Get Your Premium Membership

Best Famous Subsequent Poems

Here is a collection of the all-time best famous Subsequent poems. This is a select list of the best famous Subsequent poetry. Reading, writing, and enjoying famous Subsequent poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of subsequent poems.

Search and read the best famous Subsequent poems, articles about Subsequent poems, poetry blogs, or anything else Subsequent poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville.
Because of the subsequent confession of Dauville the other three were captured or shot.
Dauville was given his freedom and returned to the land of his birth, the U.
S.
A.
AUGUST REIN: from a last camp near St.
Remy I dig in the soft earth all afternoon, spacing the holes a foot or so from the wall.
Tonight we eat potatoes, tomorrow rice and carrots.
The earth here is like the earth nowhere, ancient with wood rot.
How can anything come forth, I wonder; and the days are all alike, if there is more than one day.
If there is more of this I will not endure.
I have grown so used to being watched I can no longer sleep without my watcher.
The thing I fought against, the dark cape, crimsoned with terror that I so hated comforts me now.
Thomas is dead; insanity, prison, cowardice, or slow inner capitulation has found us all, and all men turn from us, knowing our pain is not theirs or caused by them.
HENRI BRUETTE: from a hospital in Algiers Dear Suzanne: this letter will not reach you because I can't write it; I have no pencil, no paper, only the blunt end of my anger.
My dear, if I had words how could I report the imperfect failure for which I began to die? I might begin by saying that it was for clarity, though I did not find it in terror: dubiously entered each act, unsure of who I was and what I did, touching my face for fear I was another inside my head I played back pictures of my childhood, of my wife even, for it was in her I found myself beaten, safe, and furthest from the present.
It is her face I see now though all I say is meant for you, her face in the slow agony of sexual release.
I cannot see you.
The dark wall ribbed with spittle on which I play my childhood brings me to this bed, mastered by what I was, betrayed by those I trusted.
The one word my mouth must open to is why.
JACK DAUVILLE: from a hotel in Tampa, Florida From Orleansville we drove south until we reached the hills, then east until the road stopped.
I was nervous and couldn't eat.
Thomas took over, told us when to think and when to ****.
We turned north and reached Blida by first dawn and the City by morning, having dumped our weapons beside an empty road.
We were free.
We parted, and to this hour I haven't seen them, except in photographs: the black hair and torn features of Thomas Delain captured a moment before his death on the pages of the world, smeared in the act.
I tortured myself with their betrayal: alone I hurled them into freedom, inner freedom which I can't find nor ever will until they are dead.
In my mind Delain stands against the wall precise in detail, steadied for the betrayal.
"La France C'Est Moi," he cried, but the irony was lost.
Since I returned to the U.
S.
nothing goes well.
I stay up too late, don't sleep, and am losing weight.
Thomas, I say, is dead, but what use telling myself what I won't believe.
The hotel quiets early at night, the aged brace themselves for another sleep, and offshore the sea quickens its pace.
I am suddenly old, caught in a strange country for which no man would die.
THOMAS DELAIN: from a journal found on his person At night wakened by the freight trains boring through the suburbs of Lyon, I watched first light corrode the darkness, disturb what little wildlife was left in the alleys: birds moved from branch to branch, and the dogs leapt at the garbage.
Winter numbed even the hearts of the young who had only their hearts.
We heard the war coming; the long wait was over, and we moved along the crowded roads south not looking for what lost loves fell by the roadsides.
To flee at all cost, that was my youth.
Here in the African night wakened by what I do not know and shivering in the heat, listen as the men fight with sleep.
Loosed from their weapons they cry out, frightened and young, who have never been children.
Once merely to be strong, to live, was moral.
Within these uniforms we accept the evil we were chosen to deliver, and no act human or benign can free us from ourselves.
Wait, sleep, blind soldiers of a blind will, and listen for that old command dreaming of authority.


