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Best Famous Squatter Poems

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Written by Henry Lawson | Create an image from this poem

The City Bushman

 It was pleasant up the country, City Bushman, where you went, 
For you sought the greener patches and you travelled like a gent; 
And you curse the trams and buses and the turmoil and the push, 
Though you know the squalid city needn't keep you from the bush; 
But we lately heard you singing of the `plains where shade is not', 
And you mentioned it was dusty -- `all was dry and all was hot'.
True, the bush `hath moods and changes' -- and the bushman hath 'em, too, For he's not a poet's dummy -- he's a man, the same as you; But his back is growing rounder -- slaving for the absentee -- And his toiling wife is thinner than a country wife should be.
For we noticed that the faces of the folks we chanced to meet Should have made a greater contrast to the faces in the street; And, in short, we think the bushman's being driven to the wall, And it's doubtful if his spirit will be `loyal thro' it all'.
Though the bush has been romantic and it's nice to sing about, There's a lot of patriotism that the land could do without -- Sort of BRITISH WORKMAN nonsense that shall perish in the scorn Of the drover who is driven and the shearer who is shorn, Of the struggling western farmers who have little time for rest, And are ruined on selections in the sheep-infested West; Droving songs are very pretty, but they merit little thanks From the people of a country in possession of the Banks.
And the `rise and fall of seasons' suits the rise and fall of rhyme, But we know that western seasons do not run on schedule time; For the drought will go on drying while there's anything to dry, Then it rains until you'd fancy it would bleach the sunny sky -- Then it pelters out of reason, for the downpour day and night Nearly sweeps the population to the Great Australian Bight.
It is up in Northern Queensland that the seasons do their best, But it's doubtful if you ever saw a season in the West; There are years without an autumn or a winter or a spring, There are broiling Junes, and summers when it rains like anything.
In the bush my ears were opened to the singing of the bird, But the `carol of the magpie' was a thing I never heard.
Once the beggar roused my slumbers in a shanty, it is true, But I only heard him asking, `Who the blanky blank are you?' And the bell-bird in the ranges -- but his `silver chime' is harsh When it's heard beside the solo of the curlew in the marsh.
Yes, I heard the shearers singing `William Riley', out of tune, Saw 'em fighting round a shanty on a Sunday afternoon, But the bushman isn't always `trapping brumbies in the night', Nor is he for ever riding when `the morn is fresh and bright', And he isn't always singing in the humpies on the run -- And the camp-fire's `cheery blazes' are a trifle overdone; We have grumbled with the bushmen round the fire on rainy days, When the smoke would blind a bullock and there wasn't any blaze, Save the blazes of our language, for we cursed the fire in turn Till the atmosphere was heated and the wood began to burn.
Then we had to wring our blueys which were rotting in the swags, And we saw the sugar leaking through the bottoms of the bags, And we couldn't raise a chorus, for the toothache and the cramp, While we spent the hours of darkness draining puddles round the camp.
Would you like to change with Clancy -- go a-droving? tell us true, For we rather think that Clancy would be glad to change with you, And be something in the city; but 'twould give your muse a shock To be losing time and money through the foot-rot in the flock, And you wouldn't mind the beauties underneath the starry dome If you had a wife and children and a lot of bills at home.
