Written by
William Cullen Bryant |
COME let us plant the apple-tree.
Cleave the tough greensward with the spade;
Wide let its hollow bed be made;
There gently lay the roots and there
Sift the dark mould with kindly care 5
And press it o'er them tenderly
As round the sleeping infant's feet
We softly fold the cradle sheet;
So plant we the apple-tree.
What plant we in this apple-tree? 10
Buds which the breath of summer days
Shall lengthen into leafy sprays;
Boughs where the thrush with crimson breast
Shall haunt and sing and hide her nest;
We plant upon the sunny lea 15
A shadow for the noontide hour
A shelter from the summer shower
When we plant the apple-tree.
What plant we in this apple-tree?
Sweets for a hundred flowery springs 20
To load the May-wind's restless wings
When from the orchard row he pours
Its fragrance through our open doors;
A world of blossoms for the bee
Flowers for the sick girl's silent room 25
For the glad infant sprigs of bloom
We plant with the apple-tree.
What plant we in this apple-tree!
Fruits that shall swell in sunny June
And redden in the August noon 30
And drop when gentle airs come by
That fan the blue September sky
While children come with cries of glee
And seek them where the fragrant grass
Betrays their bed to those who pass 35
At the foot of the apple-tree.
And when above this apple-tree
The winter stars are quivering bright
And winds go howling through the night
Girls whose young eyes o'erflow with mirth 40
Shall peel its fruit by cottage-hearth
And guests in prouder homes shall see
Heaped with the grape of Cintra's vine
And golden orange of the line
The fruit of the apple-tree. 45
The fruitage of this apple-tree
Winds and our flag of stripe and star
Shall bear to coasts that lie afar
Where men shall wonder at the view
And ask in what fair groves they grew; 50
And sojourners beyond the sea
Shall think of childhood's careless day
And long long hours of summer play
In the shade of the apple-tree.
Each year shall give this apple-tree 55
A broader flush of roseate bloom
A deeper maze of verdurous gloom
And loosen when the frost-clouds lower
The crisp brown leaves in thicker shower;
The years shall come and pass but we 60
Shall hear no longer where we lie
The summer's songs the autumn's sigh
In the boughs of the apple-tree.
And time shall waste this apple-tree.
Oh when its aged branches throw 65
Thin shadows on the ground below
Shall fraud and force and iron will
Oppress the weak and helpless still?
What shall the tasks of mercy be
Amid the toils the strifes the tears 70
Of those who live when length of years
Is wasting this little apple-tree?
Who planted this old apple-tree?
The children of that distant day
Thus to some aged man shall say; 75
And gazing on its mossy stem
The gray-haired man shall answer them:
A poet of the land was he,
Born in the rude but good old times;
'T is said he made some quaint old rhymes 80
On planting the apple-tree.
|
Written by
Algernon Charles Swinburne |
Send but a song oversea for us,
Heart of their hearts who are free,
Heart of their singer, to be for us
More than our singing can be;
Ours, in the tempest at error,
With no light but the twilight of terror;
Send us a song oversea!
Sweet-smelling of pine-leaves and grasses,
And blown as a tree through and through
With the winds of the keen mountain-passes,
And tender as sun-smitten dew;
Sharp-tongued as the winter that shakes
The wastes of your limitless lakes,
Wide-eyed as the sea-line's blue.
O strong-winged soul with prophetic
Lips hot with the bloodheats of song,
With tremor of heartstrings magnetic,
With thoughts as thunders in throng,
With consonant ardours of chords
That pierce men's souls as with swords
And hale them hearing along,
Make us too music, to be with us
As a word from a world's heart warm,
To sail the dark as a sea with us,
Full-sailed, outsinging the storm,
A song to put fire in our ears
Whose burning shall burn up tears,
Whose sign bid battle reform;
A note in the ranks of a clarion,
A word in the wind of cheer,
To consume as with lightning the carrion
That makes time foul for us here;
In the air that our dead things infest
A blast of the breath of the west,
Till east way as west way is clear.
