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Best Famous Stroked Poems

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Written by Thomas Hardy | Create an image from this poem

A Broken Appointment

 You did not come,
And marching Time drew on, and wore me numb.
Yet less for loss of your dear presence there
Than that I thus found lacking in your make
That high compassion which can overbear
Reluctance for pure loving kindness' sake
Grieved I, when, as the hope-hour stroked its sum,
You did not come. 

You love me not,
And love alone can lend you loyalty;
--I know and knew it. But, unto the store
Of human deeds divine in all but name,
Was it not worth a little hour or more
To add yet this: Once you, a woman, came
To soothe a time-torn man; even though it be
You love me not.


Written by Derek Walcott | Create an image from this poem

The Star-Apple Kingdom

 There were still shards of an ancient pastoral 
in those shires of the island where the cattle drank 
their pools of shadow from an older sky, 
surviving from when the landscape copied such objects as 
"Herefords at Sunset in the valley of the Wye." 
The mountain water that fell white from the mill wheel 
sprinkling like petals from the star-apple trees, 
and all of the windmills and sugar mills moved by mules 
on the treadmill of Monday to Monday, would repeat 
in tongues of water and wind and fire, in tongues 
of Mission School pickaninnies, like rivers remembering 
their source, Parish Trelawny, Parish St David, Parish 
St Andrew, the names afflicting the pastures, 
the lime groves and fences of marl stone and the cattle 
with a docile longing, an epochal content. 
And there were, like old wedding lace in an attic, 
among the boas and parasols and the tea-colored 
daguerreotypes, hints of an epochal happiness 
as ordered and infinite to the child 
as the great house road to the Great House 
down a perspective of casuarinas plunging green manes 
in time to the horses, an orderly life 
reduced by lorgnettes day and night, one disc the sun, 
the other the moon, reduced into a pier glass: 
nannies diminished to dolls, mahogany stairways 
no larger than those of an album in which 
the flash of cutlery yellows, as gamboge as 
the piled cakes of teatime on that latticed 
bougainvillea verandah that looked down toward 
a prospect of Cuyp-like Herefords under a sky 
lurid as a porcelain souvenir with these words: 
"Herefords at Sunset in the Valley of the Wye." 

Strange, that the rancor of hatred hid in that dream 
of slow rivers and lily-like parasols, in snaps 
of fine old colonial families, curled at the edge 
not from age of from fire or the chemicals, no, not at all, 
but because, off at its edges, innocently excluded 
stood the groom, the cattle boy, the housemaid, the gardeners, 
the tenants, the good ******* down in the village, 
their mouth in the locked jaw of a silent scream. 
A scream which would open the doors to swing wildly 
all night, that was bringing in heavier clouds, 
more black smoke than cloud, frightening the cattle 
in whose bulging eyes the Great House diminished; 
a scorching wind of a scream 
that began to extinguish the fireflies, 
that dried the water mill creaking to a stop 
as it was about to pronounce Parish Trelawny 
all over, in the ancient pastoral voice, 
a wind that blew all without bending anything, 
neither the leaves of the album nor the lime groves; 
blew Nanny floating back in white from a feather 
to a chimerical, chemical pin speck that shrank 
the drinking Herefords to brown porcelain cows 
on a mantelpiece, Trelawny trembling with dusk, 
the scorched pastures of the old benign Custos; blew 
far the decent servants and the lifelong cook, 
and shriveled to a shard that ancient pastoral 
of dusk in a gilt-edged frame now catching the evening sun 
in Jamaica, making both epochs one. 