Did you ever guard the cattle when the night was inky-black, And it rained, and icy water trickled gently down your back Till your saddle-weary backbone fell a-aching to the roots And you almost felt the croaking of the bull-frog in your boots -- Sit and shiver in the saddle, curse the restless stock and cough Till a squatter's irate dummy cantered up to warn you off? Did you fight the drought and pleuro when the `seasons' were asleep, Felling sheoaks all the morning for a flock of starving sheep, Drinking mud instead of water -- climbing trees and lopping boughs For the broken-hearted bullocks and the dry and dusty cows? Do you think the bush was better in the `good old droving days', When the squatter ruled supremely as the king of western ways, When you got a slip of paper for the little you could earn, But were forced to take provisions from the station in return -- When you couldn't keep a chicken at your humpy on the run, For the squatter wouldn't let you -- and your work was never done; When you had to leave the missus in a lonely hut forlorn While you `rose up Willy Riley' -- in the days ere you were born? Ah! we read about the drovers and the shearers and the like Till we wonder why such happy and romantic fellows strike.
Don't you fancy that the poets ought to give the bush a rest Ere they raise a just rebellion in the over-written West? Where the simple-minded bushman gets a meal and bed and rum Just by riding round reporting phantom flocks that never come; Where the scalper -- never troubled by the `war-whoop of the push' -- Has a quiet little billet -- breeding rabbits in the bush; Where the idle shanty-keeper never fails to make a draw, And the dummy gets his tucker through provisions in the law; Where the labour-agitator -- when the shearers rise in might -- Makes his money sacrificing all his substance for The Right; Where the squatter makes his fortune, and `the seasons rise and fall', And the poor and honest bushman has to suffer for it all; Where the drovers and the shearers and the bushmen and the rest Never reach the Eldorado of the poets of the West.
And you think the bush is purer and that life is better there, But it doesn't seem to pay you like the `squalid street and square'.
Pray inform us, City Bushman, where you read, in prose or verse, Of the awful `city urchin who would greet you with a curse'.
There are golden hearts in gutters, though their owners lack the fat, And we'll back a teamster's offspring to outswear a city brat.
Do you think we're never jolly where the trams and buses rage? Did you hear the gods in chorus when `Ri-tooral' held the stage? Did you catch a ring of sorrow in the city urchin's voice When he yelled for Billy Elton, when he thumped the floor for Royce? Do the bushmen, down on pleasure, miss the everlasting stars When they drink and flirt and so on in the glow of private bars? You've a down on `trams and buses', or the `roar' of 'em, you said, And the `filthy, dirty attic', where you never toiled for bread.
(And about that self-same attic -- Lord! wherever have you been? For the struggling needlewoman mostly keeps her attic clean.
) But you'll find it very jolly with the cuff-and-collar push, And the city seems to suit you, while you rave about the bush.
.
.
.
.
.
You'll admit that Up-the Country, more especially in drought, Isn't quite the Eldorado that the poets rave about, Yet at times we long to gallop where the reckless bushman rides In the wake of startled brumbies that are flying for their hides; Long to feel the saddle tremble once again between our knees And to hear the stockwhips rattle just like rifles in the trees! Long to feel the bridle-leather tugging strongly in the hand And to feel once more a little like a native of the land.
And the ring of bitter feeling in the jingling of our rhymes Isn't suited to the country nor the spirit of the times.
Let us go together droving, and returning, if we live, Try to understand each other while we reckon up the div.


