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Best Famous Solid Poems

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Written by John Trumbull | Create an image from this poem

The Owl And The Sparrow

 In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble, Worse than ten labourers of Babel.
Along the street, perhaps you'd see A Post disputing with a Tree, And mid their arguments of weight, A Goose sit umpire of debate.
Each Dog you met, though speechless now, Would make his compliments and bow, And every Swine with congees come, To know how did all friends at home.
Each Block sublime could make a speech, In style and eloquence as rich, And could pronounce it and could pen it, As well as Chatham in the senate.
Nor prose alone.
--In these young times, Each field was fruitful too in rhymes; Each feather'd minstrel felt the passion, And every wind breathed inspiration.
Each Bullfrog croak'd in loud bombastic, Each Monkey chatter'd Hudibrastic; Each Cur, endued with yelping nature, Could outbark Churchill's[2] self in satire; Each Crow in prophecy delighted, Each Owl, you saw, was second-sighted, Each Goose a skilful politician, Each Ass a gifted met'physician, Could preach in wrath 'gainst laughing rogues, Write Halfway-covenant Dialogues,[3] And wisely judge of all disputes In commonwealths of men or brutes.
'Twas then, in spring a youthful Sparrow Felt the keen force of Cupid's arrow: For Birds, as Æsop's tales avow, Made love then, just as men do now, And talk'd of deaths and flames and darts, And breaking necks and losing hearts; And chose from all th' aerial kind, Not then to tribes, like Jews, confined The story tells, a lovely Thrush Had smit him from a neigh'bring bush, Where oft the young coquette would play, And carol sweet her siren lay: She thrill'd each feather'd heart with love, And reign'd the Toast of all the grove.
He felt the pain, but did not dare Disclose his passion to the fair; For much he fear'd her conscious pride Of race, to noble blood allied.
Her grandsire's nest conspicuous stood, Mid loftiest branches of the wood, In airy height, that scorn'd to know Each flitting wing that waved below.
So doubting, on a point so nice He deem'd it best to take advice.
Hard by there dwelt an aged Owl, Of all his friends the gravest fowl; Who from the cares of business free, Lived, hermit, in a hollow tree; To solid learning bent his mind, In trope and syllogism he shined, 'Gainst reigning follies spent his railing; Too much a Stoic--'twas his failing.
Hither for aid our Sparrow came, And told his errand and his name, With panting breath explain'd his case, Much trembling at the sage's face; And begg'd his Owlship would declare If love were worth a wise one's care.
The grave Owl heard the weighty cause, And humm'd and hah'd at every pause; Then fix'd his looks in sapient plan, Stretch'd forth one foot, and thus began.
"My son, my son, of love beware, And shun the cheat of beauty's snare; That snare more dreadful to be in, Than huntsman's net, or horse-hair gin.
"By others' harms learn to be wise," As ancient proverbs well advise.
Each villany, that nature breeds, From females and from love proceeds.
'Tis love disturbs with fell debate Of man and beast the peaceful state: Men fill the world with war's alarms, When female trumpets sound to arms; The commonwealth of dogs delight For beauties, as for bones, to fight.
Love hath his tens of thousands slain, And heap'd with copious death the plain: Samson, with ass's jaw to aid, Ne'er peopled thus th'infernal shade.
"Nor this the worst; for he that's dead, With love no more will vex his head.
'Tis in the rolls of fate above, That death's a certain cure for love; A noose can end the cruel smart; The lover's leap is from a cart.
But oft a living death they bear, Scorn'd by the proud, capricious fair.
The fair to sense pay no regard, And beauty is the fop's reward; They slight the generous hearts' esteem, And sigh for those, who fly from them.
Just when your wishes would prevail, Some rival bird with gayer tail, Who sings his strain with sprightlier note, And chatters praise with livelier throat, Shall charm your flutt'ring fair one down, And leave your choice, to hang or drown.
Ev'n I, my son, have felt the smart; A Pheasant won my youthful heart.
For her I tuned the doleful lay,[4] For her I watch'd the night away; In vain I told my piteous case, And smooth'd my dignity of face; In vain I cull'd the studied phrase, And sought hard words in beauty's praise.
Her, not my charms nor sense could move, For folly is the food of love.
Each female scorns our serious make, "Each woman is at heart a rake.
"[5] Thus Owls in every age have said, Since our first parent-owl was made; Thus Pope and Swift, to prove their sense, Shall sing, some twenty ages hence; Then shall a man of little fame, One ** **** sing the same.


