Get Your Premium Membership

Best Famous Specious Poems

Here is a collection of the all-time best famous Specious poems. This is a select list of the best famous Specious poetry. Reading, writing, and enjoying famous Specious poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of specious poems.

Search and read the best famous Specious poems, articles about Specious poems, poetry blogs, or anything else Specious poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Philip Larkin | Create an image from this poem

Aubade

 I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die.
Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify.
The mind blanks at the glare.
Not in remorse -- The good not done, the love not given, time Torn off unused -- nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always.
Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true.
This is a special way of being afraid No trick dispels.
Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear -- no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round.
And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision.
Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink.
Courage is no good: It means not scaring others.
Being brave Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know, Have always known, know that we can't escape, Yet can't accept.
One side will have to go.
Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.


Written by Vachel Lindsay | Create an image from this poem

The Knight in Disguise

 [Concerning O.
Henry (Sidney Porter)] "He could not forget that he was a Sidney.
" Is this Sir Philip Sidney, this loud clown, The darling of the glad and gaping town? This is that dubious hero of the press Whose slangy tongue and insolent address Were spiced to rouse on Sunday afternoon The man with yellow journals round him strewn.
We laughed and dozed, then roused and read again, And vowed O.
Henry funniest of men.
He always worked a triple-hinged surprise To end the scene and make one rub his eyes.
He comes with vaudeville, with stare and leer.
He comes with megaphone and specious cheer.
His troupe, too fat or short or long or lean, Step from the pages of the magazine With slapstick or sombrero or with cane: The rube, the cowboy or the masher vain.
They over-act each part.
But at the height Of banter and of canter and delight The masks fall off for one ***** instant there And show real faces: faces full of care And desperate longing: love that's hot or cold; And subtle thoughts, and countenances bold.
The masks go back.
'Tis one more joke.
Laugh on! The goodly grown-up company is gone.
No doubt had he occasion to address The brilliant court of purple-clad Queen Bess, He would have wrought for them the best he knew And led more loftily his actor-crew.
How coolly he misquoted.
'Twas his art — Slave-scholar, who misquoted — from the heart.
So when we slapped his back with friendly roar Æsop awaited him without the door, — Æsop the Greek, who made dull masters laugh With little tales of fox and dog and calf .
And be it said, mid these his pranks so odd With something nigh to chivalry he trod And oft the drear and driven would defend — The little shopgirls' knight unto the end.
Yea, he had passed, ere we could understand The blade of Sidney glimmered in his hand.
Yea, ere we knew, Sir Philip's sword was drawn With valiant cut and thrust, and he was gone.
Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
The peopled fold thy kindly care have found, The hornèd bull, tremendous, spurns the ground; The lordly lion has enough and more, The forest trembles at his very roar; Thou giv’st the ass his hide, the snail his shell, The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour, In all th’ omnipotence of rule and power: Foxes and statesmen subtle wiles ensure; The cit and polecat stink, and are secure: Toads with their poison, doctors with their drug, The priest and hedgehog, in their robes, are snug: E’en silly women have defensive arts, Their eyes, their tongues—and nameless other parts.
But O thou cruel stepmother and hard, To thy poor fenceless, naked child, the Bard! A thing unteachable in worldly skill, And half an idiot too, more helpless still: No heels to bear him from the op’ning dun, No claws to dig, his hated sight to shun: No horns, but those by luckless Hymen worn, And those, alas! not Amalthea’s horn: No nerves olfact’ry, true to Mammon’s foot, Or grunting, grub sagacious, evil’s root: The silly sheep that wanders wild astray, Is not more friendless, is not more a prey; Vampyre-booksellers drain him to the heart, And viper-critics cureless venom dart.
Critics! appll’d I venture on the name, Those cut-throat bandits in the paths of fame, Bloody dissectors, worse than ten Monroes, He hacks to teach, they mangle to expose: By blockhead’s daring into madness stung, His heart by wanton, causeless malice wrung, His well-won ways-than life itself more dear— By miscreants torn who ne’er one sprig must wear; Foil’d, bleeding, tortur’d in th’ unequal strife, The hapless Poet flounces on through life, Till, fled each hope that once his bosom fired, And fled each Muse that glorious once inspir’d, Low-sunk in squalid, unprotected age, Dead even resentment for his injur’d page, He heeds no more the ruthless critics’ rage.
So by some hedge the generous steed deceas’d, For half-starv’d, snarling curs a dainty feast; By toil and famine worn to skin and bone, Lies, senseless of each tugging *****’s son.
· · · · · · A little upright, pert, tart, tripping wight, And still his precious self his dear delight; Who loves his own smart shadow in the streets, Better than e’er the fairest she he meets; Much specious lore, but little understood, (Veneering oft outshines the solid wood), His solid sense, by inches you must tell, But mete his cunning by the Scottish ell! A man of fashion too, he made his tour, Learn’d “vive la bagatelle et vive l’amour;” So travell’d monkeys their grimace improve, Polish their grin-nay, sigh for ladies’ love! His meddling vanity, a busy fiend, Still making work his selfish craft must mend.
· · · · · · · · · · · · · · · Crochallan came, The old cock’d hat, the brown surtout—the same; His grisly beard just bristling in its might— ’Twas four long nights and days from shaving-night; His uncomb’d, hoary locks, wild-staring, thatch’d A head, for thought profound and clear, unmatch’d; Yet, tho’ his caustic wit was biting-rude, His heart was warm, benevolent and good.
· · · · · · O Dulness, portion of the truly blest! Calm, shelter’d haven of eternal rest! Thy sons ne’er madden in the fierce extremes Of Fortune’s polar frost, or torrid beams; If mantling high she fills the golden cup, With sober, selfish ease they sip it up; Conscious the bounteous meed they well deserve, They only wonder “some folks” do not starve! The grave, sage hern thus easy picks his frog, And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope, When, thro’ disastrous night, they darkling grope, With deaf endurance sluggishly they bear, And just conclude that “fools are Fortune’s care:” So, heavy, passive to the tempest’s shocks, Strong on the sign-post stands the stupid ox.
Not so the idle Muses’ mad-cap train, Not such the workings of their moon-struck brain; In equanimity they never dwell, By turns in soaring heaven, or vaulted hell!
Written by Alec Derwent (A D) Hope | Create an image from this poem