Written by Henry Lawson | Create an image from this poem

Andys Gone With Cattle

 Our Andy's gone to battle now
'Gainst Drought, the red marauder;
Our Andy's gone with cattle now
Across the Queensland border.
He's left us in dejection now; Our hearts with him are roving.
It's dull on this selection now, Since Andy went a-droving.
Who now shall wear the cheerful face In times when things are slackest? And who shall whistle round the place When Fortune frowns her blackest? Oh, who shall cheek the squatter now When he comes round us snarling? His tongue is growing hotter now Since Andy cross'd the Darling.
The gates are out of order now, In storms the 'riders' rattle; For far across the border now Our Andy's gone with cattle.
Poor Aunty's looking thin and white; And Uncle's cross with worry; And poor old Blucher howls all night Since Andy left Macquarie.
Oh, may the showers in torrents fall, And all the tanks run over; And may the grass grow green and tall In pathways of the drover; And may good angels send the rain On desert stretches sandy; And when the summer comes again God grant 'twill bring us Andy.
Written by Elizabeth Bishop | Create an image from this poem

Manuelzinho

 Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens ravish my eyes.
You edge the beds of silver cabbages with red carnations, and lettuces mix with alyssum.
And then umbrella ants arrive, or it rains for a solid week and the whole thing's ruined again and I buy you more pounds of seeds, imported, guaranteed, and eventually you bring me a mystic thee-legged carrot, or a pumpkin "bigger than the baby.
" I watch you through the rain, trotting, light, on bare feet, up the steep paths you have made— or your father and grandfather made— all over my property, with your head and back inside a sodden burlap bag, and feel I can't endure it another minute; then, indoors, beside the stove, keep on reading a book.
You steal my telephone wires, or someone does.
You starve your horse and yourself and your dogs and family.
among endless variety, you eat boiled cabbage stalks.
And once I yelled at you so loud to hurry up and fetch me those potatoes your holey hat flew off, you jumped out of your clogs, leaving three objects arranged in a triangle at my feet, as if you'd been a gardener in a fairy tale all this time and at the word "potatoes" had vanished to take up your work of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass" and drops dead on the spot.
Nobody else's does.
And then your father dies, a superior old man with a black plush hat, and a moustache like a white spread-eagled sea gull.
The family gathers, but you, no, you "don't think he's dead! I look at him.
He's cold.
They're burying him today.
But you know, I don't think he's dead.
" I give you money for the funeral and you go and hire a bus for the delighted mourners, so I have to hand over some more and then have to hear you tell me you pray for me every night! And then you come again, sniffing and shivering, hat in hand, with that wistful face, like a child's fistful of bluets or white violets, improvident as the dawn, and once more I provide for a shot of penicillin down at the pharmacy, or one more bottle of Electrical Baby Syrup.
Or, briskly, you come to settle what we call our "accounts," with two old copybooks, one with flowers on the cover, the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger, honeycombed with zeros.
You whisper conspiratorially; the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together how the meek shall inherit the earth— or several acres of mine.
With blue sugar bags on their heads, carrying your lunch, your children scuttle by me like little moles aboveground, or even crouch behind bushes as if I were out to shoot them! —Impossible to make friends, though each will grab at once for an orange or a piece of candy.
Twined in wisps of fog, I see you all up there along with Formoso, the donkey, who brays like a pump gone dry, then suddenly stops.
—All just standing, staring off into fog and space.
Or coming down at night, in silence, except for hoofs, in dim moonlight, the horse or Formoso stumbling after.
Between us float a few big, soft, pale-blue, sluggish fireflies, the jellyfish of the air.
.
.
Patch upon patch upon patch, your wife keeps all of you covered.
She has gone over and over (forearmed is forewarned) your pair of bright-blue pants with white thread, and these days your limbs are draped in blueprints.
You paint—heaven knows why— the outside of the crown and brim of your straw hat.
Perhaps to reflect the sun? Or perhaps when you were small, your mother said, "Manuelzinho, one thing; be sure you always paint your straw hat.
" One was gold for a while, but the gold wore off, like plate.
One was bright green.
Unkindly, I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man, I love you all I can, I think.
Or I do? I take off my hat, unpainted and figurative, to you.
Again I promise to try.
Written by Andrew Barton Paterson | Create an image from this poem

Its Grand

 It's grand to be a squatter 
And sit upon a post, 
And watch your little ewes and lambs 
A-giving up the ghost.
It's grand to be a "cockie" With wife and kids to keep, And find an all-wise Providence Has mustered all your sheep.
It's grand to be a Western man, With shovel in your hand, To dig your little homestead out From underneath the sand.
It's grand to be a shearer Along the Darling-side, And pluck the wool from stinking sheep That some days since have died.
It's grand to be a rabbit And breed till all is blue, And then to die in heaps because There's nothing left to chew.
It's grand to be a Minister And travel like a swell, And tell the Central District folk To go to -- Inverell.
It's grand to be a socialist And lead the bold array That marches to prosperity At seven bob a day.
It's grand to be unemployed And lie in the Domain, And wake up every second day -- And go to sleep again.
It's grand to borrow English tin To pay for wharves and docks And then to find it isn't in The little money-box.
It's grand to be a democrat And toady to the mob, For fear that if you told the truth They'd hunt you from your job.
It's grand to be a lot of things In this fair Southern land, But if the Lord would send us rain, That would, indeed, be grand!
Written by Henry Lawson | Create an image from this poem