He looked out from the Great House windows on 
clouds that still held the fragrance of fire, 
he saw the Botanical Gardens officially drown 
in a formal dusk, where governors had strolled 
and black gardeners had smiled over glinting shears 
at the lilies of parasols on the floating lawns, 
the flame trees obeyed his will and lowered their wicks, 
the flowers tightened their fists in the name of thrift, 
the porcelain lamps of ripe cocoa, the magnolia's jet 
dimmed on the one circuit with the ginger lilies 
and left a lonely bulb on the verandah, 
and, had his mandate extended to that ceiling 
of star-apple candelabra, he would have ordered 
the sky to sleep, saying, I'm tired, 
save the starlight for victories, we can't afford it, 
leave the moon on for one more hour,and that's it. 
But though his power, the given mandate, extended 
from tangerine daybreaks to star-apple dusks, 
his hand could not dam that ceaseless torrent of dust 
that carried the shacks of the poor, to their root-rock music, 
down the gullies of Yallahs and August Town, 
to lodge them on thorns of maca, with their rags 
crucified by cactus, tins, old tires, cartons; 
from the black Warieka Hills the sky glowed fierce as 
the dials of a million radios, 
a throbbing sunset that glowed like a grid 
where the dread beat rose from the jukebox of Kingston. 
He saw the fountains dried of quadrilles, the water-music 
of the country dancers, the fiddlers like fifes 
put aside. He had to heal 
this malarial island in its bath of bay leaves, 
its forests tossing with fever, the dry cattle 
groaning like winches, the grass that kept shaking 
its head to remember its name. No vowels left 
in the mill wheel, the river. Rock stone. Rock stone. 

The mountains rolled like whales through phosphorous stars, 
as he swayed like a stone down fathoms into sleep, 
drawn by that magnet which pulls down half the world 
between a star and a star, by that black power 
that has the assassin dreaming of snow, 
that poleaxes the tyrant to a sleeping child. 
The house is rocking at anchor, but as he falls 
his mind is a mill wheel in moonlight, 
and he hears, in the sleep of his moonlight, the drowned 
bell of Port Royal's cathedral, sees the copper pennies 
of bubbles rising from the empty eye-pockets 
of green buccaneers, the parrot fish floating 
from the frayed shoulders of pirates, sea horses 
drawing gowned ladies in their liquid promenade 
across the moss-green meadows of the sea; 
he heard the drowned choirs under Palisadoes, 
a hymn ascending to earth from a heaven inverted 
by water, a crab climbing the steeple, 
and he climbed from that submarine kingdom 
as the evening lights came on in the institute, 
the scholars lamplit in their own aquarium, 
he saw them mouthing like parrot fish, as he passed 
upward from that baptism, their history lessons, 
the bubbles like ideas which he could not break: 
Jamaica was captured by Penn and Venables, 
Port Royal perished in a cataclysmic earthquake. 

Before the coruscating façades of cathedrals 
from Santiago to Caracas, where penitential archbishops 
washed the feet of paupers (a parenthetical moment 
that made the Caribbean a baptismal font, 
turned butterflies to stone, and whitened like doves 
the buzzards circling municipal garbage), 
the Caribbean was borne like an elliptical basin 
in the hands of acolytes, and a people were absolved 
of a history which they did not commit; 
the slave pardoned his whip, and the dispossessed 
said the rosary of islands for three hundred years, 
a hymn that resounded like the hum of the sea 
inside a sea cave, as their knees turned to stone, 
while the bodies of patriots were melting down walls 
still crusted with mute outcries of La Revolucion! 
"San Salvador, pray for us,St. Thomas, San Domingo, 
ora pro nobis, intercede for us, Sancta Lucia 
of no eyes," and when the circular chaplet 
reached the last black bead of Sancta Trinidad 
they began again, their knees drilled into stone, 
where Colon had begun, with San Salvador's bead, 
beads of black colonies round the necks of Indians. 
And while they prayed for an economic miracle, 
ulcers formed on the municipal portraits, 
the hotels went up, and the casinos and brothels, 
and the empires of tobacco, sugar, and bananas, 
until a black woman, shawled like a buzzard, 
climbed up the stairs and knocked at the door 
of his dream, whispering in the ear of the keyhole: 
"Let me in, I'm finished with praying, I'm the Revolution. 
I am the darker, the older America." 

She was as beautiful as a stone in the sunrise, 
her voice had the gutturals of machine guns 
across khaki deserts where the cactus flower 
detonates like grenades, her sex was the slit throat 
of an Indian, her hair had the blue-black sheen of the crow. 
She was a black umbrella blown inside out 
by the wind of revolution, La Madre Dolorosa, 
a black rose of sorrow, a black mine of silence, 
raped wife, empty mother, Aztec virgin 
transfixed by arrows from a thousand guitars, 
a stone full of silence, which, if it gave tongue 
to the tortures done in the name of the Father, 
would curdle the blood of the marauding wolf, 
the fountain of generals, poets, and cripples 
who danced without moving over their graves 
with each revolution; her Caesarean was stitched 
by the teeth of machine guns,and every sunset 
she carried the Caribbean's elliptical basin 
as she had once carried the penitential napkins 
to be the footbath of dictators, Trujillo, Machado, 
and those whose faces had yellowed like posters 
on municipal walls. Now she stroked his hair 
until it turned white, but she would not understand 
that he wanted no other power but peace, 
that he wanted a revolution without any bloodshed, 
he wanted a history without any memory, 
streets without statues, 
and a geography without myth. He wanted no armies 
but those regiments of bananas, thick lances of cane, 
and he sobbed,"I am powerless, except for love." 
She faded from him, because he could not kill; 
she shrunk to a bat that hung day and night 
in the back of his brain. He rose in his dream. 
(to be continued)
Written by Adrienne Rich | Create an image from this poem

