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Best Famous Stoat Poems

Here is a collection of the all-time best famous Stoat poems. This is a select list of the best famous Stoat poetry. Reading, writing, and enjoying famous Stoat poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of stoat poems.

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Written by Aleister Crowley | Create an image from this poem

The Wizard Way

 [Dedicated to General J.
C.
F.
Fuller] Velvet soft the night-star glowed Over the untrodden road, Through the giant glades of yew Where its ray fell light as dew Lighting up the shimmering veil Maiden pure and aery frail That the spiders wove to hide Blushes of the sylvan bride Earth, that trembled with delight At the male caress of Night.
Velvet soft the wizard trod To the Sabbath of his God.
With his naked feet he made Starry blossoms in the glade, Softly, softly, as he went To the sombre sacrament, Stealthy stepping to the tryst In his gown of amethyst.
Earlier yet his soul had come To the Hill of Martyrdom, Where the charred and crooked stake Like a black envenomed snake By the hangman's hands is thrust Through the wet and writhing dust, Never black and never dried Heart's blood of a suicide.
He had plucked the hazel rod From the rude and goatish god, Even as the curved moon's waning ray Stolen from the King of Day.
He had learnt the elvish sign; Given the Token of the Nine: Once to rave, and once to revel, Once to bow before the devil, Once to swing the thurible, Once to kiss the goat of hell, Once to dance the aspen spring, Once to croak, and once to sing, Once to oil the savoury thighs Of the witch with sea-green eyes With the unguents magical.
Oh the honey and the gall Of that black enchanter's lips As he croons to the eclipse Mingling that most puissant spell Of the giant gods of hell With the four ingredients Of the evil elements; Ambergris from golden spar, Musk of ox from Mongol jar, Civet from a box of jade, Mixed with fat of many a maid Slain by the inchauntments cold Of the witches wild and old.
He had crucified a toad In the basilisk abode, Muttering the Runes averse Mad with many a mocking curse.
He had traced the serpent sigil In his ghastly virgin vigil.
Sursum cor! the elfin hill, Where the wind blows deadly chill From the world that wails beneath Death's black throat and lipless teeth.
There he had stood - his bosom bare - Tracing Life upon the Air With the crook and with the flail Lashing forward on the gale, Till its blade that wavereth Like the flickering of Death Sank before his subtle fence To the starless sea of sense.
Now at last the man is come Haply to his halidom.
Surely as he waves his rod In a circle on the sod Springs the emerald chaste and clean From the duller paler green.
Surely in the circle millions Of immaculate pavilions Flash upon the trembling turf Like the sea-stars in the surf - Millions of bejewelled tents For the warrior sacraments.
Vaster, vaster, vaster, vaster, Grows the stature of the master; All the ringed encampment vies With the infinite galaxies.
In the midst a cubic stone With the Devil set thereon; Hath a lamb's virginal throat; Hath the body of a stoat; Hath the buttocks of a goat; Hath the sanguine face and rod Of a goddess and a god! Spell by spell and pace by pace! Mystic flashes swing and trace Velvet soft the sigils stepped By the silver-starred adept.
Back and front, and to and fro, Soul and body sway and flow In vertiginous caresses To imponderable recesses, Till at last the spell is woven, And the faery veil is cloven That was Sequence, Space, and Stress Of the soul-sick consciousness.
"Give thy body to the beasts! Give thy spirit to the priests! Break in twain the hazel rod On the virgin lips of God! Tear the Rosy Cross asunder! Shatter the black bolt of thunder! Suck the swart ensanguine kiss Of the resolute abyss!" Wonder-weft the wizard heard This intolerable word.
Smote the blasting hazel rod On the scarlet lips of God; Trampled Cross and rosy core; Brake the thunder-tool of Thor; Meek and holy acolyte Of the priestly hells of spite, Sleek and shameless catamite Of the beasts that prowl the night! Like a star that streams from heaven Through the virgin airs light-riven, From the lift there shot and fell An admirable miracle.