The Fire At Rosss Farm

 The squatter saw his pastures wide 
Decrease, as one by one 
The farmers moving to the west 
Selected on his run; 
Selectors took the water up 
And all the black soil round; 
The best grass-land the squatter had 
Was spoilt by Ross's Ground.
Now many schemes to shift old Ross Had racked the squatter's brains, But Sandy had the stubborn blood Of Scotland in his veins; He held the land and fenced it in, He cleared and ploughed the soil, And year by year a richer crop Repaid him for his toil.
Between the homes for many years The devil left his tracks: The squatter pounded Ross's stock, And Sandy pounded Black's.
A well upon the lower run Was filled with earth and logs, And Black laid baits about the farm To poison Ross's dogs.
It was, indeed, a deadly feud Of class and creed and race; But, yet, there was a Romeo And a Juliet in the case; And more than once across the flats, Beneath the Southern Cross, Young Robert Black was seen to ride With pretty Jenny Ross.
One Christmas time, when months of drought Had parched the western creeks, The bush-fires started in the north And travelled south for weeks.
At night along the river-side The scene was grand and strange -- The hill-fires looked like lighted streets Of cities in the range.
The cattle-tracks between the trees Were like long dusky aisles, And on a sudden breeze the fire Would sweep along for miles; Like sounds of distant musketry It crackled through the brakes, And o'er the flat of silver grass It hissed like angry snakes.
It leapt across the flowing streams And raced o'er pastures broad; It climbed the trees and lit the boughs And through the scrubs it roared.
The bees fell stifled in the smoke Or perished in their hives, And with the stock the kangaroos Went flying for their lives.
The sun had set on Christmas Eve, When, through the scrub-lands wide, Young Robert Black came riding home As only natives ride.
He galloped to the homestead door And gave the first alarm: `The fire is past the granite spur, `And close to Ross's farm.
' `Now, father, send the men at once, They won't be wanted here; Poor Ross's wheat is all he has To pull him through the year.
' `Then let it burn,' the squatter said; `I'd like to see it done -- I'd bless the fire if it would clear Selectors from the run.
`Go if you will,' the squatter said, `You shall not take the men -- Go out and join your precious friends, And don't come here again.
' `I won't come back,' young Robert cried, And, reckless in his ire, He sharply turned his horse's head And galloped towards the fire.
And there, for three long weary hours, Half-blind with smoke and heat, Old Ross and Robert fought the flames That neared the ripened wheat.
The farmer's hand was nerved by fears Of danger and of loss; And Robert fought the stubborn foe For the love of Jenny Ross.
But serpent-like the curves and lines Slipped past them, and between, Until they reached the bound'ry where The old coach-road had been.
`The track is now our only hope, There we must stand,' cried Ross, `For nought on earth can stop the fire If once it gets across.
' Then came a cruel gust of wind, And, with a fiendish rush, The flames leapt o'er the narrow path And lit the fence of brush.
`The crop must burn!' the farmer cried, `We cannot save it now,' And down upon the blackened ground He dashed the ragged bough.
But wildly, in a rush of hope, His heart began to beat, For o'er the crackling fire he heard The sound of horses' feet.
`Here's help at last,' young Robert cried, And even as he spoke The squatter with a dozen men Came racing through the smoke.
Down on the ground the stockmen jumped And bared each brawny arm, They tore green branches from the trees And fought for Ross's farm; And when before the gallant band The beaten flames gave way, Two grimy hands in friendship joined -- And it was Christmas Day.


