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Best Famous Stooping Poems

Here is a collection of the all-time best famous Stooping poems. This is a select list of the best famous Stooping poetry. Reading, writing, and enjoying famous Stooping poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of stooping poems.

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Written by John Davidson | Create an image from this poem

A Ballad of Hell

 'A letter from my love to-day!
Oh, unexpected, dear appeal!'
She struck a happy tear away,
And broke the crimson seal.
'My love, there is no help on earth, No help in heaven; the dead-man's bell Must toll our wedding; our first hearth Must be the well-paved floor of hell.
' The colour died from out her face, Her eyes like ghostly candles shone; She cast dread looks about the place, Then clenched her teeth and read right on.
'I may not pass the prison door; Here must I rot from day to day, Unless I wed whom I abhor, My cousin, Blanche of Valencay.
'At midnight with my dagger keen, I'll take my life; it must be so.
Meet me in hell to-night, my queen, For weal and woe.
' She laughed although her face was wan, She girded on her golden belt, She took her jewelled ivory fan, And at her glowing missal knelt.
Then rose, 'And am I mad?' she said: She broke her fan, her belt untied; With leather girt herself instead, And stuck a dagger at her side.
She waited, shuddering in her room, Till sleep had fallen on all the house.
She never flinched; she faced her doom: They two must sin to keep their vows.
Then out into the night she went, And, stooping, crept by hedge and tree; Her rose-bush flung a snare of scent, And caught a happy memory.
She fell, and lay a minute's space; She tore the sward in her distress; The dewy grass refreshed her face; She rose and ran with lifted dress.
She started like a morn-caught ghost Once when the moon came out and stood To watch; the naked road she crossed, And dived into the murmuring wood.
The branches snatched her streaming cloak; A live thing shrieked; she made no stay! She hurried to the trysting-oak— Right well she knew the way.
Without a pause she bared her breast, And drove her dagger home and fell, And lay like one that takes her rest, And died and wakened up in hell.
She bathed her spirit in the flame, And near the centre took her post; From all sides to her ears there came The dreary anguish of the lost.
The devil started at her side, Comely, and tall, and black as jet.
'I am young Malespina's bride; Has he come hither yet?' 'My poppet, welcome to your bed.
' 'Is Malespina here?' 'Not he! To-morrow he must wed His cousin Blanche, my dear!' 'You lie, he died with me to-night.
' 'Not he! it was a plot' .
.
.
'You lie.
' 'My dear, I never lie outright.
' 'We died at midnight, he and I.
' The devil went.
Without a groan She, gathered up in one fierce prayer, Took root in hell's midst all alone, And waited for him there.
She dared to make herself at home Amidst the wail, the uneasy stir.
The blood-stained flame that filled the dome, Scentless and silent, shrouded her.
How long she stayed I cannot tell; But when she felt his perfidy, She marched across the floor of hell; And all the damned stood up to see.
The devil stopped her at the brink: She shook him off; she cried, 'Away!' 'My dear, you have gone mad, I think.
' 'I was betrayed: I will not stay.
' Across the weltering deep she ran; A stranger thing was never seen: The damned stood silent to a man; They saw the great gulf set between.
To her it seemed a meadow fair; And flowers sprang up about her feet She entered heaven; she climbed the stair And knelt down at the mercy-seat.
Seraphs and saints with one great voice Welcomed that soul that knew not fear.
Amazed to find it could rejoice, Hell raised a hoarse, half-human cheer.


Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen ( From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down.
Yet, while this morning breeze is bringing The home-life sound of school-bells ringing, And rolling wheel, and rapid jar Of the fire-winged and steedless car, And voices from the wayside near Come quick and blended on my ear,-- A spell is in this old gray stone, My thoughts are with the Past alone! A change! -- The steepled town no more Stretches along the sail-thronged shore; Like palace-domes in sunset's cloud, Fade sun-gilt spire and mansion proud: Spectrally rising where they stood, I see the old, primeval wood; Dark, shadow-like, on either hand I see its solemn waste expand; It climbs the green and cultured hill, It arches o'er the valley's rill, And leans from cliff and crag to throw Its wild arms o'er the stream below.
Unchanged, alone, the same bright river Flows on, as it will flow forever! I listen, and I hear the low Soft ripple where its water go; I hear behind the panther's cry, The wild-bird's scream goes thrilling by, And shyly on the river's brink The deer is stooping down to drink.
But hard! -- from wood and rock flung back, What sound come up the Merrimac? What sea-worn barks are those which throw The light spray from each rushing prow? Have they not in the North Sea's blast Bowed to the waves the straining mast? Their frozen sails the low, pale sun Of Thulë's night has shone upon; Flapped by the sea-wind's gusty sweep Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters Have watched them fading o'er the waters, Lessening through driving mist and spray, Like white-winged sea-birds on their way! Onward they glide, -- and now I view Their iron-armed and stalwart crew; Joy glistens in each wild blue eye, Turned to green earth and summer sky.
Each broad, seamed breast has cast aside Its cumbering vest of shaggy hide; Bared to the sun and soft warm air, Streams back the Northmen's yellow hair.
I see the gleam of axe and spear, A sound of smitten shields I hear, Keeping a harsh and fitting time To Saga's chant, and Runic rhyme; Such lays as Zetland's Scald has sung, His gray and naked isles among; Or mutter low at midnight hour Round Odin's mossy stone of power.
The wolf beneath the Arctic moon Has answered to that startling rune; The Gael has heard its stormy swell, The light Frank knows its summons well; Iona's sable-stoled Culdee Has heard it sounding o'er the sea, And swept, with hoary beard and hair, His altar's foot in trembling prayer! 'T is past, -- the 'wildering vision dies In darkness on my dreaming eyes! The forest vanishes in air, Hill-slope and vale lie starkly bare; I hear the common tread of men, And hum of work-day life again; The mystic relic seems alone A broken mass of common stone; And if it be the chiselled limb Of Berserker or idol grim, A fragment of Valhalla's Thor, The stormy Viking's god of War, Or Praga of the Runic lay, Or love-awakening Siona, I know not, -- for no graven line, Nor Druid mark, nor Runic sign, Is left me here, by which to trace Its name, or origin, or place.
Yet, for this vision of the Past, This glance upon its darkness cast, My spirit bows in gratitude Before the Giver of all good, Who fashioned so the human mind, That, from the waste of Time behind, A simple stone, or mound of earth, Can summon the departed forth; Quicken the Past to life again, The Present lose in what hath been, And in their primal freshness show The buried forms of long ago.
As if a portion of that Thought By which the Eternal will is wrought, Whose impulse fills anew with breath The frozen solitude of Death, To mortal mind were sometimes lent, To mortal musing sometimes sent, To whisper -- even when it seems But Memory's fantasy of dreams -- Through the mind's waste of woe and sin, Of an immortal origin!
Written by Robert Browning | Create an image from this poem

My Last Duchess

That's my last duchess painted on the wall,
Looking as if she were alive.
I call That piece a wonder, now: Frà Pandolf's hands Worked busily a day, and there she stands.
Will't please you sit and look at her? I said "Frà Pandolf" by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus.
Sir, 'twas not Her husband's presence only, called that spot Of joy into the Duchess' cheek: perhaps Frà Pandolf chanced to say "Her mantle laps Over my lady's wrist too much," or "Paint Must never hope to reproduce the faint Half-flush that dies along her throat": such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy.
She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate'er She looked on, and her looks went everywhere.
Sir, 'twas all one! My favor at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least.
She thanked men—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody's gift.
Who'd stoop to blame This sort of trifling? Even had you skill In speech—which I have not—to make your will Quite clear to such an one, and say, "Just this Or that in you disgusts me; here you miss, Or there exceed the mark"—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E'en then would be some stooping; and I choose Never to stoop.
Oh sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together.
There she stands As if alive.
Will't please you rise? We'll meet The company below, then.
I repeat, The Count your master's known munificence Is ample warrant that no just pretense Of mine for dowry will be disallowed; Though his fair daughter's self as I avowed At starting, is my object.
Nay, we'll go Together down, sir.
Notice Neptune, though, Taming a sea horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Written by Christopher Smart | Create an image from this poem

