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Best Famous Stoics Poems

Here is a collection of the all-time best famous Stoics poems. This is a select list of the best famous Stoics poetry. Reading, writing, and enjoying famous Stoics poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of stoics poems.

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Written by Jonathan Swift | Create an image from this poem

To Stella Who Collected and Transcribed His Poems

 As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,

Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.


Written by Anne Bradstreet | Create an image from this poem

The Vanity of All Worldly Things

 As he said vanity, so vain say I,
Oh! Vanity, O vain all under sky;
Where is the man can say, "Lo, I have found
On brittle earth a consolation sound"?
What isn't in honor to be set on high?
No, they like beasts and sons of men shall die,
And whilst they live, how oft doth turn their fate;
He's now a captive that was king of late.
What isn't in wealth great treasures to obtain?
No, that's but labor, anxious care, and pain.
He heaps up riches, and he heaps up sorrow,
It's his today, but who's his heir tomorrow?
What then? Content in pleasures canst thou find?
More vain than all, that's but to grasp the wind.
The sensual senses for a time they pleasure,
Meanwhile the conscience rage, who shall appease?
What isn't in beauty? No that's but a snare,
They're foul enough today, that once were fair.
What is't in flow'ring youth, or manly age?
The first is prone to vice, the last to rage.
Where is it then, in wisdom, learning, arts?
Sure if on earth, it must be in those parts;
Yet these the wisest man of men did find
But vanity, vexation of the mind.
And he that know the most doth still bemoan
He knows not all that here is to be known.
What is it then? To do as stoics tell,
Nor laugh, nor weep, let things go ill or well?
Such stoics are but stocks, such teaching vain,
While man is man, he shall have ease or pain.
If not in honor, beauty, age, nor treasure,
Nor yet in learning, wisdom, youth, nor pleasure,
Where shall I climb, sound, seek, search, or find
That summum bonum which may stay my mind?
There is a path no vulture's eye hath seen,
Where lion fierce, nor lion's whelps have been,
Which leads unto that living crystal fount,
Who drinks thereof, the world doth naught account.
The depth and sea have said " 'tis not in me,"
With pearl and gold it shall not valued be.
For sapphire, onyx, topaz who would change;
It's hid from eyes of men, they count it strange.
Death and destruction the fame hath heard,
But where and what it is, from heaven's declared;
It brings to honor which shall ne'er decay,
It stores with wealth which time can't wear away.
It yieldeth pleasures far beyond conceit,
And truly beautifies without deceit.
Nor strength, nor wisdom, nor fresh youth shall fade,
Nor death shall see, but are immortal made.
This pearl of price, this tree of life, this spring,
Who is possessed of shall reign a king.
Nor change of state nor cares shall ever see,
But wear his crown unto eternity.
This satiates the soul, this stays the mind,
And all the rest, but vanity we find.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Reflection

 O THOU, whose sober precepts can controul 
The wild impatience of the troubled soul, 
Sweet Nymph serene ! whose all-consoling pow'r 
Awakes to calm delight the ling'ring hour; 
O hear thy suppliant's ardent pray'r ! 
Chase from my pensive mind corroding care, 
Steal thro' the heated pulses of the brain, 
Charm sorrow to repose­and lull the throb of pain. 

O, tell me, what are life's best joys? 
Are they not visions that decay, 
Sweet honey'd poisons, gilded toys, 
Vain glitt'ring baubles of a day? 
O say what shadow do they leave behind, 
Save the sad vacuum of the sated mind? 

Borne on the eagle wings of Fame, 
MAN soars above calm Reason's sway, 
"Vaulting AMBITION" mocks each tender claim, 
Plucks the dear bonds of social life away; 
As o'er the vanquish'd slave she wields her spear, 
COMPASSION turns aside---REFLECTlON drops a tear. 

Behold the wretch, whose sordid heart, 
Steep'd in Content's oblivious balm, 
Secure in Luxury's bewitching calm, 
Repels pale Mis'ry's touch, and mocks Affliction's smart; 
Unmov'd he marks the bitter tear, 
In vain the plaints of woe his thoughts assail, 
The bashful mourner's pitious tale 
Nor melts his flinty soul, nor vibrates on his ear, 

O blest REFLECTION ! let thy magic pow'r 
Awake his torpid sense, his slumb'ring thought, 
Tel1 him ADVERSITY'S unpitied hour 
A brighter lesson gives, than Stoics taught: 
Tell him that WEALTH no blessing can impart 
So sweet as PITY'S tear­that bathes the wounded Heart. 

