Get Your Premium Membership

Best Famous Somewhat Poems

Here is a collection of the all-time best famous Somewhat poems. This is a select list of the best famous Somewhat poetry. Reading, writing, and enjoying famous Somewhat poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of somewhat poems.

Search and read the best famous Somewhat poems, articles about Somewhat poems, poetry blogs, or anything else Somewhat poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Edgar Allan Poe | Create an image from this poem

The Raven

ONCE upon a midnight dreary, while I pondered, weak and weary, 
Over many a quaint and curious volume of forgotten lore,¡ª 
While I nodded, nearly napping, suddenly there came a tapping, 
As of some one gently rapping, rapping at my chamber door. 
"'T is some visitor," I muttered, "tapping at my chamber door; 5 
Only this and nothing more." 

Ah, distinctly I remember it was in the bleak December 
And each separate dying ember wrought its ghost upon the floor. 
Eagerly I wished the morrow;¡ªvainly I had sought to borrow 
From my books surcease of sorrow¡ªsorrow for the lost Lenore, 10 
For the rare and radiant maiden whom the angels name Lenore: 
Nameless here for evermore. 

And the silken sad uncertain rustling of each purple curtain 
Thrilled me¡ªfilled me with fantastic terrors never felt before; 
So that now, to still the beating of my heart, I stood repeating 15 
"'T is some visitor entreating entrance at my chamber door, 
Some late visitor entreating entrance at my chamber door: 
This it is and nothing more." 

Presently my soul grew stronger; hesitating then no longer, 
"Sir," said I, "or Madam, truly your forgiveness I implore; 20 
But the fact is I was napping, and so gently you came rapping, 
And so faintly you came tapping, tapping at my chamber door, 
That I scarce was sure I heard you"¡ªhere I opened wide the door:¡ª 
Darkness there and nothing more. 

Deep into that darkness peering, long I stood there wondering, fearing, 25 
Doubting, dreaming dreams no mortals ever dared to dream before; 
But the silence was unbroken, and the stillness gave no token, 
And the only word there spoken was the whispered word, "Lenore?" 
This I whispered, and an echo murmured back the word, "Lenore:" 
Merely this and nothing more. 30 

Back into the chamber turning, all my soul within me burning, 
Soon again I heard a tapping somewhat louder than before. 
"Surely," said I, "surely that is something at my window lattice; 
Let me see, then, what thereat is, and this mystery explore; 
Let my heart be still a moment and this mystery explore: 35 
'T is the wind and nothing more." 

Open here I flung the shutter, when, with many a flirt and flutter, 
In there stepped a stately Raven of the saintly days of yore. 
Not the least obeisance made he; not a minute stopped or stayed he; 
But, with mien of lord or lady, perched above my chamber door, 40 
Perched upon a bust of Pallas just above my chamber door: 
Perched, and sat, and nothing more. 

Then this ebony bird beguiling my sad fancy into smiling 
By the grave and stern decorum of the countenance it wore,¡ª 
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven, 45 
Ghastly grim and ancient Raven wandering from the Nightly shore: 
Tell me what thy lordly name is on the Night's Plutonian shore!" 
Quoth the Raven, "Nevermore." 

Much I marvelled this ungainly fowl to hear discourse so plainly, 
Though its answer little meaning¡ªlittle relevancy bore; 50 
For we cannot help agreeing that no living human being 
Ever yet was blessed with seeing bird above his chamber door, 
Bird or beast upon the sculptured bust above his chamber door, 
With such name as "Nevermore." 

But the Raven, sitting lonely on the placid bust, spoke only 55 
That one word, as if his soul in that one word he did outpour. 
Nothing further then he uttered, not a feather then he fluttered, 
Till I scarcely more than muttered,¡ª"Other friends have flown before; 
On the morrow he will leave me, as my Hopes have flown before." 
Then the bird said, "Nevermore." 60 

Startled at the stillness broken by reply so aptly spoken, 
"Doubtless," said I, "what it utters is its only stock and store, 
Caught from some unhappy master whom unmerciful Disaster 
Followed fast and followed faster till his songs one burden bore: 
Till the dirges of his Hope that melancholy burden bore 65 
Of 'Never¡ªnevermore.' 

