Get Your Premium Membership

Best Famous Spew Poems

Here is a collection of the all-time best famous Spew poems. This is a select list of the best famous Spew poetry. Reading, writing, and enjoying famous Spew poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of spew poems.

Search and read the best famous Spew poems, articles about Spew poems, poetry blogs, or anything else Spew poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by John Donne | Create an image from this poem

Elegy I: Jealousy

 Fond woman, which wouldst have thy husband die,
And yet complain'st of his great jealousy;
If swol'n with poison, he lay in his last bed,
His body with a sere-bark covered,
Drawing his breath, as thick and short, as can
The nimblest crocheting musician,
Ready with loathsome vomiting to spew
His soul out of one hell, into a new,
Made deaf with his poor kindred's howling cries,
Begging with few feigned tears, great legacies,
Thou wouldst not weep, but jolly and frolic be,
As a slave, which tomorrow should be free;
Yet weep'st thou, when thou seest him hungerly
Swallow his own death, hearts-bane jealousy.
O give him many thanks, he's courteous, That in suspecting kindly warneth us Wee must not, as we used, flout openly, In scoffing riddles, his deformity; Nor at his board together being sat, With words, nor touch, scarce looks adulterate; Nor when he swol'n, and pampered with great fare Sits down, and snorts, caged in his basket chair, Must we usurp his own bed any more, Nor kiss and play in his house, as before.
Now I see many dangers; for that is His realm, his castle, and his diocese.
But if, as envious men, which would revile Their Prince, or coin his gold, themselves exile Into another country, and do it there, We play in another house, what should we fear? There we will scorn his houshold policies, His seely plots, and pensionary spies, As the inhabitants of Thames' right side Do London's Mayor; or Germans, the Pope's pride.


Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.
C.
the mace the flail the axe Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart And hath not St.
Michael a burning sword St.
George a lance David a sling Bomb you are as cruel as man makes you and you're no crueller than cancer All Man hates you they'd rather die by car-crash lightning drowning Falling off a roof electric-chair heart-attack old age old age O Bomb They'd rather die by anything but you Death's finger is free-lance Not up to man whether you boom or not Death has long since distributed its categorical blue I sing thee Bomb Death's extravagance Death's jubilee Gem of Death's supremest blue The flyer will crash his death will differ with the climbor who'll fall to die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night O there are deaths like witches of Arc Scarey deaths like Boris Karloff No-feeling deaths like birth-death sadless deaths like old pain Bowery Abandoned deaths like Capital Punishment stately deaths like senators And unthinkable deaths like Harpo Marx girls on Vogue covers my own I do not know just how horrible Bombdeath is I can only imagine Yet no other death I know has so laughable a preview I scope a city New York City streaming starkeyed subway shelter Scores and scores A fumble of humanity High heels bend Hats whelming away Youth forgetting their combs Ladies not knowing what to do with their shopping bags Unperturbed gum machines Yet dangerous 3rd rail Ritz Brothers from the Bronx caught in the A train The smiling Schenley poster will always smile Impish death Satyr Bomb Bombdeath Turtles exploding over Istanbul The jaguar's flying foot soon to sink in arctic snow Penguins plunged against the Sphinx The top of the Empire state arrowed in a broccoli field in Sicily Eiffel shaped like a C in Magnolia Gardens St.
Sophia peeling over Sudan O athletic Death Sportive Bomb the temples of ancient times their grand ruin ceased Electrons Protons Neutrons gathering Hersperean hair walking the dolorous gulf of Arcady joining marble helmsmen entering the final ampitheater with a hymnody feeling of all Troys heralding cypressean torches racing plumes and banners and yet knowing Homer with a step of grace Lo the visiting team of Present the home team of Past Lyre and tube together joined Hark the hotdog soda olive grape gala galaxy robed and uniformed commissary O the happy stands Ethereal root and cheer and boo The billioned all-time attendance The Zeusian pandemonium Hermes racing Owens The Spitball of Buddha Christ striking out Luther stealing third Planeterium Death Hosannah Bomb Gush the final rose O Spring Bomb Come with thy gown of dynamite green unmenace Nature's inviolate eye Before you the wimpled Past behind you the hallooing Future O Bomb Bound in the grassy clarion air like the fox of the tally-ho thy field the universe thy hedge the geo Leap Bomb bound Bomb frolic zig and zag The stars a swarm of bees in thy binging bag Stick angels on your jubilee feet wheels of rainlight on your bunky seat You are due and behold you are due and the heavens are with you hosanna incalescent glorious liaison BOMB O havoc antiphony molten cleft BOOM Bomb mark infinity a sudden furnace spread thy multitudinous encompassed Sweep set forth awful agenda Carrion stars charnel planets carcass elements Corpse the universe tee-hee finger-in-the-mouth hop over its long long dead Nor From thy nimbled matted spastic eye exhaust deluges of celestial ghouls From thy appellational womb spew birth-gusts of of great worms Rip open your belly Bomb from your belly outflock vulturic salutations Battle forth your spangled hyena finger stumps along the brink of Paradise O Bomb O final Pied Piper both sun and firefly behind your shock waltz God abandoned mock-nude beneath His thin false-talc's apocalypse He cannot hear thy flute's happy-the-day profanations He is spilled deaf into the Silencer's warty ear His Kingdom an eternity of crude wax Clogged clarions untrumpet Him Sealed angels unsing Him A thunderless God A dead God O Bomb thy BOOM His tomb That I lean forward on a desk of science an astrologer dabbling in dragon prose half-smart about wars bombs especially bombs That I am unable to hate what is necessary to love That I can't exist in a world that consents a child in a park a man dying in an electric-chair That I am able to laugh at all things all that I know and do not know thus to conceal my pain That I say I am a poet and therefore love all man knowing my words to be the acquainted prophecy of all men and my unwords no less an acquaintanceship That I am manifold a man pursuing the big lies of gold or a poet roaming in bright ashes or that which I imagine myself to be a shark-toothed sleep a man-eater of dreams I need not then be all-smart about bombs Happily so for if I felt bombs were caterpillars I'd doubt not they'd become butterflies There is a hell for bombs They're there I see them there They sit in bits and sing songs mostly German songs And two very long American songs and they wish there were more songs especially Russian and Chinese songs and some more very long American songs Poor little Bomb that'll never be an Eskimo song I love thee I want to put a lollipop in thy furcal mouth A wig of Goldilocks on thy baldy bean and have you skip with me Hansel and Gretel along the Hollywoodian screen O Bomb in which all lovely things moral and physical anxiously participate O fairylike plucked from the grandest universe tree O piece of heaven which gives both mountain and anthill a sun I am standing before your fantastic lily door I bring you Midgardian roses Arcadian musk Reputed cosmetics from the girls of heaven Welcome me fear not thy opened door nor thy cold ghost's grey memory nor the pimps of indefinite weather their cruel terrestial thaw Oppenheimer is seated in the dark pocket of Light Fermi is dry in Death's Mozambique Einstein his mythmouth a barnacled wreath on the moon-squid's head Let me in Bomb rise from that pregnant-rat corner nor fear the raised-broom nations of the world O Bomb I love you I want to kiss your clank eat your boom You are a paean an acme of scream a lyric hat of Mister Thunder O resound thy tanky knees BOOM BOOM BOOM BOOM BOOM BOOM ye skies and BOOM ye suns BOOM BOOM ye moons ye stars BOOM nights ye BOOM ye days ye BOOM BOOM BOOM ye winds ye clouds ye rains go BANG ye lakes ye oceans BING Barracuda BOOM and cougar BOOM Ubangi BOOM orangutang BING BANG BONG BOOM bee bear baboon ye BANG ye BONG ye BING the tail the fin the wing Yes Yes into our midst a bomb will fall Flowers will leap in joy their roots aching Fields will kneel proud beneath the halleluyahs of the wind Pinkbombs will blossom Elkbombs will perk their ears Ah many a bomb that day will awe the bird a gentle look Yet not enough to say a bomb will fall or even contend celestial fire goes out Know that the earth will madonna the Bomb that in the hearts of men to come more bombs will be born magisterial bombs wrapped in ermine all beautiful and they'll sit plunk on earth's grumpy empires fierce with moustaches of gold
Written by John Wilmot | Create an image from this poem

