Get Your Premium Membership

Best Famous Splitting Poems

Here is a collection of the all-time best famous Splitting poems. This is a select list of the best famous Splitting poetry. Reading, writing, and enjoying famous Splitting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of splitting poems.

Search and read the best famous Splitting poems, articles about Splitting poems, poetry blogs, or anything else Splitting poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Robert Frost | Create an image from this poem

The Star-Splitter

 `You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains,
And rising on his hands, he looks in on me
Busy outdoors by lantern-light with something
I should have done by daylight, and indeed,
After the ground is frozen, I should have done
Before it froze, and a gust flings a handful
Of waste leaves at my smoky lantern chimney
To make fun of my way of doing things,
Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights
These forces are obliged to pay respect to?'
So Brad McLaughlin mingled reckless talk
Of heavenly stars with hugger-mugger farming,
Till having failed at hugger-mugger farming
He burned his house down for the fire insurance
And spent the proceeds on a telescope
To satisfy a lifelong curiosity
About our place among the infinities.

`What do you want with one of those blame things?'
I asked him well beforehand. `Don't you get one!'

`Don't call it blamed; there isn't anything
More blameless in the sense of being less
A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.'
There where he moved the rocks to plow the ground
And plowed between the rocks he couldn't move,
Few farms changed hands; so rather than spend years
Trying to sell his farm and then not selling,
He burned his house down for the fire insurance
And bought the telescope with what it came to.
He had been heard to say by several:
`The best thing that we're put here for's to see;
The strongest thing that's given us to see with's
A telescope. Someone in every town
Seems to me owes it to the town to keep one.
In Littleton it might as well be me.'
After such loose talk it was no surprise
When he did what he did and burned his house down.

Mean laughter went about the town that day
To let him know we weren't the least imposed on,
And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected
If one by one we counted people out
For the least sin, it wouldn't take us long
To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us,
We don't cut off from coming to church suppers,
But what we miss we go to him and ask for.
He promptly gives it back, that is if still
Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad
About his telescope. Beyond the age
Of being given one for Christmas gift,
He had to take the best way he knew how
To find himself in one. Well, all we said was
He took a strange thing to be roguish over.
Some sympathy was wasted on the house,
A good old-timer dating back along;
But a house isn't sentient; the house
Didn't feel anything. And if it did,
Why not regard it as a sacrifice,
And an old-fashioned sacrifice by fire,
Instead of a new-fashioned one at auction?

Out of a house and so out of a farm
At one stroke (of a match), Brad had to turn
To earn a living on the Concord railroad,
As under-ticket-agent at a station
Where his job, when he wasn't selling tickets,
Was setting out, up track and down, not plants
As on a farm, but planets, evening stars
That varied in their hue from red to green.

He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look
Up the brass barrel, velvet black inside,
At a star quaking in the other end.
I recollect a night of broken clouds
And underfoot snow melted down to ice,
And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three,
Pointed our thoughts the way we pointed it,
And standing at our leisure till the day broke,
Said some of the best things we ever said.
That telescope was christened the Star-Splitter,
Because it didn't do a thing but split
A star in two or three, the way you split
A globule of quicksilver in your hand
With one stroke of your finger in the middle.
It's a star-splitter if there ever was one,
And ought to do some good if splitting stars
'Sa thing to be compared with splitting wood.

We've looked and looked, but after all where are we?
Do we know any better where we are,
And how it stands between the night tonight
And a man with a smoky lantern chimney?
How different from the way it ever stood?


Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
Written by Sylvia Plath | Create an image from this poem

Lesbos

 Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.
Written by Richard Jones | Create an image from this poem

