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Best Famous Sough Poems

Here is a collection of the all-time best famous Sough poems. This is a select list of the best famous Sough poetry. Reading, writing, and enjoying famous Sough poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sough poems.

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Written by Sylvia Plath | Create an image from this poem

Two Campers In Cloud Country

 (Rock Lake, Canada)

In this country there is neither measure nor balance
To redress the dominance of rocks and woods,
The passage, say, of these man-shaming clouds.
No gesture of yours or mine could catch their attention, No word make them carry water or fire the kindling Like local trolls in the spell of a superior being.
Well, one wearies of the Public Gardens: one wants a vacation Where trees and clouds and animals pay no notice; Away from the labeled elms, the tame tea-roses.
It took three days driving north to find a cloud The polite skies over Boston couldn't possibly accommodate.
Here on the last frontier of the big, brash spirit The horizons are too far off to be chummy as uncles; The colors assert themselves with a sort of vengeance.
Each day concludes in a huge splurge of vermilions And night arrives in one gigantic step.
It is comfortable, for a change, to mean so little.
These rocks offer no purchase to herbage or people: They are conceiving a dynasty of perfect cold.
In a month we'll wonder what plates and forks are for.
I lean to you, numb as a fossil.
Tell me I'm here.
The Pilgrims and Indians might never have happened.
Planets pulse in the lake like bright amoebas; The pines blot our voices up in their lightest sighs.
Around our tent the old simplicities sough Sleepily as Lethe, trying to get in.
We'll wake blank-brained as water in the dawn.


Written by Thomas Hardy | Create an image from this poem

I Need Not Go

 I need not go 
Through sleet and snow 
To where I know 
She waits for me; 
She will wait me there 
Till I find it fair, 
And have time to spare 
From company.
When I've overgot The world somewhat, When things cost not Such stress and strain, Is soon enough By cypress sough To tell my Love I am come again.
And if some day, When none cries nay, I still delay To seek her side, (Though ample measure Of fitting leisure Await my pleasure) She will riot chide.
What--not upbraid me That I delayed me, Nor ask what stayed me So long? Ah, no! - New cares may claim me, New loves inflame me, She will not blame me, But suffer it so.
Written by Du Fu | Create an image from this poem

Sighs of Autumn Rain (1)

Rain in small plants autumn rot die
Steps under jueming colour fresh
Branch leaf full stem green feather canopy
Blossom innumerable yellow gold money
Cool wind sough and sigh blow you hard
Fear you after now hard stand alone
Hall above scholar free white head
Face wind three smell fragrance weep


In autumn rain, the grasses rot and die,
Below the steps, the jueming's colour is fresh.
Full green leaves cover the stems like feathers,
And countless flowers bloom like golden coins.
The cold wind, moaning, blows against you fiercely,
I fear that soon you'll find it hard to stand.
Upstairs the scholar lets down his white hair,
He faces the wind, breathes the fragrance, and weeps.
Written by Bliss Carman | Create an image from this poem

