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Best Famous Stradivarius Poems

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Written by Amy Levy | Create an image from this poem

A Minor Poet

 "What should such fellows as I do,
Crawling between earth and heaven?"


Here is the phial; here I turn the key
Sharp in the lock.
Click!--there's no doubt it turned.
This is the third time; there is luck in threes-- Queen Luck, that rules the world, befriend me now And freely I'll forgive you many wrongs! Just as the draught began to work, first time, Tom Leigh, my friend (as friends go in the world), Burst in, and drew the phial from my hand, (Ah, Tom! ah, Tom! that was a sorry turn!) And lectured me a lecture, all compact Of neatest, newest phrases, freshly culled From works of newest culture: "common good ;" "The world's great harmonies;""must be content With knowing God works all things for the best, And Nature never stumbles.
" Then again, "The common good," and still, "the common, good;" And what a small thing was our joy or grief When weigh'd with that of thousands.
Gentle Tom, But you might wag your philosophic tongue From morn till eve, and still the thing's the same: I am myself, as each man is himself-- Feels his own pain, joys his own joy, and loves With his own love, no other's.
Friend, the world Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse A-beating at my heart, yet never knew The throb of cosmic pulses.
I lament The death of youth's ideal in my heart; And, to be honest, never yet rejoiced In the world's progress--scarce, indeed, discerned; (For still it seems that God's a Sisyphus With the world for stone).
You shake your head.
I'm base, Ignoble? Who is noble--you or I? I was not once thus? Ah, my friend, we are As the Fates make us.
This time is the third; The second time the flask fell from my hand, Its drowsy juices spilt upon the board; And there my face fell flat, and all the life Crept from my limbs, and hand and foot were bound With mighty chains, subtle, intangible; While still the mind held to its wonted use, Or rather grew intense and keen with dread, An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived By mortal brain, by brain Divine devised, Darker, more fraught with torment, than the world For such as I? A creature maimed and marr'd From very birth.
A blot, a blur, a note All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil Base functions.
A high thing, yet all unmeet For work that's high.
A dweller on the earth, Yet not content to dig with other men Because of certain sudden sights and sounds (Bars of broke music; furtive, fleeting glimpse Of angel faces 'thwart the grating seen) Perceived in Heaven.
Yet when I approach To catch the sound's completeness, to absorb The faces' full perfection, Heaven's gate, Which then had stood ajar, sudden falls to, And I, a-shiver in the dark and cold, Scarce hear afar the mocking tones of men: "He would not dig, forsooth ; but he must strive For higher fruits than what our tillage yields; Behold what comes, my brothers, of vain pride!" Why play with figures? trifle prettily With this my grief which very simply's said, "There is no place for me in all the world"? The world's a rock, and I will beat no more A breast of flesh and blood against a rock.
.
.
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in; Ay, and on sunny days, haply, rejoiced; We know some things together, you and I! Hold there, you rangèd row of books ! In vain You beckon from your shelf.
You've stood my friends Where all things else were foes; yet now I'll turn My back upon you, even as the world Turns it on me.
And yet--farewell, farewell! You, lofty Shakespere, with the tattered leaves And fathomless great heart, your binding's bruised Yet did I love you less? Goethe, farewell; Farewell, triumphant smile and tragic eyes, And pitiless world-wisdom! For all men These two.
And 'tis farewell with you, my friends, More dear because more near: Theokritus; Heine that stings and smiles; Prometheus' bard; (I've grown too coarse for Shelley latterly:) And one wild singer of to-day, whose song Is all aflame with passionate bard's blood Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain; For him, no silent writhing in the dark, No muttering of mute lips, no straining out Of a weak throat a-choke with pent-up sound, A-throb with pent-up passion.
.