Integrity

 the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far

as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks. Burning through.
Your fore-arms can get scalded, licked with pain
in a sun blotted like unspoken anger
behind a casual mist.

The length of daylight
this far north, in this
forty-ninth year of my life
is critical.

The light is critical: of me, of this
long-dreamed, involuntary landing
on the arm of an inland sea.
The glitter of the shoal
depleting into shadow
I recognize: the stand of pines
violet-black really, green in the old postcard
but really I have nothing but myself
to go by; nothing
stands in the realm of pure necessity
except what my hands can hold.

Nothing but myself?....My selves.
After so long, this answer.
As if I had always known
I steer the boat in, simply.
The motor dying on the pebbles
cicadas taking up the hum
dropped in the silence.

Anger and tenderness: my selves.
And now I can believe they breathe in me
as angels, not polarities.
Anger and tenderness: the spider's genius
to spin and weave in the same action
from her own body, anywhere --
even from a broken web.

The cabin in the stand of pines
is still for sale. I know this. Know the print
of the last foot, the hand that slammed and locked the door,
then stopped to wreathe the rain-smashed clematis
back on the trellis
for no one's sake except its own.
I know the chart nailed to the wallboards
the icy kettle squatting on the burner.
The hands that hammered in those nails
emptied that kettle one last time
are these two hands
and they have caught the baby leaping
from between trembling legs
and they have worked the vacuum aspirator
and stroked the sweated temples
and steered the boat there through this hot
misblotted sunlight, critical light
imperceptibly scalding
the skin these hands will also salve.
Written by Alice Walker | Create an image from this poem

When Golda Meir was in Africa

When Golda Meir
Was in Africa
She shook out her hair
And combed it
Everywhere she went.


According to her autobiography
Africans loved this.


In Russia, Minneapolis, London, Washington, D.C.,
Germany, Palestine, Tel Aviv and
Jerusalem
She never combed at all.
There was no point. In those
Places people said, "She looks like
Any other aging grandmother. She looks
Like a troll. Let's sell her cookery
And guns."


"Kreplach your cookery," said Golda.


Only in Africa could she finally
Settle down and comb her hair.
The children crept up and stroked it,
And she felt beautiful.


Such wonderful people, Africans
Childish, arrogant, self-indulgent, pompous,
Cowardly and treacherous-a great disappointment
To Israel, of course, and really rather
Ridiculous in international affairs
But, withal, opined Golda, a people of charm
And good taste. 
Written by Anne Sexton | Create an image from this poem

The Exorcists

 And I solemnly swear
on the chill of secrecy
that I know you not, this room never,
the swollen dress I wear,
nor the anonymous spoons that free me,
nor this calendar nor the pulse we pare and cover.

For all these present,
before that wandering ghost,
that yellow moth of my summer bed,
I say: this small event
is not. So I prepare, am dosed
in ether and will not cry what stays unsaid.

I was brown with August,
the clapping waves at my thighs
and a storm riding into the cove. We swam
while the others beached and burst
for their boarded huts, their hale cries
shouting back to us and the hollow slam
of the dory against the float.
Black arms of thunder strapped
upon us, squalled out, we breathed in rain
and stroked past the boat.
We thrashed for shore as if we were trapped
in green and that suddenly inadequate stain

of lightning belling around
our skin. Bodies in air
we raced for the empty lobsterman-shack.
It was yellow inside, the sound
of the underwing of the sun. I swear,
I most solemnly swear, on all the bric-a-brac

of summer loves, I know
you not.


