Written by
Paul Laurence Dunbar |
Ah, Douglass, we have fall'n on evil days,
Such days as thou, not even thou didst know,
When thee, the eyes of that harsh long ago
Saw, salient, at the cross of devious ways,
And all the country heard thee with amaze.
Not ended then, the passionate ebb and flow,
The awful tide that battled to and fro;
We ride amid a tempest of dispraise.
Now, when the waves of swift dissension swarm,
And Honour, the strong pilot, lieth stark,
Oh, for thy voice high-sounding o'er the storm,
For thy strong arm to guide the shivering bark,
The blast-defying power of thy form,
To give us comfort through the lonely dark.
|
Written by
Ella Wheeler Wilcox |
The band was playing a waltz-quadrille,
I felt as light as a wind-blown feather,
As we floated away, at the caller’s will,
Through the intricate, mazy dance together.
Like mimic armies our lines were meeting,
Slowly advancing, and then retreating,
All decked in their bright array;
And back and forth to the music’s rhyme
We moved together, and all the time
I knew you were going away.
The fold of your strong arm sent a thrill
From heart to brain as we gently glided
Like leaves on the wave of that waltz-quadrille;
Parted, met, and again divided –
You drifting one way, and I another,
Then suddenly turning and facing each other,
Then off in the blithe chasse.
Then airily back to our places swaying,
While every beat of the music seemed saying
That you were going away.
I said to my heart, ‘Let us take our fill
Of mirth, and music, and love, and laughter;
For it all must end with this waltz-quadrille,
And life will never be the same life after.
Oh that the caller might go on calling!
Oh that the music might go on falling
Like a shower of silver spray,
While we whirled on to the vast Forever,
Where no hearts break, and no ties sever,
And no one goes away!
A clamour, a crash, and the band was still,
‘Twas the end of the dream, and the end of the measure:
The last low notes of that waltz-quadrille
Seemed like a dirge o’er the death of Pleasure.
You said good-night, and the spell was over –
Too warm for a friend, and too cold for a lover –
There was nothing else to say;
But the lights looked dim, and the dancers weary,
And the music was sad and the hall was dreary,
After you went away.
|
Written by
Carl Sandburg |
YOU come along.
.
.
tearing your shirt.
.
.
yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.
You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips.
.
.
always blabbing we're all
going to hell straight off and you know all about it.
I've read Jesus' words.
I know what he said.
You don't
throw any scare into me.
I've got your number.
I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along.
It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.
I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth.
He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.
This Jesus was good to look at, smelled good, listened
good.
He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.
When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?
Go ahead and bust all the chairs you want to.
Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head.
If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.
You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out.
Jesus played it different.
The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game.
He didn't sit in with
the big thieves.
I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.
I ask you to come through and show me where you're
pouring out the blood of your life.
I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
|
Written by
Victor Hugo |
("Vous, sire, écoutez-moi.")
{LE ROI S'AMUSE, Act I.}
M. ST. VALLIER (an aged nobleman, from whom King Francis I.
decoyed his daughter, the famous beauty, Diana of
Poitiers).
A king should listen when his subjects speak:
'Tis true your mandate led me to the block,
Where pardon came upon me, like a dream;
I blessed you then, unconscious as I was
That a king's mercy, sharper far than death,
To save a father doomed his child to shame;
Yes, without pity for the noble race
Of Poitiers, spotless for a thousand years,
You, Francis of Valois, without one spark
Of love or pity, honor or remorse,
Did on that night (thy couch her virtue's tomb),
With cold embraces, foully bring to scorn
My helpless daughter, Dian of Poitiers.
To save her father's life a knight she sought,
Like Bayard, fearless and without reproach.
She found a heartless king, who sold the boon,
Making cold bargain for his child's dishonor.
Oh! monstrous traffic! foully hast thou done!
My blood was thine, and justly, tho' it springs
Amongst the best and noblest names of France;
But to pretend to spare these poor gray locks,
And yet to trample on a weeping woman,
Was basely done; the father was thine own,
But not the daughter!—thou hast overpassed
The right of monarchs!—yet 'tis mercy deemed.
And I perchance am called ungrateful still.
Oh, hadst thou come within my dungeon walls,
I would have sued upon my knees for death,
But mercy for my child, my name, my race,
Which, once polluted, is my race no more.
Rather than insult, death to them and me.
I come not now to ask her back from thee;
Nay, let her love thee with insensate love;
I take back naught that bears the brand of shame.
Keep her! Yet, still, amidst thy festivals,
Until some father's, brother's, husband's hand
('Twill come to pass!) shall rid us of thy yoke,
My pallid face shall ever haunt thee there,
To tell thee, Francis, it was foully done!...
TRIBOULET (the Court Jester), sneering. The poor man
raves.
ST. VILLIER. Accursed be ye both!
Oh Sire! 'tis wrong upon the dying lion
To loose thy dog! (Turns to Triboulet)
And thou, whoe'er thou art,
That with a fiendish sneer and viper's tongue
Makest my tears a pastime and a sport,
My curse upon thee!—Sire, thy brow doth bear
The gems of France!—on mine, old age doth sit;
Thine decked with jewels, mine with these gray hairs;
We both are Kings, yet bear a different crown;
And should some impious hand upon thy head
Heap wrongs and insult, with thine own strong arm
Thou canst avenge them! God avenges mine!
FREDK. L. SLOUS.
|
Written by
Paul Laurence Dunbar |
Ah, Douglass, we have fall'n on evil days,
Such days as thou, not even thou didst know,
When thee, the eyes of that harsh long ago
Saw, salient, at the cross of devious ways,
And all the country heard thee with amaze.
Not ended then, the passionate ebb and flow,
The awful tide that battled to and fro;
We ride amid a tempest of dispraise.
Now, when the waves of swift dissension swarm,
And Honor, the strong pilot, lieth stark,
Oh, for thy voice high-sounding o'er the storm,
For thy strong arm to guide the shivering bark,
The blast-defying power of thy form,
To give us comfort through the lonely dark.
|