Written by Johann Wolfgang von Goethe | Create an image from this poem

THE WANDERER

 [Published in the Gottingen Musen Almanach, 
having been written "to express his feelings and caprices" after 
his separation from Frederica.
] WANDERER.
YOUNG woman, may God bless thee, Thee, and the sucking infant Upon thy breast! Let me, 'gainst this rocky wall, Neath the elm-tree's shadow, Lay aside my burden, Near thee take my rest.
WOMAN.
What vocation leads thee, While the day is burning, Up this dusty path? Bring'st thou goods from out the town Round the country? Smil'st thou, stranger, At my question? WANDERER.
From the town no goods I bring.
Cool is now the evening; Show to me the fountain 'Whence thou drinkest, Woman young and kind! WOMAN.
Up the rocky pathway mount; Go thou first! Across the thicket Leads the pathway tow'rd the cottage That I live in, To the fountain Whence I drink.
WANDERER.
Signs of man's arranging hand See I 'mid the trees! Not by thee these stones were join'd, Nature, who so freely scatterest! WOMAN.
Up, still up! WANDERER.
Lo, a mossy architrave is here! I discern thee, fashioning spirit! On the stone thou hast impress'd thy seal.
WOMAN.
Onward, stranger! WANDERER.
Over an inscription am I treading! 'Tis effaced! Ye are seen no longer, Words so deeply graven, Who your master's true devotion Should have shown to thousand grandsons! WOMAN.
At these stones, why Start'st thou, stranger? Many stones are lying yonder Round my cottage.
WANDERER.
Yonder? WOMAN.
Through the thicket, Turning to the left, Here! WANDERER.
Ye Muses and ye Graces! WOMAN.
This, then, is my cottage.
WANDERER.
'Tis a ruin'd temple! * WOMAN.
Just below it, see, Springs the fountain Whence I drink.
WANDERER.
Thou dost hover O'er thy grave, all glowing, Genius! while upon thee Hath thy master-piece Fallen crumbling, Thou Immortal One! WOMAN.
Stay, a cup I'll fetch thee Whence to drink.
WANDERER.
Ivy circles thy slender Form so graceful and godlike.
How ye rise on high From the ruins, Column-pair And thou, their lonely sister yonder,-- How thou, Dusky moss upon thy sacred head,-- Lookest down in mournful majesty On thy brethren's figures Lying scatter'd At thy feet! In the shadow of the bramble Earth and rubbish veil them, Lofty grass is waving o'er them Is it thus thou, Nature, prizest Thy great masterpiece's masterpiece? Carelessly destroyest thou Thine own sanctuary, Sowing thistles there? WOMAN.
How the infant sleeps! Wilt thou rest thee in the cottage, Stranger? Wouldst thou rather In the open air still linger? Now 'tis cool! take thou the child While I go and draw some water.
Sleep on, darling! sleep! WANDERER.
Sweet is thy repose! How, with heaven-born health imbued, Peacefully he slumbers! Oh thou, born among the ruins Spread by great antiquity, On thee rest her spirit! He whom it encircles Will, in godlike consciousness, Ev'ry day enjoy.
Full, of germ, unfold, As the smiling springtime's Fairest charm, Outshining all thy fellows! And when the blossom's husk is faded, May the full fruit shoot forth From out thy breast, And ripen in the sunshine! WOMAN.
God bless him!--Is he sleeping still? To the fresh draught I nought can add, Saving a crust of bread for thee to eat.
WANDERER.
I thank thee well.
How fair the verdure all around! How green! WOMAN.
My husband soon Will home return From labour.
Tarry, tarry, man, And with us eat our evening meal.
WANDERER.
Is't here ye dwell? WOMAN.
Yonder, within those walls we live.
My father 'twas who built the cottage Of tiles and stones from out the ruins.
'Tis here we dwell.
He gave me to a husbandman, And in our arms expired.
-- Hast thou been sleeping, dearest heart How lively, and how full of play! Sweet rogue! WANDERER.
Nature, thou ever budding one, Thou formest each for life's enjoyments, And, like a mother, all thy children dear, Blessest with that sweet heritage,--a home The swallow builds the cornice round, Unconscious of the beauties She plasters up.
The caterpillar spins around the bough, To make her brood a winter house; And thou dost patch, between antiquity's Most glorious relics, For thy mean use, Oh man, a humble cot,-- Enjoyest e'en mid tombs!-- Farewell, thou happy woman! WOMAN.
Thou wilt not stay, then? WANDERER.
May God preserve thee, And bless thy boy! WOMAN.
A happy journey! WANDERER.
Whither conducts the path Across yon hill? WOMAN.
To Cuma.
WANDERER.
How far from hence? WOMAN.
'Tis full three miles.
WANDERER.
Farewell! Oh Nature, guide me on my way! The wandering stranger guide, Who o'er the tombs Of holy bygone times Is passing, To a kind sheltering place, From North winds safe, And where a poplar grove Shuts out the noontide ray! And when I come Home to my cot At evening, Illumined by the setting sun, Let me embrace a wife like this, Her infant in her arms! 1772.
* Compare with the beautiful description contained in the subsequent lines, an account of a ruined temple of Ceres, given by Chamberlayne in his Pharonnida (published in 1659) ".
.
.
.
With mournful majesiy A heap of solitary ruins lie, Half sepulchred in dust, the bankrupt heir To prodigal antiquity.
.
.
.
"
Written by Andrew Barton Paterson | Create an image from this poem

