Written by
Emily Brontë |
On a sunny brae, alone I lay
One summer afternoon;
It was the marriage-time of May
With her young lover, June.
From her mother's heart, seemed loath to part
That queen of bridal charms,
But her father smiled on the fairest child
He ever held in his arms.
The trees did wave their plumy crests,
The glad birds caroled clear;
And I, of all the wedding guests,
Was only sullen there!
There was not one, but wished to shun
My aspect void of cheer;
The very grey rocks, looking on,
Asked, "What do you here?"
And I could utter no reply;
In sooth, I did not know
Why I had brought a clouded eye
To greet the general glow.
So, resting on a heathy bank,
I took my heart to me;
And we together sadly sank
Into a reverie.
We thought, "When winter comes again,
Where will these bright things be?
All vanished, like a vision vain,
An unreal mockery!
The birds that now so blithely sing,
Through deserts, frozen dry,
Poor spectres of the perished spring,
In famished troops, will fly.
And why should we be glad at all?
The leaf is hardly green,
Before a token of its fall
Is on the surface seen!"
Now, whether it were really so,
I never could be sure;
But as in fit of peevish woe,
I stretched me on the moor.
A thousand thousand gleaming fires
Seemed kindling in the air;
A thousand thousand silvery lyres
Resounded far and near:
Methought, the very breath I breathed
Was full of sparks divine,
And all my heather-couch was wreathed
By that celestial shine!
And, while the wide earth echoing rung
To their strange minstrelsy,
The little glittering spirits sung,
Or seemed to sing, to me.
"O mortal! mortal! let them die;
Let time and tears destroy,
That we may overflow the sky
With universal joy!
Let grief distract the sufferer's breast,
And night obscure his way;
They hasten him to endless rest,
And everlasting day.
To thee the world is like a tomb,
A desert's naked shore;
To us, in unimagined bloom,
It brightens more and more!
And could we lift the veil, and give
One brief glimpse to thine eye,
Thou wouldst rejoice for those that live,
Because they live to die."
The music ceased; the noonday dream,
Like dream of night, withdrew;
But Fancy, still, will sometimes deem
Her fond creation true.
|
Written by
Edwin Arlington Robinson |
“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”
“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;
For their music on my heart, though you may freeze it, will fall always,
Like summer snow that never melts upon a mountain-top.
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear the children singing?… God, will you make them stop!”
“And what now in His holy name have you to do with mountains?
We’re back to town again, my dear, and we’ve a dance tonight.
Frozen hearts and falling music? Snow and stars, and—what the devil!
Say it over to me slowly, and be sure you have it right.”
“God knows if I be right or wrong in saying what I tell you,
Or if I know the meaning any more of what I say.
All I know is, it will kill me if I try to keep it hidden—
Well, I met him…. Yes, I met him, and I talked with him—today.”
“You met him? Did you meet the ghost of someone you had poisoned,
Long ago, before I knew you for the woman that you are?
Take a chair; and don’t begin your stories always in the middle.
Was he man, or was he demon? Anyhow, you’ve gone too far
To go back, and I’m your servant. I’m the lord, but you’re the master.
Now go on with what you know, for I’m excited.”
“Do you mean—
Do you mean to make me try to think that you know less than I do?”
“I know that you foreshadow the beginning of a scene.
Pray be careful, and as accurate as if the doors of heaven
Were to swing or to stay bolted from now on for evermore.”
“Do you conceive, with all your smooth contempt of every feeling,
Of hiding what you know and what you must have known before?
Is it worth a woman’s torture to stand here and have you smiling,
With only your poor fetish of possession on your side?
No thing but one is wholly sure, and that’s not one to scare me;
When I meet it I may say to God at last that I have tried.
And yet, for all I know, or all I dare believe, my trials
Henceforward will be more for you to bear than are your own;
And you must give me keys of yours to rooms I have not entered.
Do you see me on your threshold all my life, and there alone?
Will you tell me where you see me in your fancy—when it leads you
Far enough beyond the moment for a glance at the abyss?”
“Will you tell me what intrinsic and amazing sort of nonsense
You are crowding on the patience of the man who gives you—this?
