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Best Famous Sopped Poems

Here is a collection of the all-time best famous Sopped poems. This is a select list of the best famous Sopped poetry. Reading, writing, and enjoying famous Sopped poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sopped poems.

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Written by Laure-Anne Bosselaar | Create an image from this poem

The Worlds in this World

 Doors were left open in heaven again: 
drafts wheeze, clouds wrap their ripped pages 
around roofs and trees. Like wet flags, shutters 
flap and fold. Even light is blown out of town,
its last angles caught in sopped
newspaper wings and billowing plastic — 
all this in one American street. 
 Elsewhere, somewhere, a tide 
recedes, incense is lit, an infant 
sucks from a nipple, a grenade
shrieks, a man buys his first cane. 
 Think of it: the worlds in this world. 


 Yesterday, while a Chinese woman took 
hours to sew seven silk stitches into a tapestry 
started generations ago, guards took only
seconds to mop up a cannibal’s brain from the floor 
of a Wisconsin jail, while the man who bashed 
the killer’s head found no place to hide, 
and sat sobbing for his mother in a shower stall —
the worlds in this world. 

 Or say, one year — say 1916: 
while my grandfather, a prisoner of war 
in Holland, sewed perfect, eighteen-buttoned 
booties for his wife with the skin of a dead 
dog found in a trench; shrapnel slit 
Apollinaire's skull, Jesuits brandished 
crucifixes in Ouagadougou, and the Parthenon 
was already in ruins. 
 That year, thousands and thousands of Jews 
from the Holocaust were already — were 
still ¬— busy living their lives; 
while gnawed by self-doubt, Rilke couldn’t 

write a line for weeks inVienna’s Victorgasse, 
and fishermen drowned off Finnish coasts, 
and lovers kissed for the very first time,
while in Kashmir an old woman fell asleep, 
her cheek on her good husband's belly. 

 And all along that year the winds 
kept blowing as they do today, above oceans 
and steeples, and this one speck of dust 
was lifted from somewhere to land exactly 
here, on my desk, and will lift again — into 
the worlds in this world.

 Say now, at this instant: 
one thornless rose opens in a blue jar above 
that speck, but you — reading this — know 
nothing of how it came to flower here, and I 
nothing of who bred it, or where, nothing 
of my son and daughter’s fate, of what grows 
in your garden or behind the walls of your chest: 
is it longing? Fear? Will it matter?

Listen to that wind, listen to it ranting
 The doors of heaven never close,
  that’s the Curse, that’s the Miracle.


Written by Galway Kinnell | Create an image from this poem

The Bear

1
In late winter 
I sometimes glimpse bits of steam
coming up from
some fault in the old snow 
and bend close and see it is lung-colored 
and put down my nose
and know
the chilly, enduring odor of bear. 

2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears. 

And when it has vanished
I move out on the bear tracks, 
roaming in circles 
until I come to the first, tentative, dark
splash on the earth. 

And I set out 
running, following the splashes 
of blood wandering over the world. 
At the cut, gashed resting places 
I stop and rest, 
at the crawl-marks 
where he lay out on his belly 
to overpass some stretch of bauchy ice 
I lie out 
dragging myself forward with bear-knives in my fists. 

3
On the third day I begin to starve, 
at nightfall I bend down as I knew I would 
at a turd sopped in blood, 
and hesitate, and pick it up, 
and thrust it in my mouth, and gnash it down, 
and rise 
and go on running. 

4
On the seventh day, 
living by now on bear blood alone, 
I can see his upturned carcass far out ahead, a scraggled, 
steamy hulk, 
the heavy fur riffling in the wind. 

I come up to him 
and stare at the narrow-spaced, petty eyes, 
the dismayed 
face laid back on the shoulder, the nostrils 
flared, catching 
perhaps the first taint of me as he 
died. 

I hack 
a ravine in his thigh, and eat and drink, 
and tear him down his whole length 
and open him and climb in 
and close him up after me, against the wind, 
and sleep. 

5
And dream
of lumbering flatfooted
over the tundra, 
stabbed twice from within, 
splattering a trail behind me, 
splattering it out no matter which way I lurch, 
no matter which parabola of bear-transcendence, 
which dance of solitude I attempt, 
which gravity-clutched leap, 
which trudge, which groan. 

6
Until one day I totter and fall -- 
fall on this 
stomach that has tried so hard to keep up, 
to digest the blood as it leaked in, 
to break up 
and digest the bone itself: and now the breeze 
blows over me, blows off 
the hideous belches of ill-digested bear blood 
and rotted stomach 
and the ordinary, wretched odor of bear, 

blows across 
my sore, lolled tongue a song 
or screech, until I think I must rise up 
and dance. And I lie still. 

7
I awaken I think. Marshlights 
reappear, geese 
come trailing again up the flyway. 
In her ravine under old snow the dam-bear 
lies, licking 
lumps of smeared fur 
and drizzly eyes into shapes 
with her tongue. And one 
hairy-soled trudge stuck out before me, 
the next groaned out, 
the next, 
the next, 
the rest of my days I spend 
wandering: wondering 
what, anyway, 
was that sticky infusion, that rank flavor of blood, that 
poetry, by which I lived? 

from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967). 
Written by Rudyard Kipling | Create an image from this poem

Birds of Prey March

 March! The mud is cakin' good about our trousies.
 Front! -- eyes front, an' watch the Colour-casin's drip.
Front! The faces of the women in the 'ouses
 Ain't the kind o' things to take aboard the ship.

Cheer! An' we'll never march to victory.
Cheer! An' we'll never live to 'ear the cannon roar!
 The Large Birds o' Prey
 They will carry us away,
An' you'll never see your soldiers any more!

Wheel! Oh, keep your touch; we're goin' round a corner.
 Time! -- mark time, an' let the men be'ind us close.
Lord! the transport's full, an' 'alf our lot not on 'er --
 Cheer, O cheer! We're going off where no one knows.

March! The Devil's none so black as 'e is painted!
 Cheer! We'll 'ave some fun before we're put away.
'Alt, an' 'and 'er out -- a woman's gone and fainted!
 Cheer! Get on -- Gawd 'elp the married men to-day!

Hoi! Come up, you 'ungry beggars, to yer sorrow.
 ('Ear them say they want their tea, an' want it quick!)
You won't have no mind for slingers, not to-morrow --
 No; you'll put the 'tween-decks stove out, bein' sick!

'Alt! The married kit 'as all to go before us!
 'Course it's blocked the bloomin' gangway up again!
Cheer, O cheer the 'Orse Guards watchin' tender o'er us,
 Keepin' us since eight this mornin' in the rain!

Stuck in 'eavy marchin'-order, sopped and wringin' --
 Sick, before our time to watch 'er 'eave an' fall,
'Ere's your 'appy 'ome at last, an' stop your singin'.
 'Alt! Fall in along the troop-deck! Silence all!

Cheer! For we'll never live to see no bloomin' victory!
Cheer! An' we'll never live to 'ear the cannon roar! (One cheer more!)
 The jackal an' the kite
 'Ave an 'ealthy appetite,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
 The eagle an' the crow
 They are waitin' ever so,
An' you'll never see your soldiers any more! ('Ip! Urroar!)
 Yes, the Large Birds o' Prey
 They will carry us away,
An' you'll never see your soldiers any more!

Book: Radiant Verses: A Journey Through Inspiring Poetry