Written by
Edna St Vincent Millay |
Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.
"
"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!
Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!
(Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
"
Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine
.
Lift up your lyres! Sing on!
But as for me, I seek your sister whither she is gone.
|
Written by
Robert William Service |
I like to think that when I fall,
A rain-drop in Death's shoreless sea,
This shelf of books along the wall,
Beside my bed, will mourn for me.
Regard it.
.
.
.
Aye, my taste is *****.
Some of my bards you may disdain.
Shakespeare and Milton are not here;
Shelly and Keats you seek in vain.
Wordsworth, Tennyson, Browning too,
Remarkably are not in view.
Who are they? Omar first you see,
With Vine and Rose and Nightingale,
Voicing my pet philosphy
Of Wine and Song.
.
.
.
Then Reading Gaol,
Where Fate a gruesome pattern makes,
And dawn-light shudders as it wakes.
The Ancient Mariner is next,
With eerie and terrific text;
The Burns, with pawky human touch -
Poor devil! I have loved him much.
And now a gay quartette behold:
Bret Harte and Eugene Field are here;
And Henly, chanting brave and bold,
And Chesteron, in praise of Beer.
Lastly come valiant Singers three;
To whom this strident Day belongs:
Kipling, to whom I bow the knee,
Masefield, with rugged sailor songs.
.
.
.
And to my lyric troupe I add
With greatful heart - The Shropshire Lad.
Behold my minstrels, just eleven.
For half my life I've loved them well.
And though I have no hope of Heaven,
And more than Highland fear of Hell,
May I be damned if on this shelf
ye find a rhyme I made myself.
|
Written by
Joyce Kilmer |
(For Edward J.
Wheeler)
Within the Jersey City shed
The engine coughs and shakes its head,
The smoke, a plume of red and white,
Waves madly in the face of night.
And now the grave incurious stars
Gleam on the groaning hurrying cars.
Against the kind and awful reign
Of darkness, this our angry train,
A noisy little rebel, pouts
Its brief defiance, flames and shouts --
And passes on, and leaves no trace.
For darkness holds its ancient place,
Serene and absolute, the king
Unchanged, of every living thing.
The houses lie obscure and still
In Rutherford and Carlton Hill.
Our lamps intensify the dark
Of slumbering Passaic Park.
And quiet holds the weary feet
That daily tramp through Prospect Street.
What though we clang and clank and roar
Through all Passaic's streets? No door
Will open, not an eye will see
Who this loud vagabond may be.
Upon my crimson cushioned seat,
In manufactured light and heat,
I feel unnatural and mean.
Outside the towns are cool and clean;
Curtained awhile from sound and sight
They take God's gracious gift of night.
The stars are watchful over them.
On Clifton as on Bethlehem
The angels, leaning down the sky,
Shed peace and gentle dreams.
And I --
I ride, I blasphemously ride
Through all the silent countryside.
The engine's shriek, the headlight's glare,
Pollute the still nocturnal air.
The cottages of Lake View sigh
And sleeping, frown as we pass by.
Why, even strident Paterson
Rests quietly as any nun.
Her foolish warring children keep
The grateful armistice of sleep.
For what tremendous errand's sake
Are we so blatantly awake?
What precious secret is our freight?
What king must be abroad so late?
Perhaps Death roams the hills to-night
And we rush forth to give him fight.
Or else, perhaps, we speed his way
To some remote unthinking prey.
Perhaps a woman writhes in pain
And listens -- listens for the train!
The train, that like an angel sings,
The train, with healing on its wings.
Now "Hawthorne!" the conductor cries.
My neighbor starts and rubs his eyes.
He hurries yawning through the car
And steps out where the houses are.
This is the reason of our quest!
Not wantonly we break the rest
Of town and village, nor do we
Lightly profane night's sanctity.
What Love commands the train fulfills,
And beautiful upon the hills
Are these our feet of burnished steel.
Subtly and certainly I feel
That Glen Rock welcomes us to her
And silent Ridgewood seems to stir
And smile, because she knows the train
Has brought her children back again.
We carry people home -- and so
God speeds us, wheresoe'er we go.
Hohokus, Waldwick, Allendale
Lift sleepy heads to give us hail.
In Ramsey, Mahwah, Suffern stand
Houses that wistfully demand
A father -- son -- some human thing
That this, the midnight train, may bring.
The trains that travel in the day
They hurry folks to work or play.
The midnight train is slow and old
But of it let this thing be told,
To its high honor be it said
It carries people home to bed.
My cottage lamp shines white and clear.
God bless the train that brought me here.
|
Written by
Claude McKay |
I will not toy with it nor bend an inch.
Deep in the secret chambers of my heart
I muse my life-long hate, and without flinch
I bear it nobly as I live my part.