The Commination

 He that is filthy let him be filthy still.
Rev.
22.
11 Like John on Patmos, brooding on the Four Last Things, I meditate the ruin of friends Whose loss, Lord, brings this grand new curse to mind Now send me foes worth cursing, or send more - Since means should be proportionate to ends - For mine are few and of the piddling kind: Drivellers, snivellers, writers of bad verse, Backbiting bitches, snipers from a pew, Small turds from the great **** of self-esteem; On such as these I would not waste my curse.
God send me soon the enemy or two Fit for the wrath of God, of whom I dream: Some Caliban of Culture, some absurd Messiah of the Paranoiac State, Some Educator wallowing in his slime, Some Prophet of the Uncreating Word Monsters a man might reasonably hate, Masters of Progress, Leaders of our Time; But chiefly the Suborners: Common Tout And Punk, the Advertiser, him I mean And his smooth hatchet-man, the Technocrat.
Them let my malediction single out, These modern Dives with their talking screen Who lick the sores of Lazarus and grow fat, Licensed to pimp, solicit and procure Here in my house, to foul my feast, to bawl Their wares while I am talking with my friend, To pour into my ears a public sewer Of all the Strumpet Muses sell and all That prostituted science has to vend.
In this great Sodom of a world, which turns The treasure of the Intellect to dust And every gift to some perverted use, What wonder if the human spirit learns Recourses of despair or of disgust, Abortion, suicide and self-abuse.
But let me laugh, Lord; let me crack and strain The belly of this derision till it burst; For I have seen too much, have lived too long A citizen of Sodom to refrain, And in the stye of Science, from the first, Have watched the pearls of Circe drop on dung.
Let me not curse my children, nor in rage Mock at the just, the helpless and the poor, Foot-fast in Sodom's rat-trap; make me bold To turn on the Despoilers all their age Invents: damnations never felt before And hells more horrible than hot and cold.
And, since in Heaven creatures purified Rational, free, perfected in their kinds Contemplate God and see Him face to face In Hell, for sure, spirits transmogrified, Paralysed wills and parasitic minds Mirror their own corruption and disgrace.
Now let this curse fall on my enemies My enemies, Lord, but all mankind's as well Prophets and panders of their golden calf; Let Justice fit them all in their degrees; Let them, still living, know that state of hell, And let me see them perish, Lord, and laugh.
Let them be glued to television screens Till their minds fester and the trash they see Worm their dry hearts away to crackling shells; Let ends be so revenged upon their means That all that once was human grows to be A flaccid mass of phototropic cells; Let the dog love his vomit still, the swine Squelch in the slough; and let their only speech Be Babel; let the specious lies they bred Taste on their tongues like intellectual wine Let sung commercials surfeit them, till each Goggles with nausea in his nauseous bed.
And, lest with them I learn to gibber and gloat, Lead me, for Sodom is my city still, To seek those hills in which the heart finds ease; Give Lot his leave; let Noah build his boat, And me and mine, when each has laughed his fill, View thy damnation and depart in peace.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Commination

