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Best Famous Specially Poems

Here is a collection of the all-time best famous Specially poems. This is a select list of the best famous Specially poetry. Reading, writing, and enjoying famous Specially poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of specially poems.

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Written by Victor Hugo | Create an image from this poem

The Epic Of The Lion

 ("Un lion avait pris un enfant.") 
 
 {XIII.} 


 A Lion in his jaws caught up a child— 
 Not harming it—and to the woodland, wild 
 With secret streams and lairs, bore off his prey— 
 The beast, as one might cull a bud in May. 
 It was a rosy boy, a king's own pride, 
 A ten-year lad, with bright eyes shining wide, 
 And save this son his majesty beside 
 Had but one girl, two years of age, and so 
 The monarch suffered, being old, much woe; 
 His heir the monster's prey, while the whole land 
 In dread both of the beast and king did stand; 
 Sore terrified were all. 
 
 By came a knight 
 That road, who halted, asking, "What's the fright?" 
 They told him, and he spurred straight for the site! 
 The beast was seen to smile ere joined they fight, 
 The man and monster, in most desperate duel, 
 Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess: 
 Whereat the lion feasted: then it went 
 Back to its rocky couch and slept content. 
 Sudden, loud cries and clamors! striking out 
 Qualm to the heart of the quiet, horn and shout 
 Causing the solemn wood to reel with rout. 
 Terrific was this noise that rolled before; 
 It seemed a squadron; nay, 'twas something more— 
 A whole battalion, sent by that sad king 
 With force of arms his little prince to bring, 
 Together with the lion's bleeding hide. 
 
 Which here was right or wrong? Who can decide? 
 Have beasts or men most claim to live? God wots! 
 He is the unit, we the cipher-dots. 
 Ranged in the order a great hunt should have, 
 They soon between the trunks espy the cave. 
 "Yes, that is it! the very mouth of the den!" 
 The trees all round it muttered, warning men; 
 Still they kept step and neared it. Look you now, 
 Company's pleasant, and there were a thou— 
 Good Lord! all in a moment, there's its face! 
 Frightful! they saw the lion! Not one pace 
 Further stirred any man; but bolt and dart 
 Made target of the beast. He, on his part, 
 As calm as Pelion in the rain or hail, 
 Bristled majestic from the teeth to tail, 
 And shook full fifty missiles from his hide, 
 But no heed took he; steadfastly he eyed, 
 And roared a roar, hoarse, vibrant, vengeful, dread, 
 A rolling, raging peal of wrath, which spread, 
 Making the half-awakened thunder cry, 
 "Who thunders there?" from its black bed of sky. 
 This ended all! Sheer horror cleared the coast; 
 As fogs are driven by the wind, that valorous host 
 Melted, dispersed to all the quarters four, 
 Clean panic-stricken by that monstrous roar. 
 Then quoth the lion, "Woods and mountains, see, 
 A thousand men, enslaved, fear one beast free!" 
 He followed towards the hill, climbed high above, 
 Lifted his voice, and, as the sowers sow 
 The seed down wind, thus did that lion throw 
 His message far enough the town to reach: 
 "King! your behavior really passes speech! 
 Thus far no harm I've wrought to him your son; 
 But now I give you notice—when night's done, 
 I will make entry at your city-gate, 
 Bringing the prince alive; and those who wait 
 To see him in my jaws—your lackey-crew— 
 Shall see me eat him in your palace, too!" 
 Next morning, this is what was viewed in town: 
 Dawn coming—people going—some adown 
 Praying, some crying; pallid cheeks, swift feet, 
 And a huge lion stalking through the street. 
 It seemed scarce short of rash impiety 
 To cross its path as the fierce beast went by. 
 So to the palace and its gilded dome 
 With stately steps unchallenged did he roam; 
 He enters it—within those walls he leapt! 
 No man! 
 
 For certes, though he raged and wept, 
 His majesty, like all, close shelter kept, 
 Solicitous to live, holding his breath 
 Specially precious to the realm. Now death 
 Is not thus viewed by honest beasts of prey; 
 And when the lion found him fled away, 
 Ashamed to be so grand, man being so base, 
 He muttered to himself, "A wretched king! 
 'Tis well; I'll eat his boy!" Then, wandering, 
 Lordly he traversed courts and corridors, 
 Paced beneath vaults of gold on shining floors, 
 Glanced at the throne deserted, stalked from hall 
 To hall—green, yellow, crimson—empty all! 
 Rich couches void, soft seats unoccupied! 
 And as he walked he looked from side to side 
 To find some pleasant nook for his repast, 
 Since appetite was come to munch at last 
 The princely morsel!—Ah! what sight astounds 
 That grisly lounger? 
 
