Written by
Fleda Brown |
She reads, of course, what he's doing, shaking Nixon's hand,
dating this starlet or that, while he is faithful to her
like a stone in her belly, like the actual love child,
its bills and diapers.
Once he had kissed her
and time had stood still, at least some point seems to
remain back there as a place to return to, to wait for.
What is she waiting for? He will not marry her, nor will he
stop very often.
Desireé will grow up to say her father is dead.
Desireé will imagine him standing on a timeless street,
hungry for his child.
She will wait for him, not in the original,
but in a gesture copied to whatever lover she takes.
He will fracture and change to landscape, to the Pope, maybe,
or President Kennedy, or to a pain that darkens her eyes.
"Once," she will say, as if she remembers,
and the memory will stick like a fishbone.
She knows
how easily she will comply when a man puts his hand
on the back of her neck and gently steers her.
She knows how long she will wait for rescue, how the world
will go on expanding outside.
She will see her mother's photo
of Elvis shaking hands with Nixon, the terrifying conjunction.
A whole war with Asia will begin slowly,
in her lifetime, out of such irreconcilable urges.
The Pill will become available to the general public,
starting up a new waiting in that other depth.
The egg will have to keep believing in its timeless moment
of completion without any proof except in the longing
of its own body.
Maris will break Babe Ruth's record
while Orbison will have his first major hit with
"Only the Lonely," trying his best to sound like Elvis.
© 1999, Fleda Brown
(first published in The Iowa Review, 29 [1999])
|
Written by
Elizabeth Bishop |
We'd rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We'd rather have the iceberg than the ship;
we'd rather own this breathing plain of snow
though the ship's sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?
This is a scene a sailor'd give his eyes for.
The ship's ignored.
The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical.
The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun.
Its weight the iceberg dares
upon a shifting stage and stands and stares.
The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another's waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.
|
Written by
Robert Frost |
Nothing to say to all those marriages!
She had made three herself to three of his.
The score was even for them, three to three.
But come to die she found she cared so much:
She thought of children in a burial row;
Three children in a burial row were sad.
One man's three women in a burial row
Somehow made her impatient with the man.
And so she said to Laban, "You have done
A good deal right; don't do the last thing wrong.
Don't make me lie with those two other women.
"
Laban said, No, he would not make her lie
With anyone but that she had a mind to,
If that was how she felt, of course, he said.
She went her way.
But Laban having caught
This glimpse of lingering person in Eliza,
And anxious to make all he could of it
With something he remembered in himself,
Tried to think how he could exceed his promise,
And give good measure to the dead, though thankless.
If that was how she felt, he kept repeating.
His first thought under pressure was a grave
In a new boughten grave plot by herself,
Under he didn't care how great a stone:
He'd sell a yoke of steers to pay for it.
And weren't there special cemetery flowers,
That, once grief sets to growing, grief may rest;
The flowers will go on with grief awhile,
And no one seem neglecting or neglected?
A prudent grief will not despise such aids.
He thought of evergreen and everlasting.
And then he had a thought worth many of these.
Somewhere must be the grave of the young boy
Who married her for playmate more than helpmate,
And sometimes laughed at what it was between them.
How would she like to sleep her last with him?
Where was his grave? Did Laban know his name?
He found the grave a town or two away,
The headstone cut with John, Beloved Husband,
Beside it room reserved; the say a sister's;
A never-married sister's of that husband,
Whether Eliza would be welcome there.
The dead was bound to silence: ask the sister.
So Laban saw the sister, and, saying nothing
Of where Eliza wanted not to lie,
And who had thought to lay her with her first love,
Begged simply for the grave.
The sister's face
Fell all in wrinkles of responsibility.
She wanted to do right.
She'd have to think.
Laban was old and poor, yet seemed to care;
And she was old and poor-but she cared, too.
They sat.
She cast one dull, old look at him,
Then turned him out to go on other errands
She said he might attend to in the village,
While she made up her mind how much she cared-
And how much Laban cared-and why he cared,
(She made shrewd eyes to see where he came in.
)
She'd looked Eliza up her second time,
A widow at her second husband's grave,
And offered her a home to rest awhile
Before she went the poor man's widow's way,
Housekeeping for the next man out of wedlock.
