Written by
Robert Frost |
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
|
Written by
Emily Dickinson |
A Diamond on the Hand
To Custom Common grown
Subsides from its significance
The Gem were best unknown --
Within a Seller's Shrine
How many sight and sigh
And cannot, but are mad for fear
That any other buy.
|
Written by
Alan Seeger |
Do you remember once, in Paris of glad faces,
The night we wandered off under the third moon's rays
And, leaving far behind bright streets and busy places,
Stood where the Seine flowed down between its quiet quais?
The city's voice was hushed; the placid, lustrous waters
Mirrored the walls across where orange windows burned.
Out of the starry south provoking rumors brought us
Far promise of the spring already northward turned.
And breast drew near to breast, and round its soft desire
My arm uncertain stole and clung there unrepelled.
I thought that nevermore my heart would hover nigher
To the last flower of bliss that Nature's garden held.
There, in your beauty's sweet abandonment to pleasure,
The mute, half-open lips and tender, wondering eyes,
I saw embodied first smile back on me the treasure
Long sought across the seas and back of summer skies.
Dear face, when courted Death shall claim my limbs and find them
Laid in some desert place, alone or where the tides
Of war's tumultuous waves on the wet sands behind them
Leave rifts of gasping life when their red flood subsides,
Out of the past's remote delirious abysses
Shine forth once more as then you shone, -- beloved head,
Laid back in ecstasy between our blinding kisses,
Transfigured with the bliss of being so coveted.
And my sick arms will part, and though hot fever sear it,
My mouth will curve again with the old, tender flame.
And darkness will come down, still finding in my spirit
The dream of your brief love, and on my lips your name.
II
You loved me on that moonlit night long since.
You were my queen and I the charming prince
Elected from a world of mortal men.
You loved me once.
.
.
.
What pity was it, then,
You loved not Love.
.
.
.
Deep in the emerald west,
Like a returning caravel caressed
By breezes that load all the ambient airs
With clinging fragrance of the bales it bears
From harbors where the caravans come down,
I see over the roof-tops of the town
The new moon back again, but shall not see
The joy that once it had in store for me,
Nor know again the voice upon the stair,
The little studio in the candle-glare,
And all that makes in word and touch and glance
The bliss of the first nights of a romance
When will to love and be beloved casts out
The want to question or the will to doubt.
You loved me once.
.
.
.
Under the western seas
The pale moon settles and the Pleiades.
The firelight sinks; outside the night-winds moan --
The hour advances, and I sleep alone.
III
Farewell, dear heart, enough of vain despairing!
If I have erred I plead but one excuse --
The jewel were a lesser joy in wearing
That cost a lesser agony to lose.
I had not bid for beautifuller hours
Had I not found the door so near unsealed,
Nor hoped, had you not filled my arms with flowers,
For that one flower that bloomed too far afield.
If I have wept, it was because, forsaken,
I felt perhaps more poignantly than some
The blank eternity from which we waken
And all the blank eternity to come.
And I betrayed how sweet a thing and tender
(In the regret with which my lip was curled)
Seemed in its tragic, momentary splendor
My transit through the beauty of the world.
|
Written by
Phillis Wheatley |
While deep you mourn beneath the cypress-shade
The hand of Death, and your dear daughter laid
In dust, whose absence gives your tears to flow,
And racks your bosom with incessant woe,
Let Recollection take a tender part,
Assuage the raging tortures of your heart,
Still the wild tempest of tumultuous grief,
And pour the heav'nly nectar of relief:
Suspend the sigh, dear Sir, and check the groan,
Divinely bright your daughter's Virtues shone:
How free from scornful pride her gentle mind,
Which ne'er its aid to indigence declin'd!
Expanding free, it sought the means to prove
Unfailing charity, unbounded love!
She unreluctant flies to see no more
Her dear-lov'd parents on earth's dusky shore:
Impatient heav'n's resplendent goal to gain,
She with swift progress cuts the azure plain,
Where grief subsides, where changes are no more,
And life's tumultuous billows cease to roar;
She leaves her earthly mansion for the skies,
Where new creations feast her wond'ring eyes.