The Pig

 In ev'ry age, and each profession, 
Men err the most by prepossession; 
But when the thing is clearly shown, 
And fairly stated, fully known, 
We soon applaud what we deride, 
And penitence succeeds to pride.
-- A certain Baron on a day Having a mind to show away, Invited all the wits and wags, Foot, Massey, Shuter, Yates, and Skeggs, And built a large commodious stage, For the Choice Spirits of the age; But above all, among the rest, There came a Genius who profess'd To have a curious trick in store, Which never was perform'd before.
Thro' all the town this soon got air, And the whole house was like a fair; But soon his entry as he made, Without a prompter, or parade, 'Twas all expectance, all suspense, And silence gagg'd the audience.
He hid his head behind his wig, With with such truth took off* a Pig, [imitated] All swore 'twas serious, and no joke, For doubtless underneath his cloak, He had conceal'd some grunting elf, Or was a real hog himself.
A search was made, no pig was found-- With thund'ring claps the seats resound, And pit and box and galleries roar, With--"O rare! bravo!" and "Encore!" Old Roger Grouse, a country clown, Who yet knew something of the town, Beheld the mimic and his whim, And on the morrow challeng'd him.
Declaring to each beau and bunter That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater-- But prejudice and rank ill-nature Usurp'd the minds of men and wenches, Who came to hiss, and break the benches.
The mimic took his usual station, And squeak'd with general approbation.
"Again, encore! encore!" they cry-- 'Twas quite the thing--'twas very high; Old Grouse conceal'd, amidst the racket, A real Pig berneath his jacket-- Then forth he came--and with his nail He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat, Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad! Sure never stuff was half so bad! That like a Pig!"--each cry'd in scoff, "Pshaw! Nonsense! Blockhead! Off! Off! Off!" The mimic was extoll'd, and Grouse Was hiss'd and catcall'd from the house.
-- "Soft ye, a word before I go," Quoth honest Hodge--and stooping low Produc'd the Pig, and thus aloud Bespoke the stupid, partial crowd: "Behold, and learn from this poor creature, How much you Critics know of Nature.
"
Written by Alec Derwent (A D) Hope | Create an image from this poem

Standardization

 When, darkly brooding on this Modern Age, 
The journalist with his marketable woes 
Fills up once more the inevitable page 
Of fatuous, flatulent, Sunday-paper prose; 

Whenever the green aesthete starts to whoop 
With horror at the house not made with hands 
And when from vacuum cleaners and tinned soup 
Another pure theosophist demands 

Rebirth in other, less industrial stars 
Where huge towns thrust up in synthetic stone 
And films and sleek miraculous motor cars 
And celluloid and rubber are unknown; 

When from his vegetable Sunday School 
Emerges with the neatly maudlin phrase 
Still one more Nature poet, to rant or drool 
About the "Standardization of the Race"; 

I see, stooping among her orchard trees, 
The old, sound Earth, gathering her windfalls in, 
Broad in the hams and stiffening at the knees, 
Pause and I see her grave malicious grin.
For there is no manufacturer competes With her in the mass production of shapes and things.
Over and over she gathers and repeats The cast of a face, a million butterfly wings.
She does not tire of the pattern of a rose.
Her oldest tricks still catch us with surprise.
She cannot recall how long ago she chose The streamlined hulls of fish, the snail's long eyes, Love, which still pours into its ancient mould The lashing seed that grows to a man again, From whom by the same processes unfold Unending generations of living men.
She has standardized his ultimate needs and pains.
Lost tribes in a lost language mutter in His dreams: his science is tethered to their brains, His guilt merely repeats Original Sin.
And beauty standing motionless before Her mirror sees behind her, mile on mile, A long queue in an unknown corridor, Anonymous faces plastered with her smile.