 He that is filthy let him be filthy still.
Rev.
22.
11 Like John on Patmos, brooding on the Four Last Things, I meditate the ruin of friends Whose loss, Lord, brings this grand new curse to mind Now send me foes worth cursing, or send more - Since means should be proportionate to ends - For mine are few and of the piddling kind: Drivellers, snivellers, writers of bad verse, Backbiting bitches, snipers from a pew, Small turds from the great **** of self-esteem; On such as these I would not waste my curse.
God send me soon the enemy or two Fit for the wrath of God, of whom I dream: Some Caliban of Culture, some absurd Messiah of the Paranoiac State, Some Educator wallowing in his slime, Some Prophet of the Uncreating Word Monsters a man might reasonably hate, Masters of Progress, Leaders of our Time; But chiefly the Suborners: Common Tout And Punk, the Advertiser, him I mean And his smooth hatchet-man, the Technocrat.
Them let my malediction single out, These modern Dives with their talking screen Who lick the sores of Lazarus and grow fat, Licensed to pimp, solicit and procure Here in my house, to foul my feast, to bawl Their wares while I am talking with my friend, To pour into my ears a public sewer Of all the Strumpet Muses sell and all That prostituted science has to vend.
In this great Sodom of a world, which turns The treasure of the Intellect to dust And every gift to some perverted use, What wonder if the human spirit learns Recourses of despair or of disgust, Abortion, suicide and self-abuse.
But let me laugh, Lord; let me crack and strain The belly of this derision till it burst; For I have seen too much, have lived too long A citizen of Sodom to refrain, And in the stye of Science, from the first, Have watched the pearls of Circe drop on dung.
Let me not curse my children, nor in rage Mock at the just, the helpless and the poor, Foot-fast in Sodom's rat-trap; make me bold To turn on the Despoilers all their age Invents: damnations never felt before And hells more horrible than hot and cold.
And, since in Heaven creatures purified Rational, free, perfected in their kinds Contemplate God and see Him face to face In Hell, for sure, spirits transmogrified, Paralysed wills and parasitic minds Mirror their own corruption and disgrace.
Now let this curse fall on my enemies My enemies, Lord, but all mankind's as well Prophets and panders of their golden calf; Let Justice fit them all in their degrees; Let them, still living, know that state of hell, And let me see them perish, Lord, and laugh.
Let them be glued to television screens Till their minds fester and the trash they see Worm their dry hearts away to crackling shells; Let ends be so revenged upon their means That all that once was human grows to be A flaccid mass of phototropic cells; Let the dog love his vomit still, the swine Squelch in the slough; and let their only speech Be Babel; let the specious lies they bred Taste on their tongues like intellectual wine Let sung commercials surfeit them, till each Goggles with nausea in his nauseous bed.
And, lest with them I learn to gibber and gloat, Lead me, for Sodom is my city still, To seek those hills in which the heart finds ease; Give Lot his leave; let Noah build his boat, And me and mine, when each has laughed his fill, View thy damnation and depart in peace.