Behind the Arras

 I like the old house tolerably well, 
Where I must dwell 
Like a familiar gnome; 
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore From door to door; So many treasures lure The curious mind.
What histories obscure They must immure! I hardly know which room I care for best; This fronting west, With the strange hills in view, Where the great sun goes,—where I may go too, When my lease is through,— Or this one for the morning and the east, Where a man may feast His eyes on looming sails, And be the first to catch their foreign hails Or spy their bales Then the pale summer twilights towards the pole! It thrills my soul With wonder and delight, When gold-green shadows walk the world at night, So still, so bright.
There at the window many a time of year, Strange faces peer, Solemn though not unkind, Their wits in search of something left behind Time out of mind; As if they once had lived here, and stole back To the window crack For a peep which seems to say, "Good fortune, brother, in your house of clay!" And then, "Good day!" I hear their footsteps on the gravel walk, Their scraps of talk, And hurrying after, reach Only the crazy sea-drone of the beach In endless speech.
And often when the autumn noons are still, By swale and hill I see their gipsy signs, Trespassing somewhere on my border lines; With what designs? I forth afoot; but when I reach the place, Hardly a trace, Save the soft purple haze Of smouldering camp-fires, any hint betrays Who went these ways.
Or tatters of pale aster blue, descried By the roadside, Reveal whither they fled; Or the swamp maples, here and there a shred Of Indian red.
But most of all, the marvellous tapestry Engrosses me, Where such strange things are rife, Fancies of beasts and flowers, and love and strife, Woven to the life; Degraded shapes and splendid seraph forms, And teeming swarms Of creatures gauzy dim That cloud the dusk, and painted fish that swim, At the weaver's whim; And wonderful birds that wheel and hang in the air; And beings with hair, And moving eyes in the face, And white bone teeth and hideous grins, who race From place to place; They build great temples to their John-a-nod, And fume and plod To deck themselves with gold, And paint themselves like chattels to be sold, Then turn to mould.
Sometimes they seem almost as real as I; I hear them sigh; I see them bow with grief, Or dance for joy like any aspen leaf; But that is brief.
They have mad wars and phantom marriages; Nor seem to guess There are dimensions still, Beyond thought's reach, though not beyond love's will, For soul to fill.
And some I call my friends, and make believe Their spirits grieve, Brood, and rejoice with mine; I talk to them in phrases quaint and fine Over the wine; I tell them all my secrets; touch their hands; One understands Perhaps.
How hard he tries To speak! And yet those glorious mild eyes, His best replies! I even have my cronies, one or two, My cherished few.
But ah, they do not stay! For the sun fades them and they pass away, As I grow gray.
Yet while they last how actual they seem! Their faces beam; I give them all their names, Bertram and Gilbert, Louis, Frank and James, Each with his aims; One thinks he is a poet, and writes verse His friends rehearse; Another is full of law; A third sees pictures which his hand can draw Without a flaw.
Strangest of all, they never rest.
Day long They shift and throng, Moved by invisible will, Like a great breath which puffs across my sill, And then is still; It shakes my lovely manikins on the wall; Squall after squall, Gust upon crowding gust, It sweeps them willy nilly like blown dust With glory or lust.
It is the world-ghost, the time-spirit, come None knows wherefrom, The viewless draughty tide And wash of being.
I hear it yaw and glide, And then subside, Along these ghostly corridors and halls Like faint footfalls; The hangings stir in the air; And when I start and challenge, "Who goes there?" It answers, "Where?" The wail and sob and moan of the sea's dirge, Its plangor and surge; The awful biting sough Of drifted snows along some arctic bluff, That veer and luff, And have the vacant boding human cry, As they go by;— Is it a banished soul Dredging the dark like a distracted mole Under a knoll? Like some invisible henchman old and gray, Day after day I hear it come and go, With stealthy swift unmeaning to and fro, Muttering low, Ceaseless and daft and terrible and blind, Like a lost mind.
