Best Famous Sorrel Poems

Here is a collection of the all-time best famous Sorrel poems. This is a select list of the best famous Sorrel poetry. Reading, writing, and enjoying famous Sorrel poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sorrel poems.

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• All Famous Sorrel Poems

Written by Laure-Anne Bosselaar | Community Garden I watch the man bend over his patch, a fat gunny sack at his feet. He combs the earth with his fingers, picks up pebbles around tiny heads of sorrel. Clouds bruise in, clog the sky, the first fat drops pock-mark the dust. The man wipes his hands on his chest, opens the sack, pulls out top halves of broken bottles, and plants them, firmly, over each head of sorrel — tilting the necks toward the rain. His back is drenched, so am I, his careful gestures clench my throat, wrench a hunger out of me I don't understand, can't turn away from. The last plant sheltered, the man straightens his back, swings the sack over his shouler, looks at the sky, then at me and — as if to end a conversation — says: I know they'd survive without the bottles, I know. He leaves the garden, plods downhill, blurs away. I hear myself say it to no one: I never had a father.

Written by Algernon Charles Swinburne | Ave atque Vale (In memory of Charles Baudelaire) SHALL I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea, Or simplest growth of meadow-sweet or sorrel, Such as the summer-sleepy Dryads weave, Waked up by snow-soft sudden rains at eve? Or wilt thou rather, as on earth before, Half-faded fiery blossoms, pale with heat And full of bitter summer, but more sweet To thee than gleanings of a northern shore Trod by no tropic feet? For always thee the fervid languid glories Allured of heavier suns in mightier skies; Thine ears knew all the wandering watery sighs Where the sea sobs round Lesbian promontories, The barren kiss of piteous wave to wave That knows not where is that Leucadian grave Which hides too deep the supreme head of song. Ah, salt and sterile as her kisses were, The wild sea winds her and the green gulfs bear Hither and thither, and vex and work her wrong, Blind gods that cannot spare. Thou sawest, in thine old singing season, brother, Secrets and sorrows unbeheld of us: Fierce loves, and lovely leaf-buds poisonous, Bare to thy subtler eye, but for none other Blowing by night in some unbreathed-in clime; The hidden harvest of luxurious time, Sin without shape, and pleasure without speech; And where strange dreams in a tumultuous sleep Make the shut eyes of stricken spirits weep; And with each face thou sawest the shadow on each, Seeing as men sow men reap. O sleepless heart and sombre soul unsleeping, That were athirst for sleep and no more life And no more love, for peace and no more strife! Now the dim gods of death have in their keeping Spirit and body and all the springs of song, Is it well now where love can do no wrong, Where stingless pleasure has no foam or fang Behind the unopening closure of her lips? Is it not well where soul from body slips And flesh from bone divides without a pang As dew from flower-bell drips? It is enough; the end and the beginning Are one thing to thee, who art past the end. O hand unclasp'd of unbeholden friend, For thee no fruits to pluck, no palms for winning, No triumph and no labour and no lust, Only dead yew-leaves and a little dust. O quiet eyes wherein the light saith naught, Whereto the day is dumb, nor any night With obscure finger silences your sight, Nor in your speech the sudden soul speaks thought, Sleep, and have sleep for light. Now all strange hours and all strange loves are over, Dreams and desires and sombre songs and sweet, Hast thou found place at the great knees and feet Of some pale Titan-woman like a lover, Such as thy vision here solicited, Under the shadow of her fair vast head, The deep division of prodigious breasts, The solemn slope of mighty limbs asleep, The weight of awful tresses that still keep The savour and shade of old-world pine-forests Where the wet hill-winds weep? Hast thou found any likeness for thy vision? O gardener of strange flowers, what bud, what bloom, Hast thou found sown, what gather'd in the gloom? What of despair, of rapture, of derision, What of life is there, what of ill or good? Are the fruits gray like dust or bright like blood? Does the dim ground grow any seed of ours, The faint fields quicken any terrene root, In low lands where the sun and moon are mute And all the stars keep silence? Are there flowers At all, or any fruit? Alas, but though my flying song flies after, O sweet strange elder singer, thy more fleet Singing, and footprints of thy fleeter feet, Some dim derision of mysterious laughter From the blind tongueless warders of the dead, Some gainless glimpse of Proserpine's