She and Eliza had been friends through all.
Who was she to judge marriage in a world
Whose Bible's so confused up in marriage counsel?
The sister had not come across this Laban;
A decent product of life's ironing-out;
She must not keep him waiting.
Time would press
Between the death day and the funeral day.
So when she saw him coming in the street
She hurried her decision to be ready
To meet him with his answer at the door.
Laban had known about what it would be
From the way she had set her poor old mouth,
To do, as she had put it, what was right.
She gave it through the screen door closed between them:
"No, not with John.
There wouldn't be no sense.
Eliza's had too many other men.
"
Laban was forced to fall back on his plan
To buy Eliza a plot to lie alone in:
Which gives him for himself a choice of lots
When his time comes to die and settle down.
|
Written by
Robert Southey |
No stir in the air, no stir in the sea,
The Ship was still as she could be;
Her sails from heaven received no motion,
Her keel was steady in the ocean.
Without either sign or sound of their shock,
The waves flow’d over the Inchcape Rock;
So little they rose, so little they fell,
They did not move the Inchcape Bell.
The Abbot of Aberbrothok
Had placed that bell on the Inchcape Rock;
On a buoy in the storm it floated and swung,
And over the waves its warning rung.
When the Rock was hid by the surge’s swell,
The Mariners heard the warning Bell;
And then they knew the perilous Rock,
And blest the Abbot of Aberbrothok
The Sun in the heaven was shining gay,
All things were joyful on that day;
The sea-birds scream’d as they wheel’d round,
And there was joyaunce in their sound.
The buoy of the Inchcpe Bell was seen
A darker speck on the ocean green;
Sir Ralph the Rover walk’d his deck,
And fix’d his eye on the darker speck.
He felt the cheering power of spring,
It made him whistle, it made him sing;
His heart was mirthful to excess,
But the Rover’s mirth was wickedness.
His eye was on the Inchcape Float;
Quoth he, “My men, put out the boat,
And row me to the Inchcape Rock,
And I’ll plague the Abbot of Aberbrothok.
”
The boat is lower’d, the boatmen row,
And to the Inchcape Rock they go;
Sir Ralph bent over from the boat,
And he cut the bell from the Inchcape Float.
Down sank the Bell with a gurgling sound,
The bubbles rose and burst around;
Quoth Sir Ralph, “The next who comes to the Rock,
Won’t bless the Abbot of Aberbrothok.
”
Sir ralph the Rover sail’d away,
He scour’d the seas for many a day;
And now grown rich with plunder’d store,
He steers his course for Scotland’s shore.
So thick a haze o’erspreads the sky,
They cannot see the sun on high;
The wind hath blown a gale all day,
At evening it hath died away.
On the deck the Rover takes his stand,
So dark it is they see no land.
Quoth Sir Ralph, “It will be lighter soon,
For there is the dawn of the rising Moon.
”
“Canst hear,” said one, “the breakers roar?
For methinks we should be near the shore.
”
“Now, where we are I cannot tell,
But I wish we could hear the Inchcape Bell.
”
They hear no sound, the swell is strong,
Though the wind hath fallen they drift along;
Till the vessel strikes with a shivering shock,
“Oh Christ! It is the Inchcape Rock!”
Sir Ralph the Rover tore his hair,
He curst himself in his despair;
The waves rush in on every side,
The ship is sinking beneath the tide.
But even is his dying fear,
One dreadful sound could the Rover hear;
A sound as if with the Inchcape Bell,
The Devil below was ringing his knell.
|
Written by
Robert William Service |
Beyond the Rocking Bridge it lies, the burg of evil fame,
The huts where hive and swarm and thrive the sisterhood of shame.
Through all the night each cabin light goes out and then goes in,
A blood-red heliograph of lust, a semaphore of sin.
From Dawson Town, soft skulking down, each lewdster seeks his mate;
And glad and bad, kimono clad, the wanton women wait.
The Klondike gossips to the moon, and sinners o'er its bars;
Each silent hill is dark and chill, and chill the patient stars.
Yet hark! upon the Rocking Bridge a bacchanalian step;
A whispered: "Come," the skirl of some hell-raking demirep.
.
.