Written by William Butler Yeats | Create an image from this poem

Blood And The Moon

 I

Blessed be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages -
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
Half dead at the top.
II Alexandria's was a beacon tower, and Babylon's An image of the moving heavens, a log-book of the sun's journey and the moon's; And Shelley had his towers, thought's crowned powers he called them once.
I declare this tower is my symbol; I declare This winding, gyring, spiring treadmill of a stair is my ancestral stair; That Goldsmith and the Dean, Berkeley and Burke have travelled there.
Swift beating on his breast in sibylline frenzy blind Because the heart in his blood-sodden breast had dragged him down into mankind, Goldsmith deliberately sipping at the honey-pot of his mind, And haughtier-headed Burke that proved the State a tree, That this unconquerable labyrinth of the birds, century after century, Cast but dead leaves to mathematical equality; And God-appointed Berkeley that proved all things a dream, That this pragmatical, preposterous pig of a world, its farrow that so solid seem, Must vanish on the instant if the mind but change its theme; Saeva Indignatio and the labourer's hire, The strength that gives our blood and state magnanimity of its own desire; Everything that is not God consumed with intellectual fire.
III The purity of the unclouded moon Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure, The blood of innocence has left no stain.
There, on blood-saturated ground, have stood Soldier, assassin, executioner.
Whether for daily pittance or in blind fear Or out of abstract hatred, and shed blood, But could not cast a single jet thereon.
Odour of blood on the ancestral stair! And we that have shed none must gather there And clamour in drunken frenzy for the moon.
IV Upon the dusty, glittering windows cling, And seem to cling upon the moonlit skies, Tortoiseshell butterflies, peacock butterflies, A couple of night-moths are on the wing.
Is every modern nation like the tower, Half dead at the top? No matter what I said, For wisdom is the property of the dead, A something incompatible with life; and power, Like everything that has the stain of blood, A property of the living; but no stain Can come upon the visage of the moon When it has looked in glory from a cloud.
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Emily Dickinson | Create an image from this poem

I think I was enchanted

 I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --

And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --

The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow Grass --
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer --
I took for Giants -- practising
Titanic Opera --

The Days -- to Mighty Metres stept --
The Homeliest -- adorned
As if unto a Jubilee
'Twere suddenly confirmed --

I could not have defined the change --
Conversion of the Mind
Like Sanctifying in the Soul --
Is witnessed -- not explained --

'Twas a Divine Insanity --
The Danger to be Sane
Should I again experience --
'Tis Antidote to turn --

To Tomes of solid Witchcraft --
Magicians be asleep --
But Magic -- hath an Element
Like Deity -- to keep --
Written by Pablo Neruda | Create an image from this poem

Love Sonnet XVII

 I do not love you as if you were a salt rose, or topaz
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved, in secret, between the shadow and the soul.
I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrance, risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride; So I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.


