Written by
Alec Derwent (A D) Hope |
When, darkly brooding on this Modern Age,
The journalist with his marketable woes
Fills up once more the inevitable page
Of fatuous, flatulent, Sunday-paper prose;
Whenever the green aesthete starts to whoop
With horror at the house not made with hands
And when from vacuum cleaners and tinned soup
Another pure theosophist demands
Rebirth in other, less industrial stars
Where huge towns thrust up in synthetic stone
And films and sleek miraculous motor cars
And celluloid and rubber are unknown;
When from his vegetable Sunday School
Emerges with the neatly maudlin phrase
Still one more Nature poet, to rant or drool
About the "Standardization of the Race";
I see, stooping among her orchard trees,
The old, sound Earth, gathering her windfalls in,
Broad in the hams and stiffening at the knees,
Pause and I see her grave malicious grin.
For there is no manufacturer competes
With her in the mass production of shapes and things.
Over and over she gathers and repeats
The cast of a face, a million butterfly wings.
She does not tire of the pattern of a rose.
Her oldest tricks still catch us with surprise.
She cannot recall how long ago she chose
The streamlined hulls of fish, the snail's long eyes,
Love, which still pours into its ancient mould
The lashing seed that grows to a man again,
From whom by the same processes unfold
Unending generations of living men.
She has standardized his ultimate needs and pains.
Lost tribes in a lost language mutter in
His dreams: his science is tethered to their brains,
His guilt merely repeats Original Sin.
And beauty standing motionless before
Her mirror sees behind her, mile on mile,
A long queue in an unknown corridor,
Anonymous faces plastered with her smile.
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Written by
Robert Bly |
Conversation brings us so close! Opening
The surfs of the body
Bringing fish up near the sun
And stiffening the backbones of the sea!
I have wandered in a face for hours
Passing through dark fires.
I have risen to a body
Not yet born
Existing like a light around the body
Through which the body moves like a sliding moon.
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Written by
Charles Baudelaire |
O SWARMING city, city full of dreams,
Where in a full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space--
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed?
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son? In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
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Written by
Ogden Nash |
What I was doing with my white teeth exposed
like that on the side of the road I don't know,
and I don't know why I lay beside the sewer
so that the lover of dead things could come back
with is pencil sharpened and his piece of white paper.
I was there for a good two hours whistling
dirges, shrieking a little, terrifying
hearts with my whimpering cries before I died
by pulling the one leg up and stiffening.
There is a look we have with the hair of the chin
curled in mid-air, there is a look with the belly
stopped in the midst of its greed. The lover of dead things
stoops to feel me, his hand is shaking. I know
his mouth is open and his glasses are slipping.
I think his pencil must be jerking and the terror
of smell—and sight—is overtaking him;
I know he has that terrified faraway look
that death brings—he is contemplating. I want him
to touch my forehead once again and rub my muzzle
before he lifts me up and throws me into
that little valley. I hope he doesn't use
his shoe for fear of touching me; I know,
or used to know, the grasses down there; I think
I knew a hundred smells. I hope the dog's way
doesn't overtake him, one quick push,
barely that, and the mind freed, something else,
some other, thing to take its place. Great heart,
great human heart, keep loving me as you lift me,
give me your tears, great loving stranger, remember,
the death of dogs, forgive the yapping, forgive
the shitting, let there be pity, give me your pity.
How could there be enough? I have given
my life for this, emotion has ruined me, oh lover,
I have exchanged my wildness—little tricks
with the mouth and feet, with the tail, my tongue is a parrots's,
I am a rampant horse, I am a lion,
I wait for the cookie, I snap my teeth—
as you have taught me, oh distant and brilliant and lonely.
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Written by
Robert Frost |
He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: 'What is it you see
From up there always -- for I want to know.'
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: 'What is it you see?'
Mounting until she cowered under him.
'I will find out now -- you must tell me, dear.'
She, in her place, refused him any help
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn't see,
Blind creature; and a while he didn't see.
But at last he murmured, 'Oh' and again, 'Oh.'
'What is it -- what?' she said.
'Just that I see.'
'You don't,' she challenged. 'Tell me what it is.'
'The wonder is I didn't see at once.
I never noticed it from here before.
I must be wonted to it -- that's the reason.'
The little graveyard where my people are!
So small the window frames the whole of it.
Not so much larger than a bedroom, is it?
There are three stones of slate and one of marble,
Broad-shouldered little slabs there in the sunlight
On the sidehill. We haven't to mind those.
