain and spent and sacrificed People, the grey-grown speechless Christ! Is there a gospel in the red Old witness of thy wide-mouthed wounds? From thy blind stricken tongueless head What desolate evangel sounds A hopeless note of hope deferred? What word, if there be any word? O son of man, beneath man's feet Cast down, O common face of man Whereon all blows and buffets meet, O royal, O republican Face of the people bruised and dumb And longing till thy kingdom come! The soldiers and the high priests part Thy vesture: all thy days are priced, And all the nights that eat thine heart.
And that one seamless coat of Christ, The freedom of the natural soul, They cast their lots for to keep whole.
No fragment of it save the name They leave thee for a crown of scorns Wherewith to mock thy naked shame And forehead bitten through with thorns And, marked with sanguine sweat and tears, The stripes of eighteen hundred years And we seek yet if God or man Can loosen thee as Lazarus, Bid thee rise up republican And save thyself and all of us; But no disciple's tongue can say When thou shalt take our sins away.
And mouldering now and hoar with moss Between us and the sunlight swings The phantom of a Christless cross Shadowing the sheltered heads of kings And making with its moving shade The souls of harmless men afraid.
It creaks and rocks to left and right Consumed of rottenness and rust, Worm-eaten of the worms of night, Dead as their spirits who put trust, Round its base muttering as they sit, In the time-cankered name of it.
Thou, in the day that breaks thy prison, People, though these men take thy name, And hail and hymn thee rearisen, Who made songs erewhile of thy shame, Give thou not ear; for these are they Whose good day was thine evil day.
Set not thine hand unto their cross.
Give not thy soul up sacrificed.
Change not the gold of faith for dross Of Christian creeds that spit on Christ.
Let not thy tree of freedom be Regrafted from that rotting tree.
This dead God here against my face Hath help for no man; who hath seen The good works of it, or such grace As thy grace in it, Nazarene, As that from thy live lips which ran For man's sake, O thou son of man? The tree of faith ingraffed by priests Puts its foul foliage out above thee, And round it feed man-eating beasts Because of whom we dare not love thee; Though hearts reach back and memories ache, We cannot praise thee for their sake.
O hidden face of man, whereover The years have woven a viewless veil, If thou wast verily man's lover, What did thy love or blood avail? Thy blood the priests make poison of, And in gold shekels coin thy love.
So when our souls look back to thee They sicken, seeing against thy side, Too foul to speak of or to see, The leprous likeness of a bride, Whose kissing lips through his lips grown Leave their God rotten to the bone.
When we would see thee man, and know What heart thou hadst toward men indeed, Lo, thy blood-blackened altars; lo, The lips of priests that pray and feed While their own hell's worm curls and licks The poison of the crucifix.
Thou bad'st let children come to thee; What children now but curses come? What manhood in that God can be Who sees their worship, and is dumb? No soul that lived, loved, wrought, and died, Is this their carrion crucified.
Nay, if their God and thou be one, If thou and this thing be the same, Thou shouldst not look upon the sun; The sun grows haggard at thy name.
Come down, be done with, cease, give o'er; Hide thyself, strive not, be no more.
Written by George (Lord) Byron | Create an image from this poem

The Isles of Greece

 The isles of Greece, the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus
sprung!
Eternal summer gilds them yet,
But all, except their sun, is set.
.
.
The mountains look on Marathon-- And Marathon looks on the sea; And musing there an hour alone, I dreamed that Greece might still be free; For standing on the Persians' grave, I could not deem myself a slave.
A king sat on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations--all were his! He counted them at break of day-- And when the sun set, where were they? And where are they? And where art thou? My country? On thy voiceless shore The heroic lay is tuneless now-- The heroic bosom beats no more! And must thy lyre, so long divine, Degenerate into hands like mine? 'Tis something, in the dearth of fame, Though linked among a fettered race, To feel at least a patriot's shame, Even as I sing, suffuse my face; For what is left the poet here? For Greeks a blush--for Greece a tear.
.
.
.
Fill high the bowl with Samian wine! Our virgins dance beneath the shade-- I see their glorious black eyes shine; But gazing on each glowing maid, My own the burning teardrop laves, To think such breasts must suckle slaves.
Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swanlike, let me sing and die: A land of slaves shall ne'er be mine-- Dash down yon cup of Samian wine!


