Written by
Thomas Blackburn |
'Of course,' I said, 'we cannot hope to find
What we are looking for in anyone;
They glitter, maybe, but are not the sun,
This pebble here, that bit of apple rind.
Still, it's the Alpine sun that makes them burn,
And what we're looking for, some indirect
Glint of itself each of us may reflect,
And so shed light about us as we turn.
'
Sideways she looked and said, 'How you go on!'
And was the stone and rind, their shinings gone.
'It is some hard dry scale we must break through,
A deadness round the life.
I cannot make
That pebble shine.
Its clarity must take
Sunlight unto itself and prove it true.
It is our childishness that clutters up
With scales out of the past a present speech,
So that the sun's white finger cannot reach
An adult prism.
'
'Will they never stop,
Your words?' she said and settled to the dark.
'But we use words, we cannot grunt or bark,
Use any surer means to make that first
Sharp glare of origin again appear
Through the marred glass,' I cried, 'but can you hear?'
'Quite well, you needn't shout.
' I felt the thirst
Coil back into my body till it shook,
And, 'Are you cold?' she said, then ceased to look
And picked a bit of cotton from her dress.
Out in the square a child began to cry,
What was not said buzzed round us like a fly.
I knew quite well that silence was my cue,
But jabbered out, 'This meeting place we need,
If we can't find it, still the desire may feed
And strengthen on the acts it cannot do.
By suffered depredations we may grow
To bear our energies just strong enough,
And at the last through perdurable stuff
A little of their radiance may show:
I f we keep still.
' Then she, 'It's getting late.
'
A waiter came and took away a plate.
Then from the darkness an accordion;
'These pauses, love, perhaps in them, made free,
Life slips out of its gross machinery,
And turns upon itself in unison.
'
It was quite dark now you must understand
And something of a red mouth on a wall
Joined with the music and the alcohol
And pushed me to the fingers of her hand.
Well, there it was, itself and quite complete,
Accountable, small bones there were and meat.
It did not press on mine or shrink away,
And, since no outgone need can long invest
Oblivion with a living interest,
I drew back and had no more words to say.
Outside the streets were like us and quite dead.
Yet anything more suited to my will,
I can't imagine, than our very still
Return to no place;
As the darkness shed
Increasing whiteness on the far icefall,
A growth of light there was; and that is all.
|
Written by
Rudyard Kipling |
If you've ever stole a pheasant-egg be'ind the keeper's back,
If you've ever snigged the washin' from the line,
If you've ever crammed a gander in your bloomin' 'aversack,
You will understand this little song o' mine.
But the service rules are 'ard, an' from such we are debarred,
For the same with English morals does not suit.
(Cornet: Toot! toot!)
W'y, they call a man a robber if 'e stuffs 'is marchin' clobber
With the --
(Chorus) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot!
Ow the loot!
Bloomin' loot!
That's the thing to make the boys git up an' shoot!
It's the same with dogs an' men,
If you'd make 'em come again
Clap 'em forward with a Loo! loo! Lulu! Loot!
(ff) Whoopee! Tear 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
If you've knocked a ****** edgeways when 'e's thrustin' for your life,
You must leave 'im very careful where 'e fell;
An' may thank your stars an' gaiters if you didn't feel 'is knife
That you ain't told off to bury 'im as well.
Then the sweatin' Tommies wonder as they spade the beggars under
Why lootin' should be entered as a crime;
So if my song you'll 'ear, I will learn you plain an' clear
'Ow to pay yourself for fightin' overtime.
(Chorus) With the loot, .
.
.
Now remember when you're 'acking round a gilded Burma god
That 'is eyes is very often precious stones;
An' if you treat a ****** to a dose o' cleanin'-rod
'E's like to show you everything 'e owns.
When 'e won't prodooce no more, pour some water on the floor
Where you 'ear it answer 'ollow to the boot
(Cornet: Toot! toot!) --
When the ground begins to sink, shove your baynick down the chink,
An' you're sure to touch the --
(Chorus) Loo! loo! Lulu! Loot! loot! loot!
Ow the loot! .
.
.
When from 'ouse to 'ouse you're 'unting, you must always work in pairs --
It 'alves the gain, but safer you will find --
For a single man gets bottled on them twisty-wisty stairs,
An' a woman comes and clobs 'im from be'ind.
When you've turned 'em inside out, an' it seems beyond a doubt
As if there weren't enough to dust a flute
(Cornet: Toot! toot!) --
Before you sling your 'ook, at the 'ousetops take a look,
For it's underneath the tiles they 'ide the loot.
(Chorus) Ow the loot! .
.
.
You can mostly square a Sergint an' a Quartermaster too,
If you only take the proper way to go;
I could never keep my pickin's, but I've learned you all I knew --
An' don't you never say I told you so.
An' now I'll bid good-bye, for I'm gettin' rather dry,
An' I see another tunin' up to toot
(Cornet: Toot! toot!) --
So 'ere's good-luck to those that wears the Widow's clo'es,
An' the Devil send 'em all they want o' loot!
(Chorus) Yes, the loot,
Bloomin' loot!
In the tunic an' the mess-tin an' the boot!
It's the same with dogs an' men,
If you'd make 'em come again
(fff) Whoop 'em forward with a Loo! loo! Lulu! Loot! loot! loot!
Heeya! Sick 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
|
Written by
Rudyard Kipling |
(Spring begins in southern England on the 14th April, on which date the Old Woman lets the Cuckoo out of her basket at Heathfield Fair -- locally known as Heffle Cuckoo Fair.
)
Tell it to the locked-up trees,
Cuckoo, bring your song here!
Warrant, Act and Summons, please,
For Spring to pass along here!
Tell old Winder, if he doubt,
Tell him squat and square -- a!
Old Woman!
Old Woman!
Old Woman's let the Cuckoo out
At Heffle Cuckoo Fair -- a!
March has searched and April tried --
'Tisn't long to Mary now.
Not so far to Whitsuntide
And Cuckoo's come to stay now!
Hear the valiant fellow shout
Down the orchard bare -- a!
Old Woman!
Old Woman!
Old Woman's let the Cuckoo out
At Heffle Cuckoo Fair -- a!
When your heart is young and gay
And the season rules it --
Work your works and play your play
'Fore the Autumn cools it!
Kiss you turn and turn-about,
But my lad, beware -- a!
Old Woman!
Old Woman!
Old Woman's let the Cuckoo out
At Heffle Cuckoo Fair -- a!
|
Written by
Robert William Service |
There were twin artists A.
and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".
Now although A.
(and this is *****)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B.
(though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.
Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square .
.
.
And yet, I thought: It's very *****,
Unbought they linger there.
Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.
Well, maybe A.
and B.
were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss .
.
.
These guys believe in what they paint,
Or .
.
.
are they spoofing us?
|