* * * * * * * * * * *
They gave a dance in Lousetown, and the Tenderloin was there,
The girls were fresh and frolicsome, and nearly all were fair.
They flaunted on their back the spoil of half-a-dozen towns;
And some they blazed in gems of price, and some wore Paris gowns.
The voting was divided as to who might be the belle;
But all opined, the winsomest was Touch-the-Button Nell.
Among the merry mob of men was one who did not dance,
But watched the "light fantastic" with a sour sullen glance.
They saw his white teeth gleam, they saw his thick lips twitch;
They knew him for the giant Slav, one Riley Dooleyvitch.
"Oh Riley Dooleyvitch, come forth," quoth Touch-the-Button Nell,
"And dance a step or two with me - the music's simply swell,"
He crushed her in his mighty arms, a meek, beguiling witch,
"With you, oh Nell, I'd dance to hell," said Riley Dooleyvitch.
He waltzed her up, he waltzed her down, he waltzed her round the hall;
His heart was putty in her hands, his very soul was thrall.
As Antony of old succumbed to Cleopatra's spell,
So Riley Dooleyvitch bowed down to Touch-the-Button Nell.
"And do you love me true?" she cried.
"I love you as my life.
"
"How can you prove your love?" she sighed.
"I beg you be my wife.
I stake big pay up Hunker way; some day I be so rich;
I make you shine in satins fine," said Riley Dooleyvitch.
"Some day you'll be so rich," she mocked; "that old pipe-dream don't go.
Who gets an option on this kid must have some coin to show.
You work your ground.
When Spring comes round, our wedding bells will ring.
I'm on the square, and I'll take care of all the gold you bring.
"
So Riley Dooleyvitch went back and worked upon his claim;
He ditched and drifted, sunk and stoped, with one unswerving aim;
And when his poke of raw moose-hide with dust began to swell,
He bought and laid it at the feet of Touch-the-Button Nell.
* * * * * * * * * * *
Now like all others of her ilk, the lady had a friend,
And what she made my way of trade, she gave to him to spend;
To stake him in a poker game, or pay his bar-room score;
He was a pimp from Paris.
and his name was Lew Lamore.
And so as Dooleyvitch went forth and worked as he was bid,
And wrested from the frozen muck the yellow stuff it hid,
And brought it to his Lady Nell, she gave him love galore -
But handed over all her gains to festive Lew Lamore.
* * * * * * * * * * *
A year had gone, a weary year of strain and bloody sweat;
Of pain and hurt in dark and dirt, of fear that she forget.
He sought once more her cabin door: "I've laboured like a beast;
But now, dear one, the time has come to go before the priest.
"I've brought you gold - a hundred fold I'll bring you bye and bye;
But oh I want you, want you bad; I want you till I die.
Come, quit this life with evil rife - we'll joy while yet we can.
.
.
"
"I may not wed with you," she said; "I love another man.
"I love him and I hate him so.
He holds me in a spell.
He beats me - see my bruisèd brest; he makes my life a hell.
He bleeds me, as by sin and shame I earn my daily bread:
Oh cruel Fate, I cannot mate till Lew Lamore is dead!"
* * * * * * * * * * *
The long lean flume streaked down the hill, five hundred feet of fall;
The waters in the dam above chafed at their prison wall;
They surged and swept, they churned and leapt, with savage glee and strife;
With spray and spume the dizzy flume thrilled like a thing of life.
"We must be free," the waters cried, and scurried down the slope;
"No power can hold us back," they roared, and hurried in their hope.
Into a mighty pipe they plunged, like maddened steers they ran,
And crashed out through a shard of steel - to serve the will of Man.
And there, by hydraulicking his ground beside a bedrock ditch,
With eye aflame and savage aim was Riley Dooleyvitch.
In long hip-boots and overalls, and dingy denim shirt,
Behind a giant monitor he pounded at the dirt.
A steely shaft of water shot, and smote the face of clay;
It burrowed in the frozen muck, and scooped the dirt away;
It gored the gravel from its bed, it bellowed like a bull;
It hurled the heavy rock aloft like heaps of fleecy wool.
Strength of a hundred men was there, resistess might and skill,
And only Riley Dooleyvitch to swing it at his will.