Written by Edwin Arlington Robinson | Create an image from this poem

Sainte-Nitouche

 Though not for common praise of him, 
Nor yet for pride or charity, 
Still would I make to Vanderberg 
One tribute for his memory: 

One honest warrant of a friend
Who found with him that flesh was grass— 
Who neither blamed him in defect 
Nor marveled how it came to pass; 

Or why it ever was that he— 
That Vanderberg, of all good men,
Should lose himself to find himself, 
Straightway to lose himself again.
For we had buried Sainte-Nitouche, And he had said to me that night: “Yes, we have laid her in the earth, But what of that?” And he was right.
And he had said: “We have a wife, We have a child, we have a church; ’T would be a scurrilous way out If we should leave them in the lurch.
“That’s why I have you here with me To-night: you know a talk may take The place of bromide, cyanide, Et cetera.
For heaven’s sake, “Why do you look at me like that? What have I done to freeze you so? Dear man, you see where friendship means A few things yet that you don’t know; “And you see partly why it is That I am glad for what is gone: For Sainte-Nitouche and for the world In me that followed.
What lives on— “Well, here you have it: here at home— For even home will yet return.
You know the truth is on my side, And that will make the embers burn.
“I see them brighten while I speak, I see them flash,—and they are mine! You do not know them, but I do: I know the way they used to shine.
“And I know more than I have told Of other life that is to be: I shall have earned it when it comes, And when it comes I shall be free.
“Not as I was before she came, But farther on for having been The servitor, the slave of her— The fool, you think.
But there’s your sin— “Forgive me!—and your ignorance: Could you but have the vision here That I have, you would understand As I do that all ways are clear “For those who dare to follow them With earnest eyes and honest feet.
But Sainte-Nitouche has made the way For me, and I shall find it sweet.
“Sweet with a bitter sting left?—Yes, Bitter enough, God knows, at first; But there are more steep ways than one To make the best look like the worst; “And here is mine—the dark and hard, For me to follow, trust, and hold: And worship, so that I may leave No broken story to be told.
“Therefore I welcome what may come, Glad for the days, the nights, the years.
”— An upward flash of ember-flame Revealed the gladness in his tears.
“You see them, but you know,” said he, “Too much to be incredulous: You know the day that makes us wise, The moment that makes fools of us.
“So I shall follow from now on The road that she has found for me: The dark and starry way that leads Right upward, and eternally.
“Stumble at first? I may do that; And I may grope, and hate the night; But there’s a guidance for the man Who stumbles upward for the light, “And I shall have it all from her, The foam-born child of innocence.
I feel you smiling while I speak, But that’s of little consequence; “For when we learn that we may find The truth where others miss the mark, What is it worth for us to know That friends are smiling in the dark? “Could we but share the lonely pride Of knowing, all would then be well; But knowledge often writes itself In flaming words we cannot spell.
“And I, who have my work to do, Look forward; and I dare to see, Far stretching and all mountainous, God’s pathway through the gloom for me.
” I found so little to say then That I said nothing.
—“Say good-night,” Said Vanderberg; “and when we meet To-morrow, tell me I was right.
“Forget the dozen other things That you have not the faith to say; For now I know as well as you That you are glad to go away.
” I could have blessed the man for that, And he could read me with a smile: “You doubt,” said he, “but if we live You’ll know me in a little while.
” He lived; and all as he foretold, I knew him—better than he thought: My fancy did not wholly dig The pit where I believed him caught.
But yet he lived and laughed, and preached, And worked—as only players can: He scoured the shrine that once was home And kept himself a clergyman.
The clockwork of his cold routine Put friends far off that once were near; The five staccatos in his laugh Were too defensive and too clear; The glacial sermons that he preached Were longer than they should have been; And, like the man who fashioned them, The best were too divinely thin.
But still he lived, and moved, and had The sort of being that was his, Till on a day the shrine of home For him was in the Mysteries:— “My friend, there’s one thing yet,” said he, “And one that I have never shared With any man that I have met; But you—you know me.
” And he stared For a slow moment at me then With conscious eyes that had the gleam, The shine, before the stroke:—“You know The ways of us, the way we dream: “You know the glory we have won, You know the glamour we have lost; You see me now, you look at me,— And yes, you pity me, almost; “But never mind the pity—no, Confess the faith you can’t conceal; And if you frown, be not like one Of those who frown before they feel.
“For there is truth, and half truth,—yes, And there’s a quarter truth, no doubt; But mine was more than half.
… You smile? You understand? You bear me out? “You always knew that I was right— You are my friend—and I have tried Your faith—your love.
”—The gleam grew small, The stroke was easy, and he died.
I saw the dim look change itself To one that never will be dim; I saw the dead flesh to the grave, But that was not the last of him.
For what was his to live lives yet: Truth, quarter truth, death cannot reach; Nor is it always what we know That we are fittest here to teach.
The fight goes on when fields are still, The triumph clings when arms are down; The jewels of all coronets Are pebbles of the unseen crown; The specious weight of loud reproof Sinks where a still conviction floats; And on God’s ocean after storm Time’s wreckage is half pilot-boats; And what wet faces wash to sight Thereafter feed the common moan:— But Vanderberg no pilot had, Nor could have: he was all alone.
Unchallenged by the larger light The starry quest was his to make; And of all ways that are for men, The starry way was his to take.
We grant him idle names enough To-day, but even while we frown The fight goes on, the triumph clings, And there is yet the unseen crown But was it his? Did Vanderberg Find half truth to be passion’s thrall, Or as we met him day by day, Was love triumphant, after all? I do not know so much as that; I only know that he died right: Saint Anthony nor Sainte-Nitouche Had ever smiled as he did—quite.
Written by James Thomson | Create an image from this poem