Carved minute and clean, a key Of purest lapis-lazuli More blue than the blind sky that aches (Wreathed with the stars, her torturing snakes), For the dead god's kiss that never wakes; Shot with golden specks of fire Like a virgin with desire.
Look, the levers! fern-frail fronds Of fantastic diamonds, Glimmering with ethereal azure In each exquisite embrasure.
On the shaft the letters laced, As if dryads lunar-chaste With the satyrs were embraced, Spelled the secret of the key: Sic pervenias.
And he Went his wizard way, inweaving Dreams of things beyond believing.
When he will, the weary world Of the senses closely curled Like a serpent round his heart Shakes herself and stands apart.
So the heart's blood flames, expanding, Strenuous, urgent, and commanding; And the key unlocks the door Where his love lives evermore.
She is of the faery blood; All smaragdine flows its flood.
Glowing in the amber sky To ensorcelled porphyry She hath eyes of glittering flake Like a cold grey water-snake.
She hath naked breasts of amber Jetting wine in her bed-chamber, Whereof whoso stoops and drinks Rees the riddle of the Sphinx.
She hath naked limbs of amber Whereupon her children clamber.
She hath five navels rosy-red From the five wounds of God that bled; Each wound that mothered her still bleeding, And on that blood her babes are feeding.
Oh! like a rose-winged pelican She hath bred blessed babes to Pan! Oh! like a lion-hued nightingale She hath torn her breast on thorns to avail The barren rose-tree to renew Her life with that disastrous dew, Building the rose o' the world alight With music out of the pale moonlight! O She is like the river of blood That broke from the lips of the bastard god, When he saw the sacred mother smile On the ibis that flew up the foam of Nile Bearing the limbs unblessed, unborn, That the lurking beast of Nile had torn! So (for the world is weary) I These dreadful souls of sense lay by.
I sacrifice these impure shoon To the cold ray of the waning moon.
I take the forked hazel staff, And the rose of no terrene graff, And the lamp of no olive oil With heart's blood that alone may boil.
With naked breast and feet unshod I follow the wizard way to God.
Wherever he leads my foot shall follow; Over the height, into the hollow, Up to the caves of pure cold breath, Down to the deeps of foul hot death, Across the seas, through the fires, Past the palace of desires; Where he will, whether he will or no, If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood Leaps within me, violent rude Like a bestial faun's beatitude.
In me the faery blood runs hard: My sires were a druid, a devil, a bard, A beast, a wizard, a snake and a satyr; For - as my mother said - what does it matter? She was a fay, pure of the faery; Queen Morgan's daughter by an aery Demon that came to Orkney once To pay the Beetle his orisons.
So, it is I that writhe with the twitch Of the faery blood, and the wizard itch To attain a matter one may not utter Rather than sink in the greasy splutter Of Britons munching their bread and butter; Ailing boys and coarse-grained girls Grown to sloppy women and brutal churls.
So, I am off with staff in hand To the endless light of the nameless land.
Darkness spreads its sombre streams, Blotting out the elfin dreams.
I might haply be afraid, Were it not the Feather-maid Leads me softly by the hand, Whispers me to understand.
Now (when through the world of weeping Light at last starrily creeping Steals upon my babe-new sight, Light - O light that is not light!) On my mouth the lips of her Like a stone on my sepulchre Seal my speech with ecstasy, Till a babe is born of me That is silent more than I; For its inarticulate cry Hushes as its mouth is pressed To the pearl, her honey breast; While its breath divinely ripples The rose-petals of her nipples, And the jetted milk he laps From the soft delicious paps, Sweeter than the bee-sweet showers In the chalice of the flowers, More intoxicating than All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled With the Echo, that drips over Like the honey from the clover.
Passion, penitence, and pain Seek their mother's womb again, And are born the triple treasure, Peace and purity and pleasure.
- Hush, my child, and come aloft Where the stars are velvet soft!