I often chill with fear When I bethink me, What if it should peer At my shoulder here! Perchance he drives the merry-go-round whose track Is the zodiac; His name is No-man's-friend; And his gabbling parrot-talk has neither trend, Beginning, nor end.
A prince of madness too, I'd cry, "A rat!" And lunge thereat,— Let out at one swift thrust The cunning arch-delusion of the dust I so mistrust, But that I fear I should disclose a face Wearing the trace Of my own human guise, Piteous, unharmful, loving, sad, and wise With the speaking eyes.
I would the house were rid of his grim pranks, Moaning from banks Of pine trees in the moon, Startling the silence like a demoniac loon At dead of noon.
Or whispering his fool-talk to the leaves About my eaves.
And yet how can I know 'T is not a happy Ariel masking so In mocking woe? Then with a little broken laugh I say, Snatching away The curtain where he grinned (My feverish sight thought) like a sin unsinned, "Only the wind!" Yet often too he steals so softly by.
With half a sigh, I deem he must be mild, Fair as a woman, gentle as a child, And forest wild.
Passing the door where an old wind-harp swings, With its five strings, Contrived long years ago By my first predecessor bent to show His handcraft so, He lay his fingers on the aeolian wire, As a core of fire Is laid upon the blast To kindle and glow and fill the purple vast Of dark at last.
Weird wise, and low, piercing and keen and glad, Or dim and sad As a forgotten strain Born when the broken legions of the rain Swept through the plain— He plays, like some dread veiled mysteriarch, Lighting the dark, Bidding the spring grow warm, The gendering merge and loosing of spirit in form, Peace out of storm.
For music is the sacrament of love; He broods above The virgin silence, till She yields for rapture shuddering, yearning still To his sweet will.
I hear him sing, "Your harp is like a mesh, Woven of flesh And spread within the shoal Of life, where runs the tide-race of the soul In my control.
"Though my wild way may ruin what it bends, It makes amends To the frail downy clocks, Telling their seed a secret that unlocks The granite rocks.
"The womb of silence to the crave of sound Is heaven unfound, Till I, to soothe and slake Being's most utter and imperious ache, Bid rhythm awake.
"If with such agonies of bliss, my kin, I enter in Your prison house of sense, With what a joyous freed intelligence I shall go hence.
" I need no more to guess the weaver's name, Nor ask his aim, Who hung each hall and room With swarthy-tinged vermilion upon gloom; I know that loom.
Give me a little space and time enough, From ravelings rough I could revive, reweave, A fabric of beauty art might well believe Were past retrieve.
O men and women in that rich design, Sleep-soft, sun-fine, Dew-tenuous and free, A tone of the infinite wind-themes of the sea, Borne in to me, Reveals how you were woven to the might Of shadow and light.
You are the dream of One Who loves to haunt and yet appears to shun My door in the sun; As the white roving sea tern fleck and skim The morning's rim; Or the dark thrushes clear Their flutes of music leisurely and sheer, Then hush to hear.
I know him when the last red brands of day Smoulder away, And when the vernal showers Bring back the heart to all my valley flowers In the soft hours.
O hand of mine and brain of mine, be yours, While time endures, To acquiesce and learn! For what we best may dare and drudge and yearn, Let soul discern.
So, fellows, we shall reach the gusty gate, Early or late, And part without remorse, A cadence dying down unto its source In music's course; You to the perfect rhythms of flowers and birds, Colors and words, The heart-beats of the earth, To be remoulded always of one worth From birth to birth; I to the broken rhythm of thought and man, The sweep and span Of memory and hope About the orbit where they still must grope For wider scope, To be through thousand springs restored, renewed, With love imbrued, With increments of will Made strong, perceiving unattainment still From each new skill.
Always the flawless beauty, always the chord Of the Overword, Dominant, pleading, sure, No truth too small to save and make endure.
No good too poor! And since no mortal can at last disdain That sweet refrain, But lets go strife and care, Borne like a strain of bird notes on the air, The wind knows where; Some quiet April evening soft and strange, When comes the change No spirit can deplore, I shall be one with all I was before, In death once more.
Written by Robert Burns | Create an image from this poem