Written by Andrew Barton Paterson | Create an image from this poem

The City of Dreadful Thirst

 The stranger came from Narromine and made his little joke-- 
"They say we folks in Narromine are narrow-minded folk.
But all the smartest men down here are puzzled to define A kind of new phenomenon that came to Narromine.
"Last summer up in Narromine 'twas gettin' rather warm-- Two hundred in the water bag, and lookin' like a storm-- We all were in the private bar, the coolest place in town, When out across the stretch of plain a cloud came rollin' down, "We don't respect the clouds up there, they fill us with disgust, They mostly bring a Bogan shower -- three raindrops and some dust; But each man, simultaneous-like, to each man said, 'I think That cloud suggests it's up to us to have another drink!' "There's clouds of rain and clouds of dust -- we've heard of them before, And sometimes in the daily press we read of 'clouds of war': But -- if this ain't the Gospel truth I hope that I may burst-- That cloud that came to Narromine was just a cloud of thirst.
"It wasn't like a common cloud, 'twas more a sort of haze; It settled down about the streets, and stopped for days and days, And now a drop of dew could fall and not a sunbeam shine To pierce that dismal sort of mist that hung on Narromine.
"Oh, Lord! we had a dreadful time beneath that cloud of thirst! We all chucked up our daily work and went upon the burst.
The very blacks about the town that used to cadge for grub, They made an organised attack and tried to loot the pub.
"We couldn't leave the private bar no matter how we tried; Shearers and squatters, union men and blacklegs side by side Were drinkin' there and dursn't move, for each was sure, he said, Before he'd get a half a mile the thirst would strike him dead! "We drank until the drink gave out, we searched from room to room, And round the pub, like drunken ghosts, went howling through the gloom.
The shearers found some kerosene and settled down again, But all the squatter chaps and I, we staggered to the train.
"And, once outside the cloud of thirst, we felt as right as pie, But while we stopped about the town we had to drink or die.
But now I hear it's safe enough, I'm going back to work Because they say the cloud of thirst has shifted on to Bourke.
"But when you see these clouds about -- like this one over here-- All white and frothy at the top, just like a pint of beer, It's time to go and have a drink, for if that cloud should burst You'd find the drink would all be gone, for that's a cloud of thirst!" We stood the man from Narromine a pint of half-and-half; He drank it off without a gasp in one tremendous quaff; "I joined some friends last night," he said, "in what they called a spree; But after Narromine 'twas just a holiday to me.
" And now beyond the Western Range, where sunset skies are red, And clouds of dust, and clouds of thirst, go drifting overhead, The railway train is taking back, along the Western Line, That narrow-minded person on his road to Narromine.
Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bill on the Patriarchs