Written by Robert Frost | Create an image from this poem

A Fountain a Bottle a Donkeys Ears and Some Books

 Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it:
And experts said that deep down in the mountain
The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.

"I'll tell you what you show me. You remember
You said you knew the place where once, on Kinsman,
The early Mormons made a settlement
And built a stone baptismal font outdoors—
But Smith, or someone, called them off the mountain
To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there."

 Someday I will."

 "Today."

"Huh, that old bathtub, what is that to see?
Let's talk about it."

 "Let's go see the place."

'To shut you up I'll tell you what I'll do:
I'll find that fountain if it takes all summer,
And both of our united strengths, to do it."

"You've lost it, then?"

 "Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it
In eighty-five."

 "As long ago as that?"

"If I remember rightly, it had sprung
A leak and emptied then. And forty years
Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself
Be dragged by you all over everywhere——"
"I thought you were a guide.”

 "I am a guide,
And that's why I can't decently refuse you."

We made a day of it out of the world,
Ascending to descend to reascend.
The old man seriously took his bearings,
And spoke his doubts in every open place.

We came out on a look-off where we faced
A cliff, and on the cliff a bottle painted,
Or stained by vegetation from above,
A likeness to surprise the thrilly tourist.

"Well, if I haven't brought you to the fountain,
At least I've brought you to the famous Bottle."

"I won't accept the substitute. It's empty.”

"So's everything."

"I want my fountain."

"I guess you'd find the fountain just as empty.
And anyway this tells me where I am.”

"Hadn't you long suspected where you were?"

"You mean miles from that Mormon settlement?
Look here, you treat your guide with due respect
If you don't want to spend the night outdoors.
I vow we must be near the place from where
The two converging slides, the avalanches,
On Marshall, look like donkey's ears.
We may as well see that and save the day."

"Don't donkey's ears suggest we shake our own?"

"For God's sake, aren't you fond of viewing nature?
You don't like nature. All you like is books.
What signify a donkey's cars and bottle,
However natural? Give you your books!
Well then, right here is where I show you books.
Come straight down off this mountain just as fast
As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather."

Be ready, I thought, for almost anything.

We struck a road I didn't recognize,
But welcomed for the chance to lave my shoes
In dust once more. We followed this a mile,
Perhaps, to where it ended at a house
I didn't know was there. It was the kind
To bring me to for broad-board paneling.
I never saw so good a house deserted.

"Excuse me if I ask you in a window
That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people
Who used to live here. They were Robinsons.
You must have heard of Clara Robinson,
The poetess who wrote the book of verses
And had it published. It was all about
The posies on her inner windowsill,
And the birds on her outer windowsill,
And how she tended both, or had them tended:
She never tended anything herself.
She was 'shut in' for life. She lived her whole
Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended
To entertain the birds and hold the flowers.
Our business first's up attic with her books."

We trod uncomfortably on crunching glass
Through a house stripped of everything
Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case
That, overflowing like a horn of plenty,
Or like the poetess's heart of love,
Had spilled them near the window, toward the light
Where driven rain had wet and swollen them.
Enough to stock a village library—
Unfortunately all of one kind, though.
They bad been brought home from some publisher
And taken thus into the family.
Boys and bad hunters had known what to do
With stone and lead to unprotected glass:
Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage?
By being invisible for what it was,
Or else by some remoteness that defied them
To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book,
To send it sailing out the attic window
Till it caught wind and, opening out its covers,
Tried to improve on sailing like a tile
By flying like a bird (silent in flight,
But all the burden of its body song),
Only to tumble like a stricken bird,
And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then,
Having tried one, had dropped it at his feet
And left it lying where it fell rejected.
Here were all those the poetess's life
Had been too short to sell or give away.

"Take one," Old Davis bade me graciously.

"Why not take two or three?"

 "Take all you want."
Good-looking books like that." He picked one fresh
In virgin wrapper from deep in the box,
And stroked it with a horny-handed kindness.
He read in one and I read in another,
Both either looking for or finding something.

The attic wasps went missing by like bullets.

I was soon satisfied for the time being.

All the way home I kept remembering
The small book in my pocket. It was there.
The poetess had sighed, I knew, in heaven
At having eased her heart of one more copy—
Legitimately. My demand upon her,
Though slight, was a demand. She felt the tug.
In time she would be rid of all her books.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Black Fox Skin

 I

There was Claw-fingered Kitty and Windy Ike living the life of shame,
When unto them in the Long, Long Night came the man-who-had-no-name;
Bearing his prize of a black fox pelt, out of the Wild he came.