84. Address to the Deil

 O THOU! whatever title suit thee—
Auld Hornie, Satan, Nick, or Clootie,
Wha in yon cavern grim an’ sootie,
 Clos’d under hatches,
Spairges about the brunstane cootie,
 To scaud poor wretches!


Hear me, auld Hangie, for a wee,
An’ let poor damned bodies be;
I’m sure sma’ pleasure it can gie,
 Ev’n to a deil,
To skelp an’ scaud poor dogs like me,
 An’ hear us squeel!


Great is thy pow’r an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin’ heuch’s thy hame,
 Thou travels far;
An’ faith! thou’s neither lag nor lame,
 Nor blate, nor scaur.
Whiles, ranging like a roarin lion, For prey, a’ holes and corners tryin; Whiles, on the strong-wind’d tempest flyin, Tirlin the kirks; Whiles, in the human bosom pryin, Unseen thou lurks.
I’ve heard my rev’rend graunie say, In lanely glens ye like to stray; Or where auld ruin’d castles grey Nod to the moon, Ye fright the nightly wand’rer’s way, Wi’ eldritch croon.
When twilight did my graunie summon, To say her pray’rs, douse, honest woman! Aft’yont the dyke she’s heard you bummin, Wi’ eerie drone; Or, rustlin, thro’ the boortrees comin, Wi’ heavy groan.
Ae dreary, windy, winter night, The stars shot down wi’ sklentin light, Wi’ you, mysel’ I gat a fright, Ayont the lough; Ye, like a rash-buss, stood in sight, Wi’ wavin’ sough.
The cudgel in my nieve did shake, Each brist’ld hair stood like a stake, When wi’ an eldritch, stoor “quaick, quaick,” Amang the springs, Awa ye squatter’d like a drake, On whistlin’ wings.
Let warlocks grim, an’ wither’d hags, Tell how wi’ you, on ragweed nags, They skim the muirs an’ dizzy crags, Wi’ wicked speed; And in kirk-yards renew their leagues, Owre howkit dead.
Thence countra wives, wi’ toil and pain, May plunge an’ plunge the kirn in vain; For oh! the yellow treasure’s ta’en By witchin’ skill; An’ dawtit, twal-pint hawkie’s gane As yell’s the bill.
Thence mystic knots mak great abuse On young guidmen, fond, keen an’ crouse, When the best wark-lume i’ the house, By cantrip wit, Is instant made no worth a louse, Just at the bit.
When thowes dissolve the snawy hoord, An’ float the jinglin’ icy boord, Then water-kelpies haunt the foord, By your direction, And ’nighted trav’llers are allur’d To their destruction.
And aft your moss-traversin Spunkies Decoy the wight that late an’ drunk is: The bleezin, curst, mischievous monkies Delude his eyes, Till in some miry slough he sunk is, Ne’er mair to rise.
When masons’ mystic word an’ grip In storms an’ tempests raise you up, Some cock or cat your rage maun stop, Or, strange to tell! The youngest brither ye wad whip Aff straught to hell.
Lang syne in Eden’s bonie yard, When youthfu’ lovers first were pair’d, An’ all the soul of love they shar’d, The raptur’d hour, Sweet on the fragrant flow’ry swaird, In shady bower; 1 Then you, ye auld, snick-drawing dog! Ye cam to Paradise incog, An’ play’d on man a cursèd brogue, (Black be your fa’!) An’ gied the infant warld a shog, ’Maist rui’d a’.
D’ye mind that day when in a bizz Wi’ reekit duds, an’ reestit gizz, Ye did present your smoutie phiz ’Mang better folk, An’ sklented on the man of Uzz Your spitefu’ joke? An’ how ye gat him i’ your thrall, An’ brak him out o’ house an hal’, While scabs and botches did him gall, Wi’ bitter claw; An’ lows’d his ill-tongu’d wicked scaul’, Was warst ava? But a’ your doings to rehearse, Your wily snares an’ fechtin fierce, Sin’ that day Michael 2 did you pierce, Down to this time, Wad ding a Lallan tounge, or Erse, In prose or rhyme.
An’ now, auld Cloots, I ken ye’re thinkin, A certain bardie’s rantin, drinkin, Some luckless hour will send him linkin To your black pit; But faith! he’ll turn a corner jinkin, An’ cheat you yet.
But fare-you-weel, auld Nickie-ben! O wad ye tak a thought an’ men’! Ye aiblins might-I dinna ken— Stil hae a stake I’m wae to think up’ yon den, Ev’n for your sake! Note 1.
The verse originally ran: “Lang syne, in Eden’s happy scene When strappin Adam’s days were green, And Eve was like my bonie Jean, My dearest part, A dancin, sweet, young handsome quean, O’ guileless heart.
” [back] Note 2.
Vide Milton, Book vi.
—R.
B.
[back]