To heav'n's high mandate cheerfully resign'd
She mounts, and leaves the rolling globe behind;
She, who late wish'd that Leonard might return,
Has ceas'd to languish, and forgot to mourn;
To the same high empyreal mansions come,
She joins her spouse, and smiles upon the tomb:
And thus I hear her from the realms above:
"Lo! this the kingdom of celestial love!
"Could ye, fond parents, see our present bliss,
"How soon would you each sigh, each fear dismiss?
"Amidst unutter'd pleasures whilst I play
"In the fair sunshine of celestial day,
"As far as grief affects an happy soul
"So far doth grief my better mind controul,
"To see on earth my aged parents mourn,
"And secret wish for T-----! to return:
"Let brighter scenes your ev'ning-hours employ:
"Converse with heav'n, and taste the promis'd joy"
|
Written by
D. H. Lawrence |
I
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death.
Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
|
Written by
T S (Thomas Stearns) Eliot |
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation.
Look, look, wenches!
PAINT me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.
)
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs.
Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
|
Written by
William Ernest Henley |
The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The weed of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:--
"O Vanity of Vanities!"
The Fates are subtle girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!
We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
"O Vanity of Vanities!"
Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What come of every claim?
O Vanity of Vanities!
Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
"O Vanity of Vanities!"
Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls,
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
"O Vanity of Vanities!"
Envoy
Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
"O Vanity of Vanities!"
|
Written by
Algernon Charles Swinburne |
Forth from Calais, at dawn of night, when sunset summer on autumn shone,
Fared the steamer alert and loud through seas whence only the sun was gone:
Soft and sweet as the sky they smiled, and bade man welcome: a dim sweet hour
Gleamed and whispered in wind and sea, and heaven was fair as a field in flower,
Stars fulfilled the desire of the darkling world as with music: the star-bright air
Made the face of the sea, if aught may make the face of the sea, more fair.
Whence came change? Was the sweet night weary of rest? What anguish awoke in the dark?
Sudden, sublime, the strong storm spake: we heard the thunders as hounds that bark.
Lovelier if aught may be lovelier than stars, we saw the lightnings exalt the sky,
Living and lustrous and rapturous as love that is born but to quicken and lighten and die.
Heaven's own heart at its highest of delight found utterance in music and semblance in fire:
Thunder on thunder exulted, rejoicing to live and to satiate the night's desire.
And the night was alive and an-hungered of life as a tiger from toils cast free:
And a rapture of rage made joyous the spirit and strength of the soul of the sea.
All the weight of the wind bore down on it, freighted with death for fraught:
And the keen waves kindled and quickened as things transfigured or things distraught.
And madness fell on them laughing and leaping; and madness came on the wind:
And the might and the light and the darkness of storm were as storm in the heart of Ind.
Such glory, such terror, such passion, as lighten and harrow the far fierce East,
Rang, shone, spake, shuddered around us: the night was an altar with death for priest.
The channel that sunders England from shores where never was man born free
Was clothed with the likeness and thrilled with the strength and the wrath of a tropic sea.
As a wild steed ramps in rebellion, and rears till it swerves from a backward fall,
The strong ship struggled and reared, and her deck was upright as a sheer cliff's wall.
Stern and prow plunged under, alternate: a glimpse, a recoil, a breath,
And she sprang as the life in a god made man would spring at the throat of death.
Three glad hours, and it seemed not an hour of supreme and supernal joy,
Filled full with delight that revives in remembrance a sea-bird's heart in a boy.
For the central crest of the night was cloud that thundered and flamed, sublime
As the splendour and song of the soul everlasting that quickens the pulse of time.
The glory beholden of man in a vision, the music of light overheard,
The rapture and radiance of battle, the life that abides in the fire of a word,
In the midmost heaven enkindled, was manifest far on the face of the sea,
And the rage in the roar of the voice of the waters was heard but when heaven breathed free.
Far eastward, clear of the covering of cloud, the sky laughed out into light
From the rims of the storm to the sea's dark edge with flames that were flowerlike and white.
The leaping and luminous blossoms of live sheet lightning that laugh as they fade
From the cloud's black base to the black wave's brim rejoiced in the light they made.
Far westward, throned in a silent sky, where life was in lustrous tune,
Shone, sweeter and surer than morning or evening, the steadfast smile of the moon.
The limitless heaven that enshrined them was lovelier than dreams may behold, and deep
As life or as death, revealed and transfigured, may shine on the soul through sleep.