His cheeks were blanched as the flume-head foam when the brown spring freshets flow;
Deep in their dark, sin-calcined pits were his sombre eyes aglow;
They knew him far for the fitful man who spat forth blood on the snow.

"Did ever you see such a skin?" quoth he; "there's nought in the world so fine--
Such fullness of fur as black as the night, such lustre, such size, such shine;
It's life to a one-lunged man like me; it's London, it's women, it's wine.

"The Moose-hides called it the devil-fox, and swore that no man could kill;
That he who hunted it, soon or late, must surely suffer some ill;
But I laughed at them and their old squaw-tales. Ha! Ha! I'm laughing still.

"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.
By gun or by trap, whatever the hap, I swore I would capture it;
By star and by star afield and afar, I hunted and would not quit.

"For the devil-fox, it was swift and sly, and it seemed to fleer at me;
I would wake in fright by the camp-fire light, hearing its evil glee;
Into my dream its eyes would gleam, and its shadow would I see.

"It sniffed and ran from the ptarmigan I had poisoned to excess;
Unharmed it sped from my wrathful lead ('twas as if I shot by guess);
Yet it came by night in the stark moonlight to mock at my weariness.

"I tracked it up where the mountains hunch like the vertebrae of the world;
I tracked it down to the death-still pits where the avalanche is hurled;
From the glooms to the sacerdotal snows, where the carded clouds are curled.

"From the vastitudes where the world protrudes through clouds like seas up-shoaled,
I held its track till it led me back to the land I had left of old--
The land I had looted many moons. I was weary and sick and cold.

"I was sick, soul-sick, of the futile chase, and there and then I swore
The foul fiend fox might scathless go, for I would hunt no more;
Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.

"A rifle raised in the wraith-like gloom, and a vengeful shot that sped;
A howl that would thrill a cream-faced corpse-- and the demon fox lay dead. . . .
Yet there was never a sign of wound, and never a drop he bled.

"So that was the end of the great black fox, and here is the prize I've won;
And now for a drink to cheer me up--I've mushed since the early sun;
We'll drink a toast to the sorry ghost of the fox whose race is run."

II

Now Claw-fingered Kitty and Windy Ike, bad as the worst were they;
In their road-house down by the river-trail they waited and watched for prey;
With wine and song they joyed night long, and they slept like swine by day.

For things were done in the Midnight Sun that no tongue will ever tell;
And men there be who walk earth-free, but whose names are writ in hell--
Are writ in flames with the guilty names of Fournier and Labelle.

Put not your trust in a poke of dust would ye sleep the sleep of sin;
For there be those who would rob your clothes ere yet the dawn comes in;
And a prize likewise in a woman's eyes is a peerless black fox skin.

Put your faith in the mountain cat if you lie within his lair;
Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear;
But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware!

Wherefore it was beyond all laws that lusts of man restrain,
A man drank deep and sank to sleep never to wake again;
And the Yukon swallowed through a hole the cold corpse of the slain.

III

The black fox skin a shadow cast from the roof nigh to the floor;
And sleek it seemed and soft it gleamed, and the woman stroked it o'er;
And the man stood by with a brooding eye, and gnashed his teeth and swore.

When thieves and thugs fall out and fight there's fell arrears to pay;
And soon or late sin meets its fate, and so it fell one day
That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.

"The skin is mine, all mine," she cried; "I did the deed alone."
"It's share and share with a guilt-yoked pair", he hissed in a pregnant tone;
And so they snarled like malamutes over a mildewed bone.

And so they fought, by fear untaught, till haply it befell
One dawn of day she slipped away to Dawson town to sell
The fruit of sin, this black fox skin that had made their lives a hell.

She slipped away as still he lay, she clutched the wondrous fur;
Her pulses beat, her foot was fleet, her fear was as a spur;
She laughed with glee, she did not see him rise and follow her.

The bluffs uprear and grimly peer far over Dawson town;
They see its lights a blaze o' nights and harshly they look down;
They mock the plan and plot of man with grim, ironic frown.

The trail was steep; 'twas at the time when swiftly sinks the snow;
All honey-combed, the river ice was rotting down below;
The river chafed beneath its rind with many a mighty throe.