 Come all you little rouseabouts and climb upon my knee; 
To-day, you see, is Christmas Day, and so it’s up to me 
To give you some instruction like—a kind of Christmas tale— 
So name your yarn, and off she goes.
What, “Jonah and the Whale”? Well, whales is sheep I’ve never shore; I’ve never been to sea, So all them great Leviathans is mysteries to me; But there’s a tale the Bible tells I fully understand, About the time the Patriarchs were settling on the land.
Those Patriarchs of olden time, when all is said and done, They lived the same as far-out men on many a Queensland run— A lot of roving, droving men who drifted to and fro, The same we did out Queensland way a score of years ago.
Now Isaac was a squatter man, and Jacob was his son, And when the boy grew up, you see, he wearied of the run.
You know the way that boys grow up—there’s some that stick at home; But any boy that’s worth his salt will roll his swag and roam.
So Jacob caught the roving fit and took the drovers’ track To where his uncle had a run, beyond the outer back; You see they made for out-back runs for room to stretch and grow, The same we did out Queensland way a score of years ago.
Now, Jacob knew the ways of stock—that’s most uncommon clear— For when he got to Laban’s Run, they made him overseer; He didn’t ask a pound a week, but bargained for his pay To take the roan and strawberry calves—the same we’d take to-day.
The duns and blacks and “Goulburn roans” (that’s brindles), coarse and hard, He branded them with Laban’s brand, in Old Man Laban’s yard; So, when he’d done the station work for close on seven year, Why, all the choicest stock belonged to Laban’s overseer.
It’s often so with overseers—I’ve seen the same thing done By many a Queensland overseer on many a Queensland run.
But when the mustering time came on old Laban acted straight, And gave him country of his own outside the boundary gate.
He gave him stock, and offered him his daughter’s hand in troth; And Jacob first he married one, and then he married both; You see, they weren’t particular about a wife or so— No more were we up Queensland way a score of years ago.
But when the stock were strong and fat with grass and lots of rain, Then Jacob felt the call to take the homeward road again.
It’s strange in every creed and clime, no matter where you roam, There comes a day when every man would like to make for home.
So off he set with sheep and goats, a mighty moving band, To battle down the homeward track along the Overland— It’s droving mixed-up mobs like that that makes men cut their throats.
I’ve travelled rams, which Lord forget, but never travelled goats.
But Jacob knew the ways of stock, for (so the story goes) When battling through the Philistines—selectors, I suppose— He thought he’d have to fight his way, an awkward sort of job; So what did Old Man Jacob do? of course, he split the mob.
He sent the strong stock on ahead to battle out the way; He couldn’t hurry lambing ewes—no more you could to-day— And down the road, from run to run, his hand ’gainst every hand, He moved that mighty mob of stock across the Overland.
The thing is made so clear and plain, so solid in and out, There isn’t any room at all for any kind of doubt.
It’s just a plain straightforward tale—a tale that lets you know The way they lived in Palestine three thousand years ago.
It’s strange to read it all to-day, the shifting of the stock; You’d think you see the caravans that loaf behind the flock, The little donkeys and the mules, the sheep that slowly spread, And maybe Dan or Naphthali a-ridin’ on ahead.
The long, dry, dusty summer days, the smouldering fires at night; The stir and bustle of the camp at break of morning light; The little kids that skipped about, the camels’ dead-slow tramp— I wish I’d done a week or two in Old Man Jacob’s camp! But if I keep the narrer path, some day, perhaps, I’ll know How Jacob bred them strawberry calves three thousand years ago.
Written by Andrew Barton Paterson | Create an image from this poem

Waltzing Matilda

 Oh! there once was a swagman camped in the Billabong,
 Under the shade of a Coolabah tree;
And he sang as he looked at his old billy boiling,
 "Who'll come a-waltzing Matilda with me.
" Who'll come a-waltzing Matilda, my darling, Who'll come a-waltzing Matilda with me? Waltzing Matilda and leading a water-bag— Who'll come a-waltzing Matilda with me? Down came a jumbuck to drink at the water-hole, Up jumped the swagman and grabbed him in glee; And he sang as he put him away in his tucker-bag, "You'll come a-waltzing Matilda with me!" Down came the Squatter a-riding his thorough-bred; Down came Policemen—one, two, and three.
"Whose is the jumbuck you've got in the tucker-bag? You'll come a-waltzing Matilda with me.
" But the swagman, he up and he jumped in the water-hole, Drowning himself by the Coolabah tree; And his ghost may be heard as it sings in the Billabong, "Who'll come a-waltzing Matilda with me?"
Written by Andrew Barton Paterson | Create an image from this poem