veil'd head, Some little sound of unregarded tears Wept by effaced unprofitable eyes, And from pale mouths some cadence of dead sighs-- These only, these the hearkening spirit hears, Sees only such things rise. Thou art far too far for wings of words to follow, Far too far off for thought or any prayer. What ails us with thee, who art wind and air? What ails us gazing where all seen is hollow? Yet with some fancy, yet with some desire, Dreams pursue death as winds a flying fire, Our dreams pursue our dead and do not find. Still, and more swift than they, the thin flame flies, The low light fails us in elusive skies, Still the foil'd earnest ear is deaf, and blind Are still the eluded eyes. Not thee, O never thee, in all time's changes, Not thee, but this the sound of thy sad soul, The shadow of thy swift spirit, this shut scroll I lay my hand on, and not death estranges My spirit from communion of thy song-- These memories and these melodies that throng Veil'd porches of a Muse funereal-- These I salute, these touch, these clasp and fold As though a hand were in my hand to hold, Or through mine ears a mourning musical Of many mourners roll'd. I among these, I also, in such station As when the pyre was charr'd, and piled the sods. And offering to the dead made, and their gods, The old mourners had, standing to make libation, I stand, and to the Gods and to the dead Do reverence without prayer or praise, and shed Offering to these unknown, the gods of gloom, And what of honey and spice my seed-lands bear, And what I may of fruits in this chill'd air, And lay, Orestes-like, across the tomb A curl of sever'd hair. But by no hand nor any treason stricken, Not like the low-lying head of Him, the King, The flame that made of Troy a ruinous thing, Thou liest and on this dust no tears could quicken. There fall no tears like theirs that all men hear Fall tear by sweet imperishable tear Down the opening leaves of holy poets' pages. Thee not Orestes, not Electra mourns; But bending us-ward with memorial urns The most high Muses that fulfil all ages Weep, and our God's heart yearns. For, sparing of his sacred strength, not often Among us darkling here the lord of light Makes manifest his music and his might In hearts that open and in lips that soften With the soft flame and heat of songs that shine. Thy lips indeed he touch'd with bitter wine, And nourish'd them indeed with bitter bread; Yet surely from his hand thy soul's food came, The fire that scarr'd thy spirit at his flame Was lighted, and thine hungering heart he fed Who feeds our hearts with fame. Therefore he too now at thy soul's sunsetting, God of all suns and songs, he too bends down To mix his laurel with thy cypress crown, And save thy dust from blame and from forgetting. Therefore he too, seeing all thou wert and art, Compassionate, with sad and sacred heart, Mourns thee of many his children the last dead, And hollows with strange tears and alien sighs Thine unmelodious mouth and sunless eyes, And over thine irrevocable head Sheds light from the under skies. And one weeps with him in the ways Lethean, And stains with tears her changing bosom chill; That obscure Venus of the hollow hill, That thing transform'd which was the Cytherean, With lips that lost their Grecian laugh divine Long since, and face no more call'd Erycine-- A ghost, a bitter and luxurious god. Thee also with fair flesh and singing spell Did she, a sad and second prey, compel Into the footless places once more trod, And shadows hot from hell. And now no sacred staff shall break in blossom, No choral salutation lure to light A spirit sick with perfume and sweet night And love's tired eyes and hands and barren bosom. There is no help for these things; none to mend, And none to mar; not all our songs, O friend, Will make death clear or make life durable. Howbeit with rose and ivy and wild vine And with wild notes about this dust of thine At least I fill the place where white dreams dwell And wreathe an unseen shrine. Sleep; and if life was bitter to thee, pardon, If sweet, give thanks; thou hast no more to live; And to give thanks is good, and to forgive. Out of the mystic and the mournful garden Where all day through thine hands in barren braid Wove the sick flowers of secrecy and shade, Green buds of sorrow and sin, and remnants gray, Sweet-smelling, pale with poison, sanguine-hearted, Passions that sprang from sleep and thoughts that started, Shall death not bring us all as thee one day Among the days departed? For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell. Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts a tomb. Content thee, howsoe'er, whose days are done; There lies not any troublous thing before, Nor sight nor sound to war against thee more, For whom all winds are quiet as the sun, All waters as the shore.

