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Best Famous Spices Poems

Here is a collection of the all-time best famous Spices poems. This is a select list of the best famous Spices poetry. Reading, writing, and enjoying famous Spices poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of spices poems.

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Written by Alfred Lord Tennyson | Create an image from this poem

Come Into The Garden Maud

 Come into the garden, Maud, 
 For the black bat, Night, has flown, 
Come into the garden, Maud, 
 I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
 And the musk of the roses blown.
For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.
All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirr'd To the dancers dancing in tune: Till a silence fell with the waking bird, And a hush with the setting moon.
I said to the lily, "There is but one With whom she has heart to be gay.
When will the dancers leave her alone? She is weary of dance and play.
" Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
I said to the rose, "The brief night goes In babble and revel and wine.
O young lordlover, what sighs are those For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine.
" And the soul of the rose went into my blood, As the music clash'd in the hall; And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all; From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewelprint of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.
The slender acacia would not shake One long milk-bloom on the tree; The white lake-blossom fell into the lake, As the pimpernel dozed on the lea; But the rose was awake all night for your sake, Knowing your promise to me; The lilies and roses were all awake, They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls, Queen lily and rose in one; Shine out, little head, sunning over with curls, To the flowers, and be their sun.
There has fallen a splendid tear From the passion-flower at the gate.
She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.
" She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead; Would start and tremble under her feet, And blossom in purple and red.


Written by Michael Drayton | Create an image from this poem

Sonnet XVI: Mongst All the Creatures

 An Allusion to the Phoenix

'Mongst all the creatures in this spacious round 
Of the birds' kind, the Phoenix is alone, 
Which best by you of living things is known; 
None like to that, none like to you is found.
Your beauty is the hot and splend'rous sun, The precious spices be your chaste desire, Which being kindled by that heav'nly fire, Your life so like the Phoenix's begun; Yourself thus burned in that sacred flame, With so rare sweetness all the heav'ns perfuming, Again increasing as you are consuming, Only by dying born the very same; And, wing'd by fame, you to the stars ascend, So you of time shall live beyond the end.
Written by Carolyn Kizer | Create an image from this poem

Mud Soup

 1.
Had the ham bone, had the lentils, Got to meat store for the salt pork, Got to grocery for the celery.
Had the onions, had the garlic, Borrowed carrots from the neighbor.
Had the spices, had the parsley.
One big kettle I had not got; Borrowed pot and lid from landlord.
2.
Dice the pork and chop the celery, Chop the onions, chop the carrots, Chop the tender index finger.
Put the kettle on the burner, Drop the lentils into kettle: Two quarts water, two cups lentils.
Afternoon is wearing on.
3.
Sauté pork and add the veggies, Add the garlic, cook ten minutes, Add to lentils, add to ham bone; Add the bayleaf, cloves in cheesecloth, Add the cayenne! Got no cayenne! Got paprika, salt and pepper.
Bring to boil, reduce heat, simmer.
Did I say that this is summer? Simmer, summer, summer, simmer.
Mop the floor and suck the finger.
Mop the brow with old potholder.
4.
Time is up! Discard the cheesecloth.
Force the mixture thru the foodmill (having first discarded ham bone).
Add the lean meat from the ham bone; Reheat soup and chop the parsley.
Now that sweating night has fallen, Try at last the finished product: 5.
Tastes like mud, the finished product.
Looks like mud, the finished product.
Consistency of mud the dinner.
(Was it lentils, Claiborne, me?) Flush the dinner down disposall, Say to hell with ham bone, lentils, New York Times's recipe.
Purchase Campbell's.
Just add water.
Concentrate on poetry: By the shores of Gitche Gumee You can bet the banks were muddy, Not like Isle of Innisfree.
Written by William Topaz McGonagall | Create an image from this poem

