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Best Famous Sole Poems

Here is a collection of the all-time best famous Sole poems. This is a select list of the best famous Sole poetry. Reading, writing, and enjoying famous Sole poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sole poems.

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Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease.
10 O for a draught of vintage! that hath been Cool'd a long age in the deep-delv¨¨d earth, Tasting of Flora and the country-green, Dance, and Proven?al song, and sunburnt mirth! O for a beaker full of the warm South! 15 Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stain¨¨d mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: 20 Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs, 25 Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
30 Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, 35 And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.
40 I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalm¨¨d darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; 45 White hawthorn, and the pastoral eglantine; Fast-fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
50 Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mus¨¨d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, 55 To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain¡ª To thy high requiem become a sod.
60 Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path 65 Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
70 Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75 Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:¡ªdo I wake or sleep? 80


Written by Samuel Taylor Coleridge | Create an image from this poem

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind.
The owlet's cry Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness.
Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
But O! how oft, How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger! and as oft With unclosed lids, already had I dreamt Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang >From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the interspersed vacancies And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shall learn far other lore, And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself.
Great universal Teacher! he shall mould Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
Written by Henry David Thoreau | Create an image from this poem

Friendship

 I think awhile of Love, and while I think, 
Love is to me a world, 
Sole meat and sweetest drink, 
And close connecting link 
Tween heaven and earth.
I only know it is, not how or why, My greatest happiness; However hard I try, Not if I were to die, Can I explain.
I fain would ask my friend how it can be, But when the time arrives, Then Love is more lovely Than anything to me, And so I'm dumb.
For if the truth were known, Love cannot speak, But only thinks and does; Though surely out 'twill leak Without the help of Greek, Or any tongue.
A man may love the truth and practise it, Beauty he may admire, And goodness not omit, As much as may befit To reverence.
But only when these three together meet, As they always incline, And make one soul the seat, And favorite retreat, Of loveliness; When under kindred shape, like loves and hates And a kindred nature, Proclaim us to be mates, Exposed to equal fates Eternally; And each may other help, and service do, Drawing Love's bands more tight, Service he ne'er shall rue While one and one make two, And two are one; In such case only doth man fully prove Fully as man can do, What power there is in Love His inmost soul to move Resistlessly.
________________________________ Two sturdy oaks I mean, which side by side, Withstand the winter's storm, And spite of wind and tide, Grow up the meadow's pride, For both are strong Above they barely touch, but undermined Down to their deepest source, Admiring you shall find Their roots are intertwined Insep'rably.
Written by William Butler Yeats | Create an image from this poem

All Souls Night

 Epilogue to "A Vision'

MIDNIGHT has come, and the great Christ Church Bell
And may a lesser bell sound through the room;
And it is All Souls' Night,
And two long glasses brimmed with muscatel
Bubble upon the table.
A ghost may come; For it is a ghost's right, His element is so fine Being sharpened by his death, To drink from the wine-breath While our gross palates drink from the whole wine.
I need some mind that, if the cannon sound From every quarter of the world, can stay Wound in mind's pondering As mummies in the mummy-cloth are wound; Because I have a marvellous thing to say, A certain marvellous thing None but the living mock, Though not for sober ear; It may be all that hear Should laugh and weep an hour upon the clock.
Horton's the first I call.
He loved strange thought And knew that sweet extremity of pride That's called platonic love, And that to such a pitch of passion wrought Nothing could bring him, when his lady died, Anodyne for his love.
Words were but wasted breath; One dear hope had he: The inclemency Of that or the next winter would be death.
Two thoughts were so mixed up I could not tell Whether of her or God he thought the most, But think that his mind's eye, When upward turned, on one sole image fell; And that a slight companionable ghost, Wild with divinity, Had so lit up the whole Immense miraculous house The Bible promised us, It seemed a gold-fish swimming in a bowl.
On Florence Emery I call the next, Who finding the first wrinkles on a face Admired and beautiful, And knowing that the future would be vexed With 'minished beauty, multiplied commonplace, preferred to teach a school Away from neighbour or friend, Among dark skins, and there permit foul years to wear Hidden from eyesight to the unnoticed end.
Before that end much had she ravelled out From a discourse in figurative speech By some learned Indian On the soul's journey.
How it is whirled about, Wherever the orbit of the moon can reach, Until it plunge into the sun; And there, free and yet fast, Being both Chance and Choice, Forget its broken toys And sink into its own delight at last.
And I call up MacGregor from the grave, For in my first hard springtime we were friends.
Although of late estranged.
I thought him half a lunatic, half knave, And told him so, but friendship never ends; And what if mind seem changed, And it seem changed with the mind, When thoughts rise up unbid On generous things that he did And I grow half contented to be blind! He had much industry at setting out, Much boisterous courage, before loneliness Had driven him crazed; For meditations upon unknown thought Make human intercourse grow less and less; They are neither paid nor praised.
but he d object to the host, The glass because my glass; A ghost-lover he was And may have grown more arrogant being a ghost.
But names are nothing.
What matter who it be, So that his elements have grown so fine The fume of muscatel Can give his sharpened palate ecstasy No living man can drink from the whole wine.
I have mummy truths to tell Whereat the living mock, Though not for sober ear, For maybe all that hear Should laugh and weep an hour upon the clock.
Such thought -- such thought have I that hold it tight Till meditation master all its parts, Nothing can stay my glance Until that glance run in the world's despite To where the damned have howled away their hearts, And where the blessed dance; Such thought, that in it bound I need no other thing, Wound in mind's wandering As mummies in the mummy-cloth are wound.
Oxford, Autumn 1920
Written by William Shakespeare | Create an image from this poem

