Written by
Gary Fincke |
When magpies die, each of the living swoops down
and pecks, one by one, in an accepted order.
He coaxed my car to start, the boy who’s killed himself.
He twisted a cable, performed CPR on
The carburetor while my three children shivered
Through the unanswerable questions about stalled.
He chose shotgun, full in the face, so no one stepped
Into the cold, blowing on his hands, to fix him.
Let him rest now, the minister says.
Let this be,
Repeating himself to four brothers, five sisters,
All of them my neighbors until they grew and left.
Let us pray.
Let us manage what we need to say.
Let this house with its three hand-made additions be
Large enough for the one day of necessity.
Let evening empty each room to ceremony
Chosen by the remaining nine.
Let the awful,
Forecasted weather hold off in east Ohio
Until each of them, oldest to youngest, has passed.
Let their thirty-seven children scatter into
The squabbling of the everyday, and let them break
This creeping chain of cars into the fanning out
Toward anger and selfishness and the need to eat
At any of the thousand tables they will pass.
Let them wait.
Let them correctly choose the right turn
Or the left, this entrance ramp, that exit, the last
Confusing fork before the familiar driveway
Three hundred miles and more from these bleak thunderheads.
Let them regather into the chairs exactly
Matched to their numbers, blessing the bountiful or
The meager with voices that soar toward renewal.
Let them have mercy on themselves.
Let my children,
Grown now, be repairing my faults with forgiveness.
© Gary Fincke
|
Written by
Robinson Jeffers |
I
When I considered it too closely, when I wore it like an element
and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death
nor in a walled garden,
In lies nor gated loyalties, nor in the gates of contempt, that
easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet
granite sea-fang it is easy to praise
Life and water and the shining stones: but whose cattle are the
herds of the people that one should love them?
If they were yours, then you might take a cattle-breeder's
delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the
world falls on decay in the flesh increasing
Comes one with a great level mind, sufficient vision, sufficient
blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world
waiting, stalled between storms, decaying a little,
Bitterly afraid to be hurt, but knowing it cannot draw the
savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but
wisdom without love is the present savior,
Power without hatred, mind like a many-bladed machine subduing
the world with deep indifference.
The apes of Christ itch for a sickness they have never known;
words and the little envies will hardly
Measure against that blinding fire behind the tragic eyes they
have never dared to confront.
II
Point Lobos lies over the hollowed water like a humped whale
swimming to shoal; Point Lobos
Was wounded with that fire; the hills at Point Sur endured it;
the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the
imaginations of men,
Possessing with love and power the people: a man defiling his
own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears
pouring from the torn pits
Under the forehead; and the young Jew writhing on the domed hill
in the earthquake, against the eclipse
Frightfully uplifted for having turned inward to love the
people: -that root was so sweet O dreadful agonist? -
I saw the same pierced feet, that walked in the same crime to
its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of
the people, that on my own shore,
On the gray rock, by the grooved mass of the ocean, the
sicknesses I left behind me concern me?
Here where the surf has come incredible ways out of the splendid
west, over the deeps
Light nor life sounds forever; here where enormous sundowns
flower and burn through color to quietness;
Then the ecstasy of the stars is present? As for the people, I
have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his
time reap their daggers of gratitude.
III
Yet I am the one made pledges against the refuge contempt, that
easily locks the world out of doors.
This people as much as the sea-granite is part of the God from
whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes
perpetual music, and the stone mountains
Their music of silence, the stars blow long pipings of light:
the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen
peace, if he should tell them where peace
Lives in the world.
.
.
they would be powerless to understand; and
he is not willing to be reinvolved.
IV
How should one caught in the stone of his own person dare tell
the people anything but relative to that?
But if a man could hold in his mind all the conditions at once,
of man and woman, of civilized
And barbarous, of sick and well, of happy and under torture, of
living and dead, of human and not
Human, and dimly all the human future: -what should persuade him
to speak? And what could his words change?
The mountain ahead of the world is not forming but fixed.
But
the man's words would be fixed also,
Part of that mountain, under equal compulsion; under the same
present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred
centuries quieted, some desert
Prophet's, a man humped like a camel, gone mad between the mud-
walled village and the mountain sepulchres.
V
Broad wagons before sunrise bring food into the city from the
open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in
the desert made them their thoughts.
VI
Here is an anxious people, rank with suppressed
bloodthirstiness.
Among the mild and unwarlike
Gautama needed but live greatly and be heard, Confucius needed
but live greatly and be heard:
This people has not outgrown blood-sacrifice, one must writhe on
the high cross to catch at their memories;
The price is known.
I have quieted love; for love of the people
I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man,
dead under torture? --What is power to a man
Living, after the flesh is content? Reason is never a root,
neither of act nor desire.
For power living I would never do it; they'are not delightful to
touch, one wants to be separate.