My being would be a skeleton, a shell,
If this dark Passion that fills my every mood,
And makes my heaven in the white world's hell,
Did not forever feed me vital blood.
I see the mighty city through a mist--
The strident trains that speed the goaded mass,
The poles and spires and towers vapor-kissed,
The fortressed port through which the great ships pass,
The tides, the wharves, the dens I contemplate,
Are sweet like wanton loves because I hate.
|
Written by
Robert Browning |
An imaginary composer.
]
I.
Hist, but a word, fair and soft!
Forth and be judged, Master Hugues!
Answer the question I've put you so oft:
What do you mean by your mountainous fugues?
See, we're alone in the loft,---
II.
I, the poor organist here,
Hugues, the composer of note,
Dead though, and done with, this many a year:
Let's have a colloquy, something to quote,
Make the world prick up its ear!
III.
See, the church empties apace:
Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace!
Here's a crank pedal wants setting to rights,
Baulks one of holding the base.
IV.
See, our huge house of the sounds,
Hushing its hundreds at once,
Bids the last loiterer back to his bounds!
O you may challenge them, not a response
Get the church-saints on their rounds!
V.
(Saints go their rounds, who shall doubt?
---March, with the moon to admire,
Up nave, down chancel, turn transept about,
Supervise all betwixt pavement and spire,
Put rats and mice to the rout---
VI.
Aloys and Jurien and Just---
Order things back to their place,
Have a sharp eye lest the candlesticks rust,
Rub the church-plate, darn the sacrament-lace,
Clear the desk-velvet of dust.
)
VII.
Here's your book, younger folks shelve!
Played I not off-hand and runningly,
Just now, your masterpiece, hard number twelve?
Here's what should strike, could one handle it cunningly:
HeIp the axe, give it a helve!
VIII.
Page after page as I played,
Every bar's rest, where one wipes
Sweat from one's brow, I looked up and surveyed,
O'er my three claviers yon forest of pipes
Whence you still peeped in the shade.
IX.
Sure you were wishful to speak?
You, with brow ruled like a score,
Yes, and eyes buried in pits on each cheek,
Like two great breves, as they wrote them of yore,
Each side that bar, your straight beak!
X.
Sure you said---``Good, the mere notes!
``Still, couldst thou take my intent,
``Know what procured me our Company's votes---
``A master were lauded and sciolists shent,
``Parted the sheep from the goats!''
XI.
Well then, speak up, never flinch!
Quick, ere my candle's a snuff
---Burnt, do you see? to its uttermost inch---
_I_ believe in you, but that's not enough:
Give my conviction a clinch!
XII.
First you deliver your phrase
---Nothing propound, that I see,
Fit in itself for much blame or much praise---
Answered no less, where no answer needs be:
Off start the Two on their ways.
XIII.
Straight must a Third interpose,
Volunteer needlessly help;
In strikes a Fourth, a Fifth thrusts in his nose,
So the cry's open, the kennel's a-yelp,
Argument's hot to the close.
XIV.
One dissertates, he is candid;
Two must discept,--has distinguished;
Three helps the couple, if ever yet man did;
Four protests; Five makes a dart at the thing wished:
Back to One, goes the case bandied.
XV.
One says his say with a difference
More of expounding, explaining!
All now is wrangle, abuse, and vociferance;
Now there's a truce, all's subdued, self-restraining:
Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive:
Two retorts, nettled, curt, crepitant;
Three makes rejoinder, expansive, explosive;
Four overbears them all, strident and strepitant,
Five .
.
.
O Danaides, O Sieve!
XVII.
Now, they ply axes and crowbars;
Now, they prick pins at a tissue
Fine as a skein of the casuist Escobar's
Worked on the bone of a lie.
To what issue?
Where is our gain at the Two-bars?
XVIII.
_Est fuga, volvitur rota.
_
On we drift: where looms the dim port?
One, Two, Three, Four, Five, contribute their quota;
Something is gained, if one caught but the import---
Show it us, Hugues of Saxe-Gotha!
XIX.
What with affirming, denying,
Holding, risposting, subjoining,
All's like .
.
.
it's like .
.
.
for an instance I'm trying .
.
.
There! See our roof, its gilt moulding and groining
Under those spider-webs lying!
XX.
So your fugue broadens and thickens,
Greatens and deepens and lengthens,
Till we exclaim---``But where's music, the dickens?
``Blot ye the gold, while your spider-web strengthens
``---Blacked to the stoutest of tickens?''
XXI.
I for man's effort am zealous:
Prove me such censure unfounded!
Seems it surprising a lover grows jealous---
Hopes 'twas for something, his organ-pipes sounded,
Tiring three boys at the bellows?
XXII.
Is it your moral of Life?