And up the swift and oozy drift a woman climbed in fear,
Clutching to her a black fox fur as if she held it dear;
And hard she pressed it to her breast--then Windy Ike drew near.

She made no moan--her heart was stone--she read his smiling face,
And like a dream flashed all her life's dark horror and disgrace;
A moment only--with a snarl he hurled her into space.

She rolled for nigh an hundred feet; she bounded like a ball;
From crag to crag she carromed down through snow and timber fall; . . .
A hole gaped in the river ice; the spray flashed--that was all.

A bird sang for the joy of spring, so piercing sweet and frail;
And blinding bright the land was dight in gay and glittering mail;
And with a wondrous black fox skin a man slid down the trail.

IV

A wedge-faced man there was who ran along the river bank,
Who stumbled through each drift and slough, and ever slipped and sank,
And ever cursed his Maker's name, and ever "hooch" he drank.

He travelled like a hunted thing, hard harried, sore distrest;
The old grandmother moon crept out from her cloud-quilted nest;
The aged mountains mocked at him in their primeval rest.

Grim shadows diapered the snow; the air was strangely mild;
The valley's girth was dumb with mirth, the laughter of the wild;
The still, sardonic laughter of an ogre o'er a child.

The river writhed beneath the ice; it groaned like one in pain,
And yawning chasms opened wide, and closed and yawned again;
And sheets of silver heaved on high until they split in twain.

From out the road-house by the trail they saw a man afar
Make for the narrow river-reach where the swift cross-currents are;
Where, frail and worn, the ice is torn and the angry waters jar.

But they did not see him crash and sink into the icy flow;
They did not see him clinging there, gripped by the undertow,
Clawing with bleeding finger-nails at the jagged ice and snow.

They found a note beside the hole where he had stumbled in:
"Here met his fate by evil luck a man who lived in sin,
And to the one who loves me least I leave this black fox skin."

And strange it is; for, though they searched the river all around,
No trace or sign of black fox skin was ever after found;
Though one man said he saw the tread of HOOFS deep in the ground.
Written by James Wright | Create an image from this poem

To A Blossoming Pear Tree

 Beautiful natural blossoms,
Pure delicate body,
You stand without trembling.
Little mist of fallen starlight,
Perfect, beyond my reach,
How I envy you.
For if you could only listen,
I would tell you something,
Something human.

An old man
Appeared to me once
In the unendurable snow.
He had a singe of white
Beard on his face.
He paused on a street in Minneapolis
And stroked my face.
Give it to me, he begged.
I'll pay you anything.

I flinched. Both terrified,
We slunk away,
Each in his own way dodging
The cruel darts of the cold.

Beautiful natural blossoms,
How could you possibly
Worry or bother or care
About the ashamed, hopeless
Old man? He was so near death
He was willing to take
Any love he could get,
Even at the risk
Of some mocking policeman
Or some cute young wiseacre
Smashing his dentures,
Perhaps leading him on
To a dark place and there
Kicking him in his dead groin
Just for the fun of it.

Young tree, unburdened
By anything but your beautiful natural blossoms
And dew, the dark
Blood in my body drags me
Down with my brother.
Written by Denise Levertov | Create an image from this poem

To the Snake

 Green Snake, when I hung you round my neck
and stroked your cold, pulsing throat
as you hissed to me, glinting
arrowy gold scales, and I felt
the weight of you on my shoulders,
and the whispering silver of your dryness
sounded close at my ears --


Green Snake--I swore to my companions that certainly
you were harmless! But truly
I had no certainty, and no hope, only desiring
to hold you, for that joy, 
which left
a long wake of pleasure, as the leaves moved
and you faded into the pattern
of grass and shadows, and I returned
smiling and haunted, to a dark morning.
Written by Thomas Hardy | Create an image from this poem

The Alarm

 In Memory of one of the Writer's Family who was a Volunteer during the War
with Napoleon

In a ferny byway
Near the great South-Wessex Highway,
A homestead raised its breakfast-smoke aloft;
The dew-damps still lay steamless, for the sun had made no sky-way,
And twilight cloaked the croft.

'Twas hard to realize on
This snug side the mute horizon
That beyond it hostile armaments might steer,
Save from seeing in the porchway a fair woman weep with eyes on
A harnessed Volunteer.