But I understand: it is not the stones,
But the child's mound --'
'Don't, don't, don't, don't,' she cried.
She withdrew shrinking from beneath his arm
That rested on the banister, and slid downstairs;
And turned on him with such a daunting look,
He said twice over before he knew himself:
'Can't a man speak of his own child he's lost?'
'Not you! Oh, where's my hat? Oh, I don't need it!
I must get out of here. I must get air.
I don't know rightly whether any man can.'
'Amy! Don't go to someone else this time.
Listen to me. I won't come down the stairs.'
He sat and fixed his chin between his fists.
'There's something I should like to ask you, dear.'
'You don't know how to ask it.'
'Help me, then.'
Her fingers moved the latch for all reply.
'My words are nearly always an offence.
I don't know how to speak of anything
So as to please you. But I might be taught
I should suppose. I can't say I see how,
A man must partly give up being a man
With women-folk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them.'
She moved the latch a little. 'Don't -- don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
I do think, though, you overdo it a little.
What was it brought you up to think it the thing
To take your mother-loss of a first child
So inconsolably- in the face of love.
You'd think his memory might be satisfied --'
'There you go sneering now!'
'I'm not, I'm not!
You make me angry. I'll come down to you.
God, what a woman! And it's come to this,
A man can't speak of his own child that's dead.'
'You can't because you don't know how.
If you had any feelings, you that dug
With your own hand--how could you?--his little grave;
I saw you from that very window there,
Making the gravel leap and leap in air,
Leap up, like that, like that, and land so lightly
And roll back down the mound beside the hole.
I thought, Who is that man? I didn't know you.
And I crept down the stairs and up the stairs
To look again, and still your spade kept lifting.
Then you came in. I heard your rumbling voice
Out in the kitchen, and I don't know why,
But I went near to see with my own eyes.
You could sit there with the stains on your shoes
Of the fresh earth from your own baby's grave
And talk about your everyday concerns.
You had stood the spade up against the wall
Outside there in the entry, for I saw it.'
'I shall laugh the worst laugh I ever laughed.
I'm cursed. God, if I don't believe I'm cursed.'
I can repeat the very words you were saying ,
"Three foggy mornings and one rainy day
Will rot the best birch fence a man can build."
Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlour?
You couldn't care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
No, from the time when one is sick to death,
One is alone, and he dies more alone.
Friends make pretence of following to the grave,
But before one is in it, their minds are turned
And making the best of their way back to life
And living people, and things they understand.
But the world's evil. I won't have grief so
If I can change it. Oh, I won't, I won't'
'There, you have said it all and you feel better.
You won't go now. You're crying. Close the door.
The heart's gone out of it: why keep it up?
Amyl There's someone coming down the road!'
'You --oh, you think the talk is all. I must go-
Somewhere out of this house. How can I make you --'
'If--you -- do!' She was opening the door wider.
'Where do you mean to go? First tell me that.
I'll follow and bring you back by force. I will! --'
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Written by
Adam Lindsay Gordon |
ALL is over! fleet career,
Dash of greyhound slipping thongs,
Flight of falcon, bound of deer,
Mad hoof-thunder in our rear,
Cold air rushing up our lungs,
Din of many tongues.
Once again, one struggle good,
One vain effort;—he must dwell
Near the shifted post, that stood
Where the splinters of the wood,
Lying in the torn tracks, tell
How he struck and fell.
Crest where cold drops beaded cling,
Small ear drooping, nostril full,
Glazing to a scarlet ring,
Flanks and haunches quivering,
Sinews stiffening, void and null,
Dumb eyes sorrowful.
Satin coat that seems to shine
Duller now, black braided tress
That a softer hand than mine
Far away was wont to twine,
That in meadows far from this
Softer lips might kiss.
All is over! this is death,
And I stand to watch thee die,
Brave old horse! with bated breath
Hardly drawn through tight-clenched teeth,
Lip indented deep, but eye
Only dull and dry.
Musing on the husk and chaff
Gathered where life’s tares are sown,
Thus I speak, and force a laugh,
That is half a sneer and half
An involuntary groan,
In a stifled tone—
‘Rest, old friend! thy day, though rife
With its toil, hath ended soon;
We have had our share of strife,
Tumblers in the masque of life,
In the pantomime of noon
Clown and pantaloon.
‘With a flash that ends thy pain,
Respite and oblivion blest
Come to greet thee. I in vain
Fall: I rise to fall again:
Thou hast fallen to thy rest—
And thy fall is best
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