Written by
Elizabeth Bishop |
There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.
Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?
But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
--Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
--A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
--Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
--Never to have studied history in
the weak calligraphy of songbirds' cages.
--And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:
"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?
Continent, city, country, society:
the choice is never wide and never free.
And here, or there . . . No. Should we have stayed at home,
wherever that may be?"
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Written by
John Greenleaf Whittier |
Here is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred,
And the poplars tall;
And the barn's brown length, and the cattle-yard,
And the white horns tossing above the wall.
There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o'errun,
Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blows, and the same sun glows,
And the same brook sings of a year ago.
There 's the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.
I mind me how with a lover's care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and throat.
Since we parted, a month had passed, --
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.
I can see it all now, -- the slantwise rain
Of light through the leaves,
The sundown's blaze on her window-pane,
The bloom of her roses under the eaves.
Just the same as a month before, --
The house and the trees,
The barn's brown gable, the vine by the door, --
Nothing changed but the hives of bees.
Before them, under the garden wall,
Forward and back,
Went drearily singing the chore-girl small,
Draping each hive with a shred of black.
Trembling, I listened: the summer sun
Had the chill of snow;
For I knew she was telling the bees of one
Gone on the journey we all must go!
Then I said to myself, "My Mary weeps
For the dead to-day:
Haply her blind old grandsire sleeps
The fret and the pain of his age away."
But her dog whined low; on the doorway sill,
With his cane to his chin,
The old man sat; and the chore-girl still
Sung to the bees stealing out and in.
And the song she was singing ever since
In my ear sounds on: --
"Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!"
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Written by
Dorothy Parker |
The ladies men admire, I've heard,
Would shudder at a wicked word.
Their candle gives a single light;
They'd rather stay at home at night.
They do not keep awake till three,
Nor read erotic poetry.
They never sanction the impure,
Nor recognize an overture.
They shrink from powders and from paints ...
So far, I've had no complaints.
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Written by
William Henry Davies |
Sweet Stay-at-Home, sweet Well-content,
Thou knowest of no strange continent;
Thou hast not felt thy bosom keep
A gentle motion with the deep;
Thou hast not sailed in Indian seas,
Where scent comes forth in every breeze.
Thou hast not seen the rich grape grow
For miles, as far as eyes can go:
Thou hast not seen a summer's night
When maids could sew by a worm's light;
Nor the North Sea in spring send out
Bright hues that like birds flit about
In solid cages of white ice --
Sweet Stay-at-Home, sweet Love-one-place,
Thou hast not seen black fingers pick
White cotton when the bloom is thick,
Nor heard black throats in harmony;
Nor hast thou sat on stones that lie
Flat on the earth, that once did rise
To hide proud kings from common eyes.
Thou hast not seen plains full of bloom
Where green things had such little room
They pleased the eye like fairer flowers --
Sweet Stay-at-Home, all these long hours.
Sweet Well-content, sweet Love-one-place,
Sweet, simple maid, bless thy dear face;
For thou hast made more homely stuff
Nurture thy gentle self enough;
I love thee for a heart that's kind --
Not for the knowledge in thy mind.
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Written by
Dorothy Parker |
Here in my heart I am Helen;
I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
I'm Salome, moon of the East.
Here in my soul I am Sappho;
Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
With Dido, and Eve, and poor Nell.
I'm of the glamorous ladies
At whose beckoning history shook.
But you are a man, and see only my pan,
So I stay at home with a book.
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Written by
Robert William Service |
My mother she had children five and four are dead and gone;
While I, least worthy to survive, persist in living on.
She looks at me, I must confess, sometimes with spite and bitterness.
My mother is three-score and ten, while I am forty-three,
You don't know how it hurts me when we go somewhere to tea,
And people tell her on the sly we look like sisters, she and I.
It hurts to see her secret glee; but most, because it's true.
Sometimes I think she thinks that she looks younger of the two.
Oh as I gently take her arm, how I would love to do her harm!
For ever since I cam from school she put it in my head
I was a weakling and a fool, a "born old maid" she said.
"You'll always stay at home," sighed she, "and keep your Mother company."
Oh pity is a bitter brew; I've drunk it to the lees;
For there is little else to do but do my best to please:
My life has been so little worth I curse the hour she gave me birth.
I curse the hour she gave me breath, who never wished me wife;
My happiest day will be the death of her who gave me life;
I hate her for the life she gave: I hope to dance upon her grave.
She wearing roses in her hat; I wince to hear her say:
"Poor Alice this, poor Alice that," she drains my joy away.
It seems to brace her up that she can pity, pity, pity me.
You'll see us walking in the street, with careful step and slow;
And people often say: "How sweet!" as arm in arm we go.
Like chums we never are apart - yet oh the hatred in my heart!
My chest is weak, and I might be (O God!) the first to go.
For her what triumph that would be - she thinks of it, I know.
To outlive all her kith and kin - how she would glow beneath her skin!