But the Raven still beguiling all my fancy into smiling, 
Straight I wheeled a cushioned seat in front of bird and bust and door; 
Then, upon the velvet sinking, I betook myself to linking 
Fancy unto fancy, thinking what this ominous bird of yore, 70 
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore 
Meant in croaking "Nevermore." 

This I sat engaged in guessing, but no syllable expressing 
To the fowl whose fiery eyes now burned into my bosom's core; 
This and more I sat divining, with my head at ease reclining 75 
On the cushion's velvet lining that the lamplight gloated o'er, 
But whose velvet violet lining with the lamp-light gloating o'er 
She shall press, ah, nevermore! 

Then, methought, the air grew denser, perfumed from an unseen censer 
Swung by seraphim whose foot-falls tinkled on the tufted floor. 80 
"Wretch," I cried, "thy God hath lent thee¡ªby these angels he hath sent thee 
Respite¡ªrespite and nepenthe from thy memories of Lenore!" 
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore." 
Quoth the Raven, "Nevermore." 

"Prophet!" said I, "thing of evil! prophet still, if bird or devil! 85 
Whether Tempter sent, or whether tempest tossed thee here ashore, 
Desolate yet all undaunted, on this desert land enchanted¡ª 
On this home by Horror haunted¡ªtell me truly, I implore: 
Is there¡ªis there balm in Gilead?¡ªtell me¡ªtell me, I implore!" 
Quoth the Raven, "Nevermore." 90 

"Prophet!" said I, "thing of evil¡ªprophet still, if bird or devil! 
By that Heaven that bends above us, by that God we both adore, 
Tell this soul with sorrow laden if, within the distant Aidenn, 
It shall clasp a sainted maiden whom the angels name Lenore: 
Clasp a rare and radiant maiden whom the angels name Lenore!" 95 
Quoth the Raven, "Nevermore." 

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting: 
"Get thee back into the tempest and the Night's Plutonian shore! 
Leave no black plume as a token of that lie thy soul hath spoken! 
Leave my loneliness unbroken! quit the bust above my door! 100 
Take thy beak from out my heart, and take thy form from off my door!" 
Quoth the Raven, "Nevermore." 

And the Raven, never flitting, still is sitting, still is sitting 
On the pallid bust of Pallas just above my chamber door; 
And his eyes have all the seeming of a demon's that is dreaming, 105 
And the lamp-light o'er him streaming throws his shadow on the floor: 
And my soul from out that shadow that lies floating on the floor 
Shall be lifted¡ªnevermore! 


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
Written by Ezra Pound | Create an image from this poem

The Seafarer

 (From the early Anglo-Saxon text) 