Written by Anne Kingsmill Finch | Create an image from this poem

The Change

 POOR River, now thou'rt almost dry, 
What Nymph, or Swain, will near thee lie? 
Since brought, alas! to sad Decay, 
What Flocks, or Herds, will near thee stay? 
The Swans, that sought thee in thy Pride, 
Now on new Streams forgetful ride: 
And Fish, that in thy Bosom lay, 
Chuse in more prosp'rous Floods to play.
All leave thee, now thy Ebb appears, To waste thy sad Remains in Tears; Nor will thy mournful Murmurs heed.
Fly, wretched Stream, with all thy speed, Amongst those solid Rocks thy Griefs bestow; For Friends, like those alas! thou ne'er did'st know.
And thou, poor Sun! that sat'st on high; But late, the Splendour of the Sky; What Flow'r, tho' by thy Influence born, Now Clouds prevail, will tow'rds thee turn? Now Darkness sits upon thy Brow, What Persian Votary will bow? What River will her Smiles reflect, Now that no Beams thou can'st direct? By watry Vapours overcast, Who thinks upon thy Glories past? If present Light, nor Heat we get, Unheeded thou may'st rise, and set.
Not all the past can one Adorer keep, Fall, wretched Sun, to the more faithful Deep.
Nor do thou, lofty Structure! boast, Since undermin'd by Time and Frost: Since thou canst no Reception give, In untrod Meadows thou may'st live.
None from his ready Road will turn, With thee thy wretched Change to mourn.
Not the soft Nights, or chearful Days Thou hast bestow'd, can give thee Praise.
No lusty Tree that near thee grows, (Tho' it beneath thy Shelter rose) Will to thy Age a Staff become.
Fall, wretched Building! to thy Tomb.
Thou, and thy painted Roofs, in Ruin mixt, Fall to the Earth, for That alone is fixt.
The same, poor Man, the same must be Thy Fate, now Fortune frowns on thee.
Her Favour ev'ry one pursues, And losing Her, thou all must lose.
No Love, sown in thy prosp'rous Days, Can Fruit in this cold Season raise: No Benefit, by thee conferr'd, Can in this time of Storms be heard.
All from thy troubl'd Waters run; Thy stooping Fabrick all Men shun.
All do thy clouded Looks decline, As if thou ne'er did'st on them shine.
O wretched Man! to other World's repair; For Faith and Gratitude are only there.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Ghosts

 Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly; But as if they watched and waited, Scanning one another's motions, When the first descends, the others Follow, follow, gathering flock-wise Round their victim, sick and wounded, First a shadow, then a sorrow, Till the air is dark with anguish.
Now, o'er all the dreary North-land, Mighty Peboan, the Winter, Breathing on the lakes and rivers, Into stone had changed their waters.
From his hair he shook the snow-flakes, Till the plains were strewn with whiteness, One uninterrupted level, As if, stooping, the Creator With his hand had smoothed them over.
Through the forest, wide and wailing, Roamed the hunter on his snow-shoes; In the village worked the women, Pounded maize, or dressed the deer-skin; And the young men played together On the ice the noisy ball-play, On the plain the dance of snow-shoes.
One dark evening, after sundown, In her wigwam Laughing Water Sat with old Nokomis, waiting For the steps of Hiawatha Homeward from the hunt returning.
On their faces gleamed the firelight, Painting them with streaks of crimson, In the eyes of old Nokomis Glimmered like the watery moonlight, In the eyes of Laughing Water Glistened like the sun in water; And behind them crouched their shadows In the corners of the wigwam, And the smoke In wreaths above them Climbed and crowded through the smoke-flue.
Then the curtain of the doorway From without was slowly lifted; Brighter glowed the fire a moment, And a moment swerved the smoke-wreath, As two women entered softly, Passed the doorway uninvited, Without word of salutation, Without sign of recognition, Sat down in the farthest corner, Crouching low among the shadows.
From their aspect and their garments, Strangers seemed they in the village; Very pale and haggard were they, As they sat there sad and silent, Trembling, cowering with the shadows.
Was it the wind above the smoke-flue, Muttering down into the wigwam? Was it the owl, the Koko-koho, Hooting from the dismal forest? Sure a voice said in the silence: "These are corpses clad in garments, These are ghosts that come to haunt you, From the kingdom of Ponemah, From the land of the Hereafter!" Homeward now came Hiawatha From his hunting in the forest, With the snow upon his tresses, And the red deer on his shoulders.
At the feet of Laughing Water Down he threw his lifeless burden; Nobler, handsomer she thought him, Than when first he came to woo her, First threw down the deer before her, As a token of his wishes, As a promise of the future.
Then he turned and saw the strangers, Cowering, crouching with the shadows; Said within himself, "Who are they? What strange guests has Minnehaha?" But he questioned not the strangers, Only spake to bid them welcome To his lodge, his food, his fireside.
When the evening meal was ready, And the deer had been divided, Both the pallid guests, the strangers, Springing from among the shadows, Seized upon the choicest portions, Seized the white fat of the roebuck, Set apart for Laughing Water, For the wife of Hiawatha; Without asking, without thanking, Eagerly devoured the morsels, Flitted back among the shadows In the corner of the wigwam.
Not a word spake Hiawatha, Not a motion made Nokomis, Not a gesture Laughing Water; Not a change came o'er their features; Only Minnehaha softly Whispered, saying, "They are famished; Let them do what best delights them; Let them eat, for they are famished.
" Many a daylight dawned and darkened, Many a night shook off the daylight As the pine shakes off the snow-flakes From the midnight of its branches; Day by day the guests unmoving Sat there silent in the wigwam; But by night, in storm or starlight, Forth they went into the forest, Bringing fire-wood to the wigwam, Bringing pine-cones for the burning, Always sad and always silent.
And whenever Hiawatha Came from fishing or from hunting, When the evening meal was ready, And the food had been divided, Gliding from their darksome corner, Came the pallid guests, the strangers, Seized upon the choicest portions Set aside for Laughing Water, And without rebuke or question Flitted back among the shadows.
Never once had Hiawatha By a word or look reproved them; Never once had old Nokomis Made a gesture of impatience; Never once had Laughing Water Shown resentment at the outrage.
All had they endured in silence, That the rights of guest and stranger, That the virtue of free-giving, By a look might not be lessened, By a word might not be broken.
Once at midnight Hiawatha, Ever wakeful, ever watchful, In the wigwam, dimly lighted By the brands that still were burning, By the glimmering, flickering firelight Heard a sighing, oft repeated, From his couch rose Hiawatha, From his shaggy hides of bison, Pushed aside the deer-skin curtain, Saw the pallid guests, the shadows, Sitting upright on their couches, Weeping in the silent midnight.
And he said: "O guests! why is it That your hearts are so afflicted, That you sob so in the midnight? Has perchance the old Nokomis, Has my wife, my Minnehaha, Wronged or grieved you by unkindness, Failed in hospitable duties?" Then the shadows ceased from weeping, Ceased from sobbing and lamenting, And they said, with gentle voices: "We are ghosts of the departed, Souls of those who once were with you.
From the realms of Chibiabos Hither have we come to try you, Hither have we come to warn you.
"Cries of grief and lamentation Reach us in the Blessed Islands; Cries of anguish from the living, Calling back their friends departed, Sadden us with useless sorrow.
Therefore have we come to try you; No one knows us, no one heeds us.
We are but a burden to you, And we see that the departed Have no place among the living.
"Think of this, O Hiawatha! Speak of it to all the people, That henceforward and forever They no more with lamentations Sadden the souls of the departed In the Islands of the Blessed.
"Do not lay such heavy burdens In the graves of those you bury, Not such weight of furs and wampum, Not such weight of pots and kettles, For the spirits faint beneath them.
Only give them food to carry, Only give them fire to light them.
"Four days is the spirit's journey To the land of ghosts and shadows, Four its lonely night encampments; Four times must their fires be lighted.
Therefore, when the dead are buried, Let a fire, as night approaches, Four times on the grave be kindled, That the soul upon its journey May not lack the cheerful firelight, May not grope about in darkness.
"Farewell, noble Hiawatha! We have put you to the trial, To the proof have put your patience, By the insult of our presence, By the outrage of our actions.
We have found you great and noble.
Fail not in the greater trial, Faint not In the harder struggle.
" When they ceased, a sudden darkness Fell and filled the silent wigwam.
Hiawatha heard a rustle As of garments trailing by him, Heard the curtain of the doorway Lifted by a hand he saw not, Felt the cold breath of the night air, For a moment saw the starlight; But he saw the ghosts no longer, Saw no more the wandering spirits From the kingdom of Ponemah, From the land of the Hereafter.
Written by Conrad Aiken | Create an image from this poem

Beloved Let Us Once More Praise The Rain

 Beloved, let us once more praise the rain.
Let us discover some new alphabet, For this, the often praised; and be ourselves, The rain, the chickweed, and the burdock leaf, The green-white privet flower, the spotted stone, And all that welcomes the rain; the sparrow too,— Who watches with a hard eye from seclusion, Beneath the elm-tree bough, till rain is done.
There is an oriole who, upside down, Hangs at his nest, and flicks an orange wing,— Under a tree as dead and still as lead; There is a single leaf, in all this heaven Of leaves, which rain has loosened from its twig: The stem breaks, and it falls, but it is caught Upon a sister leaf, and thus she hangs; There is an acorn cup, beside a mushroom Which catches three drops from the stooping cloud.
The timid bee goes back to the hive; the fly Under the broad leaf of the hollyhock Perpends stupid with cold; the raindark snail Surveys the wet world from a watery stone.
.
.
And still the syllables of water whisper: The wheel of cloud whirs slowly: while we wait In the dark room; and in your heart I find One silver raindrop,—on a hawthorn leaf,— Orion in a cobweb, and the World.
Written by Percy Bysshe Shelley | Create an image from this poem