Sacrifices

 All winter the fire devoured everything --
tear-stained elegies, old letters, diaries, dead flowers.
When April finally arrived,
I opened the woodstove one last time
and shoveled the remains of those long cold nights
into a bucket, ash rising
through shafts of sunlight,
as swirling in bright, angelic eddies.
I shoveled out the charred end of an oak log,
black and pointed like a pencil;
half-burnt pages
sacrificed
in the making of poems;
old, square handmade nails
liberated from weathered planks
split for kindling.
I buried my hands in the bucket,
found the nails, lifted them,
the phoenix of my right hand
shielded with soot and tar,
my left hand shrouded in soft white ash --
nails in both fists like forged lightning.
I smeared black lines on my face,
drew crosses on my chest with the nails,
raised my arms and stomped my feet,
dancing in honor of spring
and rebirth, dancing
in honor of winter and death.
I hauled the heavy bucket to the garden,
spread ashes over the ground,
asked the earth to be good.
I gave the earth everything
that pulled me through the lonely winter --
oak trees, barns, poems.
I picked up my shovel
and turned hard, gray dirt,
the blade splitting winter
from spring. With hoe and rake,
I cultivated soil,
tilling row after row,
the earth now loose and black.
Tearing seed packets with my teeth,
I sowed spinach with my right hand,
planted petunias with my left.
Lifting clumps of dirt,
I crumbled them in my fists,
loving each dark letter that fell from my fingers.
And when I carried my empty bucket to the lake for water,
a few last ashes rose into spring-morning air,
ash drifting over fields
dew-covered
and lightly dusted green.
Written by Ted Hughes | Create an image from this poem

Apple Tragedy

So on the seventh day
The serpent rested, 
God came up to him. 
"I've invented a new game," he said. 

The serpent stared in surprise
At this interloper. 
But God said: "You see this apple?" 
I squeeze it and look-cider." 

The serpent had a good drink
And curled up into a question mark. 
Adam drank and said: "Be my god." 
Eve drank and opened her legs

And called to the cockeyed serpent
And gave him a wild time. 
God ran and told Adam
Who in drunken rage tried to hang himself in the orchard. 

The serpent tried to explain, crying "Stop"
But drink was splitting his syllable. 
And Eve started screeching: "Rape! Rape!" 
And stamping on his head. 

Now whenever the snake appears she screeches
"Here it comes again! Help! O Help!" 
Then Adam smashes a chair on his head, 
And God says: "I am well pleased"

And everything goes to hell. 


Written by Ruth Padel | Create an image from this poem

Kiss

 He's gone. She can't believe it, can't go on. She's going to give up painting. So she paints Her final canvas, total-turn-off
Black. One long
Obsidian goodbye. A charcoal-burner's Smirnoff, The mirror of Loch Ness Reflecting the monster back to its own eye.
But something's wrong. Those mad Black-body particles don't sing Her story of despair, the steel and
Garnet spindle
Of the storm.
This black has everything its own sweet way, Where's the I'd-like-to-kill-You conflict? Try once more, but this time add
A curve to all that straight. And opposition White. She paints black first. A grindstone belly Hammering a smaller shape
Beneath a snake
Of in-betweening light. "I feel like this. I hope that you do, too, Black crater. Screw you. Kiss" And sees a voodoo flicker, where two worlds nearly touch
And miss. That flash, where white
Lets black get close, that dagger of not-quite contact,
Catspaw panic, quiver on the wheat
Field before thunder -
There. That's it. That's her own self, in paint, Splitting what she was from what she is. As if everything that separates, unites.

Copyright
from Voodoo Shop (Chatto, 2002), copyright © Ruth Padel 2002, used by permission of the author and the publisher
Written by Andrew Marvell | Create an image from this poem