May I for my own self song's truth reckon,
Journey's jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care's hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship's head
While she tossed close to cliffs. Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood. Lest man know not
That he on dry land loveliest liveth,
List how I, care-wretched, on ice-cold sea,
Weathered the winter, wretched outcast
Deprived of my kinsmen;
Hung with hard ice-flakes, where hail-scur flew,
There I heard naught save the harsh sea
And ice-cold wave, at whiles the swan cries,
Did for my games the gannet's clamour,
Sea-fowls, loudness was for me laughter,
The mews' singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern
In icy feathers; full oft the eagle screamed
With spray on his pinion.
Not any protector
May make merry man faring needy.
This he little believes, who aye in winsome life
Abides 'mid burghers some heavy business,
Wealthy and wine-flushed, how I weary oft
Must bide above brine.
Neareth nightshade, snoweth from north,
Frost froze the land, hail fell on earth then
Corn of the coldest. Nathless there knocketh now
The heart's thought that I on high streams
The salt-wavy tumult traverse alone.
Moaneth alway my mind's lust
That I fare forth, that I afar hence
Seek out a foreign fastness.
For this there's no mood-lofty man over earth's midst,
Not though he be given his good, but will have in his youth greed;
Nor his deed to the daring, nor his king to the faithful
But shall have his sorrow for sea-fare
Whatever his lord will.
He hath not heart for harping, nor in ring-having
Nor winsomeness to wife, nor world's delight
Nor any whit else save the wave's slash,
Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries,
Fields to fairness, land fares brisker,
All this admonisheth man eager of mood,
The heart turns to travel so that he then thinks
On flood-ways to be far departing.
Cuckoo calleth with gloomy crying,
He singeth summerward, bodeth sorrow,
The bitter heart's blood. Burgher knows not --
He the prosperous man -- what some perform
Where wandering them widest draweth.
So that but now my heart burst from my breast-lock,
My mood 'mid the mere-flood,
Over the whale's acre, would wander wide.
On earth's shelter cometh oft to me,
Eager and ready, the crying lone-flyer,
Whets for the whale-path the heart irresistibly,
O'er tracks of ocean; seeing that anyhow
My lord deems to me this dead life
On loan and on land, I believe not
That any earth-weal eternal standeth
Save there be somewhat calamitous
That, ere a man's tide go, turn it to twain.
Disease or oldness or sword-hate
Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after --
Laud of the living, boasteth some last word,
That he will work ere he pass onward,
Frame on the fair earth 'gainst foes his malice,
Daring ado, ...
So that all men shall honour him after
And his laud beyond them remain 'mid the English,
Aye, for ever, a lasting life's-blast,
Delight mid the doughty.
Days little durable,
And all arrogance of earthen riches,
There come now no kings nor Cæsars
Nor gold-giving lords like those gone.
Howe'er in mirth most magnified,
Whoe'er lived in life most lordliest,
Drear all this excellence, delights undurable!
Waneth the watch, but the world holdeth.
Tomb hideth trouble. The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth's gait,
But age fares against him, his face paleth,
Grey-haired he groaneth, knows gone companions,
Lordly men are to earth o'ergiven,
Nor may he then the flesh-cover, whose life ceaseth,
Nor eat the sweet nor feel the sorry,
Nor stir hand nor think in mid heart,
And though he strew the grave with gold,
His born brothers, their buried bodies
Be an unlikely treasure hoard.
Written by G K Chesterton | Create an image from this poem

The Latest School

 See the flying French depart
Like the bees of Bonaparte,
Swarming up with a most venomous vitality.
Over Baden and Bavaria,
And Brighton and Bulgaria,
Thus violating Belgian neutrality.

And the injured Prussian may
Not unreasonably say
"Why, it cannot be so small a nationality
Since Brixton and Batavia,
Bolivia and Belgravia,
Are bursting with the Belgian neutrality."

By pure Alliteration
You may trace this curious nation,
And respect this somewhat scattered Principality;
When you see a B in Both
You may take your Bible oath
You are violating Belgian neutrality.
Written by Langston Hughes | Create an image from this poem

Theme For English B

 The instructor said,

 Go home and write
 a page tonight.
 And let that page come out of you--
 Then, it will be true.

I wonder if it's that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It's not easy to know what is true for you or me 
at twenty-two, my age. But I guess I'm what 
I feel and see and hear, Harlem, I hear you:
hear you, hear me--we two--you, me, talk on this page.
(I hear New York, too.) Me--who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records--Bessie, bop, or Bach.
I guess being colored doesn't make me not like
the same things other folks like who are other races.
So will my page be colored that I write?

Being me, it will not be white. 
But it will be
a part of you, instructor. 
You are white-- 
yet a part of me, as I am a part of you. 
That's American.
Sometimes perhaps you don't want to be a part of me. 
Nor do I often want to be a part of you.
But we are, that's true! 
As I learn from you, 
I guess you learn from me-- 
although you're older--and white-- 
and somewhat more free.

This is my page for English B.


Written by Gwendolyn Brooks | Create an image from this poem

A Sunset of the City

 Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.

It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.

It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.

It is a real chill out. The fall crisp comes
I am aware there is winter to heed.
There is no warm house
That is fitted with my need.

I am cold in this cold house this house
Whose washed echoes are tremulous down lost halls.
I am a woman, and dusty, standing among new affairs.
I am a woman who hurries through her prayers.

Tin intimations of a quiet core to be my
Desert and my dear relief
Come: there shall be such islanding from grief,
And small communion with the master shore.
Twang they. And I incline this ear to tin,
Consult a dual dilemma. Whether to dry
In humming pallor or to leap and die.

Somebody muffed it?? Somebody wanted to joke
Written by Elizabeth Barrett Browning | Create an image from this poem

A Curse For A Nation

 I heard an angel speak last night,
And he said 'Write!
Write a Nation's curse for me,
And send it over the Western Sea.'

I faltered, taking up the word:
'Not so, my lord!
If curses must be, choose another
To send thy curse against my brother.