Out of the sun beyond sunset,
From the evening whence morning shall be,
With the rollers in measureless onset,
With the van of the storming sea,
With the world-wide wind, with the breath
That breaks ships driven upon death,
With the passion of all things free,
With the sea-steeds footless and frantic,
White myriads for death to bestride
In the charge of the ruining Atlantic
Where deaths by regiments ride,
With clouds and clamours of waters,
With a long note shriller than slaughter's
On the furrowless fields world-wide,
With terror, with ardour and wonder,
With the soul of the season that wakes
When the weight of a whole year's thunder
In the tidestream of autumn breaks,
Let the flight of the wide-winged word
Come over, come in and be heard,
Take form and fire for our sakes.
For a continent bloodless with travail
Here toils and brawls as it can,
And the web of it who shall unravel
Of all that peer on the plan;
Would fain grow men, but they grow not,
And fain be free, but they know not
One name for freedom and man?
One name, not twain for division;
One thing, not twain, from the birth;
Spirit and substance and vision,
Worth more than worship is worth;
Unbeheld, unadored, undivined,
The cause, the centre, the mind,
The secret and sense of the earth.
Here as a weakling in irons,
Here as a weanling in bands,
As a prey that the stake-net environs,
Our life that we looked for stands;
And the man-child naked and dear,
Democracy, turns on us here
Eyes trembling with tremulous hands
It sees not what season shall bring to it
Sweet fruit of its bitter desire;
Few voices it hears yet sing to it,
Few pulses of hearts reaspire;
Foresees not time, nor forehears
The noises of imminent years,
Earthquake, and thunder, and fire:
When crowned and weaponed and curbless
It shall walk without helm or shield
The bare burnt furrows and herbless
Of war's last flame-stricken field,
Till godlike, equal with time,
It stand in the sun sublime,
In the godhead of man revealed.
Round your people and over them
Light like raiment is drawn,
Close as a garment to cover them
Wrought not of mail nor of lawn;
Here, with hope hardly to wear,
Naked nations and bare
Swim, sink, strike out for the dawn.
Chains are here, and a prison,
Kings, and subjects, and shame;
If the God upon you be arisen,
How should our songs be the same?
How, in confusion of change,
How shall we sing, in a strange
Land, songs praising his name?
God is buried and dead to us,
Even the spirit of earth,
Freedom; so have they said to us,
Some with mocking and mirth,
Some with heartbreak and tears;
And a God without eyes, without ears,
Who shall sing of him, dead in the birth?
The earth-god Freedom, the lonely
Face lightening, the footprint unshod,
Not as one man crucified only
Nor scourged with but one life's rod;
The soul that is substance of nations,
Reincarnate with fresh generations;
The great god Man, which is God.
But in weariest of years and obscurest
Doth it live not at heart of all things,
The one God and one spirit, a purest
Life, fed from unstanchable springs?
Within love, within hatred it is,
And its seed in the stripe as the kiss,
And in slaves is the germ, and in kings.
Freedom we call it, for holier
Name of the soul's there is none;
Surelier it labours if slowlier,
Than the metres of star or of sun;
Slowlier than life into breath,
Surelier than time into death,
It moves till its labour be done.
Till the motion be done and the measure
Circling through season and clime,
Slumber and sorrow and pleasure,
Vision of virtue and crime;
Till consummate with conquering eyes,
A soul disembodied, it rise
From the body transfigured of time.
Till it rise and remain and take station
With the stars of the worlds that rejoice;
Till the voice of its heart's exultation
Be as theirs an invariable voice;
By no discord of evil estranged,
By no pause, by no breach in it changed,
By no clash in the chord of its choice.
It is one with the world's generations,
With the spirit, the star, and the sod;
With the kingless and king-stricken nations,
With the cross, and the chain, and the rod;
The most high, the most secret, most lonely,
The earth-soul Freedom, that only
Lives, and that only is God.
|
Written by
Heather McHugh |
There, a little right
of Ursus Major, is
the Milky Way:
a man can point it out,
the biggest billionfold of all
predicaments he's in:
his planet's street address.
What gives? What looks
a stripe a hundred million
miles away from here
is where we live.