Song of the Artesian Water

 Now the stock have started dying, for the Lord has sent a drought; 
But we're sick of prayers and Providence -- we're going to do without; 
With the derricks up above us and the solid earth below, 
We are waiting at the lever for the word to let her go.
Sinking down, deeper down, Oh, we'll sink it deeper down: As the drill is plugging downward at a thousand feet of level, If the Lord won't send us water, oh, we'll get it from the devil; Yes, we'll get it from the devil deeper down.
Now, our engine's built in Glasgow by a very canny Scot, And he marked it twenty horse-power, but he don't know what is what: When Canadian Bill is firing with the sun-dried gidgee logs, She can equal thirty horses and a score or so of dogs.
Sinking down, deeper down, Oh, we're going deeper down: If we fail to get the water, then it's ruin to the squatter, For the drought is on the station and the weather's growing hotter, But we're bound to get the water deeper down.
But the shaft has started caving and the sinking's very slow, And the yellow rods are bending in the water down below, And the tubes are always jamming, and they can't be made to shift Till we nearly burst the engine with a forty horse-power lift.
Sinking down, deeper down, Oh, we're going deeper down: Though the shaft is always caving, and the tubes are always jamming, Yet we'll fight our way to water while the stubborn drill is ramming -- While the stubborn drill is ramming deeper down.
But there's no artesian water, though we've passed three thousand feet, And the contract price is growing, and the boss is nearly beat.
But it must be down beneath us, and it's down we've got to go, Though she's bumping on the solid rock four thousand feet below.
Sinking down, deeper down, Oh, we're going deeper down: And it's time they heard us knocking on the roof of Satan's dwellin'; But we'll get artesian water if we cave the roof of hell in -- Oh! we'll get artesian water deeper down.
But it's hark! the whistle's blowing with a wild, exultant blast, And the boys are madly cheering, for they've struck the flow at last; And it's rushing up the tubing from four thousand feet below, Till it spouts above the casing in a million-gallon flow.
And it's down, deeper down -- Oh, it comes from deeper down; It is flowing, ever flowing, in a free, unstinted measure From the silent hidden places where the old earth hides her treasure -- Where the old earth hides her treasures deeper down.
And it's clear away the timber, and it's let the water run: How it glimmers in the shadow, how it flashes in the sun! By the silent bells of timber, by the miles of blazing plain It is bringing hope and comfort to the thirsty land again.
Flowing down, further down; It is flowing deeper down To the tortured thirsty cattle, bringing gladness in its going; Through the droughty days of summer it is flowing, ever flowing -- It is flowing, ever flowing, further down.
Written by Andrew Barton Paterson | Create an image from this poem

The Mountain Squatter

 Here in my mountain home, 
On rugged hills and steep, 
I sit and watch you come, 
O Riverinia Sheep! 
You come from the fertile plains 
Where saltbush (sometimes) grows, 
And flats that (when it rains) 
Will blossom like the rose.
But when the summer sun Gleams down like burnished brass, You have to leave your run And hustle off for grass.
'Tis then that -- forced to roam -- You come to where I keep, Here in my mountain home, A boarding-house for sheep.
Around me where I sit The wary wombat goes -- A beast of little wit, But what he knows, he knows.
The very same remark Applies to me also; I don't give out a spark, But what I know, I know.
My brain perhaps would show No convolutions deep, But anyhow I know The way to handle sheep.
These Riverina cracks, They do not care to ride The half-inch hanging tracks Along the mountain side.
Their horses shake with fear When loosened boulders go With leaps, like startled deer, Down to the gulfs below.
Their very dogs will shirk, And drop their tails in fright When asked to go and work A mob that's out of sight.
My little collie pup Works silently and wide; You'll see her climbing up Along the mountain side.
As silent as a fox You'll see her come and go, A shadow through the rocks Where ash and messmate grow.
Then, lost to sight and sound Behind some rugged steep, She works her way around And gathers up the sheep; And, working wide and shy, She holds them rounded up.
The cash ain't coined to buy That little collie pup.
And so I draw a screw For self and dog and keep To boundary-ride for you, O Riverina Sheep! And, when the autumn rain Has made the herbage grow, You travel off again, And glad -- no doubt -- to go.
But some are left behind Around the mountain's spread, For those we cannot find We put them down as dead.
So, when we say adieu And close the boarding job, I always find a few Fresh ear-marks in my mob.
And, what with those I sell, And what with those I keep, You pay me pretty well, O Riverina Sheep! It's up to me to shout Before we say good-bye -- "Here's to a howlin' drought All west of Gundagai!

Book: Shattered Sighs