For power
After the nerves are put away underground, to lighten the
abstract unborn children toward peace.
.
.
A man might have paid anguish indeed.
Except he had found the
standing sea-rock that even this last
Temptation breaks on; quieter than death but lovelier; peace
that quiets the desire even of praising it.
VII
Yet look: are they not pitiable? No: if they lived forever they
would be pitiable:
But a huge gift reserved quite overwhelms them at the end; they
are able then to be still and not cry.
And having touched a little of the beauty and seen a little of
the beauty of things, magically grow
Across the funeral fire or the hidden stench of burial
themselves into the beauty they admired,
Themselves into the God, themselves into the sacred steep
unconsciousness they used to mimic
Asleep between lamp's death and dawn, while the last drunkard
stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no
savior, salvation comes and takes them by force,
It gathers them into the great kingdoms of dust and stone, the
blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having
realized the petulant human consciousness
Before, and then the greatness, the peace: drunk from both
pitchers: these to be pitied? These not fortunate
But while he lives let each man make his health in his mind, to
love the coast opposite humanity
And so be freed of love, laying it like bread on the waters; it
is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's,
the mote in the eye that makes its object
Shine the sun black; the trap in which it is better to catch the
inhuman God than the hunter's own image.
|
Written by
John Ashbery |
Orpheus liked the glad personal quality
Of the things beneath the sky.
Of course, Eurydice was a part
Of this.
Then one day, everything changed.
He rends
Rocks into fissures with lament.
Gullies, hummocks
Can't withstand it.
The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past.
" But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow.
That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life.
Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulizes
The different weights of the things.
But it isn't enough
To just go on singing.
Orpheus realized this
And didn't mind so much about his reward being in heaven
After the Bacchantes had torn him apart, driven
Half out of their minds by his music, what it was doing to them.
Some say it was for his treatment of Eurydice.
But probably the music had more to do with it, and
The way music passes, emblematic
Of life and how you cannot isolate a note of it
And say it is good or bad.
You must
Wait till it's over.
"The end crowns all,"
Meaning also that the "tableau"
Is wrong.
For although memories, of a season, for example,
Melt into a single snapshot, one cannot guard, treasure
That stalled moment.
It too is flowing, fleeting;
It is a picture of flowing, scenery, though living, mortal,
Over which an abstract action is laid out in blunt,
Harsh strokes.
And to ask more than this
Is to become the tossing reeds of that slow,
Powerful stream, the trailing grasses
Playfully tugged at, but to participate in the action
No more than this.
Then in the lowering gentian sky
Electric twitches are faintly apparent first, then burst forth
Into a shower of fixed, cream-colored flares.
The horses
Have each seen a share of the truth, though each thinks,
"I'm a maverick.
Nothing of this is happening to me,
Though I can understand the language of birds, and
The itinerary of the lights caught in the storm is
fully apparent to me.
Their jousting ends in music much
As trees move more easily in the wind after a summer storm
And is happening in lacy shadows of shore-trees, now,
day after day.
"
But how late to be regretting all this, even
Bearing in mind that regrets are always late, too late!
To which Orpheus, a bluish cloud with white contours,
Replies that these are of course not regrets at all,
Merely a careful, scholarly setting down of
Unquestioned facts, a record of pebbles along the way.
And no matter how all this disappeared,
Or got where it was going, it is no longer
Material for a poem.
Its subject
Matters too much, and not enough, standing there helplessly
While the poem streaked by, its tail afire, a bad
Comet screaming hate and disaster, but so turned inward
That the meaning, good or other, can never
Become known.
The singer thinks
Constructively, builds up his chant in progressive stages
Like a skyscraper, but at the last minute turns away.
The song is engulfed in an instant in blackness
Which must in turn flood the whole continent
With blackness, for it cannot see.
The singer
Must then pass out of sight, not even relieved
Of the evil burthen of the words.
Stellification
Is for the few, and comes about much later
When all record of these people and their lives
Has disappeared into libraries, onto microfilm.
A few are still interested in them.
"But what about
So-and-so?" is still asked on occasion.
But they lie
Frozen and out of touch until an arbitrary chorus
Speaks of a totally different incident with a similar name
In whose tale are hidden syllables
Of what happened so long before that
In some small town, one different summer.
|
Written by
Charles Bukowski |
she was hot, she was so hot
I didn't want anybody else to have her,
and if I didn't get home on time
she'd be gone, and I couldn't bear that-
I'd go mad.
.
.
it was foolish I know, childish,
but I was caught in it, I was caught.
I delivered all the mail
and then Henderson put me on the night pickup run
in an old army truck,
the damn thing began to heat halfway through the run
and the night went on
me thinking about my hot Miriam
and jumping in and out of the truck
filling mailsacks
the engine continuing to heat up
the temperature needle was at the top
HOT HOT
like Miriam.
leaped in and out
3 more pickups and into the station
I'd be, my car
waiting to get me to Miriam who sat on my blue couch
with scotch on the rocks
crossing her legs and swinging her ankles
like she did,
2 more stops.