He played it up, he played it down, nigh deafened by its roar,
'Til suddenly he raised his eyes, and there stood Lew Lamore.
Pig-eyed and heavy jowled he stood and puffed a big cigar;
As cool as though he ruled the roost in some Montmartre bar.
He seemed to say, "I've got a cinch, a double diamond hitch:
I'll skin this Muscovitish oaf, this Riley Dooleyvitch.
He shouted: "Stop ze water gun; it stun me.
.
.
Sacré damn!
I like to make one beezness deal; you know ze man I am.
Zat leetle girl, she loves me so - I tell you what I do:
You geeve to me zees claim.
.
.
Jeecrize! I geeve zat girl to you.
"
"I'll see you damned," says Dooleyvitch; but e'er he checked his tongue,
(It may have been an accident) the little Giant swung;
Swift as a lightning flash it swung, until it plumply bore
And met with an obstruction in the shape of Lew lamore.
It caught him up, and spun him round, and tossed him like a ball;
It played and pawed him in the air, before it let him fall.
Then just to show what it could do, with savage rend and thud,
It ripped the entrails from his spine, and dropped him in the mud.
They gathered up the broken bones, and sadly in a sack,
They bore to town the last remains of Lew Lamore, the macque.
And would you hear the full details of how it all befell,
Ask Missis Riley Dooleyvitch (late Touch-the-Button Nell).
|
Written by
Rudyard Kipling |
Cain and Abel were brothers born.
(Koop-la! Come along, cows!)
One raised cattle and one raised corn.
(Koop-la! Come along! Co-hoe!)
And Cain he farmed by the river-side,
So he did not care how much it dried.
For he banked, and he sluiced, and he ditched and he led
(And the Corn don't care for the Horn)--
A-half Euphrates out of her bed
To water his dam' Corn!
But Abel herded out on the plains
Where you have to go by the dams and rains.
It happened, after a three-year drought,
The wells, and the springs, and the dams gave out.
The Herd-bulls came to Cain's new house
( They wanted water so!--)
With the hot red Sun between their brows,
Sayin' "Give us water for our pore cows!"
But Cain he told 'em--"No!"
The Cows they came to Cain's big house
With the cold white Moon between their brows,
Sayin' "Give some water to us pore cows!"
But Cain he told 'em--"No?"
The li'l Calves came to Cain's fine house
With the Evenin' Star between their brows,
Sayin' "'Give us water an' we'll be cows.
"
But Cain he told 'em--"No!"
The Herd-bulls led 'em back again,
An' Abel went an' said to Cain: --
"Oh sell me water, my brother dear,
Or there will be no beef this year.
"
And Cain he answered--"No! "
"Then draw your hatches, my brother true,
An' let a little water through.
"
But Cain he answered: -"No!
"My dams are tight an' my ditches are sound,
An' not a drop goes through or round
Till she's done her duty by the Corn.
"I will not sell, an' I will not draw,
An' if you breach, I'll have the Law,
As sure as you are borne! "
Then Abel took his best bull-goad,
An' holed a dyke on the Eden road.
He opened her up with foot an' hand,
An' let Euphrates loose on the land.
He spilled Euphrates out on the plain,
So's all his cattle could drink again.
Then Cain he saw what Abel done--
But, in those days, there was no Gun!
So he made him a club of a hickory-limb,
An' halted Abel an' said to him: --
"I did not sell an' I did not draw,
An' now you've breached I'll have the Law.
"You ride abroad in your hat and spurs,
Hell-hoofin' over my cucumbers!
"You pray to the Lord to send you luck
An' you loose your steers in my garden-truck:
"An' now you're bust, as you ought to be,
You can keep on prayin' but not to me!"
Then Abel saw it meant the life;
But, in those days, there was no Knife:
So he up with his big bull-goad instead,
But--Cain hit first and dropped him dead!
The Herd-bulls ran when they smelt the blood,
An' horned an' pawed in that Red Mud.
The Calves they bawled, and the Steers they milled,
Because it was the First Man Killed; -
An' the whole Herd broke for the Land of Nod,
An' Cain was left to be judged by God!
But, seein' all he had had to bear,
I never could call the Judgment fair!
|
Written by
Carl Sandburg |
I WAITED today for a freight train to pass.