The Crucifixion of Christ

 Composed, by Special Request, 18th June 1890


Then Pilate, the Roman Governor, took Jesus and scourged Him,
And the soldiers platted a crown of thorns, and thought it no sin
To put it on His head, while meekly Jesus stands;
They put on Him a purple robe, and smote Him with their hands.
Then Pilate went forth again, and said unto them, Behold, I bring Him forth to you, but I cannot Him condemn, And I would have you to remember I find no fault in Him, And to treat Him too harshly 'twould be a sin.
But the rabble cried.
Hail, King of the Jews, and crucify Him; But Pilate saith unto them, I find in Him no sin; Then Jesus came forth, looking dejected and wan, And Pilate saith unto them, Behold the Man.
Then the Jews cried out, By our laws He ought to die, Because He made Himself the Son of God the Most High; And when Pilate heard that saying the Jews had made, He saw they were dissatisfied, and he was the more afraid.
And to release Jesus Pilate did really intend, But the Jews cried angrily, Pilate, thou art not Caesar's friend, Remember, if thou let this vile impostor go, It only goes to prove thou art Caesar's foe.
When Pilate heard that he felt very irate, Then he brought Josus forth, and sat down in the judgment-seat, In a place that is called the Pavement, While the Blessed Saviour stood calm and content.
The presence of His enemies did not Him appal, When Pilate asked of Him, before them all, Whence art Thou, dost say from on High? But Jesus, the Lamb of God, made no reply.
Then saith Pilate unto Him, Speakest Thou not unto me, Remember, I have the power to crucify Thee; But Jesus answered, Thou hast no power at all against me, Except from above it were given to thee.
Then Pilate to the Jews loudly cried, Take Him away to be crucified; Then the soldiers took Jesus and led Him away, And He, bearing His Cross, without dismay.
And they led Him to a place called Golgotha, But the Saviour met His fate without any awe, And there crucified Him with two others, one on either side, And Jesus in the midst, whilst the Jews did Him deride.
Then Pilate tried to pacify the Jews, they felt so morose, And he wrote a title, and put it on the Cross; And the title he wrote did the Jews amuse, The writing was, Jesus of Nazareth the King of the Jews.
This title read many of the Jews without any pity; And the place where Jesus was crucified was nigh to the city; And the title was written in Hebrew, and Greek, and Latin, And while reading the title the Jews did laugh and grin.
While on the Cross the sun refused to shine, And there was total darkness for a long time; The reason was God wanted to hide His wounds from view, And He kept the blessed sun from breaking through.
And to quench His thirst they gave Him vinegar and hyssop, While the blood from His wounded brow copiously did drop, Then He drank of it willingly, and bowed His head, And in a few minutes the dear Saviour was dead.
Then Joseph of Arimathea sadly did grieve, And he asked if Pilate would give him leave To take the body of Jesus away, And Pilate told him to remove it without delay.
Then Joseph took the body of Jesus away, And wound it in linen, which was the Jewish custom of that day, And embalmed his body with spices sweet, Then laid it in a new sepulchre, as Joseph thought meet.
But death could not hold Him in the grave, Because He died poor sinners' souls to save; And God His Father took Him to Heaven on high; And those that believe in Jesus shall never die.
Oh! think of the precious Blood our Saviour did loss, That flowed from His wounds while on the Cross, Especially the wound in His side, made with a spear, And if you are a believer, you will drop a silent tear.
And if you are not a believer, try and believe, And don't let the devil any longer you deceive, Because the precious Blood that Jesus shed will free you from all sin, Therefore, believe in the Saviour, and Heaven you shall enter in!
Written by Thomas Carew | Create an image from this poem

A prayer to the Wind

 Go thou gentle whispering wind,
Bear this sigh; and if thou find
Where my cruel fair doth rest,
Cast it in her snowy breast,
So, enflam'd by my desire,
It may set her heart a-fire.
Those sweet kisses thou shalt gain, Will reward thee for thy pain: Boldly light upon her lip, There suck odours, and thence skip To her bosom; lastly fall Down, and wander over all: Range about those ivory hills, From whose every part distills Amber dew; there spices grow, There pure streams of nectar flow; There perfume thyself, and bring All those sweets upon thy wing: As thou return'st, change by thy power, Every weed into a flower; Turn each thistle to a vine, Make the bramble eglantine.
For so rich a booty made, Do but this, and I am paid.
Thou canst with thy powerful blast, Heat apace, and cool as fast: Thou canst kindle hidden flame, And again destroy the same; Then for pity, either stir Up the fire of love in her, That alike both flames may shine, Or else quite extinguish mine.