Written by Ralph Waldo Emerson | Create an image from this poem

The Humble-Bee

BURLY dozing humble-bee  
Where thou art is clime for me.
Let them sail for Porto Rique Far-off heats through seas to seek; I will follow thee alone 5 Thou animated torrid-zone! Zigzag steerer desert cheerer Let me chase thy waving lines; Keep me nearer me thy hearer Singing over shrubs and vines.
10 Insect lover of the sun Joy of thy dominion! Sailor of the atmosphere; Swimmer through the waves of air; Voyager of light and noon; 15 Epicurean of June; Wait I prithee till I come Within earshot of thy hum ¡ª All without is martyrdom.
When the south wind in May days 20 With a net of shining haze Silvers the horizon wall And with softness touching all Tints the human countenance With a color of romance 25 And infusing subtle heats Turns the sod to violets Thou in sunny solitudes Rover of the underwoods The green silence dost displace 30 With thy mellow breezy bass.
Hot midsummer's petted crone Sweet to me thy drowsy tone Tells of countless sunny hours Long days and solid banks of flowers; 35 Of gulfs of sweetness without bound In Indian wildernesses found; Of Syrian peace immortal leisure Firmest cheer and bird-like pleasure.
Aught unsavory or unclean 40 Hath my insect never seen; But violets and bilberry bells Maple-sap and daffodels Grass with green flag half-mast high Succory to match the sky 45 Columbine with horn of honey Scented fern and agrimony Clover catchfly adder's-tongue And brier-roses dwelt among; All beside was unknown waste 50 All was picture as he passed.
Wiser far than human seer blue-breeched philosopher! Seeing only what is fair Sipping only what is sweet 55 Thou dost mock at fate and care Leave the chaff and take the wheat.
When the fierce northwestern blast Cools sea and land so far and fast Thou already slumberest deep; 60 Woe and want thou canst outsleep; Want and woe which torture us Thy sleep makes ridiculous.
Written by Anne Sexton | Create an image from this poem

Live

 Live or die, but don't poison everything.
.
.
Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle.
The chief ingredient is mutilation.
And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn *****! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie and even though I dressed the body it was still naked, still killed.
It was caught in the first place at birth, like a fish.
But I play it, dressed it up, dressed it up like somebody's doll.
Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up.
And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer.
Today life opened inside me like an egg and there inside after considerable digging I found the answer.
What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer.
God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles.
If I'm on fire they dance around it and cook marshmallows.
And if I'm ice they simply skate on me in little ballet costumes.
Here, all along, thinking I was a killer, anointing myself daily with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice as a chocolate bar.
Even with the witches' gymnastics they trust my incalculable city, my corruptible bed.
O dearest three, I make a soft reply.
The witch comes on and you paint her pink.
I come with kisses in my hood and the sun, the smart one, rolling in my arms.
So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny ****.
Just last week, eight Dalmatians, 3/4 of a lb.
, lined up like cord wood each like a birch tree.
I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected.
Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift, repeating The Black Mass and all of it.
I say Live, Live because of the sun, the dream, the excitable gift.
Written by Jim Carroll | Create an image from this poem