*
Let's keep it clear. The Northern Lights
are not the North Star. Being but
a blur, they cannot reassure us.
They keep moving - I think far
too easily. September spills
some glimmers of
the boreals to come:
they're modest pools
of horizontal haze, where later
they'll appear as foldings in the vertical,
a work of curtains, throbbing dim
or bright. (One wonders at
one's eyes.) The very sight
will angle off in glances or in shoots
of something brilliant, something
bigger than we know, its hints uncatchable
in shifts of mind ... So there
it is again, the mind, with its
old bluster, its self-centered
question: what
is dimming, what is bright?
The spirit sinks and swells, which cannot tell
itself from any little luster.
|
Written by
Rudyard Kipling |
There was no one like 'im, 'Orse or Foot,
Nor any o' the Guns I knew;
An' because it was so, why, o' course 'e went an' died,
Which is just what the best men do.
So it's knock out your pipes an' follow me!
An' it's finish up your swipes an' follow me!
Oh, 'ark to the big drum callin',
Follow me -- follow me 'ome!
'Is mare she neighs the 'ole day long,
She paws the 'ole night through,
An' she won't take 'er feed 'cause o' waitin' for 'is step,
Which is just what a beast would do.
'Is girl she goes with a bombardier
Before 'er month is through;
An' the banns are up in church, for she's got the beggar hooked,
Which is just what a girl would do.
We fought 'bout a dog -- last week it were --
No more than a round or two;
But I strook 'im cruel 'ard, an' I wish I 'adn't now,
Which is just what a man can't do.
'E was all that I 'ad in the way of a friend,
An' I've 'ad to find one new;
But I'd give my pay an' stripe for to get the beggar back,
Which it's just too late to do.
So it's knock out your pipes an' follow me!
An' it's finish off your swipes an' follow me!
Oh, 'ark to the fifes a-crawlin'!
Follow me -- follow me 'ome!
Take 'im away! 'E's gone where the best men go.
Take 'im away! An' the gun-wheels turnin' slow.
Take 'im away! There's more from the place 'e come.
Take 'im away, with the limber an' the drum.
For it's "Three rounds blank" an' follow me,
An' it's "Thirteen rank" an' follow me;
Oh, passin' the love o' women,
Follow me -- follow me 'ome!
|
Written by
Andrew Barton Paterson |
This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".
The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.
"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.
There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."
Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.
He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.
He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.
When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.
He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.
He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."
And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.
Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."
He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable and seized an axe.
The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.
The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.
And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.
Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.
|
Written by
Robert William Service |
A barefoot boy I went to school
To save a cobbler's fee,
For though the porridge pot was full
A frugal folk were we;
We baked our bannocks, spun our wool,
And counted each bawbee.
We reft our living from the soil,
And I was shieling bred;
My father's hands were warped with toil,
And crooked with grace he said.
My mother made the kettle boil
As spinning wheel she fed.
My granny smoked a pipe of clay,
And yammered of her youth;
The hairs upon her chin were grey,
She had a single tooth;
Her mutch was grimed, I grieve to say,
For I would speak the truth.
You of your ancestry may boast,--
Well, here I brag of mine;
For if there is a heaven host
I hope they'll be in line:
My dad with collie at his heel
In plaid of tartan stripe;
My mammie with her spinning wheel,
My granny with her pipe.
|
Written by
Edward Lear |
Who, or why, or which, or what, Is the Akond of SWAT?
Is he tall or short, or dark or fair?
Does he sit on a stool or a sofa or a chair,
or SQUAT,
The Akond of Swat?
Is he wise or foolish, young or old?
Does he drink his soup and his coffee cold,
or HOT,
The Akond of Swat?
Does he sing or whistle, jabber or talk,
And when riding abroad does he gallop or walk
or TROT,
The Akond of Swat?
Does he wear a turban, a fez, or a hat?
Does he sleep on a mattress, a bed, or a mat,
or COT,
The Akond of Swat?
When he writes a copy in round-hand size,
Does he cross his T's and finish his I's
with a DOT,
The Akond of Swat?
Can he write a letter concisely clear
Without a speck or a smudge or smear
or BLOT,
The Akond of Swat?