.
.
the truck stalled at a traffic light, it was hell
kicking it over
again.
.
.
I had to be home by 8,8 was the deadline for Miriam.
I made the last pickup and the truck stalled at a signal
1/2 block from the station.
.
.
it wouldn't start, it couldn't start.
.
.
I locked the doors, pulled the key and ran down to the
station.
.
.
I threw the keys down.
.
.
signed out.
.
.
your goddamned truck is stalled at the signal,
I shouted,
Pico and Western.
.
.
.
.
.
I ran down the hall,put the key into the door,
opened it.
.
.
her drinking glass was there, and a note:
sun of a *****:
I waited until 5 after ate
you don't love me
you sun of a *****
somebody will love me
I been wateing all day
Miriam
I poured a drink and let the water run into the tub
there were 5,000 bars in town
and I'd make 25 of them
looking for Miriam
her purple teddy bear held the note
as he leaned against a pillow
I gave the bear a drink, myself a drink
and got into the hot
water.
|
Written by
Belinda Subraman |
Eyes like stars sparkle and die
and cycle into new stars, new eyes.
The answer is outside our window.
Astronomers look
for the beginning
and find there is no end.
Down to earth
there are frozen lines,
winter trees,
stalled cars in dirty snow,
sorrow over endings.
The real world is through the window,
infinite, ageless.
Though a clear veil
keeps us distant,
the soul of what
we can never prove
keeps us close.
|
Written by
Rudyard Kipling |
I.
If It be pleasant to look on, stalled in the packed serai,
Does not the Young Man try Its temper and pace ere he buy?
If She be pleasant to look on, what does the Young Man say?
"Lo! She is pleasant to look on, give Her to me to-day!"
II.
Yea, though a Kafir die, to him is remitted Jehannum
If he borrowed in life from a native at sixty per cent.
per anuum.
III.
Blister we not for bursati? So when the heart is vexed,
The pain of one maiden's refusal is drowned in the pain of the next.
IV.
The temper of chums, the love of your wife, and a new piano's tune --
Which of the three will you trust at the end of an Indian June?
V.
Who are the rulers of Ind -- to whom shall we bow the knee?
Make your peace with the women, and men will make you L.
G.
VI.
Does the woodpecker flit round the young ferash?
Does grass clothe a new-built wall?
Is she under thirty, the woman who holds a boy in her thrall?
VII.
If She grow suddenly gracious -- reflect.
Is it all for thee?
The black-buck is stalked through the bullock, and Man through jealousy.
VIII.
Seek not for favor of women.
So shall you find it indeed.
Does not the boar break cover just when you're lighting a weed?
IX.
If He play, being young and unskilful, for shekels of silver and gold,
Take his money, my son, praising Allah.
The kid was ordained to be sold.
X.
With a "weed" amoung men or horses verily this is the best,
That you work him in office or dog-cart lightly -- but give him no rest.
XI.
Pleasant the snaffle of Courtship, improving the manners and carriage;
But the colt who is wise will abstain from the terrible thorn-bit of Marriage.
XII.
As the thriless gold of the babul, so is the gold that we spend
On a derby Sweep, or our neighbor's wife, or the horse that we buy from a friend.
XIII.
The ways of man with a maid be strange, yet simple and tame
To the ways of a man with a horse, when selling or racing that same.
XIV.
In public Her face turneth to thee, and pleasant Her smile when ye meet.
It is ill.
The cold rocks of El-Gidar smile thus on the waves at their feet.
In public Her face is averted, with anger She nameth thy name.
It is well.
Was there ever a loser content with the loss of the game?
XV.
If She have spoken a word, remember thy lips are sealed,
And the Brand of the Dog is upon him by whom is the secret revealed.
If She have written a letter, delay not an instant, but burn it.
Tear it to pieces, O Fool, and the wind to her mate shall return it!
If there be trouble to Herward, and a lie of the blackest can clear,
Lie, while thy lips can move or a man is alive to hear.
XVI.
My Son, if a maiden deny thee and scufflingly bid thee give o'er,
Yet lip meets with lip at the last word -- get out!
She has been there before.
They are pecked on the ear and the chin and the nose who are lacking in lore.
XVII.
If we fall in the race, though we win, the hoff-slide is scarred on the course.
Though Allah and Earth pardon Sin, remaineth forever Remorse.
XVIII.
"By all I am misunderstood!" if the Matron shall say, or the Maid:
"Alas! I do not understand," my son, be thou nowise afraid.
In vain in the sight of the Bird is the net of the Fowler displayed.
XIX.
My son, if I, Hafiz, the father, take hold of thy knees in my pain,
Demanding thy name on stamped paper, one day or one hour -- refrain.
