Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Robert Burns |
O THOU! whatever title suit thee—
Auld Hornie, Satan, Nick, or Clootie,
Wha in yon cavern grim an’ sootie,
Clos’d under hatches,
Spairges about the brunstane cootie,
To scaud poor wretches!
Hear me, auld Hangie, for a wee,
An’ let poor damned bodies be;
I’m sure sma’ pleasure it can gie,
Ev’n to a deil,
To skelp an’ scaud poor dogs like me,
An’ hear us squeel!
Great is thy pow’r an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin’ heuch’s thy hame,
Thou travels far;
An’ faith! thou’s neither lag nor lame,
Nor blate, nor scaur.
Whiles, ranging like a roarin lion,
For prey, a’ holes and corners tryin;
Whiles, on the strong-wind’d tempest flyin,
Tirlin the kirks;
Whiles, in the human bosom pryin,
Unseen thou lurks.
I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or where auld ruin’d castles grey
Nod to the moon,
Ye fright the nightly wand’rer’s way,
Wi’ eldritch croon.
When twilight did my graunie summon,
To say her pray’rs, douse, honest woman!
Aft’yont the dyke she’s heard you bummin,
Wi’ eerie drone;
Or, rustlin, thro’ the boortrees comin,
Wi’ heavy groan.
Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you, mysel’ I gat a fright,
Ayont the lough;
Ye, like a rash-buss, stood in sight,
Wi’ wavin’ sough.
The cudgel in my nieve did shake,
Each brist’ld hair stood like a stake,
When wi’ an eldritch, stoor “quaick, quaick,”
Amang the springs,
Awa ye squatter’d like a drake,
On whistlin’ wings.
Let warlocks grim, an’ wither’d hags,
Tell how wi’ you, on ragweed nags,
They skim the muirs an’ dizzy crags,
Wi’ wicked speed;
And in kirk-yards renew their leagues,
Owre howkit dead.
Thence countra wives, wi’ toil and pain,
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s ta’en
By witchin’ skill;
An’ dawtit, twal-pint hawkie’s gane
As yell’s the bill.
Thence mystic knots mak great abuse
On young guidmen, fond, keen an’ crouse,
When the best wark-lume i’ the house,
By cantrip wit,
Is instant made no worth a louse,
Just at the bit.
When thowes dissolve the snawy hoord,
An’ float the jinglin’ icy boord,
Then water-kelpies haunt the foord,
By your direction,
And ’nighted trav’llers are allur’d
To their destruction.
And aft your moss-traversin Spunkies
Decoy the wight that late an’ drunk is:
The bleezin, curst, mischievous monkies
Delude his eyes,
Till in some miry slough he sunk is,
Ne’er mair to rise.
When masons’ mystic word an’ grip
In storms an’ tempests raise you up,
Some cock or cat your rage maun stop,
Or, strange to tell!
The youngest brither ye wad whip
Aff straught to hell.
Lang syne in Eden’s bonie yard,
When youthfu’ lovers first were pair’d,
An’ all the soul of love they shar’d,
The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
In shady bower; 1
Then you, ye auld, snick-drawing dog!
Ye cam to Paradise incog,
An’ play’d on man a cursèd brogue,
(Black be your fa’!)
An’ gied the infant warld a shog,
’Maist rui’d a’.
D’ye mind that day when in a bizz
Wi’ reekit duds, an’ reestit gizz,
Ye did present your smoutie phiz
’Mang better folk,
An’ sklented on the man of Uzz
Your spitefu’ joke?
An’ how ye gat him i’ your thrall,
An’ brak him out o’ house an hal’,
While scabs and botches did him gall,
Wi’ bitter claw;
An’ lows’d his ill-tongu’d wicked scaul’,
Was warst ava?
But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael 2 did you pierce,
Down to this time,
Wad ding a Lallan tounge, or Erse,
In prose or rhyme.
An’ now, auld Cloots, I ken ye’re thinkin,
A certain bardie’s rantin, drinkin,
Some luckless hour will send him linkin
To your black pit;
But faith! he’ll turn a corner jinkin,
An’ cheat you yet.
But fare-you-weel, auld Nickie-ben!
O wad ye tak a thought an’ men’!
Ye aiblins might-I dinna ken—
Stil hae a stake
I’m wae to think up’ yon den,
Ev’n for your sake!
Note 1. The verse originally ran:
“Lang syne, in Eden’s happy scene
When strappin Adam’s days were green,
And Eve was like my bonie Jean,
My dearest part,
A dancin, sweet, young handsome quean,
O’ guileless heart.”
[back]
Note 2. Vide Milton, Book vi.—R. B. [back]
|
Written by
Edmund Spenser |
BVt let stil Silence trew night watches keepe,
That sacred peace may in assurance rayne,
And tymely sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne,
The whiles an hundred little winged loues,
Like diuers fethered doues,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproues,
Their prety stealthes shal worke, & snares shal spread
To filch away sweet snatches of delight,
Conceald through couert night.
Ye sonnes of Venus, play your sports at will,
For greedy pleasure, carelesse of your toyes,
Thinks more vpon her paradise of ioyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing,
Ne will the woods now answer, nor your Eccho ring.
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