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Best Famous Spangled Poems

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Written by Mary Darby Robinson | Create an image from this poem

Ode to the Moon

 PALE GODDESS of the witching hour;
Blest Contemplation's placid friend; 
Oft in my solitary bow'r,
I mark thy lucid beam
From thy crystal car descend,
Whitening the spangled heath, and limpid sapphire stream. 

And oft, amidst the shades of night
I court thy undulating light;
When Fairies dance around the verdant ring,
Or frisk beside the bubbling spring,
When the thoughtless SHEPHERD'S song
Echoes thro' the silent air,
As he pens his fleecy care,
Or plods with saunt'ring gait, the dewy meads along. 

CHASTE ORB! as thro' the vaulted sky
Feath'ry clouds transparent sail; 
When thy languid, weeping eye,
Sheds its soft tears upon the painted vale; 
As I ponder o'er the floods,
Or tread with listless step, th'embow'ring woods,
O, let thy transitory beam,
Soothe my sad mind, with FANCY'S aëry dream. 

Wrapt in REFLECTION, let me trace 
O'er the vast ethereal space, 
Stars, whose twinkling fires illume 
Dark-brow'd NIGHT'S obtrusive gloom; 
Where across the concave wide; 
Flaming METEORS swiftly glide; 
Or along the milky way, 
Vapours shoot a silvery ray;
And as I mark, thy faint reclining head, 
Sinking on Ocean's pearly bed;
Let REASON tell my soul, thus all things fade. 

The Seasons change, the "garish SUN"
When Day's burning car hath run
Its fiery course, no more we view,
While o'er the mountain's golden head,
Streak'd with tints of crimson hue,
Twilight's filmy curtains spread,
Stealing o'er Nature's face, a desolating shade. 

Yon musky FLOW'R, that scents the earth;
The SOD, that gave its odours birth; 
The ROCK, that breaks the torrent's force; 
The VALE, that owns its wand'ring course; 
The woodlands where the vocal throng 
Trill the wild melodious song; 
Thirsty desarts, sands that glow, 
Mountains, cap'd with flaky snow; 
Luxuriant groves, enamell'd fields,
All, all, prolific Nature yields,
Alike shall end; the sensate HEART,
With all its passions, all its fire,
Touch'd by FATE'S unerring dart,
Shall feel its vital strength expire;
Those eyes, that beam with FRIENDSHIP'S ray,
And glance ineffable delight,
Shall shrink from LIFE'S translucid day, 
And close their fainting orbs, in DEATH'S impervious night. 

Then what remains for mortal pow'r;
But TIME'S dull journey to beguile;
To deck with joy, the winged hour,
To meet its sorrows with a patient smile; 
And when the toilsome pilgrimage shall end, 
To greet the tyrant, as a welcome friend.


Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings. 

SWEET Nymph, enchanting Poetry! 
I dedicate my mind to Thee. 
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly; 
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose; 
Repose, whose balmy joys o'er-pay
The sultry labours of the day. 

And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears; 
Or blushing opes her silver gate, 
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star; 
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth; 
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,­a glitt'ring train,
Or swarm along the sultry plain. 
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove, 
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs; 
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream. 

Or when, at twilight's placid hour, 
We stroll to some sequester'd bow'r; 
And watch the haughty Sun retire
Beneath his canopy of fire; 
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky: 
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train; 
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs, 
And wing with joy my silent hours. 

When Sleep, with downy hand, shall spread
A wreath of poppies round my head; 
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue, 
That flame, where SHAKESPEARE us'd to fill, 
With matchless fire, his "golden quill." 
While, from its point bright Genius caught
The wit supreme, the glowing thought, 
The magic tone, that sweetly hung
About the music of his tongue. 
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky, 
And hear the vaulted roof repeat
The song of Inspiration sweet; 
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note; 
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam. 

DEAR Maid! of ever-varying mien, 
Exulting, pensive, gay, serene, 
Now, in transcendent pathos drest, 
Now, gentle as the turtle's breast; 
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead; 
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray, 
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads, 
And decorate their verdant beds; 
While to the grass-hopper's shrill tune,
They quaff libations to the moon, 
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd. 
Or when the lurid tempest pours, 
From its dark urn, impetuous show'rs, 
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring, 
And shield me with thy golden wing. 

Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre, 
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast. 

But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense; 
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold
Written by Robert William Service | Create an image from this poem

The Ballad Of Pious Pete

 "The North has got him." --Yukonism.