The Phoenix and the Turtle

 Let the bird of loudest lay,
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou, shrieking harbinger, Foul pre-currer of the fiend, Augur of the fever's end, To this troop come thou not near.
From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict.
Let the priest in surplice white, That defunctive music can, Be the death-defying swan, Lest the requiem lack his right.
And thou, treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go.
Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence.
So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain.
Hearts remote, yet not asunder; Distance, and no space was seen 'Twixt the turtle and his queen; But in them it were a wonder.
So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight: Either was the other's mine.
Property was thus appall'd, That the self was not the same; Single nature's double name Neither two nor one was call'd.
Reason, in itself confounded, Saw division grow together; To themselves yet either-neither, Simple were so well compounded.
That it cried how true a twain Seemeth this concordant one! Love hath reason, reason none If what parts can so remain.
Whereupon it made this threne To the phoenix and the dove, Co-supreme and stars of love; As chorus to their tragic scene.
THRENOS.
Beauty, truth, and rarity.
Grace in all simplicity, Here enclos'd in cinders lie.
Death is now the phoenix' nest; And the turtle's loyal breast To eternity doth rest, Leaving no posterity:-- 'Twas not their infirmity, It was married chastity.
Truth may seem, but cannot be: Beauty brag, but 'tis not she; Truth and beauty buried be.
To this urn let those repair That are either true or fair; For these dead birds sigh a prayer.


Written by Henry David Thoreau | Create an image from this poem

Inspiration

 Whate'er we leave to God, God does, 
And blesses us; 
The work we choose should be our own, 
God leaves alone.
If with light head erect I sing, Though all the Muses lend their force, From my poor love of anything, The verse is weak and shallow as its source.
But if with bended neck I grope Listening behind me for my wit, With faith superior to hope, More anxious to keep back than forward it; Making my soul accomplice there Unto the flame my heart hath lit, Then will the verse forever wear-- Time cannot bend the line which God hath writ.
Always the general show of things Floats in review before my mind, And such true love and reverence brings, That sometimes I forget that I am blind.
But now there comes unsought, unseen, Some clear divine electuary, And I, who had but sensual been, Grow sensible, and as God is, am wary.
I hearing get, who had but ears, And sight, who had but eyes before, I moments live, who lived but years, And truth discern, who knew but learning's lore.
I hear beyond the range of sound, I see beyond the range of sight, New earths and skies and seas around, And in my day the sun doth pale his light.
A clear and ancient harmony Pierces my soul through all its din, As through its utmost melody-- Farther behind than they, farther within.
More swift its bolt than lightning is, Its voice than thunder is more loud, It doth expand my privacies To all, and leave me single in the crowd.
It speaks with such authority, With so serene and lofty tone, That idle Time runs gadding by, And leaves me with Eternity alone.
Now chiefly is my natal hour, And only now my prime of life; Of manhood's strength it is the flower, 'Tis peace's end and war's beginning strife.
It comes in summer's broadest noon, By a grey wall or some chance place, Unseasoning Time, insulting June, And vexing day with its presuming face.
Such fragrance round my couch it makes, More rich than are Arabian drugs, That my soul scents its life and wakes The body up beneath its perfumed rugs.
Such is the Muse, the heavenly maid, The star that guides our mortal course, Which shows where life's true kernel's laid, Its wheat's fine flour, and its undying force.
She with one breath attunes the spheres, And also my poor human heart, With one impulse propels the years Around, and gives my throbbing pulse its start.
I will not doubt for evermore, Nor falter from a steadfast faith, For thought the system be turned o'er, God takes not back the word which once He saith.
I will not doubt the love untold Which not my worth nor want has bought, Which wooed me young, and woos me old, And to this evening hath me brought.
My memory I'll educate To know the one historic truth, Remembering to the latest date The only true and sole immortal youth.
Be but thy inspiration given, No matter through what danger sought, I'll fathom hell or climb to heaven, And yet esteem that cheap which love has bought.
___________________ Fame cannot tempt the bard Who's famous with his God, Nor laurel him reward Who has his Maker's nod.
Written by Richard Wilbur | Create an image from this poem