Tunbridge Wells

 At five this morn, when Phoebus raised his head
From Thetis' lap, I raised myself from bed,
And mounting steed, I trotted to the waters
The rendesvous of fools, buffoons, and praters,
Cuckolds, whores, citizens, their wives and daughters.
My squeamish stomach I with wine had bribed To undertake the dose that was prescribed; But turning head, a sudden curséd view That innocent provision overthrew, And without drinking, made me purge and spew.
From coach and six a thing unweildy rolled, Whose lumber, card more decently would hold.
As wise as calf it looked, as big as bully, But handled, proves a mere Sir Nicholas Cully; A bawling fop, a natural Nokes, and yet He dares to censure as if he had wit.
To make him more ridiculous, in spite Nature contrived the fool should be a knight.
Though he alone were dismal signet enough, His train contributed to set him off, All of his shape, all of the selfsame stuff.
No spleen or malice need on them be thrown: Nature has done the business of lampoon, And in their looks their characters has shown.
Endeavoring this irksome sight to balk, And a more irksome noise, their silly talk, I silently slunk down t' th' Lower Walk, But often when one would Charybdis shun, Down upon Scilla 'tis one's fate to run, For here it was my curséd luck to find As great a fop, though of another kind, A tall stiff fool that walked in Spanish guise: The buckram puppet never stirred its eyes, But grave as owl it looked, as woodcock wise.
He scorns the empty talking of this mad age, And speaks all proverbs, sentences, and adage; Can with as much solemnity buy eggs As a cabal can talk of their intrigues; Master o' th' Ceremonies, yet can dispense With the formality of talking sense.
From hence unto the upper walk I ran, Where a new scene of foppery began.
A tribe of curates, priests, canonical elves, Fit company for none besides themselves, Were got together.
Each his distemper told, Scurvy, stone, strangury; some were so bold To charge the spleen to be their misery, And on that wise disease brought infamy.
But none had modesty enough t' complain Their want of learning, honesty, and brain, The general diseases of that train.
These call themselves ambassadors of heaven, And saucily pretend commissions given; But should an Indian king, whose small command Seldom extends beyond ten miles of land, Send forth such wretched tools in an ambassage, He'd find but small effects of such a message.
Listening, I found the cob of all this rabble Pert Bays, with his importance comfortable.
He, being raised to an archdeaconry By trampling on religion, liberty, Was grown to great, and looked too fat and jolly, To be disturbed with care and melancholy, Though Marvell has enough exposed his folly.
He drank to carry off some old remains His lazy dull distemper left in 's veins.
Let him drink on, but 'tis not a whole flood Can give sufficient sweetness to his blood To make his nature of his manners good.
Next after these, a fulsome Irish crew Of silly Macs were offered to my view.
The things did talk, but th' hearing what they said I did myself the kindness to evade.
Nature has placed these wretches beneath scorn: They can't be called so vile as they are born.
Amidst the crowd next I myself conveyed, For now were come, whitewash and paint being laid, Mother and daughter, mistress and the maid, And squire with wig and pantaloon displayed.
But ne'er could conventicle, play, or fair For a true medley, with this herd compare.
Here lords, knights, squires, ladies and countesses, Chandlers, mum-bacon women, sempstresses Were mixed together, nor did they agree More in their humors than their quality.
Here waiting for gallant, young damsel stood, Leaning on cane, and muffled up in hood.
The would-be wit, whose business was to woo, With hat removed and solemn scrape of shoe Advanceth bowing, then genteelly shrugs, And ruffled foretop into order tugs, And thus accosts her: "Madam, methinks the weather Is grown much more serene since you came hither.
You influence the heavens; but should the sun Withdraw himself to see his rays outdone By your bright eyes, they would supply the morn, And make a day before the day be born.
" With mouth screwed up, conceited winking eyes, And breasts thrust forward, "Lord, sir!" she replies.
"It is your goodness, and not my deserts, Which makes you show this learning, wit, and parts.
" He, puzzled, butes his nail, both to display The sparkling ring, and think what next to say, And thus breaks forth afresh: "Madam, egad! Your luck at cards last night was very bad: At cribbage fifty-nine, and the next show To make the game, and yet to want those two.
God damn me, madam, I'm the son of a whore If in my life I saw the like before!" To peddler's stall he drags her, and her breast With hearts and such-like foolish toys he dressed; And then, more smartly to expound the riddle Of all his prattle, gives her a Scotch fiddle.
Tired with this dismal stuff, away I ran Where were two wives, with girl just fit for man - Short-breathed, with pallid lips and visage wan.
Some curtsies past, and the old compliment Of being glad to see each other, spent, With hand in hand they lovingly did walk, And one began thus to renew the talk: "I pray, good madam, if it may be thought No rudeness, what cause was it hither brought Your ladyship?" She soon replying, smiled, "We have a good estate, but have no child, And I'm informed these wells will make a barren Woman as fruitful as a cony warren.
" The first returned, "For this cause I am come, For I can have no quietness at home.
My husband grumbles though we have got one, This poor young girl, and mutters for a son.
And this is grieved with headache, pangs, and throes; Is full sixteen, and never yet had those.
" She soon replied, "Get her a husband, madam: I married at that age, and ne'er had 'em; Was just like her.
Steel waters let alone: A back of steel will bring 'em better down.
" And ten to one but they themselves will try The same means to increase their family.
Poor foolish fribble, who by subtlety Of midwife, truest friend to lechery, Persuaded art to be at pains and charge To give thy wife occasion to enlarge Thy silly head! For here walk Cuff and Kick, With brawny back and legs and potent prick, Who more substantially will cure thy wife, And on her half-dead womb bestow new life.
From these the waters got the reputation Of good assistants unto generation.
Some warlike men were now got into th' throng, With hair tied back, singing a bawdy song.
Not much afraid, I got a nearer view, And 'twas my chance to know the dreadful crew.
They were cadets, that seldom can appear: Damned to the stint of thirty pounds a year.
With hawk on fist, or greyhound led in hand, The dogs and footboys sometimes they command.
But now, having trimmed a cast-off spavined horse, With three hard-pinched-for guineas in their purse, Two rusty pistols, scarf about the ****, Coat lined with red, they here presume to swell: This goes for captain, that for colonel.
So the Bear Garden ape, on his steed mounted, No longer is a jackanapes accounted, But is, by virtue of his trumpery, then Called by the name of "the young gentleman.
" Bless me! thought I, what thing is man, that thus In all his shapes, he is ridiculous? Ourselves with noise of reason we do please In vain: humanity's our worst disease.
Thrice happy beasts are, who, because they be Of reason void, and so of foppery.
Faith, I was so ashamed that with remorse I used the insolence to mount my horse; For he, doing only things fit for his nature, Did seem to me by much the wiser creature.
Written by Jonathan Swift | Create an image from this poem