Written among the Euganean Hills North Italy

MANY a green isle needs must be 
In the deep wide sea of Misery, 
Or the mariner, worn and wan, 
Never thus could voyage on 
Day and night, and night and day, 5 
Drifting on his dreary way, 
With the solid darkness black 
Closing round his vessel's track; 
Whilst above, the sunless sky 
Big with clouds, hangs heavily, 10 
And behind the tempest fleet 
Hurries on with lightning feet, 
Riving sail, and cord, and plank, 
Till the ship has almost drank 
Death from the o'er-brimming deep, 15 
And sinks down, down, like that sleep 
When the dreamer seems to be 
Weltering through eternity; 
And the dim low line before 
Of a dark and distant shore 20 
Still recedes, as ever still 
Longing with divided will, 
But no power to seek or shun, 
He is ever drifted on 
O'er the unreposing wave, 25 
To the haven of the grave.
Ay, many flowering islands lie In the waters of wide Agony: To such a one this morn was led My bark, by soft winds piloted.
30 ¡ª'Mid the mountains Euganean I stood listening to the p?an With which the legion'd rooks did hail The Sun's uprise majestical: Gathering round with wings all hoar, 35 Through the dewy mist they soar Like gray shades, till the eastern heaven Bursts; and then¡ªas clouds of even Fleck'd with fire and azure, lie In the unfathomable sky¡ª 40 So their plumes of purple grain Starr'd with drops of golden rain Gleam above the sunlight woods, As in silent multitudes On the morning's fitful gale 45 Through the broken mist they sail; And the vapours cloven and gleaming Follow down the dark steep streaming, Till all is bright, and clear, and still Round the solitary hill.
50 Beneath is spread like a green sea The waveless plain of Lombardy, Bounded by the vaporous air, Islanded by cities fair; Underneath day's azure eyes, 55 Ocean's nursling, Venice lies,¡ª A peopled labyrinth of walls, Amphitrite's destined halls, Which her hoary sire now paves With his blue and beaming waves.
60 Lo! the sun upsprings behind, Broad, red, radiant, half-reclined On the level quivering line Of the waters crystalline; And before that chasm of light, 65 As within a furnace bright, Column, tower, and dome, and spire, Shine like obelisks of fire, Pointing with inconstant motion From the altar of dark ocean 70 To the sapphire-tinted skies; As the flames of sacrifice From the marble shrines did rise As to pierce the dome of gold Where Apollo spoke of old.
75 Sun-girt City! thou hast been Ocean's child, and then his queen; Now is come a darker day, And thou soon must be his prey, If the power that raised thee here 80 Hallow so thy watery bier.
A less drear ruin then than now, With thy conquest-branded brow Stooping to the slave of slaves From thy throne among the waves 85 Wilt thou be¡ªwhen the sea-mew Flies, as once before it flew, O'er thine isles depopulate, And all is in its ancient state, Save where many a palace-gate 90 With green sea-flowers overgrown, Like a rock of ocean's own, Topples o'er the abandon'd sea As the tides change sullenly.
The fisher on his watery way, 95 Wandering at the close of day, Will spread his sail and seize his oar Till he pass the gloomy shore, Lest thy dead should, from their sleep, Bursting o'er the starlight deep, 100 Lead a rapid masque of death O'er the waters of his path.
Noon descends around me now: 'Tis the noon of autumn's glow, When a soft and purple mist 105 Like a vaporous amethyst, Or an air-dissolv¨¨d star Mingling light and fragrance, far From the curved horizon's bound To the point of heaven's profound, 110 Fills the overflowing sky, And the plains that silent lie Underneath; the leaves unsodden Where the infant Frost has trodden With his morning-wing¨¨d feet 115 Whose bright print is gleaming yet; And the red and golden vines Piercing with their trellised lines The rough, dark-skirted wilderness; The dun and bladed grass no less, 120 Pointing from this hoary tower In the windless air; the flower Glimmering at my feet; the line Of the olive-sandall'd Apennine In the south dimly islanded; 125 And the Alps, whose snows are spread High between the clouds and sun; And of living things each one; And my spirit, which so long Darken'd this swift stream of song,¡ª 130 Interpenetrated lie By the glory of the sky; Be it love, light, harmony, Odour, or the soul of all Which from heaven like dew doth fall, 135 Or the mind which feeds this verse, Peopling the lone universe.
Noon descends, and after noon Autumn's evening meets me soon, Leading the infantine moon 140 And that one star, which to her Almost seems to minister Half the crimson light she brings From the sunset's radiant springs: And the soft dreams of the morn 145 (Which like wing¨¨d winds had borne To that silent isle, which lies 'Mid remember'd agonies, The frail bark of this lone being), Pass, to other sufferers fleeing, 150 And its ancient pilot, Pain, Sits beside the helm again.
Other flowering isles must be In the sea of Life and Agony: Other spirits float and flee 155 O'er that gulf: ev'n now, perhaps, On some rock the wild wave wraps, With folding wings they waiting sit For my bark, to pilot it To some calm and blooming cove, 160 Where for me, and those I love, May a windless bower be built, Far from passion, pain, and guilt, In a dell 'mid lawny hills Which the wild sea-murmur fills, 165 And soft sunshine, and the sound Of old forests echoing round, And the light and smell divine Of all flowers that breathe and shine.
¡ªWe may live so happy there, 170 That the Spirits of the Air Envying us, may ev'n entice To our healing paradise The polluting multitude: But their rage would be subdued 175 By that clime divine and calm, And the winds whose wings rain balm On the uplifted soul, and leaves Under which the bright sea heaves; While each breathless interval 180 In their whisperings musical The inspir¨¨d soul supplies With its own deep melodies; And the Love which heals all strife Circling, like the breath of life, 185 All things in that sweet abode With its own mild brotherhood:¡ª They, not it, would change; and soon Every sprite beneath the moon Would repent its envy vain, 190 And the Earth grow young again!
Written by William Cullen Bryant | Create an image from this poem