A Poem Sacred to the Memory of Sir Isaac Newton

 Shall the great soul of Newton quit this earth, 
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
But what can man?--Even now the sons of light,
In strains high-warbled to seraphic lyre,
Hail his arrival on the coast of bliss.
Yet am not I deterr'd, though high the theme, And sung to harps of angels, for with you, Ethereal flames! ambitious, I aspire In Nature's general symphony to join.
And what new wonders can ye show your guest! Who, while on this dim spot, where mortals toil Clouded in dust, from motion's simple laws, Could trace the secret hand of Providence, Wide-working through this universal frame.
Have ye not listen'd while he bound the suns And planets to their spheres! th' unequal task Of humankind till then.
Oft had they roll'd O'er erring man the year, and oft disgrac'd The pride of schools, before their course was known Full in its causes and effects to him, All-piercing sage! who sat not down and dream'd Romantic schemes, defended by the din Of specious words, and tyranny of names; But, bidding his amazing mind attend, And with heroic patience years on years Deep-searching, saw at last the system dawn, And shine, of all his race, on him alone.
What were his raptures then! how pure! how strong! And what the triumphs of old Greece and Rome, By his diminish'd, but the pride of boys In some small fray victorious! when instead Of shatter'd parcels of this earth usurp'd By violence unmanly, and sore deeds Of cruelty and blood, Nature herself Stood all subdu'd by him, and open laid Her every latent glory to his view.
All intellectual eye, our solar-round First gazing through, he by the blended power Of gravitation and projection saw The whole in silent harmony revolve.
From unassisted vision hid, the moons To cheer remoter planets numerous pour'd, By him in all their mingled tracts were seen.
He also fix'd the wandering Queen of Night, Whether she wanes into a scanty orb, Or, waxing broad, with her pale shadowy light, In a soft deluge overflows the sky.
Her every motion clear-discerning, he Adjusted to the mutual main, and taught Why now the mighty mass of water swells Resistless, heaving on the broken rocks, And the full river turning; till again The tide revertive, unattracted, leaves A yellow waste of idle sands behind.
Then breaking hence, he took his ardent flight Through the blue infinite; and every star, Which the clear concave of a winter's night Pours on the eye, or astronomic tube, Far-stretching, snatches from the dark abyss, Or such as farther in successive skies To fancy shine alone, at his approach Blaz'd into suns, the living centre each Of an harmonious system: all combin'd, And rul'd unerring by that single power, Which draws the stone projected to the ground.
O unprofuse magnificence divine! O wisdom truly perfect! thus to call From a few causes such a scheme of things, Effects so various, beautiful, and great, An universe complete! and O belov'd Of Heaven! whose well-purg'd penetrative eye, The mystic veil transpiercing, inly scann'd The rising, moving, wide-establish'd frame.
He, first of men, with awful wing pursu'd The comet through the long elliptic curve, As round innumerous worlds he wound his way, Till, to the forehead of our evening sky Return'd, the blazing wonder glares anew, And o'er the trembling nations shakes dismay.
The heavens are all his own, from the wild rule Of whirling vortices and circling spheres To their first great simplicity restor'd.
The schools astonish'd stood; but found it vain To keep at odds with demonstration strong, And, unawaken'd, dream beneath the blaze Of truth.
At once their pleasing visions fled, With the gay shadows of the morning mix'd, When Newton rose, our philosophic sun! Th' aërial flow of sound was known to him, From whence it first in wavy circles breaks, Till the touch'd organ takes the message in.
Nor could the darting beam of speed immense Escape his swift pursuit and measuring eye.
Ev'n Light itself, which every thing displays, Shone undiscover'd, till his brighter mind Untwisted all the shining robe of day; And, from the whitening undistinguish'd blaze, Collecting every ray into his kind, To the charm'd eye educ'd the gorgeous train Of parent colours.
First the flaming red Sprung vivid forth; the tawny orange next; And next delicious yellow; by whose side Fell the kind beams of all-refreshing green.