A Beautiful Young Nymph Going To Bed

 Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair: 
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide, Stuck on with Art on either Side, Pulls off with Care, and first displays 'em, Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws, That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess Unlaces next her Steel-Rib'd Bodice; Which by the Operator's Skill, Press down the Lumps, the Hollows fill, Up hoes her Hand, and off she slips The Bolsters that supply her Hips.
With gentlest Touch, she next explores Her Shankers, Issues, running Sores, Effects of many a sad Disaster; And then to each applies a Plaster.
But must, before she goes to Bed, Rub off the Daubs of White and Red; And smooth the Furrows in her Front, With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps; And then between two Blankets creeps.
With pains of love tormented lies; Or if she chance to close her Eyes, Of Bridewell and the Compter dreams, And feels the Lash, and faintly screams; Or, by a faithless Bully drawn, At some Hedge-Tavern lies in Pawn; Or to Jamaica seems transported, Alone, and by no Planter courted; Or, near Fleet-Ditch's oozy Brinks, Surrounded with a Hundred Stinks, Belated, seems on watch to lie, And snap some Cull passing by; Or, struck with Fear, her Fancy runs On Watchmen, Constables and Duns, From whom she meets with frequent Rubs; But, never from Religious Clubs; Whose Favour she is sure to find, Because she pays them all in Kind.
CORINNA wakes.
A dreadful Sight! Behold the Ruins of the Night! A wicked Rat her Plaster stole, Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd; And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas; And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight, Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts To recollect the scatter'd Parts? Or show the Anguish, Toil, and Pain, Of gath'ring up herself again? The bashful Muse will never bear In such a Scene to interfere.
Corinna in the Morning dizen'd, Who sees, will spew; who smells, be poison'd.
Written by Alexander Pope | Create an image from this poem