Written by Robert Louis Stevenson | The Little Land When at home alone I sit And am very tired of it, I have just to shut my eyes To go sailing through the skies-- To go sailing far away To the pleasant Land of Play; To the fairy land afar Where the Little People are; Where the clover-tops are trees, And the rain-pools are the seas, And the leaves, like little ships, Sail about on tiny trips; And above the Daisy tree Through the grasses, High o'erhead the Bumble Bee Hums and passes. In that forest to and fro I can wander, I can go; See the spider and the fly, And the ants go marching by, Carrying parcels with their feet Down the green and grassy street. I can in the sorrel sit Where the ladybird alit. I can climb the jointed grass And on high See the greater swallows pass In the sky, And the round sun rolling by Heeding no such things as I. Through that forest I can pass Till, as in a looking-glass, Humming fly and daisy tree And my tiny self I see, Painted very clear and neat On the rain-pool at my feet. Should a leaflet come to land Drifting near to where I stand, Straight I'll board that tiny boat Round the rain-pool sea to float. Little thoughtful creatures sit On the grassy coasts of it; Little things with lovely eyes See me sailing with surprise. Some are clad in armour green-- (These have sure to battle been!)-- Some are pied with ev'ry hue, Black and crimson, gold and blue; Some have wings and swift are gone;-- But they all look kindly on. When my eyes I once again Open, and see all things plain: High bare walls, great bare floor; Great big knobs on drawer and door; Great big people perched on chairs, Stitching tucks and mending tears, Each a hill that I could climb, And talking nonsense all the time-- O dear me, That I could be A sailor on a the rain-pool sea, A climber in the clover tree, And just come back a sleepy-head, Late at night to go to bed.

Written by Carl Sandburg | Potato Blossom Songs and Jigs RUM tiddy um, tiddy um, tiddy um tum tum. My knees are loose-like, my feet want to sling their selves. I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road? When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little: Say, why do I feel so gabby? Why do I want to holler all over the place?. . . Do you remember I held empty hands to you and I said all is yours the handfuls of nothing?. . . I ask you for white blossoms. I bring a concertina after sunset under the apple trees. I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.” The orchard here is near and home-like. The oats in the valley run a mile. Between are the green and marching potato vines. The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”. . . Old foundations of rotten wood. An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight. So a pickax digs a long tooth with a short memory. Fire can not eat this rubbish till it has lain in the sun.. . . The story lags. The story has no connections. The story is nothing but a lot of banjo plinka planka plunks. The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.. . . In Burlington long ago And later again in Ashtabula I said to myself: I wonder how far Ophelia went with Hamlet. What else was there Shakespeare never told? There must have been something. If I go bugs I want to do it like Ophelia. There was class to the way she went out of her head.. . . Does a famous poet eat watermelon? Excuse me, ask me something easy. I have seen farmhands with their faces in fried catfish on a Monday morning. And the Japanese, two-legged like us, The Japanese bring slices of watermelon into pictures. The black seeds make oval polka dots on the pink meat. Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon? Summer mornings on the docks I walk among bushel peach baskets piled ten feet high. Summer mornings I smell new wood and the river wind along with peaches. I listen to the steamboat whistle hong-honging, hong-honging across the town. And once I saw a teameo straddling a street with a hayrack load of melons.. . . Niggers play banjos because they want to. The explanation is easy. It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race. It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth. Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved. The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory. It is the same as why boys go running lickety-split away from a school-room geography lesson in April when the crawfishes come out and the young frogs are calling and the pussywillows and the cat-tails know something about geography themselves.. . . I ask you for white blossoms. I offer you memories and people. I offer you a fire zigzag over the green and marching vines. I bring a concertina after supper under the home-like apple trees. I make up songs about things to look at: potato blossoms in summer night mist filling the garden with white spots; a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart. Bring a concertina after sunset under the apple trees. Let romance stutter to the western stars, “Excuse … me…”