 In the palace grounds 
 An alcove on a garden gives, and there 
 A tiny thing—forgot in the general fear, 
 Lulled in the flower-sweet dreams of infancy, 
 Bathed with soft sunlight falling brokenly 
 Through leaf and lattice—was at that moment waking; 
 A little lovely maid, most dear and taking, 
 The prince's sister—all alone, undressed— 
 She sat up singing: children sing so best. 
 Charming this beauteous baby-maid; and so 
 The beast caught sight of her and stopped— 
 
 And then 
 Entered—the floor creaked as he stalked straight in. 
 Above the playthings by the little bed 
 The lion put his shaggy, massive head, 
 Dreadful with savage might and lordly scorn, 
 More dreadful with that princely prey so borne; 
 Which she, quick spying, "Brother, brother!" cried, 
 "Oh, my own brother!" and, unterrified, 
 She gazed upon that monster of the wood, 
 Whose yellow balls not Typhon had withstood, 
 And—well! who knows what thoughts these small heads hold? 
 She rose up in her cot—full height, and bold, 
 And shook her pink fist angrily at him. 
 Whereon—close to the little bed's white rim, 
 All dainty silk and laces—this huge brute 
 Set down her brother gently at her foot, 
 Just as a mother might, and said to her, 
 "Don't be put out, now! There he is, dear, there!" 
 
 EDWIN ARNOLD, C.S.I. 


 






Written by Philip Larkin | Create an image from this poem

Best Society

 When I was a child, I thought,
Casually, that solitude
Never needed to be sought.
Something everybody had,
Like nakedness, it lay at hand,
Not specially right or specially wrong,
A plentiful and obvious thing
Not at all hard to understand.

Then, after twenty, it became
At once more difficult to get
And more desired - though all the same
More undesirable; for what
You are alone has, to achieve
The rank of fact, to be expressed
In terms of others, or it's just
A compensating make-believe.

Much better stay in company!
To love you must have someone else,
Giving requires a legatee,
Good neighbours need whole parishfuls
Of folk to do it on - in short,
Our virtues are all social; if,
Deprived of solitude, you chafe,
It's clear you're not the virtuous sort.

Viciously, then, I lock my door.
The gas-fire breathes. The wind outside
Ushers in evening rain. Once more
Uncontradicting solitude
Supports me on its giant palm;
And like a sea-anemone
Or simple snail, there cautiously
Unfolds, emerges, what I am.
Written by Erin Belieu | Create an image from this poem

For Catherine: Juana Infanta of Navarre

 Ferdinand was systematic when
he drove his daughter mad.

With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.

Imagine how quietly
the servants must have worked,

loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.

Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.

Paloma, you call her, little dove;
she sleeps in a room beyond you.

Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.

You've confessed, you can't feel things
when they touch you;

take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.

No one remembers Juana; almost
everything's forgotten in time,

and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.

God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
Written by Walt Whitman | Create an image from this poem

Out from Behind this Mask

 1
OUT from behind this bending, rough-cut Mask, 
(All straighter, liker Masks rejected—this preferr’d,) 
This common curtain of the face, contain’d in me for me, in you for you, in each for
 each,

(Tragedies, sorrows, laughter, tears—O heaven! 
The passionate, teeming plays this curtain hid!)
This glaze of God’s serenest, purest sky, 
This film of Satan’s seething pit, 
This heart’s geography’s map—this limitless small continent—this
 soundless
 sea; 
Out from the convolutions of this globe, 
This subtler astronomic orb than sun or moon—than Jupiter, Venus, Mars;
This condensation of the Universe—(nay, here the only Universe, 
Here the IDEA—all in this mystic handful wrapt;) 
These burin’d eyes, flashing to you, to pass to future time, 
To launch and spin through space revolving, sideling—from these to emanate, 
To You, whoe’er you are—a Look.