After a Tempest

 The day had been a day of wind and storm;-- 
The wind was laid, the storm was overpast,-- 
And stooping from the zenith, bright and warm 
Shone the great sun on the wide earth at last.
I stood upon the upland slope and cast My eye upon a broad and beauteous scene, Where the vast plain lay girt by mountains vast, And hills o'er hills lifted their heads of green, With pleasant vales scooped out and villages between.
The rain-drops glistened on the trees around, Whose shadows on the tall grass were not stirred, Save when a shower of diamonds, to the ground, Was shaken by the flight of startled bird; For birds were warbling round, and bees were heard About the flowers; the cheerful rivulet sung And gossiped, as he hastened ocean-ward; To the gray oak the squirrel, chiding clung, And chirping from the ground the grasshopper upsprung.
And from beneath the leaves that kept them dry Flew many a glittering insect here and there, And darted up and down the butterfly, That seemed a living blossom of the air.
The flocks came scattering from the thicket, where The violent rain had pent them; in the way Strolled groups of damsels frolicksome and fair; The farmer swung the scythe or turned the hay, And 'twixt the heavy swaths his children were at play.
It was a scene of peace--and, like a spell, Did that serene and golden sunlight fall Upon the motionless wood that clothed the fell, And precipice upspringing like a wall, And glassy river and white waterfall, And happy living things that trod the bright And beauteous scene; while far beyond them all, On many a lovely valley, out of sight, Was poured from the blue heavens the same soft golden light.
I looked, and thought the quiet of the scene An emblem of the peace that yet shall be, When, o'er earth's continents and isles between, The noise of war shall cease from sea to sea, And married nations dwell in harmony; When millions, crouching in the dust to one, No more shall beg their lives on bended knee, Nor the black stake be dressed, nor in the sun The o'erlabored captive toil, and wish his life were done.
Too long, at clash of arms amid her bowers And pools of blood, the earth has stood aghast, The fair earth, that should only blush with flowers And ruddy fruits; but not for aye can last The storm, and sweet the sunshine when 'tis past.
Lo, the clouds roll away--they break--they fly, And, like the glorious light of summer, cast O'er the wide landscape from the embracing sky, On all the peaceful world the smile of heaven shall lie.

Book: Shattered Sighs