I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.

God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls."
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.

Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.

As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.

Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.

Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.

And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day. (Was ever so welcome the light?)

I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"

* * * * *

They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
Written by Jorie Graham | Create an image from this poem

Underneath (9)

  Spring
Up, up you go, you must be introduced.

You must learn belonging to (no-one)

Drenched in the white veil (day)

The circle of minutes pushed gleaming onto your finger.

Gaps pocking the brightness where you try to see
in.

Missing: corners, fields,

completeness: holes growing in it where the eye looks hardest.

Below, his chest, a sacred weightless place

and the small weight of your open hand on it.

And these legs, look, still yours, after all you've done with them.

Explain the six missing seeds.

Explain muzzled.

Explain tongue breaks thin fire in eyes.


Learn what the great garden-(up, up you go)-exteriority,
exhales:

the green never-the-less the green who-did-you-say-you-are

and how it seems to stare all the time, that green,


until night blinds it temporarily.

What is it searching for all the leaves turning towards you. 

Breath the emptiest of the freedoms.

When will they notice the hole in your head (they won't).

When will they feel for the hole in your chest 
 (never). 

Up, go. Let being-seen drift over you again, sticky kindness. 

Those wet strangely unstill eyes filling their heads-


thinking or sight?-

all waiting for the true story-

your heart, beating its little song: explain. . .

Explain requited

Explain indeed the blood of your lives I will require

explain the strange weight of meanwhile

and there exists another death in regards to which

we are not immortal

variegated dappled spangled intricately wrought

complicated obstruse subtle devious 

scintillating with change and ambiguity



 Summer

Explain two are

Explain not one

(in theory) (and in practice)

blurry, my love, like a right quotation,

wanting so to sink back down,

you washing me in soil now, my shoulders dust, my rippling dust,

Look I'll scrub the dirt listen.

Up here how will I

(not) hold you.

Where is the dirt packed in again around us between us obliterating difference

Must one leave off Explain edges

(tongue breaks) (thin fire)
 (in eyes)

And bless. And blame.

(Moonless night.

Vase in the kitchen)



 Fall

Explain duty to remain to the end. 

Duty not to run away from the good. 

The good.

(Beauty is not an issue.) 

A wise man wants? 

A master.



 Winter

Oh my beloved I speak of the absolute jewels.

Dwelling in place for example.

In fluted listenings.

In panting waters human-skinned to the horizon.

Muzzled the deep.

Fermenting the surface.

Wrecks left at the bottom, yes.

Space birdless. 

Light on it a woman on her knees-her having kneeled everywhere 
already.

God's laughter unquenchable.

Back there its river ripped into pieces, length gone, buried in parts, in 
sand.

Believe me I speak now for the sand.

Here at the front end, the narrator.

At the front end, the meanwhile: God's laughter.

Are you still waiting for the true story? (God's laughter)

The difference between what is and could be? (God's laughter) 

In this dance the people do not move.

Deferred defied obstructed hungry, 

organized around a radiant absence. 

In His dance the people do not move.


Written by John Milton | Create an image from this poem

Lycidas

 In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy, 
then in their height.


YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
 Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
 For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
 But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
 Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
 Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed."
 O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
 Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold 
 A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed, 
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more."
 Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears, 
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
 Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed, 
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves, 
Where, other groves and other streams along, 
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move, 
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
 Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Written by Mary Darby Robinson | Create an image from this poem

Sonnet to Amicus

 WHOE'ER thou art, whose soul-enchanting song
Steals on the sullen ear of pensive woe;
To whom the sounds of melody belong,
Sounds, that can more than human bliss bestow; 

Like the wak'd God of day, whose rays pervade
The spangled veil of night, and fling their fires
O'er the cold bosom of the em'rald glade,
While bath'd in tears, the virgin orb retires. 

Thy glowing verse illumes my path of care,
And warms each torpid fibre of my heart,
And tho' my MUSE exults thy smiles to share,
She feels the force of thy superior art;
YET, shall she proudly own her timid lays,
The cherish'd darlings of thy ENVIED PRAISE.
Written by John Milton | Create an image from this poem

On The Morning Of Christs Nativity

 I

This is the Month, and this the happy morn
Wherin the Son of Heav'ns eternal King,
Of wedded Maid, and Virgin Mother born,
Our great redemption from above did bring;
For so the holy sages once did sing,
That he our deadly forfeit should release,
And with his Father work us a perpetual peace.