Go tell the vain, the insolent, and fair, 
That life's best days are only days of care; 
That BEAUTY, flutt'ring like a painted fly, 
Owes to the spring of youth its rarest die; 
When Winter comes, its charms shall fade away, 
And the poor insect wither in decay: 
Go bid the giddy phantom learn from thee, 
That VIRTUE only braves mortality. 

Then come, REFLECTION, soft-ey'd maid! 
I know thee, and I prize thy charms; 
Come, in thy gentlest smiles array'd, 
And I will press thee in my eager arms: 
Keep from my aching heart the "fiend DESPAIR," 
Pluck from my brow her THORN, and plant the OLIVE there.
Written by Edward Taylor | Create an image from this poem

More Later Less The Same

 The common is unusually calm--they captured the storm
last night, it's sleeping in the stockade, relieved
of its duty, pacified, tamed, a pussycat.
But not before it tied the flagpole in knots,
and not before it alarmed the firemen out of their pants.
Now it's really calm, almost too calm, as though
anything could happen, and it would be a first.
It could be the worst thing that ever happened.
All the little rodents are sitting up and counting
their nuts. What if nothing ever happened again?
Would there be enough to "eke out an existence,"
as they say? I wish "they" were here now, kicking
up a little dust, mussing my hair, taunting me
with weird syllogisms. Instead, these are the windless,
halcyon days. The lull dispassion is upon us.
Serenity has triumphed in its mindless, atrophied way.
A school of Stoics walks by, eager, in its phlegmatic way,
to observe human degradation, lust and debauchery
at close quarters. They are disappointed,
but it barely shows on their faces. They are late Stoa,
very late. They missed the bus. They should have
been here last night. The joint was jumping.
But people change, they grow up, they fly around.
It's the same old story, but I don't remember it.
It's a tale of gore and glory, but we had to leave.
It could have turned out differently, and it did.
I feel much the same way about the city of Pompeii.
A police officer with a poodle cut squirts his gun
at me for saying that, and it's still just barely
possible that I didn't, and the clock is running
out on his sort of behavior. I'm napping in a wigwam
as I write this, near Amity Street, which is buried
under fifteen feet of ashes and cinders and rocks.
Moss and a certain herblike creature are beginning to
whisper nearby. I am beside myself, peering down,
senselessly, since, for us, in space, there is
neither above nor below; and thus the expression
"He is being nibbled to death by ducks" shines
with such style, such poise, and reserve,
a beautiful, puissant form and a lucid thought.
To which I reply "It is time we had our teeth examined
by a dentist." So said James the Lesser to James the More.
Written by James Tate | Create an image from this poem

More Later Less The Same

 The common is unusually calm--they captured the storm
last night, it's sleeping in the stockade, relieved
of its duty, pacified, tamed, a pussycat.
But not before it tied the flagpole in knots,
and not before it alarmed the firemen out of their pants.
Now it's really calm, almost too calm, as though
anything could happen, and it would be a first.
It could be the worst thing that ever happened.
All the little rodents are sitting up and counting
their nuts. What if nothing ever happened again?
Would there be enough to "eke out an existence,"
as they say? I wish "they" were here now, kicking
up a little dust, mussing my hair, taunting me
with weird syllogisms. Instead, these are the windless,
halcyon days. The lull dispassion is upon us.
Serenity has triumphed in its mindless, atrophied way.
A school of Stoics walks by, eager, in its phlegmatic way,
to observe human degradation, lust and debauchery
at close quarters. They are disappointed,
but it barely shows on their faces. They are late Stoa,
very late. They missed the bus. They should have
been here last night. The joint was jumping.
But people change, they grow up, they fly around.
It's the same old story, but I don't remember it.
It's a tale of gore and glory, but we had to leave.
It could have turned out differently, and it did.
I feel much the same way about the city of Pompeii.
A police officer with a poodle cut squirts his gun
at me for saying that, and it's still just barely
possible that I didn't, and the clock is running
out on his sort of behavior. I'm napping in a wigwam
as I write this, near Amity Street, which is buried
under fifteen feet of ashes and cinders and rocks.
Moss and a certain herblike creature are beginning to
whisper nearby. I am beside myself, peering down,
senselessly, since, for us, in space, there is
neither above nor below; and thus the expression
"He is being nibbled to death by ducks" shines
with such style, such poise, and reserve,
a beautiful, puissant form and a lucid thought.
To which I reply "It is time we had our teeth examined
by a dentist." So said James the Lesser to James the More.



Book: Reflection on the Important Things