Written by Chris Tusa | Create an image from this poem

Ode to Gumbo

 after Sue Owen

Born from flour anointed with oil, 
from a roux dark and mean as a horse’s breath, 
you remind me of some strange, mystical stew 
spawned from a muddy version of Macbeth.
Only someone’s replaced the spells with spices, the witches with a Cajun chef.
Maybe you’re a recipe torn from Satan’s Cookbook, a kind of dumb-downed devil’s brew where evil stirs its wicked spoon in a swampy sacrificial hue.
Maybe God damned the okra that thickens your soup, the muddy bones that haunt your stew.
Maybe this is why, when we smell the cayenne, we’re struck dumb as a moth.
Maybe this is why everything that crawls or flies seems to find its way into your swampy broth.
Written by Laurence Binyon | Create an image from this poem

The Burning of the Leaves

 Now is the time for the burning of the leaves, 
They go to the fire; the nostrils prick with smoke 
Wandering slowly into the weeping mist.
Brittle and blotched, ragged and rotten sheaves! A flame seizes the smouldering ruin, and bites On stubborn stalks that crackle as they resist.
The last hollyhock’s fallen tower is dust: All the spices of June are a bitter reek, All the extravagant riches spent and mean.
All burns! the reddest rose is a ghost.
Spark whirl up, to expire in the mist: the wild Fingers of fire are making corruption clean.
Now is the time for stripping the spirit bare, Time for the burning of days ended and done, Idle solace of things that have gone before, Rootless hope and fruitless desire are there: Let them go to the fire with never a look behind.
That world that was ours is a world that is ours no more.
They will come again, the leaf and the flower, to arise From squalor of rottenness into the old splendour, And magical scents to a wondering memory bring; The same glory, to shine upon different eyes.
Earth cares for her own ruins, naught for ours.
Nothing is certain, only the certain spring.
Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players Sitting to viols or standing up to sing, four layers Of music to serve every instrument, are there, And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights, When the sun flares the old barn-chamber with its flights And skips upon the crystal knobs of dim sideboards, Legless and mouldy, and hops, glint to glint, on hoards Of scythes, and spades, and dinner-horns, so the old tools Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust Covering its flames like smoke and thinning as a gust Of brighter sunshine makes the colours leap and range, The strange old music-stand seems to strike out and change; To stroke and tear the darkness with sharp golden claws; To dart a forked, vermilion tongue from open jaws; To puff out bitter smoke which chokes the sun; and fade Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red, He sees it split and stream, and all about his head Spikes and spears of gold are licking, pricking, flicking, Scratching against the walls and furniture, and nicking The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door And the sun widens out all along the floor, Filling the barn-chamber with white, straightforward light, So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" The Boy will praise his God on an altar builded fair, Will heap it with the Works of the Lord.
In the morning air, Spices shall burn on it, and by their pale smoke curled, Like shoots of all the Green Things, the God of this bright World Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze An altar meet and worthy, but each table and chair Has some defect, each piece is needing some repair To perfect it; the chairs have broken legs and backs, The tables are uneven, and every highboy lacks A handle or a drawer, the desks are bruised and worn, And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there The lacquer music-stand is elegant and rare, Clear and slim of line, with its four wings outspread, The sound of old quartets, a tenuous, faint thread, Hanging and floating over it, it stands supreme -- Black, and gold, and crimson, in one twisted scheme! A candle on the bookcase feels a draught and wavers, Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling, And shadows, strangely altered, stain the walls, revealing Eagles, and rabbits, and weird faces pulled awry, And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun Must touch it, stands the music-stand, and on each one Of its broad platforms is a pyramid of stones, And metals, and dried flowers, and pine and hemlock cones, An oriole's nest with the four eggs neatly blown, The rattle of a rattlesnake, and three large brown Butternuts uncracked, six butterflies impaled With a green luna moth, a snake-skin freshly scaled, Some sunflower seeds, wampum, and a bloody-tooth shell, A blue jay feather, all together piled pell-mell The stand will hold no more.
The Boy with humming head Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy It burns his soul to emptiness, and sets it free For adoration only, for worship.
Dedicate, His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him Whose splendour must be veiled by starry cherubim, Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even, Fronting the window-sill, and when the casement glows Rose-red with the new-blown morning, then the fire which flows From the sun will fall upon the altar and ignite The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim, `Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass Upon the mantelpiece till he could seek a plate Worthy to hold them burning.
Alas! He had been late In thinking of this need, and now he could not find Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down Into the barn-chamber, lest some door should be blown And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared, Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid Them on the flat-topped pear, most carefully displayed To light with ease, then stood a little to one side, Focussed a burning-glass and painstakingly tried To hold it angled so the bunched and prismed rays Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame, Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced, Split to a multitude of pointed spears, and lanced, A deeper, hotter flame, it took the incense pile Which welcomed it and broke into a little smile Of yellow flamelets, creeping, crackling, thrusting up, A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" A moment so it hung, wide-curved, bright-petalled, seeming A chalice foamed with sunrise.
The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies, The oriole's nest took fire, soon all four galleries Where he had spread his treasures were become one tongue Of gleaming, brutal fire.
The Boy instantly swung His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown Acute by fear, the Boy grabbed the quilt from his bed And flung it over all, and then with aching head He watched the early sunshine glint on the remains Of his holy offering.
The lacquer stand had stains Ugly and charred all over, and where the golden pear Had been, a deep, black hole gaped miserably.
His dear Treasures were puffs of ashes; only the stones were there, Winking in the brightness.
The clock upon the stair Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
Written by Alfred Austin | Create an image from this poem