2
A Traveler of thoughts and years—of peace and war, 
Of youth long sped, and middle age declining, 
(As the first volume of a tale perused and laid away, and this the second, 
Songs, ventures, speculations, presently to close,) 
Lingering a moment, here and now, to You I opposite turn,
As on the road, or at some crevice door, by chance, or open’d window, 
Pausing, inclining, baring my head, You specially I greet, 
To draw and clench your Soul, for once, inseparably with mine, 
Then travel, travel on.
Written by Ogden Nash | Create an image from this poem

The Duck

 Behold the duck. 
It does not cluck. 
A cluck it lacks. 
It quacks. 
It is specially fond
Of a puddle or pond. 
When it dines or sups, 
It bottoms ups.


Written by Philip Larkin | Create an image from this poem

Poetry Of Departures

 Sometimes you hear, fifth-hand,
As epitaph:
He chucked up everything
And just cleared off,
And always the voice will sound
Certain you approve
This audacious, purifying,
Elemental move.

And they are right, I think.
We all hate home
And having to be there:
I detect my room,
It's specially-chosen junk,
The good books, the good bed,
And my life, in perfect order:
So to hear it said

He walked out on the whole crowd
Leaves me flushed and stirred,
Like Then she undid her dress
Or Take that you bastard;
Surely I can, if he did?
And that helps me to stay
Sober and industrious.
But I'd go today,

Yes, swagger the nut-strewn roads,
Crouch in the fo'c'sle
Stubbly with goodness, if 
It weren't so artificial,
Such a deliberate step backwards
To create an object:
Books; china; a life
Reprehensibly perfect.
Written by Rg Gregory | Create an image from this poem

advice to a young sylv-i-an dragon on going to school

 when you step out of the wood and go first time to school
you have to be so specially careful if you're really a dragon
to put the most innocent expression on your face you can find
and not flip your flappers (unless the others don't mind)
you must be very strict with yourself - be sure not to act the fool
you'd be far happier i think to get your mother to tie a tag on

saying - this dragon is sweet no matter how fierce she seems
and letting everyone know you were born in a wood (well at least
a sylv-i-an creature) and not used to clatterings and bangings
that can set a dragon's scales on edge with their thwangings
schools never are you know the paradise of your dreams
they have a tendency in everyone to bring out the beast

or maybe when you get there you should do a dragon-dance
and get everyone hopping around the place breathing fire
or burn up a prince or two - to show how that game is played
taking their minds off the fact you have a back like a saw-blade
and a tail so fierce it would keep the bravest child at a distance
but whatever else you do dear dragon definitely do not perspire

a perspiring dragon will have the whole school holding its noses
dainty dragons do not sweat - the first lesson to be deeply learned
in any dragon's book of school-etiquette - a proper dragon-daughter
must always carry with her a large supply of odour-cologne-water
(for use ten times a day) to keep her sweeter than a bunch of roses -
so advised (o young sylv-i-an dragon) you will never be spurned
Written by Marcin Malek | Create an image from this poem

Legend

Some events tend to be unreal
a specially —
from the perspective of bended knees
and they do not require a sounds

They live in memory of sights
beyond the realm of words
arranged in colors
torn out of rainbow gleam

Do not leave – hear!
Against the will of wind
underground streams roar
enchanted knights live in stones
there is no death to them
there is no subsistence dread

What shall we do
with all this iron
when call from undergrounds
will rise them up
against the world

What shall we do
with legend storm
kept under glass dome
as in Parisian “Invalides”
where living are trying
to convince those who died
that the world
is no longer divided
into the bad and the worse 
Written by Ella Wheeler Wilcox | Create an image from this poem

Noblesse Oblige

 I hold it the duty of one who is gifted
And specially dowered I all men’s sight, 
To know no rest till his life is lifted
Fully up to his great gifts’ height.

He must mould the man into rare completeness, 
For gems are only in gold refined.
He must fashion his thoughts into perfect sweetness, 
And cast out folly and pride from his mind.

For he who drinks from a god’s gold fountain
Of art of music or rhythmic song
Must sift from his soul the chaff of malice, 
And weed from his heart the roots of wrong.

Great gifts should be worn, like a crown befitting, 
And not like gems in a beggar’s hands! 
And the toil must be constant and unremitting
Which lifts up the king to the crown’s demands.

Book: Radiant Verses: A Journey Through Inspiring Poetry