Look around you and be sorry you’re not living in an attic,
With a civet and a fish-net, and with you to pay the rent.
I say words that you can spell without the use of all your letters;
And I grant, if you insist, that I’ve a guess at what you meant.”
“Have I told you, then, for nothing, that I met him? Are you trying
To be merry while you try to make me hate you?”
“Think again,
My dear, before you tell me, in a language unbecoming
To a lady, what you plan to tell me next. If I complain,
If I seem an atom peevish at the preference you mention—
Or imply, to be precise—you may believe, or you may not,
That I’m a trifle more aware of what he wants than you are.
But I shouldn’t throw that at you. Make believe that I forgot.
Make believe that he’s a genius, if you like,—but in the meantime
Don’t go back to rocking-horses. There, there, there, now.”
“Make believe!
When you see me standing helpless on a plank above a whirlpool,
Do I drown, or do I hear you when you say it? Make believe?
How much more am I to say or do for you before I tell you
That I met him! What’s to follow now may be for you to choose.
Do you hear me? Won’t you listen? It’s an easy thing to listen….”
“And it’s easy to be crazy when there’s everything to lose.”
“If at last you have a notion that I mean what I am saying,
Do I seem to tell you nothing when I tell you I shall try?
If you save me, and I lose him—I don’t know—it won’t much matter.
I dare say that I’ve lied enough, but now I do not lie.”
“Do you fancy me the one man who has waited and said nothing
While a wife has dragged an old infatuation from a tomb?
Give the thing a little air and it will vanish into ashes.
There you are—piff! presto!”
“When I came into this room,
It seemed as if I saw the place, and you there at your table,
As you are now at this moment, for the last time in my life;
And I told myself before I came to find you, ‘I shall tell him,
If I can, what I have learned of him since I became his wife.’
And if you say, as I’ve no doubt you will before I finish,
That you have tried unceasingly, with all your might and main,
To teach me, knowing more than I of what it was I needed,
Don’t think, with all you may have thought, that you have tried in vain;
For you have taught me more than hides in all the shelves of knowledge
Of how little you found that’s in me and was in me all along.
I believed, if I intruded nothing on you that I cared for,
I’d be half as much as horses,—and it seems that I was wrong;
I believed there was enough of earth in me, with all my nonsense
Over things that made you sleepy, to keep something still awake;
But you taught me soon to read my book, and God knows I have read it—
Ages longer than an angel would have read it for your sake.
I have said that you must open other doors than I have entered,
But I wondered while I said it if I might not be obscure.
Is there anything in all your pedigrees and inventories
With a value more elusive than a dollar’s? Are you sure
That if I starve another year for you I shall be stronger
To endure another like it—and another—till I’m dead?”
“Has your tame cat sold a picture?—or more likely had a windfall?
Or for God’s sake, what’s broke loose? Have you a bee-hive in your head?
A little more of this from you will not be easy hearing
Do you know that? Understand it, if you do; for if you won’t….
What the devil are you saying! Make believe you never said it,
And I’ll say I never heard it…. Oh, you…. If you….”
“If I don’t?”
“There are men who say there’s reason hidden somewhere in a woman,
But I doubt if God himself remembers where the key was hung.”
“He may not; for they say that even God himself is growing.
I wonder if He makes believe that He is growing young;
I wonder if He makes believe that women who are giving
All they have in holy loathing to a stranger all their lives
Are the wise ones who build houses in the Bible….”
“Stop—you devil!”
“…Or that souls are any whiter when their bodies are called wives.
If a dollar’s worth of gold will hoop the walls of hell together,
Why need heaven be such a ruin of a place that never was?
And if at last I lied my starving soul away to nothing,
Are you sure you might not miss it? Have you come to such a pass
That you would have me longer in your arms if you discovered
That I made you into someone else…. Oh!…Well, there are worse ways.
But why aim it at my feet—unless you fear you may be sorry….
There are many days ahead of you.”
“I do not see those days.”
“I can see them. Granted even I am wrong, there are the children.
And are they to praise their father for his insight if we die?
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear them? Do you hear the children?”
“Damn the children!”
“Why?
What have they done?…Well, then,—do it…. Do it now, and have it over.”