8 Fragments For Kurt Cobain

 1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance 

Pills and powdres only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift 

Your Body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns 

Whose triggers are shaped tenderly into a false lust
In timeless illusion 

2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru Lucifer's wisdom teeth, and never stopped their reverbrating In your mind And from the stage All the faces out front seemed so hungry With an unbearably wholesome misunderstanding From where they sat, you seemed so far up there High and live and diving And instead you were swamp crawling Down, deeper Until you tasted the Earth's own blood And chatted with the Buzzing-eyed insects that heroin breeds 3/ You should have talked more with the monkey He's always willing to negotiate I'm still paying him off.
.
.
The greater the money and fame The slower the Pendulum of fortune swings Your will could have sped it up.
.
.
But you left that in a plane Because it wouldn't pass customs and immigration 4/ Here's synchronicity for you: Your music's tape was inside my walkman When my best friend from summer camp Called with the news about you I listened them.
.
.
It was all there! Your music kept cutting deeper and deeper valleys of sound Less and less light Until you hit solid rock The drill bit broke and the valley became A thin crevice, impassible in time, As time itself stopped.
And the walls became cages of brilliant notes Pressing in.
.
.
Pressure That's how diamonds are made And that's WHERE it sometimes all collapses Down in on you 5/ Then I translated your muttered lyrics And the phrases were curious: Like "incognito libido" And "Chalk Skin Bending" The words kept getting smaller and smaller Until Separated from their music Each letter spilled out into a cartridge Which fit only in the barrel of a gun 6/ And you shoved the barrel in as far as possible Because that's where the pain came from That's where the demons were digging The world outside was blank Its every cause was just a continuation Of another unsolved effect 7/ But Kurt.
.
.
Didn't the thought that you would never write another song Another feverish line or riff Make you think twice? That's what I don't understand Because it's kept me alive, above any wounds 8/ If only you hadn't swallowed yourself into a coma in Roma.
.
.
You could have gone to Florence And looked into the eyes of Bellinni or Rafael's Portraits Perhaps inside them You could have found a threshold back to beauty's arms Where it all began.
.
.
No matter that you felt betrayed by her That is always the cost As Frank said, Of a young artist's remorseless passion Which starts out as a kiss And follows like a curse
Written by Anne Sexton | Create an image from this poem

45 Mercy Street

 In my dream, 
drilling into the marrow 
of my entire bone, 
my real dream, 
I'm walking up and down Beacon Hill 
searching for a street sign -- 
namely MERCY STREET.
Not there.
I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window of the foyer, the three flights of the house with its parquet floors.
I know the furniture and mother, grandmother, great-grandmother, the servants.
I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table.
I know it well.
Not there.
Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.
M.
at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was.
.
.
And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid.
I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk.
I walk.
I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime.
Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there.
I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick.
I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River.
Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
Written by Percy Bysshe Shelley | Create an image from this poem

Ode to the West Wind

O WILD West Wind, thou breath of Autumn's being¡ª 
Thou from whose unseen presence the leaves dead 
Are driven, like ghosts from an enchanter fleeing, 
Yellow, and black, and pale, and hectic red, 
Pestilence-stricken multitudes!¡ªO thou 5 
Who chariotest to their dark wintry bed 
The wing¨¨d seeds, where they lie cold and low, 
Each like a corpse within its grave, until 
Thine azure sister of the Spring shall blow 
Her clarion o'er the dreaming earth, and fill 10 
(Driving sweet buds like flocks to feed in air) 
With living hues and odours plain and hill¡ª 
Wild Spirit, which art moving everywhere¡ª 
Destroyer and Preserver¡ªhear, O hear! 

Thou on whose stream, 'mid the steep sky's commotion, 15 
Loose clouds like earth's decaying leaves are shed, 
Shook from the tangled boughs of Heaven and Ocean, 
Angels of rain and lightning! they are spread 
On the blue surface of thine airy surge, 
Like the bright hair uplifted from the head 20 
Of some fierce M?nad, ev'n from the dim verge 
Of the horizon to the zenith's height¡ª 
The locks of the approaching storm.
Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, 25 Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst:¡ªO hear! Thou who didst waken from his summer-dreams The blue Mediterranean, where he lay, 30 Lull'd by the coil of his crystalline streams, Beside a pumice isle in Bai?'s bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss, and flowers 35 So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know 40 Thy voice, and suddenly grow gray with fear And tremble and despoil themselves:¡ªO hear! If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share 45 The impulse of thy strength, only less free Than thou, O uncontrollable!¡ªif even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip thy skiey speed 50 Scarce seem'd a vision,¡ªI would ne'er have striven As thus with thee in prayer in my sore need.
O lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain'd and bow'd 55 One too like thee¡ªtameless, and swift, and proud.
Make me thy lyre, ev'n as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep autumnal tone, 60 Sweet though in sadness.
Be thou, Spirit fierce, My spirit! be thou me, impetuous one! Drive my dead thoughts over the universe, Like wither'd leaves, to quicken a new birth; And, by the incantation of this verse, 65 Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind? 70

Book: Reflection on the Important Things