At His Grave

 LEAVE me a little while alone, 
Here at his grave that still is strown 
With crumbling flower and wreath; 
The laughing rivulet leaps and falls, 
The thrush exults, the cuckoo calls, 
And he lies hush’d beneath.
With myrtle cross and crown of rose, And every lowlier flower that blows, His new-made couch is dress’d; Primrose and cowslip, hyacinth wild, Gather’d by monarch, peasant, child, A nation’s grief attest.
I stood not with the mournful crowd That hither came when round his shroud Pious farewells were said.
In the fam’d city that he sav’d, By minaret crown’d, by billow lav’d, I heard that he was dead.
Now o’er his tomb at last I bend, No greeting get, no greeting tend, Who never came before Unto his presence, but I took, From word or gesture, tone or look, Some wisdom from his door.
And must I now unanswer’d wait, And, though a suppliant at the gate, No sound my ears rejoice? Listen! Yes, even as I stand, I feel the pressure of his hand, The comfort of his voice.
How poor were Fame, did grief confess That death can make a great life less, Or end the help it gave! Our wreaths may fade, our flowers may wane, But his well-ripen’d deeds remain, Untouch’d, above his grave.
Let this, too, soothe our widow’d minds; Silenced are the opprobrious winds Whene’er the sun goes down; And free henceforth from noonday noise, He at a tranquil height enjoys The starlight of renown.
Thus hence we something more may take Than sterile grief, than formless ache, Or vainly utter’d vow; Death hath bestow’d what life withheld And he round whom detraction swell’d Hath peace with honor now.
The open jeer, the covert taunt, The falsehood coin’d in factious haunt, These loving gifts reprove.
They never were but thwarted sound Of ebbing waves that bluster round A rock that will not move.
And now the idle roar rolls off, Hush’d is the gibe and sham’d the scoff, Repress’d the envious gird; Since death, the looking-glass of life, Clear’d of the misty breath of strife, Reflects his face unblurr’d.
From callow youth to mellow age, Men turn the leaf and scan the page, And note, with smart of loss, How wit to wisdom did mature, How duty burn’d ambition pure, And purged away the dross.
Youth is self-love; our manhood lends Its heart to pleasure, mistress, friends, So that when age steals nigh, How few find any worthier aim Than to protract a flickering flame, Whose oil hath long run dry! But he, unwitting youth once flown, With England’s greatness link’d his own, And, steadfast to that part, Held praise and blame but fitful sound, And in the love of country found Full solace for his heart.
Now in an English grave he lies: With flowers that tell of English skies And mind of English air, A grateful sovereign decks his bed, And hither long with pilgrim tread Will English feet repair.
Yet not beside his grave alone We seek the glance, the touch, the tone; His home is nigh,—but there, See from the hearth his figure fled, The pen unrais’d, the page unread, Untenanted the chair! Vainly the beechen boughs have made A fresh green canopy of shade, Vainly the peacocks stray; While Carlo, with despondent gait, Wonders how long affairs of State Will keep his lord away.
Here most we miss the guide, the friend; Back to the churchyard let me wend, And, by the posied mound, Lingering where late stood worthier feet, Wish that some voice, more strong, more sweet, A loftier dirge would sound.
At least I bring not tardy flowers: Votive to him life’s budding powers, Such as they were, I gave— He not rejecting, so I may Perhaps these poor faint spices lay, Unchidden, on his grave!
Written by William Cowper | Create an image from this poem

