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Best Famous Step Up Poems

Here is a collection of the all-time best famous Step Up poems. This is a select list of the best famous Step Up poetry. Reading, writing, and enjoying famous Step Up poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of step up poems.

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Written by Sylvia Plath | Create an image from this poem

Getting There

 How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me ---
The terrible brains
Of Krupp, black muzzles
Revolving, the sound
Punching out Absence! Like cannon.
It is Russia I have to get across, it is some was or other.
I am dragging my body Quietly through the straw of the boxcars.
Now is the time for bribery.
What do wheels eat, these wheels Fixed to their arcs like gods, The silver leash of the will ---- Inexorable.
And their pride! All the gods know destinations.
I am a letter in this slot! I fly to a name, two eyes.
Will there be fire, will there be bread? Here there is such mud.
It is a trainstop, the nurses Undergoing the faucet water, its veils, veils in a nunnery, Touching their wounded, The men the blood still pumps forward, Legs, arms piled outside The tent of unending cries ---- A hospital of dolls.
And the men, what is left of the men Pumped ahead by these pistons, this blood Into the next mile, The next hour ---- Dynasty of broken arrows! How far is it? There is mud on my feet, Thick, red and slipping.
It is Adam's side, This earth I rise from, and I in agony.
I cannot undo myself, and the train is steaming.
Steaming and breathing, its teeth Ready to roll, like a devil's.
There is a minute at the end of it A minute, a dewdrop.
How far is it? It is so small The place I am getting to, why are there these obstacles ---- The body of this woman, Charred skirts and deathmask Mourned by religious figures, by garlanded children.
And now detonations ---- Thunder and guns.
The fire's between us.
Is there no place Turning and turning in the middle air, Untouchable and untouchable.
The train is dragging itself, it is screaming ---- An animal Insane for the destination, The bloodspot, The face at the end of the flare.
I shall bury the wounded like pupas, I shall count and bury the dead.
Let their souls writhe in like dew, Incense in my track.
The carriages rock, they are cradles.
And I, stepping from this skin Of old bandages, boredoms, old faces Step up to you from the black car of Lethe, Pure as a baby.


Written by Vladimir Mayakovsky | Create an image from this poem

Our March

 Beat the squares with the tramp of rebels!
Higher, rangers of haughty heads!
We'll wash the world with a second deluge, 
Now’s the hour whose coming it dreads.
Too slow, the wagon of years, The oxen of days — too glum.
Our god is the god of speed, Our heart — our battle drum.
Is there a gold diviner than ours/ What wasp of a bullet us can sting? Songs are our weapons, our power of powers, Our gold — our voices — just hear us sing! Meadow, lie green on the earth! With silk our days for us line! Rainbow, give color and girth To the fleet-foot steeds of time.
The heavens grudge us their starry glamour.
Bah! Without it our songs can thrive.
Hey there, Ursus Major, clamour For us to be taken to heaven alive! Sing, of delight drink deep, Drain spring by cups, not by thimbles.
Heart step up your beat! Our breasts be the brass of cymbals.
Written by Eugene Field | Create an image from this poem

The drum

 I'm a beautiful red, red drum,
And I train with the soldier boys;
As up the street we come,
Wonderful is our noise!
There's Tom, and Jim, and Phil,
And Dick, and Nat, and Fred,
While Widow Cutler's Bill
And I march on ahead,
With a r-r-rat-tat-tat
And a tum-titty-um-tum-tum -
Oh, there's bushels of fun in that
For boys with a little red drum!

The Injuns came last night
While the soldiers were abed,
And they gobbled a Chinese kite
And off to the woods they fled!
The woods are the cherry-trees
Down in the orchard lot,
And the soldiers are marching to seize
The booty the Injuns got.
With tum-titty-um-tum-tum, And r-r-rat-tat-tat, When soldiers marching come Injuns had better scat! Step up there, little Fred, And, Charley, have a mind! Jim is as far ahead As you two are behind! Ready with gun and sword Your valorous work to do - Yonder the Injun horde Are lying in wait for you.
And their hearts go pitapat When they hear the soldiers come With a r-r-rat-tat-tat And a tum-titty-um-tum-tum! Course it's all in play! The skulking Injun crew That hustled the kite away Are little white boys, like you! But "honest" or "just in fun," It is all the same to me; And, when the battle is won, Home once again march we With a r-r-rat-tat-tat And tum-titty-um-tum-tum; And there's glory enough in that For the boys with their little red drum!
Written by Paul Laurence Dunbar | Create an image from this poem

BREAKING THE CHARM

Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,—
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,—
"Kitty Dale" er "In the Sweet."
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood—
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me—my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: "Did you hear me, Ben?"
"Whistlin' woman, crowin' hen,"
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw—
Pineys wa'n't a circumstance.[Pg 150]
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
"Woman whistlin' brings shore harm,
Jest one thing 'll break the charm."
"And what's that?" "Oh, my!" says I,
"I don't like to tell you." "Why?"
Says Susanner. "Well, you see
It would kinder fall on me."
Course I knowed that she 'd insist,—
So I says: "You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty."
She was blushin' fit to kill,
But she answered, kinder still:
"I don't want to have no harm,
Please come, Ben, an' break the charm."
Did I break that charm?—oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
"Oh, you quit,—you sassy dunce,
You jest caught me whistlin' once."
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
"We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!"
Written by Paul Laurence Dunbar | Create an image from this poem

