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Best Famous Strait And Narrow Poems

Here is a collection of the all-time best famous Strait And Narrow poems. This is a select list of the best famous Strait And Narrow poetry. Reading, writing, and enjoying famous Strait And Narrow poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of strait and narrow poems.

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Written by Delmore Schwartz | Create an image from this poem

Apollo Musagete Poetry And The Leader Of The Muses

 Nothing is given which is not taken.

Little or nothing is taken which is not freely desired,
 freely, truly and fully.

"You would not seek me if you had not found me": this is
 true of all that is supremely desired and admired...

"An enigma is an animal," said the hurried, harried 
 schoolboy:

And a horse divided against itself cannot stand;

And a moron is a man who believes in having too many 
 wives: what harm is there in that?

O the endless fecundity of poetry is equaled 
By its endless inexhaustible freshness, as in the discovery
 of America and of poetry.

Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
 and to poem, sweet poem
 and from, away and towards are the same typography.

Hence the poet must be, in a way, stupid and naive and a 
 little child;

Unless ye be as a little child ye cannot enter the kingdom 
 of poetry.

Hence the poet must be able to become a tiger like Blake; a
 carousel like Rilke.

Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.

It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated, 
Mr. Bones."

And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.

The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned 
out of her mind
drowning in the river called forever river and ever...

Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair 
blonde summoned him,

For Jeanne Duval was enough and more than enough, 
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.)

The poet must be both Casanova and St. Anthony,

He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St. Francis,

Professor Tenure, and Dizzy the dean and Disraeli of Death.

He would have worn the horns of existence upon his head, 
He would have perceived them regarding the looking-glass, 
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.

For the poet must become nothing but poetry, 
He must be nothing but a poem when he is writing 
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy...
("the fat weed that rots on Lethe wharf").


Written by Andrew Barton Paterson | Create an image from this poem

T.y.s.o.n

 Across the Queensland border line
The mobs of cattle go;
They travel down in sun and shine
On dusty stage, and slow.
The drovers, riding slowly on
To let the cattle spread,
Will say: "Here's one old landmark gone,
For old man Tyson's dead."
What tales there'll be in every camp
By men that Tyson knew!
The swagmen, meeting on the tramp,
Will yarn the long day through,
And tell of how he passed as "Brown",
And fooled the local men:
"But not for me -- I struck the town,
And passed the message further down;
That's T.Y.S.O.N.!"

There stands a little country town
Beyond the border line,
Where dusty roads go up and down,
And banks with pubs combine.
A stranger came to cash a cheque --
Few were the words he said --
A handkerchief about his neck,
An old hat on his head.

A long grey stranger, eagle-eyed --
"Know me? Of course you do?"
"It's not my work," the boss replied,
"To know such tramps as you."
"Well, look here, Mister, don't be flash,"
Replied the stranger then,
"I never care to make a splash,
I'm simple, but I've got the cash;
I'm T.Y.S.O.N."

But in that last great drafting-yard,
Where Peter keeps the gate,
And souls of sinners find it barred,
And go to meet their fate,
There's one who ought to enter in
For good deeds done on earth,
One who from Peter's self must win
That meed of sterling worth.

Not to the strait and narrow gate
Reserved for wealthy men,
But to the big gate, opened wide,
The grizzled figure, eagle-eyed,
Will saunter up -- and then
Old Peter'll say: "Let's pass him through;
There's many a thing he used to do,
Good-hearted things that no one knew;
That's T.Y.S.O.N."

Book: Radiant Verses: A Journey Through Inspiring Poetry