All glories of toil and of triumph and passion and pride that it yearns to know
Bore witness there to the soul of its likeness and kinship, above and below.
The joys of the lightnings, the songs of the thunders, the strong sea's labour and rage,
Were tokens and signs of the war that is life and is joy for the soul to wage.
No thought strikes deeper or higher than the heights and the depths that the night made bare,
Illimitable, infinite, awful and joyful, alive in the summit of air--
Air stilled and thrilled by the tempest that thundered between its reign and the sea's,
Rebellious, rapturous, and transient as faith or as terror that bows men's knees.
No love sees loftier and fairer the form of its godlike vision in dreams
Than the world shone then, when the sky and the sea were as love for a breath's length seems--
One utterly, mingled and mastering and mastered and laughing with love that subsides
As the glad mad night sank panting and satiate with storm, and released the tides.
In the dense mid channel the steam-souled ship hung hovering, assailed and withheld
As a soul born royal, if life or if death be against it, is thwarted and quelled.
As the glories of myriads of glow-worms in lustrous grass on a boundless lawn
Were the glories of flames phosphoric that made of the water a light like dawn.
A thousand Phosphors, a thousand Hespers, awoke in the churning sea,
And the swift soft hiss of them living and dying was clear as a tune could be;
As a tune that is played by the fingers of death on the keys of life or of sleep,
Audible alway alive in the storm, too fleet for a dream to keep:
Too fleet, too sweet for a dream to recover and thought to remember awake:
Light subtler and swifter than lightning, that whispers and laughs in the live storm's wake,
In the wild bright wake of the storm, in the dense loud heart of the labouring hour,
A harvest of stars by the storm's hand reaped, each fair as a star-shaped flower.
And sudden and soft as the passing of sleep is the passing of tempest seemed
When the light and the sound of it sank, and the glory was gone as a dream half dreamed.
The glory, the terror, the passion that made of the midnight a miracle, died,
Not slain at a stroke, nor in gradual reluctance abated of power and of pride;
With strong swift subsidence, awful as power that is wearied of power upon earth,
As a God that were wearied of power upon heaven, and were fain of a new God's birth,
The might of the night subsided: the tyranny kindled in darkness fell:
And the sea and the sky put off them the rapture and radiance of heaven and of hell.
The waters, heaving and hungering at heart, made way, and were wellnigh fain,
For the ship that had fought them, and wrestled, and revelled in labour, to cease from her pain.
And an end was made of it: only remembrance endures of the glad loud strife;
And the sense that a rapture so royal may come not again in the passage of life.
|
Written by
Walt Whitman |
IN a faraway northern county, in the placid, pastoral region,
Lives my farmer friend, the theme of my recitative, a famous Tamer of Oxen:
There they bring him the three-year-olds and the four-year-olds, to break them;
He will take the wildest steer in the world, and break him and tame him;
He will go, fearless, without any whip, where the young bullock chafes up and down the
yard;
The bullock’s head tosses restless high in the air, with raging eyes;
Yet, see you! how soon his rage subsides—how soon this Tamer tames him:
See you! on the farms hereabout, a hundred oxen, young and old—and he is the man who
has
tamed them;
They all know him—all are affectionate to him;
See you! some are such beautiful animals—so lofty looking!
Some are buff color’d—some mottled—one has a white line running along his
back—some are brindled,
Some have wide flaring horns (a good sign)—See you! the bright hides;
See, the two with stars on their foreheads—See, the round bodies and broad backs;
See, how straight and square they stand on their legs—See, what fine, sagacious eyes;
See, how they watch their Tamer—they wish him near them—how they turn to look
after
him!
What yearning expression! how uneasy they are when he moves away from them:
—Now I marvel what it can be he appears to them, (books, politics, poems
depart—all
else departs;)
I confess I envy only his fascination—my silent, illiterate friend,
Whom a hundred oxen love, there in his life on farms,
In the northern county far, in the placid, pastoral region.
|
Written by
Lisel Mueller |
After the kill, there is the feast.
And toward the end, when the dancing subsides
and the young have sneaked off somewhere,
the hounds, drunk on the blood of the hares,
begin to talk of how soft
were their pelts, how graceful their leaps,
how lovely their scared, gentle eyes.
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