“Oh, you devil!…Oh, you….”
“No, I’m not a devil, I’m a prophet—
One who sees the end already of so much that one end more
Would have now the small importance of one other small illusion,
Which in turn would have a welcome where the rest have gone before.
But if I were you, my fancy would look on a little farther
For the glimpse of a release that may be somewhere still in sight.
Furthermore, you must remember those two hundred invitations
For the dancing after dinner. We shall have to shine tonight.
We shall dance, and be as happy as a pair of merry spectres,
On the grave of all the lies that we shall never have to tell;
We shall dance among the ruins of the tomb of our endurance,
And I have not a doubt that we shall do it very well.
There!—I’m glad you’ve put it back; for I don’t like it. Shut the drawer now.
No—no—don’t cancel anything. I’ll dance until I drop.
I can’t walk yet, but I’m going to…. Go away somewhere, and leave me….
Oh, you children! Oh, you children!…God, will they never stop!”
|
Written by
Alfred Lord Tennyson |
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more -- my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet --
"Mother!" and I was folded in thine arms.
Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother -- eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!
So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers -- but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.
Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"? -- and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee, --
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls; --
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.
Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."
So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears kill'd the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.
Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
|
Written by
Mary Darby Robinson |
TERRIFIC FIEND! thou Monster fell,
Condemn'd in haunts profane to dwell,
Why quit thy solitary Home,
O'er wide Creation's paths to roam?
Pale Tyrant of the timid Heart,
Whose visionary spells can bind
The strongest passions of the mind,
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near,
For round thy form all plagues are seen;
Thine is the frantic tone, the sullen mien,
The glance of petrifying fear,
The haggard Brow, the low'ring Eye,
The hollow Cheek, the smother'd Sigh,
When thy usurping fangs assail,
The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain;
Imperious Sorrow spurns relief,
Feeds on the luxury of Grief,
Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart,
In the dark centre of the guilty Heart;
The POW'R SUPREME, with pitying eye,
Looks on the erring Child of Misery;
MERCY arrests the wing of Time;
To expiate the wretch's crime;
Insulted HEAV'N consign'd thy brand
To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew,
And round th' ensanguin'd Poisons threw,
By CONSCIENCE goadeddriven by FEAR,
Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave
Imbib'd contagion o'er the midnight lamp,
Close pent in loathsome cells, where poisons damp
Hung round the confines of a Living Grave; *
Where no glimm'ring ray illum'd
The flinty walls, where pond'rous chains
Bound the wan Victim to the humid earth,
Where VALOUR, GENIUS, TASTE, and WORTH,
In pestilential caves entomb'd,
Sought thy cold arms, and smiling mock'd their pains.
THERE,each procrastinated hour
The woe-worn suff'rer gasping lay,
While by his side in proud array
Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye,
And fainting HOPE retir'd to die,
Truth shrunk appall'd,
In spells of icy Apathy enthrall'd;
Till FREEDOM spurn'd the ignominious chain,
And roused from Superstition's night,
Exulting Nature claim'd her right,
And call'd dire Vengeance from her dark domain.
Now take thy solitary flight
Amid the turbid gales of night,
Where Spectres starting from the tomb,
Glide along th' impervious gloom;
Or, stretch'd upon the sea-beat shore,
Let the wild winds, as they roar,
Rock Thee on thy Bed of Stone;
Or, in gelid caverns pent,
Listen to the sullen moan
Of subterranean winds;or glut thy sight
Where stupendous mountains rent
Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine
Shall o'er the shatter'd Rock incline,
Whose trembling brow, with wild weeds drest,
Frowns on the tawny EAGLE's nest;
THERE enjoy the 'witching hour,
And freeze in Frenzy's dire conceit,
Or seek the Screech-owl's lone retreat,
On the bleak rampart of some nodding Tow'r.
In some forest long and drear,
Tempt the fierce BANDITTI's rage,
War with famish'd Tygers wage,
And mock the taunts of Fear.