Epistles to Several Persons: Epistle IV To Richard Boyle

 Est brevitate opus, ut currat sententia, neu se 
Impediat verbis lassas onerantibus aures: 
Et sermone opus est modo tristi, saepe jocoso, 
Defendente vicem modo Rhetoris atque Poetae, 
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22) 'Tis strange, the miser should his cares employ To gain those riches he can ne'er enjoy: Is it less strange, the prodigal should waste His wealth to purchase what he ne'er can taste? Not for himself he sees, or hears, or eats; Artists must choose his pictures, music, meats: He buys for Topham, drawings and designs, For Pembroke, statues, dirty gods, and coins; Rare monkish manuscripts for Hearne alone, And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more Than his fine wife, alas! or finer whore.
For what his Virro painted, built, and planted? Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste? Some daemon whisper'd, "Visto! have a taste.
" Heav'n visits with a taste the wealthy fool, And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride, Bids Bubo build, and sends him such a guide: A standing sermon, at each year's expense, That never coxcomb reach'd magnificence! You show us, Rome was glorious, not profuse, And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules Fill half the land with imitating fools; Who random drawings from your sheets shall take, And of one beauty many blunders make; Load some vain church with old theatric state, Turn arcs of triumph to a garden gate; Reverse your ornaments, and hang them all On some patch'd dog-hole ek'd with ends of wall; Then clap four slices of pilaster on't, That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar, Proud to catch cold at a Venetian door; Conscious they act a true Palladian part, And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer, A certain truth, which many buy too dear: Something there is more needful than expense, And something previous ev'n to taste--'tis sense: Good sense, which only is the gift of Heav'n, And though no science, fairly worth the sev'n: A light, which in yourself you must perceive; Jones and Le Notre have it not to give.
To build, to plant, whatever you intend, To rear the column, or the arch to bend, To swell the terrace, or to sink the grot; In all, let Nature never be forgot.
But treat the goddess like a modest fair, Nor overdress, nor leave her wholly bare; Let not each beauty ev'rywhere be spied, Where half the skill is decently to hide.
He gains all points, who pleasingly confounds, Surprises, varies, and conceals the bounds.
Consult the genius of the place in all; That tells the waters or to rise, or fall; Or helps th' ambitious hill the heav'ns to scale, Or scoops in circling theatres the vale; Calls in the country, catches opening glades, Joins willing woods, and varies shades from shades, Now breaks, or now directs, th' intending lines; Paints as you plant, and, as you work, designs.
Still follow sense, of ev'ry art the soul, Parts answ'ring parts shall slide into a whole, Spontaneous beauties all around advance, Start ev'n from difficulty, strike from chance; Nature shall join you; time shall make it grow A work to wonder at--perhaps a Stowe.
Without it, proud Versailles! thy glory falls; And Nero's terraces desert their walls: The vast parterres a thousand hands shall make, Lo! Cobham comes, and floats them with a lake: Or cut wide views through mountains to the plain, You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark, Nor in an hermitage set Dr.
Clarke.
Behold Villario's ten years' toil complete; His quincunx darkens, his espaliers meet; The wood supports the plain, the parts unite, And strength of shade contends with strength of light; A waving glow his bloomy beds display, Blushing in bright diversities of day, With silver-quiv'ring rills meander'd o'er-- Enjoy them, you! Villario can no more; Tir'd of the scene parterres and fountains yield, He finds at last he better likes a field.