In haste he'd flown there
To his comely wife alone there,
While marching south hard by, to still her fears,
For she soon would be a mother, and few messengers were known there
In these campaigning years.

'Twas time to be Good-bying,
Since the assembly-hour was nighing
In royal George's town at six that morn;
And betwixt its wharves and this retreat were ten good miles of hieing
Ere ring of bugle-horn.

"I've laid in food, Dear,
And broached the spiced and brewed, Dear;
And if our July hope should antedate,
Let the char-wench mount and gallop by the halterpath and wood, Dear,
And fetch assistance straight.

"As for Buonaparte, forget him;
He's not like to land! But let him,
Those strike with aim who strike for wives and sons!
And the war-boats built to float him; 'twere but wanted to upset him
A slat from Nelson's guns!

"But, to assure thee,
And of creeping fears to cure thee,
If he should be rumored anchoring in the Road,
Drive with the nurse to Kingsbere; and let nothing thence allure thee
Till we've him safe-bestowed.

"Now, to turn to marching matters:--
I've my knapsack, firelock, spatters,
Crossbelts, priming-horn, stock, bay'net, blackball, clay,
Pouch, magazine, flints, flint-box that at every quick-step clatters;
...My heart, Dear; that must stay!"

--With breathings broken
Farewell was kissed unspoken,
And they parted there as morning stroked the panes;
And the Volunteer went on, and turned, and twirled his glove for
token,
And took the coastward lanes.

When above He'th Hills he found him,
He saw, on gazing round him,
The Barrow-Beacon burning--burning low,
As if, perhaps, uplighted ever since he'd homeward bound him;
And it meant: Expect the Foe!

Leaving the byway,
And following swift the highway,
Car and chariot met he, faring fast inland;
"He's anchored, Soldier!" shouted some:
"God save thee, marching thy way,
Th'lt front him on the strand!"

He slowed; he stopped; he paltered
Awhile with self, and faltered,
"Why courting misadventure shoreward roam?
To Molly, surely! Seek the woods with her till times have altered;
Charity favors home.

"Else, my denying
He would come she'll read as lying--
Think the Barrow-Beacon must have met my eyes--
That my words were not unwareness, but deceit of her, while trying
My life to jeopardize.

"At home is stocked provision,
And to-night, without suspicion,
We might bear it with us to a covert near;
Such sin, to save a childing wife, would earn it Christ's remission,
Though none forgive it here!"

While thus he, thinking,
A little bird, quick drinking
Among the crowfoot tufts the river bore,
Was tangled in their stringy arms, and fluttered, well-nigh sinking,
Near him, upon the moor.

He stepped in, reached, and seized it,
And, preening, had released it
But that a thought of Holy Writ occurred,
And Signs Divine ere battle, till it seemed him Heaven had pleased it
As guide to send the bird.

"O Lord, direct me!...
Doth Duty now expect me
To march a-coast, or guard my weak ones near?
Give this bird a flight according, that I thence know to elect me
The southward or the rear."

He loosed his clasp; when, rising,
The bird--as if surmising--
Bore due to southward, crossing by the Froom,
And Durnover Great-Field and Fort, the soldier clear advising--
Prompted he wist by Whom.

Then on he panted
By grim Mai-Don, and slanted
Up the steep Ridge-way, hearkening betwixt whiles,
Till, nearing coast and harbor, he beheld the shore-line planted
With Foot and Horse for miles.

Mistrusting not the omen,
He gained the beach, where Yeomen,
Militia, Fencibles, and Pikemen bold,
With Regulars in thousands, were enmassed to meet the Foemen,
Whose fleet had not yet shoaled.

Captain and Colonel,
Sere Generals, Ensigns vernal,
Were there, of neighbor-natives, Michel, Smith,
Meggs, Bingham, Gambier, Cunningham, roused by the hued nocturnal
Swoop on their land and kith.

But Buonaparte still tarried;
His project had miscarried;
At the last hour, equipped for victory,
The fleet had paused; his subtle combinations had been parried
By British strategy.

Homeward returning
Anon, no beacons burning,
No alarms, the Volunteer, in modest bliss,
Te Deum sang with wife and friends: "We praise Thee, Lord, discerning
That Thou hast helped in this!"

Book: Radiant Verses: A Journey Through Inspiring Poetry