On Receipt Of My Mothers Picture

 Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see, The same that oft in childhood solaced me; Voice only fails, else, how distinct they say, "Grieve not, my child, chase all thy fears away!" The meek intelligence of those dear eyes (Blest be the art that can immortalize, The art that baffles time's tyrannic claim To quench it) here shines on me still the same.
Faithful remembrancer of one so dear, Oh welcome guest, though unexpected, here! Who bidd'st me honour with an artless song, Affectionate, a mother lost so long, I will obey, not willingly alone, But gladly, as the precept were her own; And, while that face renews my filial grief, Fancy shall weave a charm for my relief-- Shall steep me in Elysian reverie, A momentary dream, that thou art she.
My mother! when I learn'd that thou wast dead, Say, wast thou conscious of the tears I shed? Hover'd thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun? Perhaps thou gav'st me, though unseen, a kiss; Perhaps a tear, if souls can weep in bliss-- Ah that maternal smile! it answers--Yes.
I heard the bell toll'd on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nurs'ry window, drew A long, long sigh, and wept a last adieu! But was it such?--It was.
--Where thou art gone Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore, The parting sound shall pass my lips no more! Thy maidens griev'd themselves at my concern, Oft gave me promise of a quick return.
What ardently I wish'd, I long believ'd, And, disappointed still, was still deceiv'd; By disappointment every day beguil'd, Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went, Till, all my stock of infant sorrow spent, I learn'd at last submission to my lot; But, though I less deplor'd thee, ne'er forgot.
Where once we dwelt our name is heard no more, Children not thine have trod my nurs'ry floor; And where the gard'ner Robin, day by day, Drew me to school along the public way, Delighted with my bauble coach, and wrapt In scarlet mantle warm, and velvet capt, 'Tis now become a history little known, That once we call'd the past'ral house our own.
Short-liv'd possession! but the record fair That mem'ry keeps of all thy kindness there, Still outlives many a storm that has effac'd A thousand other themes less deeply trac'd.
Thy nightly visits to my chamber made, That thou might'st know me safe and warmly laid; Thy morning bounties ere I left my home, The biscuit, or confectionary plum; The fragrant waters on my cheeks bestow'd By thy own hand, till fresh they shone and glow'd; All this, and more endearing still than all, Thy constant flow of love, that knew no fall, Ne'er roughen'd by those cataracts and brakes That humour interpos'd too often makes; All this still legible in mem'ry's page, And still to be so, to my latest age, Adds joy to duty, makes me glad to pay Such honours to thee as my numbers may; Perhaps a frail memorial, but sincere, Not scorn'd in heav'n, though little notic'd here.
Could time, his flight revers'd, restore the hours, When, playing with thy vesture's tissued flow'rs, The violet, the pink, and jessamine, I prick'd them into paper with a pin, (And thou wast happier than myself the while, Would'st softly speak, and stroke my head and smile) Could those few pleasant hours again appear, Might one wish bring them, would I wish them here? I would not trust my heart--the dear delight Seems so to be desir'd, perhaps I might.
-- But no--what here we call our life is such, So little to be lov'd, and thou so much, That I should ill requite thee to constrain Thy unbound spirit into bonds again.
Thou, as a gallant bark from Albion's coast (The storms all weather'd and the ocean cross'd) Shoots into port at some well-haven'd isle, Where spices breathe and brighter seasons smile, There sits quiescent on the floods that show Her beauteous form reflected clear below, While airs impregnated with incense play Around her, fanning light her streamers gay; So thou, with sails how swift! hast reach'd the shore "Where tempests never beat nor billows roar," And thy lov'd consort on the dang'rous tide Of life, long since, has anchor'd at thy side.
But me, scarce hoping to attain that rest, Always from port withheld, always distress'd-- Me howling winds drive devious, tempest toss'd, Sails ript, seams op'ning wide, and compass lost, And day by day some current's thwarting force Sets me more distant from a prosp'rous course.
But oh the thought, that thou art safe, and he! That thought is joy, arrive what may to me.
My boast is not that I deduce my birth From loins enthron'd, and rulers of the earth; But higher far my proud pretensions rise-- The son of parents pass'd into the skies.
And now, farewell--time, unrevok'd, has run His wonted course, yet what I wish'd is done.
By contemplation's help, not sought in vain, I seem t' have liv'd my childhood o'er again; To have renew'd the joys that once were mine, Without the sin of violating thine: And, while the wings of fancy still are free, And I can view this mimic shew of thee, Time has but half succeeded in his theft-- Thyself remov'd, thy power to sooth me left.

Book: Shattered Sighs