Written by Du Fu | Create an image from this poem

Staying Overnight with Abbot Zan (Abbot of Dayun Temple in the capital, exiled to this place)

Cane tin how come here
Autumn wind already sough
Rain waste large court chrysanthemum
Frost topple half pool lotus
Banish rather against nature
Void not leave Chan
Mutual meet all night stay
Gansu moon toward man round


How did your tin-edged cane get here?
The autumn wind's already sighing.
The rain's laid waste the great court's chrysanthemums,
And frost has felled half the pond's lotuses.
Banished, you don't renounce your nature,
In limbo, you don't depart from Chan.
Now we've met, we can spend all night together,
The Gansu moon shines round upon us.
Written by Du Fu | Create an image from this poem

Sighs of Autumn Rain (3)

Chang'an commoner who notice
Be locked in weigh gate watch surround wall
Old people not go grow weeds
Child without worry walk wind rain
Rain sound sough and sigh hasten early cold
West goose wing wet high fly hard
Autumn come have not see white sun
Mud dirt after earth what time dry


In Chang'an, who notices the cloth-gowned scholar?
Locked behind his gate and guarding his walls.
The old man doesn't go out, the weeds grow tall,
Children blithely rush through wind and rain.
The rustling rain hastens the early cold,
And geese with wet wings find high flying hard.
This autumn we've had no glimpse of the white sun,
When will the mud and dirt become dry earth?
Written by Robert Burns | Create an image from this poem

287. Song—The Battle of Sherramuir

 “O CAM ye here the fight to shun,
 Or herd the sheep wi’ me, man?
Or were ye at the Sherra-moor,
 Or did the battle see, man?”
I saw the battle, sair and teugh,
And reekin-red ran mony a sheugh;
My heart, for fear, gaed sough for sough,
To hear the thuds, and see the cluds
O’ clans frae woods, in tartan duds,
 Wha glaum’d at kingdoms three, man.
La, la, la, la, &c.
The red-coat lads, wi’ black cockauds, To meet them were na slaw, man; They rush’d and push’d, and blude outgush’d And mony a bouk did fa’, man: The great Argyle led on his files, I wat they glanced twenty miles; They hough’d the clans like nine-pin kyles, They hack’d and hash’d, while braid-swords, clash’d, And thro’ they dash’d, and hew’d and smash’d, Till fey men died awa, man.
La, la, la, la, &c.
But had ye seen the philibegs, And skyrin tartan trews, man; When in the teeth they dar’d our Whigs, And covenant True-blues, man: In lines extended lang and large, When baiginets o’erpower’d the targe, And thousands hasten’d to the charge; Wi’ Highland wrath they frae the sheath Drew blades o’ death, till, out o’ breath, They fled like frighted dows, man! La, la, la, la, &c.
“O how deil, Tam, can that be true? The chase gaed frae the north, man; I saw mysel, they did pursue, The horsemen back to Forth, man; And at Dunblane, in my ain sight, They took the brig wi’ a’ their might, And straught to Stirling wing’d their flight; But, cursed lot! the gates were shut; And mony a huntit poor red-coat, For fear amaist did swarf, man!” La, la, la, la, &c.
My sister Kate cam up the gate Wi’ crowdie unto me, man; She swoor she saw some rebels run To Perth unto Dundee, man; Their left-hand general had nae skill; The Angus lads had nae gude will That day their neibors’ blude to spill; For fear, for foes, that they should lose Their cogs o’ brose; they scar’d at blows, And hameward fast did flee, man.
La, la, la, la, &c.
They’ve lost some gallant gentlemen, Amang the Highland clans, man! I fear my Lord Panmure is slain, Or fallen in Whiggish hands, man, Now wad ye sing this double fight, Some fell for wrang, and some for right; But mony bade the world gude-night; Say, pell and mell, wi’ muskets’ knell How Tories fell, and Whigs to hell Flew off in frighted bands, man! La, la, la, la, &c.

Book: Shattered Sighs