The Character Of Holland

 Holland, that scarce deserves the name of Land,
As but th'Off-scouring of the Brittish Sand;
And so much Earth as was contributed
By English Pilots when they heav'd the Lead;
Or what by th' Oceans slow alluvion fell,
Of shipwrackt Cockle and the Muscle-shell;
This indigested vomit of the Sea
Fell to the Dutch by just Propriety.
Glad then, as Miners that have found the Oar,
They with mad labour fish'd the Land to Shoar;
And div'd as desperately for each piece
Of Earth, as if't had been of Ambergreece;
Collecting anxiously small Loads of Clay,
Less then what building Swallows bear away;
Transfursing into them their Dunghil Soul.
How did they rivet, with Gigantick Piles,
Thorough the Center their new-catched Miles;
And to the stake a strugling Country bound,
Where barking Waves still bait the forced Ground;
Building their watry Babel far more high
To reach the Sea, then those to scale the Sky.
Yet still his claim the Injur'd Ocean laid,
And oft at Leap-frog ore their Steeples plaid:
As if on purpose it on Land had come
To shew them what's their Mare Liberum.
A daily deluge over them does boyl;
The Earth and Water play at Level-coyl;
The Fish oft-times the Burger dispossest,
And sat not as a Meat but as a Guest;
And oft the Tritons and the Sea-Nymphs saw
Whole sholes of Dutch serv'd up for Cabillan;
Or as they over the new Level rang'd
For pickled Herring, pickled Heeren chang'd.
Nature, it seem'd, asham'd of her mistake,
Would throw their land away at Duck and Drake.
Therefore Necessity, that first made Kings,
Something like Government among them brings.
For as with Pygmees who best kills the Crane,
Among the hungry he that treasures Grain,
Among the blind the one-ey'd blinkard reigns,
So rules among the drowned he that draines.
Not who first see the rising Sun commands,
But who could first discern the rising Lands.
Who best could know to pump an Earth so leak
Him they their Lord and Country's Father speak.
To make a Bank was a great Plot of State;
Invent a Shov'l and be a Magistrate.
Hence some small Dyke-grave unperceiv'd invades
The Pow'r, and grows as 'twere a King of Spades.
But for less envy some Joynt States endures,
Who look like a Commission of the Sewers.
For these Half-anders, half wet, and half dry,
Nor bear strict service, nor pure Liberty.
'Tis probable Religion after this
Came next in order; which they could not miss.
How could the Dutch but be converted, when
Th' Apostles were so many Fishermen?
Besides the Waters of themselves did rise,
And, as their Land, so them did re-baptise.
Though Herring for their God few voices mist,
And Poor-John to have been th' Evangelist.
Faith, that could never Twins conceive before,
Never so fertile, spawn'd upon this shore:
More pregnant then their Marg'ret, that laid down
For Hans-in-Kelder of a whole Hans-Town.
Sure when Religion did it self imbark,
And from the east would Westward steer its Ark,
It struck, and splitting on this unknown ground,
Each one thence pillag'd the first piece he found:
Hence Amsterdam, Turk-Christian-Pagan-Jew,
Staple of Sects and Mint of Schisme grew;
That Bank of Conscience, where not one so strange
Opinion but finds Credit, and Exchange.
In vain for Catholicks our selves we bear;
The Universal Church is onely there.
Nor can Civility there want for Tillage,
Where wisely for their Court they chose a Village.
How fit a Title clothes their Governours,
Themselves the Hogs as all their Subjects Bores
Let it suffice to give their Country Fame
That it had one Civilis call'd by Name,
Some Fifteen hundred and more years ago,
But surely never any that was so.
See but their Mairmaids with their Tails of Fish,
Reeking at Church over the Chafing-Dish.
A vestal Turf enshrin'd in Earthen Ware
Fumes through the loop-holes of wooden Square.
Each to the Temple with these Altars tend,
But still does place it at her Western End:
While the fat steam of Female Sacrifice
Fills the Priests Nostrils and puts out his Eyes.
Or what a Spectacle the Skipper gross,
A Water-Hercules Butter-Coloss,
Tunn'd up with all their sev'ral Towns of Beer;
When Stagg'ring upon some Land, Snick and Sneer,
They try, like Statuaries, if they can,
Cut out each others Athos to a Man:
And carve in their large Bodies, where they please,
The Armes of the United Provinces.
But when such Amity at home is show'd;
What then are their confederacies abroad?
Let this one court'sie witness all the rest;
When their hole Navy they together prest,
Not Christian Captives to redeem from Bands:
Or intercept the Western golden Sands:
No, but all ancient Rights and Leagues must vail,
Rather then to the English strike their sail;
to whom their weather-beaten Province ows
It self, when as some greater Vessal tows
A Cock-boat tost with the same wind and fate;
We buoy'd so often up their Sinking State.
Was this Jus Belli & Pacis; could this be
Cause why their Burgomaster of the Sea
Ram'd with Gun-powder, flaming with Brand wine,
Should raging hold his Linstock to the Mine?
While, with feign'd Treaties, they invade by stealth
Our sore new circumcised Common wealth.
Yet of his vain Attempt no more he sees
Then of Case-Butter shot and Bullet-Cheese.
And the torn Navy stagger'd with him home,
While the Sea laught it self into a foam,
'Tis true since that (as fortune kindly sports,)
A wholesome Danger drove us to our ports.
While half their banish'd keels the Tempest tost,
Half bound at home in Prison to the frost:
That ours mean time at leisure might careen,
In a calm Winter, under Skies Serene.
As the obsequious Air and waters rest,
Till the dear Halcyon hatch out all its nest.
The Common wealth doth by its losses grow;
And, like its own Seas, only Ebbs to flow.
Besides that very Agitation laves,
And purges out the corruptible waves.
And now again our armed Bucentore
Doth yearly their Sea-Nuptials restore.
And how the Hydra of seaven Provinces
Is strangled by our Infant Hercules.
Their Tortoise wants its vainly stretched neck;
Their Navy all our Conquest or our Wreck:
Or, what is left, their Carthage overcome
Would render fain unto our better Rome.
Unless our Senate, lest their Youth disuse,
The War, (but who would) Peace if begg'd refuse.
For now of nothing may our State despair,
Darling of Heaven, and of Men the Care;
Provided that they be what they have been,
Watchful abroad, and honest still within.
For while our Neptune doth a Trident shake, Blake,
Steel'd with those piercing Heads, Dean, Monck and
And while Jove governs in the highest Sphere,
Vainly in Hell let Pluto domineer.
Written by Lewis Carroll | Create an image from this poem