She says she will not make her Will, until she takes to bed;
She little thinks if thoughts could kill, to-morrow she'd be dead. . . .
"Please come to breakfast, Mother dear; Your coffee will be cold I fear."
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Written by
Katharine Tynan |
Little sisters, the birds:
We must praise God, you and I
You, with songs that fill the sky,
I, with halting words.
All things tell His praise,
Woods and waters thereof sing,
Summer, Winter, Autumn, Spring,
And the night and days.
Yea, and cold and heat,
And the sun and stars and moon,
Sea with her monotonous tune,
Rain and hail and sleet,
And the winds of heaven,
And the solemn hills of blue,
And the brown earth and the dew,
And the thunder even,
And the flowers' sweet breath.
All things make one glorious voice;
Life with fleeting pains and joys,
And our brother, Death.
Little flowers of air,
With your feathers soft and sleek,
And your bright brown eyes and meek,
He hath made you fair.
He hath taught to you
Skill to weave in tree and thatch
Nests where happy mothers hatch
Speckled eggs of blue.
And hath children given:
When the soft heads overbrim
The brown nests, then thank ye Him
In the clouds of heaven.
Also in your lives
Live His laws Who loveth you.
Husbands, be ye kind and true;
Be home-keeping, wives:
Love not gossiping;
Stay at home and keep the nest;
Fly not here and there in quest
Of the newest thing.
Live as brethren live:
Love be in each heart and mouth;
Be not envious, be not wroth,
Be not slow to give.
When ye build the nest,
Quarrel not o'er straw or wool;
He who hath be bountiful
To the neediest.
Be not puffed nor vain
Of your beauty or your worth,
Of your children or your birth,
Or the praise ye gain.
Eat not greedily:
Sometimes for sweet mercy's sake,
Worm or insect spare to take;
Let it crawl or fly.
See ye sing not near
To our church on holy day,
Lest the human-folk should stray
From their prayers to hear.
Now depart in peace:
In God's name I bless each one;
May your days be long i' the sun
And your joys increase.
And remember me,
Your poor brother Francis, who
Loves you and gives thanks to you
For this courtesy.
Sometimes when ye sing,
Name my name, that He may take
Pity for the dear song's sake
On my shortcoming.
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Written by
A E Housman |
Oh stay at home, my lad, and plough
The land and not the sea,
And leave the soldiers at their drill,
And all about the idle hill
Shepherd your sheep with me.
Oh stay with company and mirth
And daylight and the air;
Too full already is the grave
Of fellows that were good and brave
And died bacause they were.
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Written by
William Butler Yeats |
A statesman is an easy man,
He tells his lies by rote;
A journalist makes up his lies
And takes you by the throat;
So stay at home' and drink your beer
And let the neighbours' vote,
Said the man in the golden breastplate
Under the old stone Cross.
Because this age and the next age
Engender in the ditch,
No man can know a happy man
From any passing wretch;
If Folly link with Elegance
No man knows which is which,
Said the man in the golden breastplate
Under the old stone Cross.
But actors lacking music
Do most excite my spleen,
They say it is more human
To shuffle, grunt and groan,
Not knowing what unearthly stuff
Rounds a mighty scene,
Said the man in the golden breastplate
Under the old stone Cross.
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Written by
Rudyard Kipling |
The Liner she's a lady, an' she never looks nor 'eeds --
The Man-o'-War's 'er 'usband, an' 'e gives 'er all she needs;
But, oh, the little cargo-boats, that sail the wet seas roun',
They're just the same as you an' me a-plyin' up an' down!
Plyin' up an' down, Jenny, 'angin' round the Yard,
All the way by Fratton tram down to Portsmouth 'Ard;
Anythin' for business, an' we're growin' old --
Plyin' up an' down, Jenny, waitin' in the cold!
The Liner she's a lady by the paint upon 'er face,
An' if she meets an accident they count it sore disgrace.
The Man-o'-War's 'er 'usband, and 'e's always 'andy by,
But, oh, the little cargo-boats, they've got to load or die!
The Liner she's a lady, and 'er route is cut an' dried;
The Man-o'-War's 'er 'usband, an' 'e always keeps beside;
But, oh, the little cargo-boats that 'aven't any man,
They've got to do their business first, and make the most they can!
The Liner she's a lady, and if a war should come,
The Man-o'-War's 'er 'usband, and 'e'd bid 'er stay at home,
But, oh, the little cargo-boats that fill with every tide!
'E'd 'ave to go up an' fight for them, for they are England's pride.
The Liner she's a lady, but if she wasn't made,
There still would be the cargo-boats for 'ome an' foreign trade.
The man-o'-War's 'er 'usband, but if we wasn't 'ere,
'E wouldn't have to fight at all for 'ome an' friends so dear.
'Ome an' friends so dear, Jenny, 'angin' round the Yard,
All the way by Fratton tram down to Portsmouth 'Ard;
Anythin' for business, an' we're growin' old --
'Ome an' friends so dear, Jenny, waitin' in the cold!
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