'For I am bound by gratitude,
By love and blood,
To brothers of mine across the sea,
Who stretch out kindly hands to me.'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
From the summits of love a curse is driven,
As lightning is from the tops of heaven.'

'Not so,' I answered. 'Evermore
My heart is sore
For my own land's sins: for little feet
Of children bleeding along the street:

'For parked-up honors that gainsay
The right of way:
For almsgiving through a door that is
Not open enough for two friends to kiss:

'For love of freedom which abates
Beyond the Straits:
For patriot virtue starved to vice on
Self-praise, self-interest, and suspicion:

'For an oligarchic parliament,
And bribes well-meant.
What curse to another land assign,
When heavy-souled for the sins of mine?'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
Because thou hast strength to see and hate
A foul thing done within thy gate.'

'Not so,' I answered once again.
'To curse, choose men.
For I, a woman, have only known
How the heart melts and the tears run down.'

'Therefore,' the voice said, 'shalt thou write
My curse to-night.
Some women weep and curse, I say
(And no one marvels), night and day.

'And thou shalt take their part to-night,
Weep and write.
A curse from the depths of womanhood
Is very salt, and bitter, and good.'

So thus I wrote, and mourned indeed,
What all may read.
And thus, as was enjoined on me,
I send it over the Western Sea.

The Curse

Because ye have broken your own chain
With the strain
Of brave men climbing a Nation's height,
Yet thence bear down with brand and thong
On souls of others, -- for this wrong
This is the curse. Write.

Because yourselves are standing straight
In the state
Of Freedom's foremost acolyte,
Yet keep calm footing all the time
On writhing bond-slaves, -- for this crime
This is the curse. Write.

Because ye prosper in God's name,
With a claim
To honor in the old world's sight,
Yet do the fiend's work perfectly
In strangling martyrs, -- for this lie
This is the curse. Write.

Ye shall watch while kings conspire
Round the people's smouldering fire,
And, warm for your part,
Shall never dare -- O shame!
To utter the thought into flame
Which burns at your heart.
This is the curse. Write.

Ye shall watch while nations strive
With the bloodhounds, die or survive,
Drop faint from their jaws,
Or throttle them backward to death;
And only under your breath
Shall favor the cause.
This is the curse. Write.

Ye shall watch while strong men draw
The nets of feudal law
To strangle the weak;
And, counting the sin for a sin,
Your soul shall be sadder within
Than the word ye shall speak.
This is the curse. Write.

When good men are praying erect
That Christ may avenge His elect
And deliver the earth,
The prayer in your ears, said low,
Shall sound like the tramp of a foe
That's driving you forth.
This is the curse. Write.

When wise men give you their praise,
They shall praise in the heat of the phrase,
As if carried too far.
When ye boast your own charters kept true,
Ye shall blush; for the thing which ye do
Derides what ye are.
This is the curse. Write.

When fools cast taunts at your gate,
Your scorn ye shall somewhat abate
As ye look o'er the wall;
For your conscience, tradition, and name
Explode with a deadlier blame
Than the worst of them all.
This is the curse. Write.

Go, wherever ill deeds shall be done,
Go, plant your flag in the sun
Beside the ill-doers!
And recoil from clenching the curse
Of God's witnessing Universe
With a curse of yours.
This is the curse. Write.
Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I. Ribh at the Tomb of Baile and Aillinn

Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.

The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.

Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.

II. Ribh denounces Patrick

An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child 
 (daughter or son),
That's how all natural or supernatural stories run.

Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets 
 Godhead,
For things below are copies, the Great Smaragdine Tablet said.

Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the 
 body or the mind,
That juggling nature mounts, her coil in their embraces 
 twined.

The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.

III. Ribh in Ecstasy

What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.

IV. There

There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.

V. Ribh considers Christian Love insufficient

Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.

Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.

Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.

At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!

VI. He and She

As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".

She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.

VII. What Magic Drum?

He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer 
 rest,
Drinking joy as it were milk upon his breast.

Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move 
 his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?

VIII. Whence had they come?

Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?

IX. The Four Ages of Man

He with body waged a fight,
But body won; it walks upright.

Then he struggled with the heart;
Innocence and peace depart.

Then he struggled with the mind;
His proud heart he left behind.