Are the links of thy fetters so light that thou cravest another man's chain?
|
Written by
Sylvia Plath |
It was not a heart, beating.
That muted boom, that clangor
Far off, not blood in the ears
Drumming up and fever
To impose on the evening.
The noise came from outside:
A metal detonating
Native, evidently, to
These stilled suburbs nobody
Startled at it, though the sound
Shook the ground with its pounding.
It took a root at my coming
Till the thudding shource, exposed,
Counfounded in wept guesswork:
Framed in windows of Main Street's
Silver factory, immense
Hammers hoisted, wheels turning,
Stalled, let fall their vertical
Tonnage of metal and wood;
Stunned in marrow.
Men in white
Undershirts circled, tending
Without stop those greased machines,
Tending, without stop, the blunt
Indefatigable fact.
|
Written by
Philip Larkin |
The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed.
It had been in the long grass.
I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably.
Burial was no help:
Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful
Of each other, we should be kind
While there is still time.
|
Written by
Sylvia Plath |
(1)
The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung.
A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of his cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.
In their jars the snail-nosed babies moon and glow.
He hands her the cut-out heart like a cracked heirloom.
(2)
In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Finger a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish;not for long.
Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right hand corner.
|
Written by
Edwin Arlington Robinson |
Never mind the day we left, or the day the women clung to us;
All we need now is the last way they looked at us.
Never mind the twelve men there amid the cheering—
Twelve men or one man, ’t will soon be all the same;
For this is what we know: we are five men together,
Five left o’ twelve men to find the golden river.
Far we came to find it out, but the place was here for all of us;
Far, far we came, and here we have the last of us.
We that were the front men, we that would be early,
We that had the faith, and the triumph in our eyes:
We that had the wrong road, twelve men together,—
Singing when the devil sang to find the golden river.
Say the gleam was not for us, but never say we doubted it;
Say the wrong road was right before we followed it.
We that were the front men, fit for all forage,—
Say that while we dwindle we are front men still;
For this is what we know tonight: we’re starving here together—
Starving on the wrong road to find the golden river.
Wrong, we say, but wait a little: hear him in the corner there;
He knows more than we, and he’ll tell us if we listen there—
He that fought the snow-sleep less than all the others
Stays awhile yet, and he knows where he stays:
Foot and hand a frozen clout, brain a freezing feather,
Still he’s here to talk with us and to the golden river.
“Flow,” he says, “and flow along, but you cannot flow away from us;
All the world’s ice will never keep you far from us;
Every man that heeds your call takes the way that leads him—
The one way that’s his way, and lives his own life:
Starve or laugh, the game goes on, and on goes the river;
Gold or no, they go their way—twelve men together.
“Twelve,” he says, “who sold their shame for a lure you call too fair for them—
You that laugh and flow to the same word that urges them:
Twelve who left the old town shining in the sunset,
Left the weary street and the small safe days:
Twelve who knew but one way out, wide the way or narrow:
Twelve who took the frozen chance and laid their lives on yellow.
“Flow by night and flow by day, nor ever once be seen by them;
Flow, freeze, and flow, till time shall hide the bones of them;
Laugh and wash their names away, leave them all forgotten,
Leave the old town to crumble where it sleeps;
Leave it there as they have left it, shining in the valley,—
Leave the town to crumble down and let the women marry.
“Twelve of us or five,” he says, “we know the night is on us now:
Five while we last, and we may as well be thinking now:
Thinking each his own thought, knowing, when the light comes,
Five left or none left, the game will not be lost.
Crouch or sleep, we go the way, the last way together:
Five or none, the game goes on, and on goes the river.
“For after all that we have done and all that we have failed to do,
Life will be life and a world will have its work to do:
Every man who follows us will heed in his own fashion
The calling and the warning and the friends who do not know:
Each will hold an icy knife to punish his heart’s lover,
And each will go the frozen way to find the golden river.
”
There you hear him, all he says, and the last we’ll ever get from him.
Now he wants to sleep, and that will be the best for him.
Let him have his own way—no, you needn’t shake him—
Your own turn will come, so let the man sleep.
For this is what we know: we are stalled here together—
Hands and feet and hearts of us, to find the golden river.
And there’s a quicker way than sleep? … Never mind the looks of him:
All he needs now is a finger on the eyes of him.
You there on the left hand, reach a little over—
Shut the stars away, or he’ll see them all night:
He’ll see them all night and he’ll see them all tomorrow,
Crawling down the frozen sky, cold and hard and yellow.
Won’t you move an inch or two—to keep the stars away from him?
—No, he won’t move, and there’s no need of asking him.
Never mind the twelve men, never mind the women;
Three while we last, we’ll let them all go;
And we’ll hold our thoughts north while we starve here together,
Looking each his own way to find the golden river.
|