Then the pure blue, that swells autumnal skies Ethereal played; and then, of sadder hue, Emerg'd the deepen'd indigo, as when The heavy-skirted evening droops with frost; While the last gleamings of refracted light Died in the fainting violet away.
These, when the clouds distil the rosy shower, Shine out distinct adown the wat'ry bow; While o'er our heads the dewy vision bends Delightful, melting on the fields beneath.
Myriads of mingling dyes from these result, And myriads still remain--infinite source Of beauty, ever flushing, ever new.
Did ever poet image aught so fair, Dreaming in whisp'ring groves by the hoarse brook? Or prophet, to whose rapture heaven descends? Ev'n now the setting sun and shifting clouds, Seen, Greenwich, from thy lovely heights, declare How just, how beauteous the refractive law.
The noiseless tide of time, all bearing down To vast eternity's unbounded sea, Where the green islands of the happy shine, He stemm'd alone; and, to the source (involv'd Deep in primeval gloom) ascending, rais'd His lights at equal distances, to guide Historian wilder'd on his darksome way.
But who can number up his labours? who His high discoveries sing? When but a few Of the deep-studying race can stretch their minds To what he knew--in fancy's lighter thought How shall the muse then grasp the mighty theme? What wonder thence that his devotion swell'd Responsive to his knowledge? For could he, Whose piercing mental eye diffusive saw The finish'd university of things In all its order, magnitude, and parts, Forbear incessant to adore that Power Who fills, sustains, and actuates the whole? Say, ye who best can tell, ye happy few, Who saw him in the softest lights of life, All unwithheld, indulging to his friends The vast unborrow'd treasures of his mind, oh, speak the wondrous man! how mild, how calr How greatly humble, how divinely good, How firm establish'd on eternal truth; Fervent in doing well, with every nerve Still pressing on, forgetful of the past, And panting for perfection; far above Those little cares and visionary joys That so perplex the fond impassion'd heart Of ever-cheated, ever-trusting man.
This, Conduitt, from thy rural hours we hope; As through the pleasing shade where nature pours Her every sweet in studious ease you walk, The social passions smiling at thy heart That glows with all the recollected sage.
And you, ye hopeless gloomy-minded tribe, You who, unconscious of those nobler flights That reach impatient at immortal life, Against the prime endearing privilege Of being dare contend,--say, can a soul Of such extensive, deep, tremendous powers, Enlarging still, be but a finer breath Of spirits dancing through their tubes awhile, And then for ever lost in vacant air? But hark! methinks I hear a warning voice, Solemn as when some awful change is come, Sound through the world--" 'Tis done!--the measure's full; And I resign my charge.
"--Ye mouldering stones That build the towering pyramid, the proud Triumphal arch, the monument effac'd By ruthless ruin, and whate'er supports The worship'd name of hoar antiquity-- Down to the dust! What grandeur can ye boast While Newton lifts his column to the skies, Beyond the waste of time.
Let no weak drop Be shed for him.
The virgin in her bloom Cut off, the joyous youth, and darling child-- These are the tombs that claim the tender tear And elegiac song.
But Newton calls For other notes of gratulation high, That now he wanders through those endless worlds He here so well descried, and wondering talks, And hymns their Author with his glad compeers.
O Britain's boast! whether with angels thou Sittest in dread discourse, or fellow-blest, Who joy to see the honour of their kind; Or whether, mounted on cherubic wing, Thy swift career is with the whirling orbs, Comparing things with things, in rapture lost, And grateful adoration for that light So plenteous ray'd into thy mind below From Light Himself; oh, look with pity down On humankind, a frail erroneous race! Exalt the spirit of a downward world! O'er thy dejected country chief preside, And be her Genius call'd! her studies raise, Correct her manners, and inspire her youth; For, though deprav'd and sunk, she brought thee forth, And glories in thy name! she points thee out To all her sons, and bids them eye thy star: While, in expectance of the second life, When time shall be no more, thy sacred dust Sleeps with her kings, and dignifies the scene.
Written by Mary Darby Robinson | Create an image from this poem

