Written by
T S (Thomas Stearns) Eliot |
TWELVE o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, “Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.
”
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street-lamp said,
“Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.
”
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
“Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.
”
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
“Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.
”
The last twist of the knife.
|
Written by
Vernon Scannell |
Unlovely city, to which few tourists come
With squinting cameras and alien hats;
Left under a cloud by those who love the sun
And can afford to marry – a cloud of bits
Of soot more myriad than gnats, a cloud
Of smoke and rain, an insubstantial threat
Whose colour is the pigment of long wrath,
I think of you, surprised to find my blood
Warmed by a wry desire, a kind of love.
I see the trams, like galleons at night,
Go rocking with their golden cargo down
The iron hills; then hearing that bold din
My other senses frolic at a fête
Of phantom guests – the smells of fish and chips,
Laborious smoke, stale beer and autumn gusts,
The whispering shadows and the winking hips,
The crack of frosty whips, brief summer"s dust.
And in that city through a forked November
Love, like a Catherine-wheel, delighted me
And when it sputtered out, hung charred and sombre,
The city flavoured my delicious misery.
And so I guess that any landscape"s beauty
Is fathered by associative joys
Held in a shared, historic memory,
For beauty is the shape of our desires.
My northern city, then, by many called
Ugly or worse, much like an aged nurse
Tender yet stern who taught one how to walk,
Is dear to me, and it will always have
A desolate enchantment that I"ll love.
|
Written by
Sidney Lanier |
"So pulse, and pulse, thou rhythmic-hearted Noon
That liest, large-limbed, curved along the hills,
In languid palpitation, half a-swoon
With ardors and sun-loves and subtle thrills;
"Throb, Beautiful! while the fervent hours exhale
As kisses faint-blown from thy finger-tips
Up to the sun, that turn him passion-pale
And then as red as any virgin's lips.
"O tender Darkness, when June-day hath ceased,
-- Faint Odor from the day-flower's crushing born,
-- Dim, visible Sigh out of the mournful East
That cannot see her lord again till morn:
"And many leaves, broad-palmed towards the sky
To catch the sacred raining of star-light:
And pallid petals, fain, all fain to die,
Soul-stung by too keen passion of the night:
"And short-breath'd winds, under yon gracious moon
Doing mild errands for mild violets,
Or carrying sighs from the red lips of June
What aimless way the odor-current sets:
"And stars, ringed glittering in whorls and bells,
Or bent along the sky in looped star-sprays,
Or vine-wound, with bright grapes in panicles,
Or bramble-tangled in a sweetest maze,
"Or lying like young lilies in a lake
About the great white Lotus of the moon,
Or blown and drifted, as if winds should shake
Star blossoms down from silver stems too soon,
"Or budding thick about full open stars,
Or clambering shyly up cloud-lattices,
Or trampled pale in the red path of Mars,
Or trim-set in quaint gardener's fantasies:
"And long June night-sounds crooned among the leaves,
And whispered confidence of dark and green,
And murmurs in old moss about old eaves,
And tinklings floating over water-sheen!"
Then he that wrote laid down his pen and sighed;
And straightway came old Scorn and Bitterness,
Like Hunnish kings out of the barbarous land,
And camped upon the transient Italy
That he had dreamed to blossom in his soul.
"I'll date this dream," he said; "so: `Given, these,
On this, the coldest night in all the year,
From this, the meanest garret in the world,
In this, the greatest city in the land,
To you, the richest folk this side of death,
By one, the hungriest poet under heaven,
-- Writ while his candle sputtered in the gust,
And while his last, last ember died of cold,
And while the mortal ice i' the air made free
Of all his bones and bit and shrunk his heart,
And while soft Luxury made show to strike
Her gloved hands together and to smile
What time her weary feet unconsciously
Trode wheels that lifted Avarice to power,
-- And while, moreover, -- O thou God, thou God --
His worshipful sweet wife sat still, afar,
Within the village whence she sent him forth
Into the town to make his name and fame,
Waiting, all confident and proud and calm,
Till he should make for her his name and fame,
Waiting -- O Christ, how keen this cuts! -- large-eyed,
With Baby Charley till her husband make
For her and him a poet's name and fame.