Such a web, simple and subtle,
Weave we on earth here in impotent strife,
Backward and forward each throwing his shuttle,
Death ending all with a knife?
XXIII.
Over our heads truth and nature---
Still our life's zigzags and dodges,
Ins and outs, weaving a new legislature---
God's gold just shining its last where that lodges,
Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses,
Cherub and trophy and garland;
Nothings grow something which quietly closes
Heaven's earnest eye: not a glimpse of the far land
Gets through our comments and glozes.
XXV.
Ah but traditions, inventions,
(Say we and make up a visage)
So many men with such various intentions,
Down the past ages, must know more than this age!
Leave we the web its dimensions!
XXVI.
Who thinks Hugues wrote for the deaf,
Proved a mere mountain in labour?
Better submit; try again; what's the clef?
'Faith, 'tis no trifle for pipe and for tabor---
Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger
Learning it once, who would lose it?
Yet all the while a misgiving will linger,
Truth's golden o'er us although we refuse it---
Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_
(Counterpoint glares like a Gorgon)
Bid One, Two, Three, Four, Five, clear the arena!
Say the word, straight I unstop the full-organ,
Blare out the _mode Palestrina.
_
XXIX.
While in the roof, if I'm right there,
.
.
.
Lo you, the wick in the socket!
Hallo, you sacristan, show us a light there!
Down it dips, gone like a rocket.
What, you want, do you, to come unawares,
Sweeping the church up for first morning-prayers,
And find a poor devil has ended his cares
At the foot of your rotten-runged rat-riddled stairs?
Do I carry the moon in my pocket?
* 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water
* into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P.
da Palestrina_, celebrated musician (1524-1594).
|
Written by
Barry Tebb |
THE WALK TO THE PARADISE GARDENS
1
Bonfire Night beckoned us to the bridge
By Saint Hilda’s where we started down
Knostrop to chump but I trailed behind
With Margaret when it was late September
The song of summer ceased and fires in
Blackleaded grates began and we were
Hidden from the others by the bridge’s span.
2
When you bent I saw the buds of your breasts
As you meant and I laughed at your craft when
You blushed and denied and finally cried
But there was a smile in your eyes.
3
It was the season of yo-yo’s in yellow or
Pink or pillar-box red and you spooled out
The thread as only you could and it dipped
And rose like a dancer.
4
The paddock by the tusky sheds was cropped
And polished by the horses’ hooves, their
Nostrils flared and they bared their teeth
As we passed and tossed their manes as we
Shied from the rusty fence where peg-legged
We jumped the cracks and pulled away each
Dandelion head, “Pee-the-bed! Pee-the bed!”
Rubbing the yellow dust into each other’s
Cheeks and chins as we kissed.
5
The bluebells had died and on the other side
The nettle beds were filled with broken branches
White as bone, clouds were tags of wool, the
Night sky magenta sands with bands of gold
And bright stars beckoned and burned like
Ragged robins in a ditch and rich magnolias
In East End Park.
6
I am alone in the dark
Remembering Bonfire Night
Of nineteen-fifty four
When it was early dusk
Your hair was gold
As angels’ wings.
7
From the binyard in the backstreet we brought
The dry stored branches, broken staves under
The taunting stars and we have never left
That night or that place on the Hollows
The fire we built has never gone out and
The light in your eyes is bright:
We took the road by the river with a star
Map and dream sacks on our backs.
8
The Hollows stretched into darkness
The fire burned in the frost, sparks
Crackled and jumped and floated
Stars into the invisible night and
The log glowed red and the fire we
Fed has never died.
9
The catherine-wheel pinned to the palings
Hissed and spun as we ran passed the railings
Rattling our sticks until the stars had beat retreat.
10
From the night comes a figure
Into the firelight: Margaret Gardiner
My first, my only love, the violet pools
Of your eyes, your voice still calling,
“I am here, I am waiting.
”
11
Where the road turns
Past St Hilda’s
Down Knostrop
By the Black Road
By the Red Road
Interminable blue
And I remember you,
Margaret, in your
Mauve blazer standing
By the river, your
Worn-out flower patterned
Frock and black
Laceless runners
12
Into the brewer’s yard
Stumbled the drayhorses
Armoured in leather
And clashing brass
Strident as Belshazzar’s
Feast, rich as yeast
On Auntie Nellie’s
Baking board, barrels
Banked on barrels
From the cooper’s yard.
13
Margaret, are you listening?
Are your eyes still distant
And dreaming? Can you hear
My voice in Eden?
My poems are all for you
The one who never knew
Silent and most generous
Muse, eternal primavera
Under the streetlamps
Of Leeds Nine.