Through his young woods how pleas'd Sabinus stray'd, Or sat delighted in the thick'ning shade, With annual joy the redd'ning shoots to greet, Or see the stretching branches long to meet! His son's fine taste an op'ner vista loves, Foe to the dryads of his father's groves; One boundless green, or flourish'd carpet views, With all the mournful family of yews; The thriving plants ignoble broomsticks made, Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day, Where all cry out, "What sums are thrown away!" So proud, so grand of that stupendous air, Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught As brings all Brobdingnag before your thought.
To compass this, his building is a town, His pond an ocean, his parterre a down: Who but must laugh, the master when he sees, A puny insect, shiv'ring at a breeze! Lo, what huge heaps of littleness around! The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind Improves the keenness of the Northern wind.
His gardens next your admiration call, On ev'ry side you look, behold the wall! No pleasing intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each alley has a brother, And half the platform just reflects the other.
The suff'ring eye inverted Nature sees, Trees cut to statues, statues thick as trees; With here a fountain, never to be play'd; And there a summerhouse, that knows no shade; Here Amphitrite sails through myrtle bow'rs; There gladiators fight, or die in flow'rs; Unwater'd see the drooping sea horse mourn, And swallows roost in Nilus' dusty urn.
My Lord advances with majestic mien, Smit with the mighty pleasure, to be seen: But soft--by regular approach--not yet-- First through the length of yon hot terrace sweat; And when up ten steep slopes you've dragg'd your thighs, Just at his study door he'll bless your eyes.
His study! with what authors is it stor'd? In books, not authors, curious is my Lord; To all their dated backs he turns you round: These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look, These shelves admit not any modern book.
And now the chapel's silver bell you hear, That summons you to all the pride of pray'r: Light quirks of music, broken and uneven, Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye.
To rest, the cushion and soft dean invite, Who never mentions Hell to ears polite.
But hark! the chiming clocks to dinner call; A hundred footsteps scrape the marble hall: The rich buffet well-colour'd serpents grace, And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room? No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state, You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring, From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state, And complaisantly help'd to all I hate, Treated, caress'd, and tir'd, I take my leave, Sick of his civil pride from morn to eve; I curse such lavish cost, and little skill, And swear no day was ever pass'd so ill.
Yet hence the poor are cloth'd, the hungry fed; Health to himself, and to his infants bread The lab'rer bears: What his hard heart denies, His charitable vanity supplies.
Another age shall see the golden ear Embrown the slope, and nod on the parterre, Deep harvests bury all his pride has plann'd, And laughing Ceres reassume the land.
Who then shall grace, or who improve the soil? Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense, And splendour borrows all her rays from sense.
His father's acres who enjoys in peace, Or makes his neighbours glad, if he increase: Whose cheerful tenants bless their yearly toil, Yet to their Lord owe more than to the soil; Whose ample lawns are not asham'd to feed The milky heifer and deserving steed; Whose rising forests, not for pride or show, But future buildings, future navies, grow: Let his plantations stretch from down to down, First shade a country, and then raise a town.
You too proceed! make falling arts your care, Erect new wonders, and the old repair; Jones and Palladio to themselves restore, And be whate'er Vitruvius was before: Till kings call forth th' ideas of your mind, Proud to accomplish what such hands design'd, Bid harbours open, public ways extend, Bid temples, worthier of the God, ascend; Bid the broad arch the dang'rous flood contain, The mole projected break the roaring main; Back to his bounds their subject sea command, And roll obedient rivers through the land; These honours, peace to happy Britain brings, These are imperial works, and worthy kings.