Do his people like him extremely well?
Or do they, whenever they can, rebel,
or PLOT,
At the Akond of Swat?
If he catches them then, either old or young,
Does he have them chopped in pieces or hung,
or SHOT,
The Akond of Swat?
Do his people prig in the lanes or park?
Or even at times, when days are dark,
GAROTTE,
The Akond of Swat?
Does he study the wants of his own dominion?
Or doesn't he care for public opinion
a JOT,
The Akond of Swat?
To amuse his mind do his people show him
Pictures, or any one's last new poem,
or WHAT,
For the Akond of Swat?
At night if he suddenly screams and wakes,
Do they bring him only a few small cakes,
or a LOT,
For the Akond of Swat?
Does he live on turnips, tea, or tripe?
Does he like his shawl to be marked with a stripe,
or a DOT,
The Akond of Swat?
Does he like to lie on his back in a boat
Like the lady who lived in that isle remote,
SHALLOTT,
The Akond of Swat?
Is he quiet, or always making a fuss?
Is his steward a Swiss or a Swede or Russ,
or a SCOT,
The Akond of Swat?
Does like to sit by the calm blue wave?
Or to sleep and snore in a dark green cave,
or a GROTT,
The Akond of Swat?
Does he drink small beer from a silver jug?
Or a bowl? or a glass? or a cup? or a mug?
or a POT,
The Akond of Swat?
Does he beat his wife with a gold-topped pipe,
When she let the gooseberries grow too ripe,
or ROT,
The Akond of Swat?
Does he wear a white tie when he dines with friends,
And tie it neat in a bow with ends,
or a KNOT.
The Akond of Swat?
Does he like new cream, and hate mince-pies?
When he looks at the sun does he wink his eyes,
or NOT,
The Akond of Swat?
Does he teach his subjects to roast and bake?
Does he sail about on an inland lake
in a YACHT,
The Akond of Swat?
Some one, or nobody, knows I wot
Who or which or why or what
Is the Akond of Swat?
|
Written by
Emily Dickinson |
Delight is as the flight --
Or in the Ratio of it,
As the Schools would say --
The Rainbow's way --
A Skein
Flung colored, after Rain,
Would suit as bright,
Except that flight
Were Aliment --
"If it would last"
I asked the East,
When that Bent Stripe
Struck up my childish
Firmament --
And I, for glee,
Took Rainbows, as the common way,
And empty Skies
The Eccentricity --
And so with Lives --
And so with Butterflies --
Seen magic -- through the fright
That they will cheat the sight --
And Dower latitudes far on --
Some sudden morn --
Our portion -- in the fashion --
Done --
|
Written by
William Barnes |
Green mwold on zummer bars do show
That they've a-dripped in winter wet;
The hoof-worn ring o' groun' below
The tree do tell o' storms or het;
The trees in rank along a ledge
Do show where woonce did bloom a hedge;
An' where the vurrow-marks do stripe
The down the wheat woonce rustled ripe.
Each mark ov things a-gone vrom view—
To eyezight's woone, to soulzight two.
The grass agean the mwoldren door
'S a token sad o' vo'k a-gone,
An' where the house, bwoth wall an' vloor,
'S a-lost, the well mid linger on.
What tokens, then, could Meary gi'e
That she a-lived, an' lived vor me,
But things a-done vor thought an' view?
Good things that nwone agean can do,
An' every work her love ha' wrought,
To eyezight's woone, but two to thought.
|
Written by
Edna St. Vincent Millay |
Strong sun, that bleach
The curtains of my room, can you not render
Colourless this dress I wear?—
This violent plaid
Of purple angers and red shames; the yellow stripe
Of thin but valid treacheries; the flashy green of kind deeds done
Through indolence high judgments given here in haste;
The recurring checker of the serious breach of taste?
No more uncoloured than unmade,
I fear, can be this garment that I may not doff;
Confession does not strip it off,
To send me homeward eased and bare;
All through the formal, unoffending evening, under the clean
Bright hair,
Lining the subtle gown. . .it is not seen,
But it is there.
|