When across the yawning deep,
The Demons of the Tempest sweep,
Or deaf'ning Thunders bursting cast
Their red bolts on the shivering mast,
While fix'd below the sea-boy stands,
As threat'ning Death his soul dismays,
He lifts his supplicating hands,
And shrieks, and groans, and weeps, and prays,
Till lost amid the floating fire
The agonizing crew expire;
THEN let thy transports rend the air,
For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease
The MOTHER bends, with tearful eye,
And trembles, lest her quiv'ring sigh,
Should wake the darling of her breast,
Now, by the taper's feeble rays,
She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more,
Thy CHERUB soars among the Blest,
Life's crimson Fount begins to freeze,
His transitory scene is o'er.
She startsshe ravesher burning brain,
Consumes, unconscious of its fires,
Dead to the Heart's convulsive Pain,
Bewilder'd Memory retires.
See! See! she grasps her flowing hair,
From her fix'd eye the big drops roll,
Her proud Affliction mocks controul,
And riots in DESPAIR,
Such are thy haunts, malignant Pow'r,
There all thy murd'rous Poisons pour;
But come not near my calm retreat,
Where Peace and holy FRIENDSHIP meet;
Where SCIENCE sheds a gentle ray,
And guiltless Mirth beguiles the day,
Where Bliss congenial to the MUSE
Shall round my Heart her sweets diffuse,
Where, from each restless Passion free,
I give my noiseless hours, BLESS'D POETRY, TO THEE.
|
Written by
Emma Lazarus |
Oft have I brooded on defeat and pain,
The pathos of the stupid, stumbling throng.
These I ignore to-day and only long
To pour my soul forth in one trumpet strain,
One clear, grief-shattering, triumphant song,
For all the victories of man's high endeavor,
Palm-bearing, laurel deeds that live forever,
The splendor clothing him whose will is strong.
Hast thou beheld the deep, glad eyes of one
Who has persisted and achieved? Rejoice!
On naught diviner shines the all-seeing sun.
Salute him with free heart and choral voice,
'Midst flippant, feeble crowds of spectres wan,
The bold, significant, successful man.
|
Written by
Thomas Hardy |
Through vaults of pain,
Enribbed and wrought with groins of ghastliness,
I passed, and garish spectres moved my brain
To dire distress.
And hammerings,
And quakes, and shoots, and stifling hotness, blent
With webby waxing things and waning things
As on I went.
"Where lies the end
To this foul way?" I asked with weakening breath.
Thereon ahead I saw a door extend -
The door to death.
It loomed more clear:
"At last!" I cried. "The all-delivering door!"
And then, I knew not how, it grew less near
Than theretofore.
And back slid I
Along the galleries by which I came,
And tediously the day returned, and sky,
And life--the same.
And all was well:
Old circumstance resumed its former show,
And on my head the dews of comfort fell
As ere my woe.
I roam anew,
Scarce conscious of my late distress . . . And yet
Those backward steps through pain I cannot view
Without regret.
For that dire train
Of waxing shapes and waning, passed before,
And those grim aisles, must be traversed again
To reach that door.
|
Written by
Robert Southey |
Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate. In this are spectres often seen, which
foreshew either the death of the Governor, or some prime officer
belonging to the place; and most commonly it appeareth in the shape of
an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked
in her body for the space of two years, so that none suspected but that
she was still alive; for she did both speak and eat, though very
sparingly; only she had a deep paleness on her countenance, which was
the only sign of death. At length a Magician coming by where she was
then in the company of many other virgins, as soon as he beheld her he
said, "fair Maids, why keep you company with the dead Virgin whom you
suppose to be alive?" when taking away the magic charm which was tied
under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories. They are to be found
in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas
Heywood, printed in folio by Adam Islip, 1635.
.................
High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.
The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.
The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.
For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;
And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.
And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music from below.
The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.
A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.
Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.
Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.
The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.
And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.
Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.
Sudden the unfathom'd lake sent forth
Strange music from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.
As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.
Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.
But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.
And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd
Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.
Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.
The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.
Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.
And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.
And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.
And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.
And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.
And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.
That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
|
Written by
Charles Baudelaire |
O SWARMING city, city full of dreams,
Where in a full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space--
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed?
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son? In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
|
Written by
Aleister Crowley |
For Margot
Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe?
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
|
Written by
Alexander Pope |
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen."
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear."
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
|