Now his wars on God begin;
At stroke of midnight God shall win.

X. Conjunctions

If Jupiter and Saturn meet,
What a cop of mummy wheat!

The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.

XI. A Needle's Eye

All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.

XII. Meru

Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Written by Ralph Waldo Emerson | Create an image from this poem

Ode To Beauty

 Who gave thee, O Beauty!
The keys of this breast,
Too credulous lover
Of blest and unblest?
Say when in lapsed ages
Thee knew I of old;
Or what was the service
For which I was sold?
When first my eyes saw thee,
I found me thy thrall,
By magical drawings,
Sweet tyrant of all!
I drank at thy fountain
False waters of thirst;
Thou intimate stranger,
Thou latest and first!
Thy dangerous glances
Make women of men;
New-born we are melting
Into nature again.
Lavish, lavish promiser,
Nigh persuading gods to err,
Guest of million painted forms
Which in turn thy glory warms,
The frailest leaf, the mossy bark,
The acorn's cup, the raindrop's arc,
The swinging spider's silver line,
The ruby of the drop of wine,
The shining pebble of the pond,
Thou inscribest with a bond
In thy momentary play
Would bankrupt Nature to repay.

Ah! what avails it
To hide or to shun
Whom the Infinite One
Hath granted his throne?
The heaven high over
Is the deep's lover,
The sun and sea
Informed by thee,
Before me run,
And draw me on,
Yet fly me still,
As Fate refuses
To me the heart Fate for me chooses,
Is it that my opulent soul
Was mingled from the generous whole,
Sea valleys and the deep of skies
Furnished several supplies,
And the sands whereof I'm made
Draw me to them self-betrayed?
I turn the proud portfolios
Which hold the grand designs
Of Salvator, of Guercino,
And Piranesi's lines.
I hear the lofty Pæans
Of the masters of the shell,
Who heard the starry music,
And recount the numbers well:
Olympian bards who sung
Divine Ideas below,
Which always find us young,
And always keep us so.
Oft in streets or humblest places
I detect far wandered graces,
Which from Eden wide astray
In lowly homes have lost their way.

Thee gliding through the sea of form,
Like the lightning through the storm,
Somewhat not to be possessed,
Somewhat not to be caressed,
No feet so fleet could ever find,
No perfect form could ever bind.
Thou eternal fugitive
Hovering over all that live,
Quick and skilful to inspire
Sweet extravagant desire,
Starry space and lily bell
Filling with thy roseate smell,
Wilt not give the lips to taste
Of the nectar which thou hast.

All that's good and great with thee
Stands in deep conspiracy.
Thou hast bribed the dark and lonely
To report thy features only,
And the cold and purple morning
Itself with thoughts of thee adorning,
The leafy dell, the city mart,
Equal trophies of thine art,
E'en the flowing azure air
Thou hast touched for my despair,
And if I languish into dreams,
Again I meet the ardent beams.
Queen of things! I dare not die
In Being's deeps past ear and eye,
Lest there I find the same deceiver,
And be the sport of Fate forever.
Dread power, but dear! if God thou be,
Unmake me quite, or give thyself to me.
Written by Charles Bukowski | Create an image from this poem

Death Wants More Death

 death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,
the wet web,
toward the weak shield of buzzing,
the pulsing;
a last desperate moving hair-leg
there against the glass
there alive in the sun,
spun in white;
and almost like love:
the closing over,
the first hushed spider-sucking:
filling its sack 
upon this thing that lived;
crouching there upon its back
drawing its certain blood
as the world goes by outside
and my temples scream
and I hurl the broom against them:
the spider dull with spider-anger
still thinking of its prey
and waving an amazed broken leg;
the fly very still,
a dirty speck stranded to straw;
I shake the killer loose
and he walks lame and peeved
towards some dark corner
but I intercept his dawdling
his crawling like some broken hero,
and the straws smash his legs
now waving
above his head
and looking
looking for the enemy 
and somewhat valiant,
dying without apparent pain
simply crawling backward
piece by piece
leaving nothing there
until at last the red gut sack
splashes
its secrets,
and I run child-like
with God's anger a step behind,
back to simple sunlight,
wondering
as the world goes by
with curled smile
if anyone else
saw or sensed my crime

Book: Radiant Verses: A Journey Through Inspiring Poetry