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Best Famous Stanchions Poems

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Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land. 
I promised myself to get down some day 
And see the way you lived, but I don't know! 
With a houseful of hungry men to feed 
I guess you'd find.... It seems to me 
I can't express my feelings any more 
Than I can raise my voice or want to lift 
My hand (oh, I can lift it when I have to). 
Did ever you feel so? I hope you never. 
It's got so I don't even know for sure 
Whether I am glad, sorry, or anything. 
There's nothing but a voice-like left inside 
That seems to tell me how I ought to feel, 
And would feel if I wasn't all gone wrong. 
You take the lake. I look and look at it. 
I see it's a fair, pretty sheet of water. 
I stand and make myself repeat out loud 
The advantages it has, so long and narrow, 
Like a deep piece of some old running river 
Cut short off at both ends. It lies five miles 
Straight away through the mountain notch 
From the sink window where I wash the plates, 
And all our storms come up toward the house, 
Drawing the slow waves whiter and whiter and whiter. 
It took my mind off doughnuts and soda biscuit 
To step outdoors and take the water dazzle 
A sunny morning, or take the rising wind 
About my face and body and through my wrapper, 
When a storm threatened from the Dragon's Den, 
And a cold chill shivered across the lake. 
I see it's a fair, pretty sheet of water, 
Our Willoughby! How did you hear of it? 
I expect, though, everyone's heard of it. 
In a book about ferns? Listen to that! 
You let things more like feathers regulate 
Your going and coming. And you like it here? 
I can see how you might. But I don't know! 
It would be different if more people came, 
For then there would be business. As it is, 
The cottages Len built, sometimes we rent them, 
Sometimes we don't. We've a good piece of shore 
That ought to be worth something, and may yet. 
But I don't count on it as much as Len. 
He looks on the bright side of everything, 
Including me. He thinks I'll be all right 
With doctoring. But it's not medicine-- 
Lowe is the only doctor's dared to say so-- 
It's rest I want--there, I have said it out-- 
From cooking meals for hungry hired men 
And washing dishes after them--from doing 
Things over and over that just won't stay done. 
By good rights I ought not to have so much 
Put on me, but there seems no other way. 
Len says one steady pull more ought to do it. 
He says the best way out is always through. 
And I agree to that, or in so far 
As that I can see no way out but through-- 
Leastways for me--and then they'll be convinced. 
It's not that Len don't want the best for me. 
It was his plan our moving over in 
Beside the lake from where that day I showed you 
We used to live--ten miles from anywhere. 
We didn't change without some sacrifice, 
But Len went at it to make up the loss. 
His work's a man's, of course, from sun to sun, 
But he works when he works as hard as I do-- 
Though there's small profit in comparisons. 
(Women and men will make them all the same.) 
But work ain't all. Len undertakes too much. 
He's into everything in town. This year 
It's highways, and he's got too many men 
Around him to look after that make waste. 
They take advantage of him shamefully, 
And proud, too, of themselves for doing so. 
We have four here to board, great good-for-nothings, 
Sprawling about the kitchen with their talk 
While I fry their bacon. Much they care! 
No more put out in what they do or say 
Than if I wasn't in the room at all. 
Coming and going all the time, they are: 
I don't learn what their names are, let alone 
Their characters, or whether they are safe 
To have inside the house with doors unlocked. 
I'm not afraid of them, though, if they're not 
Afraid of me. There's two can play at that. 
I have my fancies: it runs in the family. 
My father's brother wasn't right. They kept him 
Locked up for years back there at the old farm. 
I've been away once--yes, I've been away. 
The State Asylum. I was prejudiced; 
I wouldn't have sent anyone of mine there; 
You know the old idea--the only asylum 
Was the poorhouse, and those who could afford, 
Rather than send their folks to such a place, 
Kept them at home; and it does seem more human. 
But it's not so: the place is the asylum. 
There they have every means proper to do with, 
And you aren't darkening other people's lives-- 
Worse than no good to them, and they no good 
To you in your condition; you can't know 
Affection or the want of it in that state. 
I've heard too much of the old-fashioned way. 
My father's brother, he went mad quite young. 
Some thought he had been bitten by a dog, 
Because his violence took on the form 
Of carrying his pillow in his teeth; 
But it's more likely he was crossed in love, 
Or so the story goes. It was some girl. 
Anyway all he talked about was love. 
They soon saw he would do someone a mischief 
If he wa'n't kept strict watch of, and it ended 
In father's building him a sort of cage, 
Or room within a room, of hickory poles, 
Like stanchions in the barn, from floor to ceiling,-- 
A narrow passage all the way around. 
Anything they put in for furniture 
He'd tear to pieces, even a bed to lie on. 
So they made the place comfortable with straw, 
Like a beast's stall, to ease their consciences. 
Of course they had to feed him without dishes. 
They tried to keep him clothed, but he paraded 
With his clothes on his arm--all of his clothes. 
Cruel--it sounds. I 'spose they did the best 
They knew. And just when he was at the height, 
Father and mother married, and mother came, 
A bride, to help take care of such a creature, 
And accommodate her young life to his. 
That was what marrying father meant to her. 
She had to lie and hear love things made dreadful 
By his shouts in the night. He'd shout and shout 
Until the strength was shouted out of him, 
And his voice died down slowly from exhaustion. 
He'd pull his bars apart like bow and bow-string, 
And let them go and make them twang until 
His hands had worn them smooth as any ox-bow. 
And then he'd crow as if he thought that child's play-- 
The only fun he had. I've heard them say, though, 
They found a way to put a stop to it. 
He was before my time--I never saw him; 
But the pen stayed exactly as it was 
There in the upper chamber in the ell, 
A sort of catch-all full of attic clutter. 
I often think of the smooth hickory bars. 
It got so I would say--you know, half fooling-- 
"It's time I took my turn upstairs in jail"-- 
Just as you will till it becomes a habit. 
No wonder I was glad to get away. 
Mind you, I waited till Len said the word. 
I didn't want the blame if things went wrong. 
I was glad though, no end, when we moved out, 
And I looked to be happy, and I was, 
As I said, for a while--but I don't know! 
Somehow the change wore out like a prescription. 
And there's more to it than just window-views 
And living by a lake. I'm past such help-- 
Unless Len took the notion, which he won't, 
And I won't ask him--it's not sure enough. 
I 'spose I've got to go the road I'm going: 
Other folks have to, and why shouldn't I? 
I almost think if I could do like you, 
Drop everything and live out on the ground-- 
But it might be, come night, I shouldn't like it, 
Or a long rain. I should soon get enough, 
And be glad of a good roof overhead. 
I've lain awake thinking of you, I'll warrant, 
More than you have yourself, some of these nights. 
The wonder was the tents weren't snatched away 
From over you as you lay in your beds. 
I haven't courage for a risk like that. 
Bless you, of course, you're keeping me from work, 
But the thing of it is, I need to be kept. 
There's work enough to do--there's always that; 
But behind's behind. The worst that you can do 
Is set me back a little more behind. 
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.


Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse. 

 II

Yet Spade reminded me of Angel, unloading a bus, 
dressed in blue overalls black face official Angel's work- 
 man cap, 
pushing with his belly a huge tin horse piled high with 
 black baggage, 
looking up as he passed the yellow light bulb of the loft 
and holding high on his arm an iron shepherd's crook. 

 III

It was the racks, I realized, sitting myself on top of 
 them now as is my wont at lunchtime to rest 
 my tired foot, 
it was the racks, great wooden shelves and stanchions 
 posts and beams assembled floor to roof jumbled 
 with baggage, 
--the Japanese white metal postwar trunk gaudily 
 flowered & headed for Fort Bragg, 
one Mexican green paper package in purple rope 
 adorned with names for Nogales, 
hundreds of radiators all at once for Eureka, 
crates of Hawaiian underwear, 
rolls of posters scattered over the Peninsula, nuts to 
 Sacramento, 
one human eye for Napa, 
an aluminum box of human blood for Stockton 
and a little red package of teeth for Calistoga- 
it was the racks and these on the racks I saw naked 
 in electric light the night before I quit, 
the racks were created to hang our possessions, to keep 
 us together, a temporary shift in space, 
God's only way of building the rickety structure of 
 Time, 
to hold the bags to send on the roads, to carry our 
 luggage from place to place 
looking for a bus to ride us back home to Eternity 
 where the heart was left and farewell tears 
 began. 