Written by Henry David Thoreau | Sic Vita I am a parcel of vain strivings tied By a chance bond together, Dangling this way and that, their links Were made so loose and wide, Methinks, For milder weather. A bunch of violets without their roots, And sorrel intermixed, Encircled by a wisp of straw Once coiled about their shoots, The law By which I'm fixed. A nosegay which Time clutched from out Those fair Elysian fields, With weeds and broken stems, in haste, Doth make the rabble rout That waste The day he yields. And here I bloom for a short hour unseen, Drinking my juices up, With no root in the land To keep my branches green, But stand In a bare cup. Some tender buds were left upon my stem In mimicry of life, But ah! the children will not know, Till time has withered them, The woe With which they're rife. But now I see I was not plucked for naught, And after in life's vase Of glass set while I might survive, But by a kind hand brought Alive To a strange place. That stock thus thinned will soon redeem its hours, And by another year, Such as God knows, with freer air, More fruits and fairer flowers Will bear, While I droop here.

Written by William Allingham | In a Spring Grove Here the white-ray'd anemone is born, Wood-sorrel, and the varnish'd buttercup; And primrose in its purfled green swathed up, Pallid and sweet round every budding thorn, Gray ash, and beech with rusty leaves outworn. Here, too the darting linnet hath her nest In the blue-lustred holly, never shorn, Whose partner cheers her little brooding breast, Piping from some near bough. O simple song! O cistern deep of that harmonious rillet, And these fair juicy stems that climb and throng The vernal world, and unexhausted seas Of flowing life, and soul that asks to fill it, Each and all of these,--and more, and more than these!

Written by Carl Sandburg | Band Concert BAND concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues. Cowboy rags and ****** rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life’s razzle dazzle. Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor—a giggler, God knows, a giggler—and the summer-white dresses filter fanwise out of the public square. The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.

Written by Walt Whitman | Roots and Leaves Themselves Alone ROOTS and leaves themselves alone are these; Scents brought to men and women from the wild woods, and from the pond-side, Breast-sorrel and pinks of love—fingers that wind around tighter than vines, Gushes from the throats of birds, hid in the foliage of trees, as the sun is risen; Breezes of land and love—breezes set from living shores out to you on the living sea—to you, O sailors! Frost-mellow’d berries, and Third-month twigs, offer’d fresh to young persons wandering out in the fields when the winter breaks up, Love-buds, put before you and within you, whoever you are, Buds to be unfolded on the old terms; If you bring the warmth of the sun to them, they will open, and bring form, color, perfume, to you; If you become the aliment and the wet, they will become flowers, fruits, tall blanches and trees.

Written by Edna St. Vincent Millay | Weeds White with daisies and red with sorrel And empty, empty under the sky!— Life is a quest and love a quarrel— Here is a place for me to lie. Daisies spring from damned seeds, And this red fire that here I see Is a worthless crop of crimson weeds, Cursed by farmers thriftily. But here, unhated for an hour, The sorrel runs in ragged flame, The daisy stands, a bastard flower, Like flowers that bear an honest name. And here a while, where no wind brings The baying of a pack athirst, May sleep the sleep of blessed things, The blood too bright, the brow accurst.