Written by
Emily Dickinson |
I got so I could take his name --
Without -- Tremendous gain --
That Stop-sensation -- on my Soul --
And Thunder -- in the Room --
I got so I could walk across
That Angle in the floor,
Where he turned so, and I turned -- how --
And all our Sinew tore --
I got so I could stir the Box --
In which his letters grew
Without that forcing, in my breath --
As Staples -- driven through --
Could dimly recollect a Grace --
I think, they call it "God" --
Renowned to ease Extremity --
When Formula, had failed --
And shape my Hands --
Petition's way,
Tho' ignorant of a word
That Ordination -- utters --
My Business, with the Cloud,
If any Power behind it, be,
Not subject to Despair --
It care, in some remoter way,
For so minute affair
As Misery --
Itself, too vast, for interrupting -- more --
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Written by
William Matthews |
So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter
and house whose isolation could be
stern enough to his wrath and pity
as to make them seem survival skills
he'd learned on the job, farming
fifty acres of pasture and woods.
For cash crops he had sweat and doubt
and moralizing rage, those staples
of the barter system. And these swift
and aching summers, like the blackberries
I've been poaching down the road
from the house where no one's home --
acid at first and each little globe
of the berry too taut and distinct
from the others, then they swell to hold
the riot of their juices and briefly
the fat berries are perfected to my taste,
and then they begin to leak and blob
and under their crescendo of sugar
I can taste how they make it through winter. . . .
By the time I'm back from a last,
six-berry raid, it's almost dusk,
and more and more mosquitos
will race around my ear their tiny engines,
the speedboats of the insect world.
I won't be longer on the porch
than it takes to look out once
and see what I've taught myself
in two months here to discern:
night restoring its opacities,
though for an instant as intense
and evanescent as waking from a dream
of eating blackberries and almost
being able to remember it, I think
I see the parts -- haze, dusk, light
broken into grains, fatigue,
the mineral dark of the White Mountains,
the wavering shadows steadying themselves --
separate, then joined, then seamless:
the way, in fact, Frost's great poems,
like all great poems, conceal
what they merely know, to be
predicaments. However long
it took to watch what I thought
I saw, it was dark when I was done,
everywhere and on the porch,
and since nothing stopped
my sight, I let it go.
|
Written by
Paul Muldoon |
Seven o'clock. The seventh day of the seventh month of the year.
No sooner have I got myself up in lime-green scrubs,
a sterile cap and mask,
and taken my place at the head of the table
than the windlass-woman ply their shears
and gralloch-grub
for a footling foot, then, warming to their task,
haul into the inestimable
realm of apple-blossoms and chanterelles and damsons and eel-spears
and foxes and the general hubbub
of inkies and jennets and Kickapoos with their lemniscs
or peekaboo-quiffs of Russian sable
and tallow-unctuous vernix, into the realm of the widgeon—
the 'whew' or 'yellow-poll', not the 'zuizin'—
Dorothy Aoife Korelitz Muldoon: I watch through floods of tears
as they give her a quick rub-a-dub
and whisk
her off to the nursery, then check their staple-guns for staples
|
Written by
Emily Dickinson |
The Soul has Bandaged moments --
When too appalled to stir --
She feels some ghastly Fright come up
And stop to look at her --
Salute her -- with long fingers --
Caress her freezing hair --
Sip, Goblin, from the very lips
The Lover -- hovered -- o'er --
Unworthy, that a thought so mean
Accost a Theme -- so -- fair --
The soul has moments of Escape --
When bursting all the doors --
She dances like a Bomb, abroad,
And swings upon the Hours,
As do the Bee -- delirious borne --
Long Dungeoned from his Rose --
Touch Liberty -- then know no more,
But Noon, and Paradise --
The Soul's retaken moments --
When, Felon led along,
With shackles on the plumed feet,
And staples, in the Song,
The Horror welcomes her, again,
These, are not brayed of Tongue --
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