Ode to the Nightingale

 SWEET BIRD OF SORROW! ­why complain 
In such soft melody of Song, 
That ECHO, am'rous of thy Strain, 
The ling'ring cadence doth prolong? 
Ah! tell me, tell me, why, 
Thy dulcet Notes ascend the sky.
Or on the filmy vapours glide Along the misty moutain's side? And wherefore dost Thou love to dwell, In the dark wood and moss-grown cell, Beside the willow-margin'd stream­ Why dost Thou court wan Cynthia's beam? Sweet Songstress­if thy wayward fate Hath robb'd Thee of thy bosom's mate, Oh, think not thy heart-piercing moan Evap'rates on the breezy air, Or that the plaintive Song of Care Steals from THY Widow'd Breast alone.
Oft have I heard thy mournful Tale, On the high Cliff, that o'er the Vale Hangs its dark brow, whose awful shade Spreads a deep gloom along the glade: Led by its sound, I've wander'd far, Till crimson evening's flaming Star On Heav'n's vast dome refulgent hung, And round ethereal vapours flung; And oft I've sought th'HYGEIAN MAID, In rosy dimply smiles array'd, Till forc'd with every HOPE to part, Resistless Pain subdued my Heart.
Oh then, far o'er the restless deep Forlorn my poignant pangs I bore, Alone in foreign realms to weep, Where ENVY's voice could taunt no more.
I hop'd, by mingling with the gay, To snatch the veil of Grief away; To break Affliction's pond'rous chain; VAIN was the Hope­in vain I sought The placid hour of careless thought, Where Fashion wing'd her light career, And sportive Pleasure danc'd along, Oft have I shunn'd the blithsome throng, To hide th'involuntary tear, For e'en where rapt'rous transports glow, From the full Heart the conscious tear will flow, When to my downy couch remov'd, FANCY recall'd my wearied mind To scenes of FRIENDSHIP left behind, Scenes still regretted, still belov'd! Ah, then I felt the pangs of Grief, Grasp my warm Heart, and mock relief; My burning lids Sleep's balm defied, And on my fev'rish lip imperfect murmurs died.
Restless and sad­I sought once more A calm retreat on BRITAIN's shore; Deceitful HOPE, e'en there I found That soothing FRIENDSHIP's specious name Was but a short-liv'd empty sound, And LOVE a false delusive flame.
Then come, Sweet BIRD, and with thy strain, Steal from my breast the thorn of pain; Blest solace of my lonely hours, In craggy caves and silent bow'rs, When HAPPY Mortals seek repose, By Night's pale lamp we'll chaunt our woes, And, as her chilling tears diffuse O'er the white thorn their silv'ry dews, I'll with the lucid boughts entwine A weeping Wreath, which round my Head Shall by the waning Cresent shine, And light us to our leafy bed,­ But ah! nor leafy beds nor bow'rs Fring'd with soft MAY's enamell'd flow'rs, Nor pearly leaves, nor Cynthia's beams, Nor smiling Pleasure's shad'wy dreams, Sweet BIRD, not e'en THY melting Strains Can calm the Heart, where TYRANT SORROW REIGNS.
Written by Vachel Lindsay | Create an image from this poem

A Rhyme About an Electrical Advertising Sign

 I LOOK on the specious electrical light 
Blatant, mechanical, crawling and white, 
Wickedly red or malignantly green 
Like the beads of a young Senegambian queen.
Showing, while millions of souls hurry on, The virtues of collars, from sunset till dawn, By dart or by tumble of whirl within whirl, Starting new fads for the shame-weary girl, By maggotry motions in sickening line Proclaiming a hat or a soup or a wine, While there far above the steep cliffs of the street The stars sing a message elusive and sweet.
Now man cannot rest in his pleasure and toil His clumsy contraptions of coil upon coil Till the thing he invents, in its use and its range, Leads on to the marvelous CHANGE BEYOND CHANGE Some day this old Broadway shall climb to the skies, As a ribbon of cloud on a soul-wind shall rise.
And we shall be lifted, rejoicing by night, Till we join with the planets who choir their delight.
The signs in the street and the signs in the skies Shall make me a Zodiac, guiding and wise, And Broadway make one with that marvelous stair That is climbed by the rainbow-clad spirits of prayer.
Written by Thomas Hardy | Create an image from this poem