Lays of Sorrow

 The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer. 
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute. 
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw
To see there's no flaw,
Goes once round the house, [4]
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,
First doubling up each of her legs. 
Time rolled away, and so did every shell,
"Small by degrees and beautifully less,"
As the large mother with a powerful spell [5]
Forced each in turn its contents to express, [6]
But ah! "imperfect is expression,"
Some poet said, I don't care who,
If you want to know you must go elsewhere,
One fact I can tell, if you're willing to hear,
He never attended a Parliament Session,
For I'm certain that if he had ever been there,
Full quickly would he have changed his ideas,
With the hissings, the hootings, the groans and the cheers. 
And as to his name it is pretty clear
That it wasn't me and it wasn't you! 

And so it fell upon a day,
(That is, it never rose again)
A chick was found upon the hay,
Its little life had ebbed away.
No longer frolicsome and gay,
No longer could it run or play.
"And must we, chicken, must we part?"
Its master [7] cried with bursting heart,
And voice of agony and pain. 
So one, whose ticket's marked "Return", [8]
When to the lonely roadside station
He flies in fear and perturbation,
Thinks of his home--the hissing urn--
Then runs with flying hat and hair,
And, entering, finds to his despair
He's missed the very last train. [9]

Too long it were to tell of each conjecture
Of chicken suicide, and poultry victim,
The deadly frown, the stern and dreary lecture,
The timid guess, "perhaps some needle pricked him!"
The din of voice, the words both loud and many,
The sob, the tear, the sigh that none could smother,
Till all agreed "a shilling to a penny
It killed itself, and we acquit the mother!"
Scarce was the verdict spoken,
When that still calm was broken,
A childish form hath burst into the throng;
With tears and looks of sadness,
That bring no news of gladness,
But tell too surely something hath gone wrong!
"The sight I have come upon
The stoutest heart [10] would sicken,
That nasty hen has been and gone
And killed another chicken!"
Written by Robert Frost | Create an image from this poem

Two Tramps In Mud Time

 Out of the mud two strangers came
And caught me splitting wood in the yard,
And one of them put me off my aim
By hailing cheerily "Hit them hard!"
I knew pretty well why he had dropped behind
And let the other go on a way.
I knew pretty well what he had in mind:
He wanted to take my job for pay.

Good blocks of oak it was I split,
As large around as the chopping block;
And every piece I squarely hit
Fell splinterless as a cloven rock.
The blows that a life of self-control
Spares to strike for the common good,
That day, giving a loose to my soul,
I spent on the unimportant wood.

The sun was warm but the wind was chill.
You know how it is with an April day
When the sun is out and the wind is still,
You're one month on in the middle of May.
But if you so much as dare to speak,
A cloud comes over the sunlit arch,
A wind comes off a frozen peak,
And you're two months back in the middle of March.

A bluebird comes tenderly up to alight
And turns to the wind to unruffle a plume,
His song so pitched as not to excite
A single flower as yet to bloom.
It is snowing a flake; and he half knew
Winter was only playing possum.
Except in color he isn't blue,
But he wouldn't advise a thing to blossom.

The water for which we may have to look
In summertime with a witching wand,
In every wheelrut's now a brook,
In every print of a hoof a pond.
Be glad of water, but don't forget
The lurking frost in the earth beneath
That will steal forth after the sun is set
And show on the water its crystal teeth.

The time when most I loved my task
The two must make me love it more
By coming with what they came to ask.
You'd think I never had felt before
The weight of an ax-head poised aloft,
The grip of earth on outspread feet,
The life of muscles rocking soft
And smooth and moist in vernal heat.

