Written by
John Betjeman |
Kind o’er the kinderbank leans my Myfanwy,
White o’er the playpen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap scented fingers I long to caress.
Were you a prefect and head of your dormit'ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?
Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.
Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the avenue, back to the pottingshed,
Back to the house on the fringe of the park.
Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger marked pages of Rackham's Hans Anderson,
Time for the children to come down to tea.
Oh! Fullers angel-cake, Robertson’s marmalade,
Liberty lampshade, come shine on us all,
My! what a spread for the friends of Myfanwy,
Some in the alcove and some in the hall.
Then what sardines in half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ring leader, tom-boy, and chum to the weak.
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Written by
Billy Collins |
The murkiness of the local garage is not so dense
that you cannot make out the calendar of pinup
drawings on the wall above a bench of tools.
Your ears are ringing with the sound of
the mechanic hammering on your exhaust pipe,
and as you look closer you notice that this month's
is not the one pushing the lawn mower, wearing
a straw hat and very short blue shorts,
her shirt tied in a knot just below her breasts.
Nor is it the one in the admiral's cap, bending
forward, resting her hands on a wharf piling,
glancing over the tiny anchors on her shoulders.
No, this is March, the month of great winds,
so appropriately it is the one walking her dog
along a city sidewalk on a very blustery day.
One hand is busy keeping her hat down on her head
and the other is grasping the little dog's leash,
so of course there is no hand left to push down
her dress which is billowing up around her waist
exposing her long stockinged legs and yes the secret
apparatus of her garter belt. Needless to say,
in the confusion of wind and excited dog
the leash has wrapped itself around her ankles
several times giving her a rather bridled
and helpless appearance which is added to
by the impossibly high heels she is teetering on.
You would like to come to her rescue,
gather up the little dog in your arms,
untangle the leash, lead her to safety,
and receive her bottomless gratitude, but
the mechanic is calling you over to look
at something under your car. It seems that he has
run into a problem and the job is going
to cost more than he had said and take
much longer than he had thought.
Well, it can't be helped, you hear yourself say
as you return to your place by the workbench,
knowing that as soon as the hammering resumes
you will slowly lift the bottom of the calendar
just enough to reveal a glimpse of what
the future holds in store: ah,
the red polka dot umbrella of April and her
upturned palm extended coyly into the rain.
|
Written by
Yevgeny Yevtushenko |
Like a reminder of this life
of trams, sun, sparrows,
and the flighty uncontrolledness
of streams leaping like thermometers,
and because ducks are quacking somewhere
above the crackling of the last, paper-thin ice,
and because children are crying bitterly
(remember children's lives are so sweet!)
and because in the drunken, shimmering starlight
the new moon whoops it up,
and a stocking crackles a bit at the knee,
gold in itself and tinged by the sun,
like a reminder of life,
and because there is resin on tree trunks,
and because I was madly mistaken
in thinking that my life was over,
like a reminder of my life -
you entered into me on stockinged feet.
You entered - neither too late nor too early -
at exactly the right time, as my very own,
and with a smile, uprooted me
from memories, as from a grave.
And I, once again whirling among
the painted horses, gladly exchange,
for one reminder of life,
all its memories.
1974
Translated by Arthur Boyars amd Simon Franklin
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Written by
Seamus Heaney |
I
Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.
In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,
Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,
She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,
Trove of the turfcutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.
II
I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate
The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,
Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.
III
Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
|
Written by
Philip Larkin |
Walking around in the park
Should feel better than work:
The lake, the sunshine,
The grass to lie on,
Blurred playground noises
Beyond black-stockinged nurses -
Not a bad place to be.
Yet it doesn't suit me.
Being one of the men
You meet of an afternoon:
Palsied old step-takers,
Hare-eyed clerks with the jitters,
Waxed-fleshed out-patients
Still vague from accidents,
And characters in long coats
Deep in the litter-baskets -
All dodging the toad work
By being stupid or weak.
Think of being them!
Hearing the hours chime,
Watching the bread delivered,
The sun by clouds covered,
The children going home;
Think of being them,
Turning over their failures
By some bed of lobelias,
Nowhere to go but indoors,
Nor friends but empty chairs -
No, give me my in-tray,
My loaf-haired secretary,
My shall-I-keep-the-call-in-Sir:
What else can I answer,
When the lights come on at four
At the end of another year?
Give me your arm, old toad;
Help me down Cemetery Road.
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