My Cicely

 "ALIVE?"--And I leapt in my wonder,
Was faint of my joyance,
And grasses and grove shone in garments
Of glory to me.
"She lives, in a plenteous well-being, To-day as aforehand; The dead bore the name--though a rare one-- The name that bore she.
" She lived .
.
.
I, afar in the city Of frenzy-led factions, Had squandered green years and maturer In bowing the knee To Baals illusive and specious, Till chance had there voiced me That one I loved vainly in nonage Had ceased her to be.
The passion the planets had scowled on, And change had let dwindle, Her death-rumor smartly relifted To full apogee.
I mounted a steed in the dawning With acheful remembrance, And made for the ancient West Highway To far Exonb'ry.
Passing heaths, and the House of Long Sieging, I neared the thin steeple That tops the fair fane of Poore's olden Episcopal see; And, changing anew my onbearer, I traversed the downland Whereon the bleak hill-graves of Chieftains Bulge barren of tree; And still sadly onward I followed That Highway the Icen, Which trails its pale ribbon down Wessex O'er lynchet and lea.
Along through the Stour-bordered Forum, Where Legions had wayfared, And where the slow river upglasses Its green canopy, And by Weatherbury Castle, and therence Through Casterbridge, bore I, To tomb her whose light, in my deeming, Extinguished had He.
No highwayman's trot blew the night-wind To me so life-weary, But only the creak of the gibbets Or wagoners' jee.
Triple-ramparted Maidon gloomed grayly Above me from southward, And north the hill-fortress of Eggar, And square Pummerie.
The Nine-Pillared Cromlech, the Bride-streams, The Axe, and the Otter I passed, to the gate of the city Where Exe scents the sea; Till, spent, in the graveacre pausing, I learnt 'twas not my Love To whom Mother Church had just murmured A last lullaby.
--"Then, where dwells the Canon's kinswoman, My friend of aforetime?"-- ('Twas hard to repress my heart-heavings And new ecstasy.
) "She wedded.
"--"Ah!"--"Wedded beneath her-- She keeps the stage-hostel Ten miles hence, beside the great Highway-- The famed Lions-Three.
"Her spouse was her lackey--no option 'Twixt wedlock and worse things; A lapse over-sad for a lady Of her pedigree!" I shuddered, said nothing, and wandered To shades of green laurel: Too ghastly had grown those first tidings So brightsome of blee! For, on my ride hither, I'd halted Awhile at the Lions, And her--her whose name had once opened My heart as a key-- I'd looked on, unknowing, and witnessed Her jests with the tapsters, Her liquor-fired face, her thick accents In naming her fee.
"O God, why this hocus satiric!" I cried in my anguish: "O once Loved, of fair Unforgotten-- That Thing--meant it thee! "Inurned and at peace, lost but sainted, Where grief I could compass; Depraved--'tis for Christ's poor dependent A cruel decree!" I backed on the Highway; but passed not The hostel.
Within there Too mocking to Love's re-expression Was Time's repartee! Uptracking where Legions had wayfared, By cromlechs unstoried, And lynchets, and sepultured Chieftains, In self-colloquy, A feeling stirred in me and strengthened That she was not my Love, But she of the garth, who lay rapt in Her long reverie.
And thence till to-day I persuade me That this was the true one; That Death stole intact her young dearness And innocency.
Frail-witted, illuded they call me; I may be.
'Tis better To dream than to own the debasement Of sweet Cicely.
Moreover I rate it unseemly To hold that kind Heaven Could work such device--to her ruin And my misery.
So, lest I disturb my choice vision, I shun the West Highway, Even now, when the knaps ring with rhythms From blackbird and bee; And feel that with slumber half-conscious She rests in the church-hay, Her spirit unsoiled as in youth-time When lovers were we.

Book: Reflection on the Important Things