.
Ah, my sun! That's you, then, at the window, looking in To beam farewell on one who's loved you long And very truly.
Up, you creaking thing, You squinting, cobwebbed casement! So, at last, I can drink in the sunlight.
How it falls.
Across that endless sea of London roofs, Weaving such golden wonders on the grey, That almost, for the moment, we forget The world of woe beneath them.
Underneath, For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal; And I'll not grumble that it's only sun, But open wide my lips--thus--drink it in; Turn up my face to the sweet evening sky (What royal wealth of scarlet on the blue So tender toned, you'd almost think it green) And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates, And be as happy as another man.
The sun works in my veins like wine, like wine! 'Tis a fair world: if dark, indeed, with woe, Yet having hope and hint of such a joy, That a man, winning, well might turn aside, Careless of Heaven .
.
.
O enough; I turn From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again: 'Tis hope that is most cruel.
Tom, my friend, You very sorry philosophic fool; 'Tis you, I think, that bid me be resign'd, Trust, and be thankful.
Out on you! Resign'd? I'm not resign'd, not patient, not school'd in To take my starveling's portion and pretend I'm grateful for it.
I want all, all, all; I've appetite for all.
I want the best: Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast; The board is spread, and groans with cates and drinks; In troop the guests; each man with appetite Keen-whetted with expectance.
In they troop, Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all! Some men must stand without the gates; and some Must linger by the table, ill-supplied With broken meats.
One man gets meat for two, The while another hungers.
If I stand Without the portals, seeing others eat Where I had thought to satiate the pangs Of mine own hunger; shall I then come forth When all is done, and drink my Lord's good health In my Lord's water? Shall I not rather turn And curse him, curse him for a niggard host? O, I have hungered, hungered, through the years, Till appetite grows craving, then disease; I am starved, wither'd, shrivelled.
Peace, O peace! This rage is idle; what avails to curse The nameless forces, the vast silences That work in all things.
This time is the third, I wrought before in heat, stung mad with pain, Blind, scarcely understanding; now I know What thing I do.
There was a woman once; Deep eyes she had, white hands, a subtle smile, Soft speaking tones: she did not break my heart, Yet haply had her heart been otherwise Mine had not now been broken.
Yet, who knows? My life was jarring discord from the first: Tho' here and there brief hints of melody, Of melody unutterable, clove the air.
From this bleak world, into the heart of night, The dim, deep bosom of the universe, I cast myself.
I only crave for rest; Too heavy is the load.
I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door, And found him as you know--the outstretched arms Propping the hidden face.
The sun had set, And all the place was dim with lurking shade.
There was no written word to say farewell, Or make more clear the deed.
I search'd and search'd; The room held little: just a row of books Much scrawl'd and noted; sketches on the wall, Done rough in charcoal; the old instrument (A violin, no Stradivarius) He played so ill on; in the table drawer Large schemes of undone work.
Poems half-writ; Wild drafts of symphonies; big plans of fugues; Some scraps of writing in a woman's hand: No more--the scattered pages of a tale, A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he Held me a cold and stagnant-blooded fool, Because I am content to watch, and wait With a calm mind the issue of all things.
Certain it is my blood's no turbid stream; Yet, for all that, haply I understood More than he ever deem'd; nor held so light The poet in him.
Nay, I sometimes doubt If they have not, indeed, the better part-- These poets, who get drunk with sun, and weep Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love; The men, for lack of gold, or cavilling Of carping critics.
I, Tom Leigh, his friend I have no word at all to say of this.
Nay, I had deem'd him more philosopher; For did he think by this one paltry deed To cut the knot of circumstance, and snap The chain which binds all being?