Written by Dylan Thomas | Create an image from this poem

All All And All The Dry Worlds Lever

 I

All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower, Turns in the earth that turns the ashen Towns around on a wheel of fire.
How now my flesh, my naked fellow, Dug of the sea, the glanded morrow, Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover, Skinny as sin, the foaming marrow, All of the flesh, the dry worlds lever.
II Fear not the waking world, my mortal, Fear not the flat, synthetic blood, Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling, The trigger and scythe, the bridal blade, Nor the flint in the lover's mauling.
Man of my flesh, the jawbone riven, Know now the flesh's lock and vice, And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever, Fear not the screws that turn the voice, And the face to the driven lover.
III All all and all the dry worlds couple, Ghost with her ghost, contagious man With the womb of his shapeless people.
All that shapes from the caul and suckle, Stroke of mechanical flesh on mine, Square in these worlds the mortal circle.
Flower, flower the people's fusion, O light in zenith, the coupled bud, And the flame in the flesh's vision.
Out of the sea, the drive of oil, Socket and grave, the brassy blood, Flower, flower, all all and all.
Written by Victor Hugo | Create an image from this poem

THE SWISS MERCENARIES

 ("Lorsque le regiment des hallebardiers.") 
 
 {Bk. XXXI.} 


 When the regiment of Halberdiers 
 Is proudly marching by, 
 The eagle of the mountain screams 
 From out his stormy sky; 
 Who speaketh to the precipice, 
 And to the chasm sheer; 
 Who hovers o'er the thrones of kings, 
 And bids the caitiffs fear. 
 King of the peak and glacier, 
 King of the cold, white scalps— 
 He lifts his head, at that close tread, 
 The eagle of the Alps. 
 
 O shame! those men that march below— 
 O ignominy dire! 
 Are the sons of my free mountains 
 Sold for imperial hire. 
 Ah! the vilest in the dungeon! 
 Ah! the slave upon the seas— 
 Is great, is pure, is glorious, 
 Is grand compared with these, 
 Who, born amid my holy rocks, 
 In solemn places high, 
 Where the tall pines bend like rushes 
 When the storm goes sweeping by; 
 
 Yet give the strength of foot they learned 
 By perilous path and flood, 
 And from their blue-eyed mothers won, 
 The old, mysterious blood; 
 The daring that the good south wind 
 Into their nostrils blew, 
 And the proud swelling of the heart 
 With each pure breath they drew; 
 The graces of the mountain glens, 
 With flowers in summer gay; 
 And all the glories of the hills 
 To earn a lackey's pay. 
 
 Their country free and joyous— 
 She of the rugged sides— 
 She of the rough peaks arrogant 
 Whereon the tempest rides: 
 Mother of the unconquered thought 
 And of the savage form, 
 Who brings out of her sturdy heart 
 The hero and the storm: 
 Who giveth freedom unto man, 
 And life unto the beast; 
 Who hears her silver torrents ring 
 Like joy-bells at a feast; 
 
 Who hath her caves for palaces, 
 And where her châlets stand— 
 The proud, old archer of Altorf, 
 With his good bow in his hand. 
 Is she to suckle jailers? 
 Shall shame and glory rest, 
 Amid her lakes and glaciers, 
 Like twins upon her breast? 
 Shall the two-headed eagle, 
 Marked with her double blow, 
 Drink of her milk through all those hearts 
 Whose blood he bids to flow? 
 
 Say, was it pomp ye needed, 
 And all the proud array 
 Of courtly joust and high parade 
 Upon a gala day? 
 Look up; have not my valleys 
 Their torrents white with foam— 
 Their lines of silver bullion 
 On the blue hillocks of home? 
 Doth not sweet May embroider 
 My rocks with pearls and flowers? 
 Her fingers trace a richer lace 
 Than yours in all my bowers. 
 
 Are not my old peaks gilded 
 When the sun arises proud, 
 And each one shakes a white mist plume 
 Out of the thunder-cloud? 
 O, neighbor of the golden sky— 
 Sons of the mountain sod— 
 Why wear a base king's colors 
 For the livery of God? 
 O shame! despair! to see my Alps 
 Their giant shadows fling 
 Into the very waiting-room 
 Of tyrant and of king! 
 
 O thou deep heaven, unsullied yet, 
 Into thy gulfs sublime— 
 Up azure tracts of flaming light— 
 Let my free pinion climb; 
 Till from my sight, in that clear light, 
 Earth and her crimes be gone— 
 The men who act the evil deeds— 
 The caitiffs who look on. 
 Far, far into that space immense, 
 Beyond the vast white veil, 
 Where distant stars come out and shine, 
 And the great sun grows pale. 
 
 BP. ALEXANDER 


 




Book: Shattered Sighs