Written by Rg Gregory | Create an image from this poem

in search of milk and paradise

 heeley (sheffield) autumn 1988

dodging the broken bottles
dog-**** the pavement spew
i wheel my young son matthew
through the heeley streets
shop to shop this early
morning (short of milk)
unsettled day - the sun
comes through the clouds in
ragged strips where windy
rain has had the night
to puff and piddle

puddles idle in
the dips of surfaces
neglected for decades

another place where caring's
lost a public vision
only detritus of hope
dares poke its battered 
visage out of doors

no pride here on pavements
what's local's long been
squashed - wealth's dogs
prefer more stately
avenues to piss up

the air is fresh
i'm moving briskly
getting a lift from
my negotiating skills

take a buggy on 
two wheels to skirt
a sudden pool a twirl
past faeces - a kind of
hop-scotch over jags
of milky glass - and come
to stop on a hillside
where slopes of grass drop
sleekly on what were
backs of houses

i'm out of breath
a darkness ripples
past my eyes and knocks
on my unfitness
i am locked for one
brief aeon as a rock
that's held its place upon
this hill inscrutably

a wildness explodes
from every blade of grass
i touch upon deep springs
(a healing flow upsurging
through the **** and glass
the torn-down homes)

my body's lapped - my
old eyes washed of dirt
a comb's gone through the
landscape at my feet
the muck's redeemed

a larger time lets
nothing be what is
but everything is used
for what is coming

today-defunct breeds
trees that bloom tomorrow
nothing's next step on 
is one - what's poor is
where new worlds are just
beginning - the ****
spew glass the death
of hope have done their time

(cartons which the future's
thrown away as minds
and spirits snout amongst
the refuse seeking forms
to dress their fresh selves in)

the meek are gathered
in millions on this hill
disparaged destitute
of any say in this
dead time as others
roll their tongues
round easy riches

but here's the future
too - a start of ages
a cry whose agony's
a pinprick or a seedling
a drib of red and green
the statute's blind to

across the valley
sheffield snarls itself
to this day's life
its smoke-tuned buildings
boxed-in by the past
(upheavals mortised in
its joints make it confused)

for all its roar it
slumbers through its present
wanting its glory back
the talk of its old
workers flawed with steely
pride (that stainless stain)
there's no dawn there - its power
and wealth have long borne
all its sons away

it's in the detritus
i stand in (in this mix
of race and stymied
passion heeley has become
- and all such cast-off
cesspits of our dreams)
the not-yet written 
songs of human dignity
are not yet being sung

the shudder leaves me
i'm just this oldish
man with his youngest son
pushing a buggy through
scarred heeley streets
more concerned to get
no **** upon the wheels
than to hold a sand-grain
to the world and turn
its atoms inside out

i'll not live to see
the newlaid honest
pavements going down
and houses have that look
within their glass that sings
of confidence-returned

i push on up the hill
(to where my oldest son
has done his house up)
once more safely in
the compound of my 
aging flesh talking
with matthew playing
buggy games

  triumphant
only that after
so many sorry shops
i'd found one that did
sell milk - the morning
cup of tea reclaimed

the real world put to rights
Written by Robert Burns | Create an image from this poem

147. Address to a Haggis

 FAIR fa’ your honest, sonsie face,
Great chieftain o’ the pudding-race!
Aboon them a’ ye tak your place,
 Painch, tripe, or thairm:
Weel are ye wordy o’a grace
 As lang’s my arm.
The groaning trencher there ye fill, Your hurdies like a distant hill, Your pin was help to mend a mill In time o’need, While thro’ your pores the dews distil Like amber bead.
His knife see rustic Labour dight, An’ cut you up wi’ ready sleight, Trenching your gushing entrails bright, Like ony ditch; And then, O what a glorious sight, Warm-reekin’, rich! Then, horn for horn, they stretch an’ strive: Deil tak the hindmost! on they drive, Till a’ their weel-swall’d kytes belyve Are bent like drums; Then auld Guidman, maist like to rive, Bethankit! hums.
Is there that owre his French ragout Or olio that wad staw a sow, Or fricassee wad make her spew Wi’ perfect sconner, Looks down wi’ sneering, scornfu’ view On sic a dinner? Poor devil! see him owre his trash, As feckles as wither’d rash, His spindle shank, a guid whip-lash; His nieve a nit; Thro’ blody flood or field to dash, O how unfit! But mark the Rustic, haggis-fed, The trembling earth resounds his tread.
Clap in his walie nieve a blade, He’ll mak it whissle; An’ legs an’ arms, an’ hands will sned, Like taps o’ trissle.
Ye Pow’rs, wha mak mankind your care, And dish them out their bill o’ fare, Auld Scotland wants nae skinking ware That jaups in luggies; But, if ye wish her gratefu’ prayer Gie her a haggis!

Book: Reflection on the Important Things