Written by Oliver Wendell Holmes | Create an image from this poem

Contentment

 "Man wants but little here below.
" LITTLE I ask; my wants are few; I only wish a hut of stone, (A very plain brown stone will do,) That I may call my own; And close at hand is such a one, In yonder street that fronts the sun.
Plain food is quite enough for me; Three courses are as good as ten;-- If Nature can subsist on three, Thank Heaven for three.
Amen! I always thought cold victual nice;-- My choice would be vanilla-ice.
I care not much for gold or land;-- Give me a mortgage here and there,-- Some good bank-stock, some note of hand, Or trifling railroad share,-- I only ask that Fortune send A little more than I shall spend.
Honors are silly toys, I know, And titles are but empty names; I would, perhaps, be Plenipo,-- But only near St.
James; I'm very sure I should not care To fill our Gubernator's chair.
Jewels are baubles; 't is a sin To care for such unfruitful things;-- One good-sized diamond in a pin,-- Some, not so large, in rings,-- A ruby, and a pearl, or so, Will do for me;--I laugh at show.
My dame should dress in cheap attire; (Good, heavy silks are never dear;) - I own perhaps I might desire Some shawls of true Cashmere,-- Some marrowy crapes of China silk, Like wrinkled skins on scalded milk.
I would not have the horse I drive So fast that folks must stop and stare; An easy gait--two forty-five-- Suits me; I do not care;-- Perhaps, for just a single spurt, Some seconds less would do no hurt.
Of pictures, I should like to own Titians aud Raphaels three or four,-- I love so much their style and tone, One Turner, and no more, (A landscape,--foreground golden dirt,-- The sunshine painted with a squirt.
) Of books but few,--some fifty score For daily use, and bound for wear; The rest upon an upper floor;-- Some little luxury there Of red morocco's gilded gleam And vellum rich as country cream.
Busts, cameos, gems,--such things as these, Which others often show for pride, I value for their power to please, And selfish churls deride;-- One Stradivarius, I confess, Two Meerschaums, I would fain possess.
Wealth's wasteful tricks I will not learn, Nor ape the glittering upstart fool;-- Shall not carved tables serve my turn, But all must be of buhl? Give grasping pomp its double share,-- I ask but one recumbent chair.
Thus humble let me live and die, Nor long for Midas' golden touch; If Heaven more generous gifts deny, I shall not miss them much,-- Too grateful for the blessing lent Of simple tastes and mind content!
Written by Robert William Service | Create an image from this poem

The Song Of The Mouth-Organ

 (With apologies to the singer of the "Song of the Banjo".
) I'm a homely little bit of tin and bone; I'm beloved by the Legion of the Lost; I haven't got a "vox humana" tone, And a dime or two will satisfy my cost.
I don't attempt your high-falutin' flights; I am more or less uncertain on the key; But I tell you, boys, there's lots and lots of nights When you've taken mighty comfort out of me.
I weigh an ounce or two, and I'm so small You can pack me in the pocket of your vest; And when at night so wearily you crawl Into your bunk and stretch your limbs to rest, You take me out and play me soft and low, The simple songs that trouble your heartstrings; The tunes you used to fancy long ago, Before you made a rotten mess of things.
Then a dreamy look will come into your eyes, And you break off in the middle of a note; And then, with just the dreariest of sighs, You drop me in the pocket of your coat.
But somehow I have bucked you up a bit; And, as you turn around and face the wall, You don't feel quite so spineless and unfit-- You're not so bad a fellow after all.
Do you recollect the bitter Arctic night; Your camp beside the canyon on the trail; Your tent a tiny square of orange light; The moon above consumptive-like and pale; Your supper cooked, your little stove aglow; You tired, but snug and happy as a child? Then 'twas "Turkey in the Straw" till your lips were nearly raw, And you hurled your bold defiance at the Wild.
Do you recollect the flashing, lashing pain; The gulf of humid blackness overhead; The lightning making rapiers of the rain; The cattle-horns like candles of the dead You sitting on your bronco there alone, In your slicker, saddle-sore and sick with cold? Do you think the silent herd did not hear "The Mocking Bird", Or relish "Silver Threads among the Gold"? Do you recollect the wild Magellan coast; The head-winds and the icy, roaring seas; The nights you thought that everything was lost; The days you toiled in water to your knees; The frozen ratlines shrieking in the gale; The hissing steeps and gulfs of livid foam: When you cheered your messmates nine with "Ben Bolt" and "Clementine", And "Dixie Land" and "Seeing Nellie Home"? Let the jammy banjo voice the Younger Son, Who waits for his remittance to arrive; I represent the grimy, gritty one, Who sweats his bones to keep himself alive; Who's up against the real thing from his birth; Whose heritage is hard and bitter toil; I voice the weary, smeary ones of earth, The helots of the sea and of the soil.
I'm the Steinway of strange mischief and mischance; I'm the Stradivarius of blank defeat; In the down-world, when the devil leads the dance, I am simply and symbolically meet; I'm the irrepressive spirit of mankind; I'm the small boy playing knuckle down with Death; At the end of all things known, where God's rubbish-heap is thrown, I shrill impudent triumph at a breath.
I'm a humble little bit of tin and horn; I'm a byword, I'm a plaything, I'm a jest; The virtuoso looks on me with scorn; But there's times when I am better than the best.
Ask the stoker and the sailor of the sea; Ask the mucker and the hewer of the pine; Ask the herder of the plain, ask the gleaner of the grain-- There's a lowly, loving kingdom--and it's mine.

Book: Reflection on the Important Things