14
Margaret, hold my hand
As we set out into the
Land of summers lost
A day-time ghost surrenders
At the top of the steps
To the Aire where we
Looked over the Hollows
Misted with memory and
Images of summer.
We are standing on the corner of Falmouth Place
We are standing by the steps to the Aire
We are standing outside the Maypole
Falling into Eden.
15
Falling into Eden is just a beginning
Hoardings on the gable ends for household
Soap, washing is out on the lines
Falmouth Street full of children playing,
Patrick Keown, Keith Ibbotson, the Flaherty
Twins spilling over the pavements, holding
A skipping rope, whirling and twirling;
Margaret you never missed a turn
While I could never make one, out before I began.
|
Written by
Adela Florence Cory Nicolson |
He lurks among the reeds, beside the marsh,
Red oleanders twisted in His hair,
His eyes are haggard and His lips are harsh,
Upon His breast the bones show gaunt and bare.
The green and stagnant waters lick His feet,
And from their filmy, iridescent scum
Clouds of mosquitoes, gauzy in the heat,
Rise with His gifts: Death and Delirium.
His messengers: They bear the deadly taint
On spangled wings aloft and far away,
Making thin music, strident and yet faint,
From golden eve to silver break of day.
The baffled sleeper hears th' incessant whine
Through his tormented dreams, and finds no rest
The thirsty insects use his blood for wine,
Probe his blue veins and pasture on his breast.
While far away He in the marshes lies,
Staining the stagnant water with His breath,
An endless hunger burning in His eyes,
A famine unassuaged, whose food is Death.
He hides among the ghostly mists that float
Over the water, weird and white and chill,
And peasants, passing in their laden boat,
Shiver and feel a sense of coming ill.
A thousand burn and die; He takes no heed,
Their bones, unburied, strewn upon the plain,
Only increase the frenzy of His greed
To add more victims to th' already slain.
He loves the haggard frame, the shattered mind,
Gloats with delight upon the glazing eye,
Yet, in one thing, His cruelty is kind,
He sends them lovely dreams before they die;
Dreams that bestow on them their heart's desire,
Visions that find them mad, and leave them blest,
To sink, forgetful of the fever's fire,
Softly, as in a lover's arms, to rest.
|
Written by
Andrew Barton Paterson |
Now the autumn maize is growing,
Now the corn-cob fills,
Where the Little River flowing
Winds among the hills.
Over mountain peaks outlying
Clear against the blue
Comes a scout in silence flying,
One white cockatoo.
Back he goes to where the meeting
Waits among the trees.
Says, "The corn is fit for eating;
Hurry, if you please.
"
Skirmishers, their line extendiing,
Shout the joyful news;
Down they drop like snow descending,
Clouds of cockatoos.
At their husking competition
Hear them screech and yell.
On a gum tree's high position
Sits a sentinel.
Soon the boss goes boundary riding;
But the wise old bird,
Mute among the branches hiding,
Never says a word.
Then you hear the strident squalling:
"Here's the boss's son,
Through the garden bushes crawling,
Crawling with a gun.
May the shiny cactus bristles
Fill his soul with woe;
May his knees get full of thistles.
Brothers, let us go.
"
Old Black Harry sees them going,
Sketches Nature's plan:
"That one cocky too much knowing,
All same Chinaman.
One eye shut and one eye winkin' --
Never shut the two;
Chinaman go dead, me thinkin',
Jump up cockatoo.
"
|
Written by
John Williams |
The blatant horns blare strident sound;
Delighted, you laugh and seize
My passive arm, but I have found
Content in the harmonies.
They sound, are silent; please or annoy,
Are not clever, cruel, or coy
Like human qualities.
See agile fingers in frantic flight
Along the smoking row
Of piano keys cut from ebony night
And from the sullied snow
Of the city.
Look love, listen love, tell me--
Where does the music come from really,
Where does it really go?
Planets are tensed to a single chord
Of absolute harmony
Sounding from a cosmic keyboard,
Unheard by you and me;
Yet we re attuned; who understands
That can see the judgment-hands
Poised above the keys.
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Written by
Vachel Lindsay |
Ah, in the night, all music haunts me here.
.
.
.
Is it for naught high Heaven cracks and yawns
And the tremendous Amaranth descends
Sweet with the glory of ten thousand dawns?
Does it not mean my God would have me say: —
"Whether you will or no, O city young,
Heaven will bloom like one great flower for you,
Flash and loom greatly all your marts among?"
Friends, I will not cease hoping though you weep.
Such things I see, and some of them shall come
Though now our streets are harsh and ashen-gray,
Though our strong youths are strident now, or dumb.
Friends, that sweet town, that wonder-town, shall rise.
Naught can delay it.
Though it may not be
Just as I dream, it comes at last I know
With streets like channels of an incense-sea.
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