Commandeering

 Our hero was a Tommy with a conscience free from care, 
And such an open countenance that when he breathed the air 
He mopped up all the atmosphere -- so little went to spare 
You could hardly say he breathed, he "commandeered" it.
For nowadays you'll notice when a man is "on the make", And other people's property is anxious for to take, We never use such words as "steal", or "collar", "pinch", or "shake".
No, the fashion is to say we "commandeered" it.
And our simple-minded hero used to grumble at his lot, Said he, "This commandeerin's just a little bit too hot, A fellow has to carry every blooming thing he's got; Whatever he puts down they'll commandeer it.
" So after much anxiety our simple-minded elf He thought he'd do a little commandeering for himself, And the first thing that he'd noticed was a bottle on a shelf In a cottage, so he thought he'd commandeer it.
"What ho!" says he, "a bottle, and, by George, it's full of beer, And no commanding officer to come and interfere.
Here's my own blooming health," says he, "I'm on the commandeer.
" And without another word he commandeered it.
On his subsequent proceedings we must draw a little veil, For the Boers had left some sheep dip in that bottle labelled "Ale"; But the doctor said he's shift it -- if all other methods fail, We must use the stomach pump and commandeer it.
Written by Emily Dickinson | Create an image from this poem

As Frost is best conceived

 As Frost is best conceived
By force of its Result --
Affliction is inferred
By subsequent effect --

If when the sun reveal,
The Garden keep the Gash --
If as the Days resume
The wilted countenance

Cannot correct the crease
Or counteract the stain --
Presumption is Vitality
Was somewhere put in twain.
Written by Emily Dickinson | Create an image from this poem

To hang our head -- ostensibly

 To hang our head -- ostensibly --
And subsequent, to find
That such was not the posture
Of our immortal mind --

Affords the sly presumption
That in so dense a fuzz --
You -- too -- take Cobweb attitudes
Upon a plane of Gauze!


Written by Emily Dickinson | Create an image from this poem

The Popular Heart is a Cannon first --

 The Popular Heart is a Cannon first --
Subsequent a Drum --
Bells for an Auxiliary
And an Afterward of Rum --

Not a Tomorrow to know its name
Nor a Past to stare --
Ditches for Realms and a Trip to Jail
For a Souvenir --

Book: Reflection on the Important Things