Out of the wood two hulking tramps
(From sleeping God knows where last night,
But not long since in the lumber camps).
They thought all chopping was theirs of right.
Men of the woods and lumberjacks,
They judged me by their appropriate tool.
Except as a fellow handled an ax
They had no way of knowing a fool.

Nothing on either side was said.
They knew they had but to stay their stay

And all their logic would fill my head:
As that I had no right to play
With what was another man's work for gain.
My right might be love but theirs was need.
And where the two exist in twain
Theirs was the better right--agreed.

But yield who will to their separation,
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future's sakes.
Written by John Davidson | Create an image from this poem

Thirty Bob a Week

 I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.

But I don't allow it's luck and all a toss;
There's no such thing as being starred and crossed;
It's just the power of some to be a boss,
And the bally power of others to be bossed:
I face the music, sir; you bet I ain't a cur;
Strike me lucky if I don't believe I'm lost!

For like a mole I journey in the dark,
A-travelling along the underground
From my Pillar'd Halls and broad Suburbean Park,
To come the daily dull official round;
And home again at night with my pipe all alight,
A-scheming how to count ten bob a pound.

And it's often very cold and very wet,
And my missus stitches towels for a hunks;
And the Pillar'd Halls is half of it to let--
Three rooms about the size of travelling trunks.
And we cough, my wife and I, to dislocate a sigh,
When the noisy little kids are in their bunks.

But you never hear her do a growl or whine,
For she's made of flint and roses, very odd;
And I've got to cut my meaning rather fine,
Or I'd blubber, for I'm made of greens and sod:
So p'r'haps we are in Hell for all that I can tell,
And lost and damn'd and served up hot to God.

I ain't blaspheming, Mr. Silver-tongue;
I'm saying things a bit beyond your art:
Of all the rummy starts you ever sprung,
Thirty bob a week's the rummiest start!
With your science and your books and your the'ries about spooks,
Did you ever hear of looking in your heart?

I didn't mean your pocket, Mr., no:
I mean that having children and a wife,
With thirty bob on which to come and go,
Isn't dancing to the tabor and the fife:
When it doesn't make you drink, by Heaven! it makes you think,
And notice curious items about life.

I step into my heart and there I meet
A god-almighty devil singing small,
Who would like to shout and whistle in the street,
And squelch the passers flat against the wall;
If the whole world was a cake he had the power to take,
He would take it, ask for more, and eat them all.

And I meet a sort of simpleton beside,
The kind that life is always giving beans;
With thirty bob a week to keep a bride
He fell in love and married in his teens:
At thirty bob he stuck; but he knows it isn't luck:
He knows the seas are deeper than tureens.

And the god-almighty devil and the fool
That meet me in the High Street on the strike,
When I walk about my heart a-gathering wool,
Are my good and evil angels if you like.
And both of them together in every kind of weather
Ride me like a double-seated bike.

That's rough a bit and needs its meaning curled.
But I have a high old hot un in my mind --
A most engrugious notion of the world,
That leaves your lightning 'rithmetic behind:
I give it at a glance when I say 'There ain't no chance,
Nor nothing of the lucky-lottery kind.'

And it's this way that I make it out to be:
No fathers, mothers, countres, climates -- none;
Not Adam was responsible for me,
Nor society, nor systems, nary one:
A little sleeping seed, I woke -- I did, indeed --
A million years before the blooming sun.

I woke because I thought the time had come;
Beyond my will there was no other cause;
And everywhere I found myself at home,
Because I chose to be the thing I was;
And in whatever shape of mollusc or of ape
I always went according to the laws.

I was the love that chose my mother out;
I joined two lives and from the union burst;
My weakness and my strength without a doubt
Are mine alone for ever from the first:
It's just the very same with a difference in the name
As 'Thy will be done.' You say it if you durst!

They say it daily up and down the land
As easy as you take a drink, it's true;
But the difficultest go to understand,
And the difficultest job a man can do,
Is to come it brave and meek with thirty bob a week,
And feel that that's the proper thing for you.

It's a naked child against a hungry wolf;
It's playing bowls upon a splitting wreck;
It's walking on a string across a gulf
With millstones fore-and-aft about your neck;
But the thing is daily done by many and many a one;
And we fall, face forward, fighting, on the deck.

Book: Reflection on the Important Things