Written by David Herbert Lawrence | Create an image from this poem

Cruelty and Love

 What large, dark hands are those at the window 
Lifted, grasping in the yellow light 
Which makes its way through the curtain web 
At my heart to-night? 

Ah, only the leaves! So leave me at rest, 
In the west I see a redness come 
Over the evening's burning breast -- 
For now the pain is numb.
The woodbine creeps abroad Calling low to her lover: The sunlit flirt who all the day Has poised above her lips in play And stolen kisses, shallow and gay Of dalliance, now has gone away -- She woos the moth with her sweet, low word, And when above her his broad wings hover Then her bright breast she will uncover And yeild her honey-drop to her lover.
Into the yellow, evening glow Saunters a man from the farm below, Leans, and looks in at the low-built shed Where hangs the swallow's marriage bed.
The bird lies warm against the wall.
She glances quick her startled eyes Towards him, then she turns away Her small head, making warm display Of red upon the throat.
Her terrors sway Her out of the nest's warm, busy ball, Whose plaintive cries start up as she flies In one blue stoop from out the sties Into the evening's empty hall.
Oh, water-hen, beside the rushes Hide your quaint, unfading blushes, Still your quick tail, and lie as dead, Till the distance covers his dangerous tread.
The rabbit presses back her ears, Turns back her liquid, anguished eyes And crouches low: then with wild spring Spurts from the terror of the oncoming To be choked back, the wire ring Her frantic effort throttling: Piteous brown ball of quivering fears! Ah soon in his large, hard hands she dies, And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes And ready to open in brown surprise Should I not answer to his talk Or should he my tears surmise.
I hear his hand on the latch, and rise from my chair Watching the door open: he flashes bare His strong teeth in a smile, and flashes his eyes In a smile like triumph upon me; then careless-wise He flihgs the rabbit soft on the table board And comes towards me: ah, the uplifted sword Of his hand against my bosom, and oh, the broad Blade of his hand that raises my face to applaud His coming: he raises up my face to him And caresses my mouth with his fingers, smelling grim Of the rabbit's fur! God, I am caught in a snare! I know not what fine wire is round my throat, I only know I let him finger there My pulse of life, letting him nose like a stoat Who sniffs with joy before he drinks the blood: And down his mouth comes to my mouth, and down His dark bright eyes descend like a fiery hood Upon my mind: his mouth meets mine, and a flood Of sweet fire sweeps across me, so I drown Within him, die, and find death good.
Written by David Herbert Lawrence | Create an image from this poem

The Hands of the Betrothed

 Her tawny eyes are onyx of thoughtlessness, 
Hardened they are like gems in ancient modesty; 
Yea, and her mouth’s prudent and crude caress 
Means even less than her many words to me.
Though her kiss betrays me also this, this only Consolation, that in her lips her blood at climax clips Two wild, dumb paws in anguish on the lonely Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is Hungry for me, yet if I put my hand in her breast She puts me away, like a saleswoman whose mart is Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong hands Heavier than mine, yet like leverets caught in steel When I hold them; my still soul understands Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift Like heavy birds from the morning stubble, to settle Upon me like sleeping birds, like birds that shift Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee, How strangely she tries to disown it, as it sinks In my flesh and bone and forages into me, How it stirs like a subtle stoat, whatever she thinks! And often I see her clench her fingers tight And thrust her fists suppressed in the folds of her skirt; And sometimes, how she grasps her arms with her bright Big hands, as if surely her arms did hurt.
And I have seen her stand all unaware Pressing her spread hands over her breasts, as she Would crush their mounds on her heart, to kill in there The pain that is her simple ache for me.
Her strong hands take my part, the part of a man To her; she crushes them into her bosom deep Where I should lie, and with her own strong span Closes her arms, that should fold me in sleep.
Ah, and she puts her hands upon the wall, Presses them there, and kisses her bright hands, Then lets her black hair loose, the darkness fall About her from her maiden-folded bands.
And sits in her own dark night of her bitter hair Dreaming—God knows of what, for to me she’s the same Betrothed young lady who loves me, and takes care Of her womanly virtue and of my good name.
Written by John Lindley | Create an image from this poem

SCARECROW CRIMES

 In Hayfield I imagine
not just the nuts and bolts of split cockpits 
but a Spitfire’s sunk fuselage 

has smoked out its entirety unseen 
from one century to the next.
At Edale Cross, Birch Vale or Kinder, in rock, field or peat bog more than machinery beds down and is lost, it’s true but here in this field with all of the exposed corn, yellow as scattered light bubble-packing the soil, the vanishings are less numerous but no less strange - a child here, a dog there, a stoat whose teeth weren’t defence enough have become a cache of quiet forgettings, plucked without fuss and gone without trace and a frayed crucifix - tweed coat, stoved in chest and stitched neck ruff - has shrugged his coat hanger shoulders and pogo’d west from the rising sun.
In the first tatters of light blameless crows rattle in the wind.
John Lindley
Written by Robert Browning | Create an image from this poem

Thus the Mayne glideth

 THUS the Mayne glideth 
Where my Love abideth; 
Sleep 's no softer: it proceeds 
On through lawns, on through meads, 
On and on, whate'er befall, 
Meandering and musical, 
Though the niggard pasturage 
Bears not on its shaven ledge 
Aught but weeds and waving grasses 
To view the river as it passes, 
Save here and there a scanty patch 
Of primroses too faint to catch 
A weary bee.
.
.
.
And scarce it pushes Its gentle way through strangling rushes Where the glossy kingfisher Flutters when noon-heats are near, Glad the shelving banks to shun, Red and steaming in the sun, Where the shrew-mouse with pale throat Burrows, and the speckled stoat; Where the quick sandpipers flit In and out the marl and grit That seems to breed them, brown as they: Naught disturbs its quiet way, Save some lazy stork that springs, Trailing it with legs and wings, Whom the shy fox from the hill Rouses, creep he ne'er so still.