WHEN DEY 'LISTED COLORED SOLDIERS

Dey was talkin' in de cabin, dey was talkin' in de hall;
But I listened kin' o' keerless, not a-t'inkin' 'bout it all;
An' on Sunday, too, I noticed, dey was whisp'rin' mighty much,
Stan'in' all erroun' de roadside w'en dey let us out o' chu'ch.
But I did n't t'ink erbout it 'twell de middle of de week,
An' my 'Lias come to see me, an' somehow he could n't speak.
Den I seed all in a minute whut he 'd come to see me for;—
Dey had 'listed colo'ed sojers an' my 'Lias gwine to wah.[Pg 183]
Oh, I hugged him, an' I kissed him, an' I baiged him not to go;
But he tol' me dat his conscience, hit was callin' to him so,
An' he could n't baih to lingah w'en he had a chanst to fight
For de freedom dey had gin him an' de glory of de right.
So he kissed me, an' he lef me, w'en I 'd p'omised to be true;
An' dey put a knapsack on him, an' a coat all colo'ed blue.
So I gin him pap's ol' Bible f'om de bottom of de draw',—
W'en dey 'listed colo'ed sojers an' my 'Lias went to wah.
But I t'ought of all de weary miles dat he would have to tramp,
An' I could n't be contented w'en dey tuk him to de camp.
W'y my hea't nigh broke wid grievin' 'twell I seed him on de street;
Den I felt lak I could go an' th'ow my body at his feet.
For his buttons was a-shinin', an' his face was shinin', too,
An' he looked so strong an' mighty in his coat o' sojer blue,
Dat I hollahed, "Step up, manny," dough my th'oat was so' an' raw,—
W'en dey 'listed colo'ed sojers an' my 'Lias went to wah.
Ol' Mis' cried w'en mastah lef huh, young Miss mou'ned huh brothah Ned,
An' I did n't know dey feelin's is de ve'y wo'ds dey said
W'en I tol' 'em I was so'y. Dey had done gin up dey all;
But dey only seemed mo' proudah dat dey men had hyeahed de call.
Bofe my mastahs went in gray suits, an' I loved de Yankee blue,
But I t'ought dat I could sorrer for de losin' of 'em too;
But I could n't, for I did n't know de ha'f o' whut I saw,
'Twell dey 'listed colo'ed sojers an' my 'Lias went to wah.
Mastah Jack come home all sickly; he was broke for life, dey said;
An' dey lef my po' young mastah some'r's on de roadside,—dead.
W'en de women cried an' mou'ned 'em, I could feel it thoo an' thoo,
For I had a loved un fightin' in de way o' dangah, too.
Den dey tol' me dey had laid him some'r's way down souf to res',
Wid de flag dat he had fit for shinin' daih acrost his breas'.[Pg 184]
Well, I cried, but den I reckon dat 's whut Gawd had called him for,
W'en dey 'listed colo'ed sojers an' my 'Lias went to wah.


Written by Paul Laurence Dunbar | Create an image from this poem

SNOWIN'

Dey is snow upon de meddahs, dey is snow upon de hill,
An' de little branch's watahs is all glistenin' an' still;
De win' goes roun' de cabin lak a sperrit wan'erin' 'roun'.
An' de chillen shakes an' shivahs as dey listen to de soun'.
Dey is hick'ry in de fiahplace, whah de blaze is risin' high,
But de heat it meks ain't wa'min' up de gray clouds in de sky.
Now an' den I des peep outside, den I hurries to de do',
Lawd a mussy on my body, how I wish it would n't snow!
I kin stan' de hottes' summah, I kin stan' de wettes' fall,
I kin stan' de chilly springtime in de ploughland, but dat's all;
Fu' de ve'y hottes' fiah nevah tells my skin a t'ing,
W'en de snow commence a-flyin', an' de win' begin to sing.
Dey is plenty wood erroun' us, an' I chop an' tote it in,
But de t'oughts dat I 's a t'inkin' while I 's wo'kin' is a sin.
I kin keep f'om downright swahin' all de time I 's on de go,
But my hea't is full o' cuss-wo'ds w'en I's trampin' thoo de snow.[Pg 169]
What you say, you Lishy Davis, dat you see a possum's tracks?
Look hyeah, boy, you stop yo' foolin', bring ol' Spot, an' bring de ax.
Is I col'? Go way, now, Mandy, what you t'ink I's made of?—sho,
W'y dis win' is des ez gentle, an' dis ain't no kin' o' snow.
Dis hyeah weathah 's des ez healthy ez de wa'mest summah days.
All you chillen step up lively, pile on wood an' keep a blaze.
What's de use o' gittin' skeery case dey 's snow upon de groun'?
Huh-uh, I 's a reg'lar snowbird ef dey 's any possum 'roun'.
Go on, Spot, don' be so foolish; don' you see de signs o' feet.
What you howlin' fu? Keep still, suh, cose de col' is putty sweet;
But we goin' out on bus'ness, an' hit 's bus'ness o' de kin'
Dat mus' put a dog an' dahky in a happy frame o' min'.
Yes, you 's col'; I know it, Spotty, but you des stay close to me,
An' I 'll mek you hot ez cotton w'en we strikes de happy tree.
No, I don' lak wintah weathah, an' I 'd wush 't uz allus June,
Ef it was n't fu' de trackin' o' de possum an' de coon.

Book: Reflection on the Important Things