II

That glorious Form, that Light unsufferable,
And that far-beaming blaze of Majesty,
Wherwith he wont at Heav'ns high Councel-Table, 
To sit the midst of Trinal Unity,
He laid aside; and here with us to be,
Forsook the Courts of everlasting Day,
And chose with us a darksom House of mortal Clay.

III

Say Heav'nly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no vers, no hymn, or solemn strein,
To welcom him to this his new abode,
Now while the Heav'n by the Suns team untrod,
Hath took no print of the approching light, 
And all the spangled host keep watch in squadrons bright?

IV

See how from far upon the Eastern rode
The Star-led Wisards haste with odours sweet,
O run, prevent them with thy humble ode,
And lay it lowly at his blessed feet;
Have thou the honour first, thy Lord to greet,
And joyn thy voice unto the Angel Quire,
From out his secret Altar toucht with hallow'd fire.
Written by Philip Levine | Create an image from this poem

The Simple Truth

 I bought a dollar and a half's worth of small red potatoes,
took them home, boiled them in their jackets
and ate them for dinner with a little butter and salt.
Then I walked through the dried fields 
on the edge of town. In middle June the light
hung on in the dark furrows at my feet,
and in the mountain oaks overhead the birds
were gathering for the night, the jays and mockers
squawking back and forth, the finches still darting
into the dusty light. The woman who sold me 
the potatoes was from Poland; she was someone
out of my childhood in a pink spangled sweater and sunglasses
praising the perfection of all her fruits and vegetables
at the road-side stand and urging me to taste 
even the pale, raw sweet corn trucked all the way, 
she swore, from New Jersey. "Eat, eat" she said,
"Even if you don't I'll say you did."
 Some things
you know all your life. They are so simple and true
they must be said without elegance, meter and rhyme,
they must be laid on the table beside the salt shaker,
the glass of water, the absence of light gathering 
in the shadows of picture frames, they must be
naked and alone, they must stand for themselves.
My friend Henri and I arrived at this together in 1965
before I went away, before he began to kill himself, 
and the two of us to betray our love. Can you taste 
what I'm saying? It is onions or potatoes, a pinch 
of simple salt, the wealth of melting butter, it is obvious,
it stays in the back of your throat like a truth
you never uttered because the time was always wrong,
it stays there for the rest of your life, unspoken,
made of that dirt we call earth, the metal we call salt,
in a form we have no words for, and you live on it.
Written by Vachel Lindsay | Create an image from this poem

Yankee Doodle

 This poem is intended as a description of a sort of Blashfield mural painting on the sky. To be sung to the tune of Yankee Doodle, yet in a slower, more orotund fashion. It is presumably an exercise for an entertainment on the evening of Washington's Birthday.


Dawn this morning burned all red
Watching them in wonder.
There I saw our spangled flag
Divide the clouds asunder.
Then there followed Washington.
Ah, he rode from glory,
Cold and mighty as his name
And stern as Freedom's story.
Unsubdued by burning dawn
Led his continentals.
Vast they were, and strange to see
In gray old regimentals:—
Marching still with bleeding feet,
Bleeding feet and jesting—
Marching from the judgment throne
With energy unresting.
How their merry quickstep played—
Silver, sharp, sonorous,
Piercing through with prophecy
The demons' rumbling chorus—
Behold the ancient powers of sin
And slavery before them!—
Sworn to stop the glorious dawn,
The pit-black clouds hung o'er them.
Plagues that rose to blast the day
Fiend and tiger faces,
Monsters plotting bloodshed for
The patient toiling races.
Round the dawn their cannon raged,
Hurling bolts of thunder,
Yet before our spangled flag
Their host was cut asunder.
Like a mist they fled away. . . .
Ended wrath and roaring.
Still our restless soldier-host
From East to West went pouring.

High beside the sun of noon
They bore our banner splendid.
All its days of stain and shame
And heaviness were ended.
Men were swelling now the throng
From great and lowly station—
Valiant citizens to-day
Of every tribe and nation.
Not till night their rear-guard came,
Down the west went marching,
And left behind the sunset-rays
In beauty overarching.
War-god banners lead us still,
Rob, enslave and harry
Let us rather choose to-day
The flag the angels carry—
Flag we love, but brighter far—
Soul of it made splendid:
Let its days of stain and shame
And heaviness be ended.
Let its fifes fill all the sky,
Redeemed souls marching after,
Hills and mountains shake with song,
While seas roll on in laughter.

Book: Reflection on the Important Things