Cattle cars with steers butting their horns against the
bars, went by.
And a half a dozen hoboes stood on bumpers between
cars.
Well, the cattle are respectable, I thought.
Every steer has its transportation paid for by the farmer
sending it to market,
While the hoboes are law-breakers in riding a railroad
train without a ticket.
It reminded me of ten days I spent in the Allegheny
County jail in Pittsburgh.
I got ten days even though I was a veteran of the
Spanish-American war.
Cooped in the same cell with me was an old man, a
bricklayer and a booze-fighter.
But it just happened he, too, was a veteran soldier, and
he had fought to preserve the Union and free the
niggers.
We were three in all, the other being a Lithuanian who
got drunk on pay day at the steel works and got to
fighting a policeman;
All the clothes he had was a shirt, pants and shoes--
somebody got his hat and coat and what money he
had left over when he got drunk.
|
Written by
Rudyard Kipling |
The fear was on the cattle, for the gale was on the sea,
An' the pens broke up on the lower deck an' let the creatures free --
An' the lights went out on the lower deck, an' no one near but me.
I had been singin' to them to keep 'em quiet there,
For the lower deck is the dangerousest, requirin' constant care,
An' give to me as the strongest man, though used to drink and swear.
I see my chance was certain of bein' horned or trod,
For the lower deck was packed with steers thicker'n peas in a pod,
An' more pens broke at every roll -- so I made a Contract with God.
An' by the terms of the Contract, as I have read the same,
If He got me to port alive I would exalt His Name,
An' praise His Holy Majesty till further orders came.
He saved me from the cattle an' He saved me from the sea,
For they found me 'tween two drownded ones where the roll had landed me --
An' a four-inch crack on top of my head, as crazy as could be.
But that were done by a stanchion, an' not by a bullock at all,
An' I lay still for seven weeks convalessing of the fall,
An' readin' the shiny Scripture texts in the Seaman's Hospital.
An' I spoke to God of our Contract, an' He says to my prayer:
"I never puts on My ministers no more than they can bear.
So back you go to the cattle-boats an' preach My Gospel there.
"For human life is chancy at any kind of trade,
But most of all, as well you know, when the steers are mad-afraid;
So you go back to the cattle-boats an' preach 'em as I've said.
"They must quit drinkin' an' swearin', they mustn't knife on a blow,
They must quit gamblin' their wages, and you must preach it so;
For now those boats are more like Hell than anything else I know.
"
I didn't want to do it, for I knew what I should get,
An' I wanted to preach Religion, handsome an' out of the wet,
But the Word of the Lord were lain on me, an' I done what I was set.
I have been smit an' bruis]ed, as warned would be the case,
An' turned my cheek to the smiter exactly as Scripture says;
But following that, I knocked him down an' led him up to Grace.
An' we have preaching on Sundays whenever the sea is calm,
An' I use no knife or pistol an' I never take no harm,
For the Lord abideth back of me to guide my fighting arm.
An' I sign for four-pound-ten a month and save the money clear,
An' I am in charge of the lower deck, an' I never lose a steer;
An' I believe in Almighty God an' preach His Gospel here.
The skippers say I'm crazy, but I can prove 'em wrong,
For I am in charge of the lower deck with all that doth belong --
Which they would not give to a lunatic, and the competition so strong!
|
Written by
Vachel Lindsay |
The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?
The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.
A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.
And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?
But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust.
.
.
This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with ****** Jim,
Then plotting for their fall, with jestings grim.
Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today.
"
But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!
He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.
All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.
Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.
|
Written by
Ellis Parker Butler |
The Cowboy had a sterling heart,
The Maiden was from Boston,
The Rancher saw his wealth depart—
The Steers were what he lost on.
The Villain was a banker’s limb,
His spats and cane were nifty;
The Maiden needs must marry him—
Her father was not thrifty.
The Sheepmen were as foul as pitch,
The Cowboy was a hero,
The gold mine made the hero rich,
The Villain’s score was zero.
The Sheepmen tried to steal the maid,
The Villain sought the attic,
The Hero fifteen bad men slayed
With his blue automatic.
The Hero kissed the willing lass,
The final scene was snappy;
The Villain went to Boston, Mass.
,
And everyone was happy.
|