 IV

A swarm of baggage sitting by the counter as the trans- 
 continental bus pulls in. 
The clock registering 12:15 A.M., May 9, 1956, the 
 second hand moving forward, red. 
Getting ready to load my last bus.-Farewell, Walnut 
 Creek Richmond Vallejo Portland Pacific 
 Highway 
Fleet-footed Quicksilver, God of transience. 
One last package sits lone at midnight sticking up out 
 of the Coast rack high as the dusty fluorescent 
 light. 

The wage they pay us is too low to live on. Tragedy 
 reduced to numbers. 
This for the poor shepherds. I am a communist. 
Farewell ye Greyhound where I suffered so much, 
 hurt my knee and scraped my hand and built 
 my pectoral muscles big as a vagina.

 May 9, 1956
Written by Andrew Barton Paterson | Create an image from this poem

The Ballad of the Calliope

 By the far Samoan shore, 
Where the league-long rollers pour 
All the wash of the Pacific on the coral-guarded bay, 
Riding lightly at their ease, 
In the calm of tropic seas, 
The three great nations' warships at their anchors proudly lay. 
Riding lightly, head to wind, 
With the coral reefs behind, 
Three German and three Yankee ships were mirrored in the blue; 
And on one ship unfurled 
Was the flag that rules the world -- 
For on the old Calliope the flag of England flew. 

When the gentle off-shore breeze, 
That had scarcely stirred the trees, 
Dropped down to utter stillness, and the glass began to fall, 
Away across the main 
Lowered the coming hurricane, 
And far away to seaward hung the cloud-wrack like a pall. 

If the word had passed around, 
"Let us move to safer ground; 
Let us steam away to seaward" -- then his tale were not to tell! 
But each Captain seemed to say 
"If the others stay, I stay!" 
And they lingered at their moorings till the shades of evening fell. 

Then the cloud-wrack neared them fast, 
And there came a sudden blast, 
And the hurricane came leaping down a thousand miles of main! 
Like a lion on its prey, 
Leapt the storm fiend on the bay, 
And the vessels shook and shivered as their cables felt the strain. 

As the surging seas came by, 
That were running mountains high, 
The vessels started dragging, drifting slowly to the lee; 
And the darkness of the night 
Hid the coral reefs from sight, 
And the Captains dared not risk the chance to grope their way to sea. 

In the dark they dared not shift! 
They were forced to wait and drift; 
All hands stood by uncertain would the anchors hold or no. 
But the men on deck could see, 
If a chance for them might be, 
There was little chance of safety for the men who were below. 

Through that long, long night of dread, 
While the storm raged overhead, 
They were waiting by their engines, with the furnace fires aroar; 
So they waited, staunch and true, 
Though they knew, and well they knew, 
They must drown like rats imprisoned if the vessel touched the shore. 

When the grey dawn broke at last, 
And the long, long night was past, 
While the hurricane redoubled, lest its prey should steal away, 
On the rocks, all smashed and strown, 
Were the German vessels thrown, 
While the Yankees, swamped and helpless, drifted shorewards down the bay. 

Then at last spoke Captain Kane, 
"All our anchors are in vain, 
And the Germans and the Yankees they have drifted to the lee! 
Cut the cables at the bow! 
We must trust the engines now! 
Give her steam, and let her have it, lads! we'll fight her out to sea!" 

And the answer came with cheers 
From the stalwart engineers, 
From the grim and grimy firemen at the furnaces below; 
And above the sullen roar 
Of the breakers on the shore 
Came the throbbing of the engines as they laboured to and fro. 

If the strain should find a flaw, 
Should a bolt or rivet draw, 
Then -- God help them! for the vessel were a plaything in the tide! 
With a face of honest cheer 
Quoth an English engineer, 
"I will answer for the engiines that were built on old Thames-side! 

"For the stays and stanchions taut, 
For the rivets truly wrought, 
For the valves that fit their faces as a glove should fit the hand. 
Give her every ounce of power; 
If we make a knot an hour 
Then it's way enough to steer her, and we'll drive her from the land." 

Life a foam-flake tossed and thrown, 
She could barely hold her own, 
While the other ships all helplessly were drifting to the lee. 
Through the smother and the rout 
The Calliope steamed out -- 
And they cheered her from the Trenton that was foundering in the sea. 

Ay! drifting shoreward there, 
All helpless as they were, 
Their vessel hurled upon the reefs as weed ashore is hurled, 
Without a thought of fear 
The Yankees raised a cheer -- 
A cheer that English-speaking folk should echo round the world.

Book: Radiant Verses: A Journey Through Inspiring Poetry