'
-- Read me," he cried, and rose, and stamped his foot
Impatiently at Heaven, "read me this,"
(Putting th' inquiry full in the face of God)
"Why can we poets dream us beauty, so,
But cannot dream us bread? Why, now, can I
Make, aye, create this fervid throbbing June
Out of the chill, chill matter of my soul,
Yet cannot make a poorest penny-loaf
Out of this same chill matter, no, not one
For Mary though she starved upon my breast?"
And then he fell upon his couch, and sobbed,
And, late, just when his heart leaned o'er
The very edge of breaking, fain to fall,
God sent him sleep.
There came his room-fellow,
Stout Dick, the painter, saw the written dream,
Read, scratched his curly pate, smiled, winked, fell on
The poem in big-hearted comic rage,
Quick folded, thrust in envelope, addressed
To him, the critic-god, that sitteth grim
And giant-grisly on the stone causeway
That leadeth to his magazine and fame.
Him, by due mail, the little Dream of June
Encountered growling, and at unawares
Stole in upon his poem-battered soul
So that he smiled, -- then shook his head upon 't
-- Then growled, then smiled again, till at the last,
As one that deadly sinned against his will,
He writ upon the margin of the Dream
A wondrous, wondrous word that in a day
Did turn the fleeting song to very bread,
-- Whereat Dick Painter leapt, the poet wept,
And Mary slept with happy drops a-gleam
Upon long lashes of her serene eyes
From twentieth reading of her poet's news
Quick-sent, "O sweet my Sweet, to dream is power,
And I can dream thee bread and dream thee wine,
And I will dream thee robes and gems, dear Love,
To clothe thy holy loveliness withal,
And I will dream thee here to live by me,
Thee and my little man thou hold'st at breast,
-- Come, Name, come, Fame, and kiss my Sweetheart's feet!"
|
Written by
Robert William Service |
"I'm going, Billy, old fellow.
Hist, lad! Don't make any noise.
There's Boches to beat all creation, the pitch of a bomb away.
I've fixed the note to your collar, you've got to get back to my Boys,
You've got to get back to warn 'em before it's the break of day.
"
The order came to go forward to a trench-line traced on the map;
I knew the brass-hats had blundered, I knew and I told 'em so;
I knew if I did as they ordered I would tumble into a trap,
And I tried to explain, but the answer came like a pistol: "Go.
"
Then I thought of the Boys I commanded -- I always called them "my Boys" --
The men of my own recruiting, the lads of my countryside;
Tested in many a battle, I knew their sorrows and joys,
And I loved them all like a father, with more than a father's pride.
To march my Boys to a shambles as soon as the dawn of day;
To see them helplessly slaughtered, if all that I guessed was true;
My Boys that trusted me blindly, I thought and I tried to pray,
And then I arose and I muttered: "It's either them or it's you.
"
I rose and I donned my rain-coat; I buckled my helmet tight.
I remember you watched me, Billy, as I took my cane in my hand;
I vaulted over the sandbags into the pitchy night,
Into the pitted valley that served us as No Man's Land.
I strode out over the hollow of hate and havoc and death,
From the heights the guns were angry, with a vengeful snarling of steel;
And once in a moment of stillness I heard hard panting breath,
And I turned .
.
.
it was you, old rascal, following hard on my heel.
I fancy I cursed you, Billy; but not so much as I ought!
And so we went forward together, till we came to the valley rim,
And then a star-shell sputtered .
.
.
it was even worse than I thought,
For the trench they told me to move in was packed with Boche to the brim.
They saw me too, and they got me; they peppered me till I fell;
And there I scribbled my message with my life-blood ebbing away;
"Now, Billy, you fat old duffer, you've got to get back like hell;
And get them to cancel that order before it's the dawn of day.
"Billy, old boy, I love you, I kiss your shiny black nose;
Now, home there.
.
.
.
Hurry, you devil, or I'll cut you to ribands.
.
.
.
See .
.
.
"
Poor brute! he's off! and I'm dying.
.
.
.
I go as a soldier goes.
I'm happy.
My Boys, God bless 'em! .
.
.
It had to be them or me.
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