Juggler

 A ball will bounce; but less and less.
It's not A light-hearted thing, resents its own resilience.
Falling is what it loves, and the earth falls So in our hearts from brilliance, Settles and is forgot.
It takes a sky-blue juggler with five red balls To shake our gravity up.
Whee, in the air The balls roll around, wheel on his wheeling hands, Learning the ways of lightness, alter to spheres Grazing his finger ends, Cling to their courses there, Swinging a small heaven about his ears.
But a heaven is easier made of nothing at all Than the earth regained, and still and sole within The spin of worlds, with a gesture sure and noble He reels that heaven in, Landing it ball by ball, And trades it all for a broom, a plate, a table.
Oh, on his toe the table is turning, the broom's Balancing up on his nose, and the plate whirls On the tip of the broom! Damn, what a show, we cry: The boys stamp, and the girls Shriek, and the drum booms And all come down, and he bows and says good-bye.
Written by Sidney Lanier | Create an image from this poem

The Crystal

 At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.
Thus unto thee, O sweetest Shakespeare sole, A hundred hurts a day I do forgive ('Tis little, but, enchantment! 'tis for thee): Small curious quibble; Juliet's prurient pun In the poor, pale face of Romeo's fancied death; Cold rant of Richard; Henry's fustian roar Which frights away that sleep he invocates; Wronged Valentine's unnatural haste to yield; Too-silly shifts of maids that mask as men In faint disguises that could ne'er disguise -- Viola, Julia, Portia, Rosalind; Fatigues most drear, and needless overtax Of speech obscure that had as lief be plain; Last I forgive (with more delight, because 'Tis more to do) the labored-lewd discourse That e'en thy young invention's youngest heir Besmirched the world with.
Father Homer, thee, Thee also I forgive thy sandy wastes Of prose and catalogue, thy drear harangues That tease the patience of the centuries, Thy sleazy scrap of story, -- but a rogue's Rape of a light-o'-love, -- too soiled a patch To broider with the gods.
Thee, Socrates, Thou dear and very strong one, I forgive Thy year-worn cloak, thine iron stringencies That were but dandy upside-down, thy words Of truth that, mildlier spoke, had mainlier wrought.
So, Buddha, beautiful! I pardon thee That all the All thou hadst for needy man Was Nothing, and thy Best of being was But not to be.
Worn Dante, I forgive The implacable hates that in thy horrid hells Or burn or freeze thy fellows, never loosed By death, nor time, nor love.
And I forgive Thee, Milton, those thy comic-dreadful wars Where, armed with gross and inconclusive steel, Immortals smite immortals mortalwise And fill all heaven with folly.
Also thee, Brave Aeschylus, thee I forgive, for that Thine eye, by bare bright justice basilisked, Turned not, nor ever learned to look where Love Stands shining.
So, unto thee, Lucretius mine (For oh, what heart hath loved thee like to this That's now complaining?), freely I forgive Thy logic poor, thine error rich, thine earth Whose graves eat souls and all.
Yea, all you hearts Of beauty, and sweet righteous lovers large: Aurelius fine, oft superfine; mild Saint A Kempis, overmild; Epictetus, Whiles low in thought, still with old slavery tinct; Rapt Behmen, rapt too far; high Swedenborg, O'ertoppling; Langley, that with but a touch Of art hadst sung Piers Plowman to the top Of English songs, whereof 'tis dearest, now, And most adorable; Caedmon, in the morn A-calling angels with the cow-herd's call That late brought up the cattle; Emerson, Most wise, that yet, in finding Wisdom, lost Thy Self, sometimes; tense Keats, with angels' nerves Where men's were better; Tennyson, largest voice Since Milton, yet some register of wit Wanting; -- all, all, I pardon, ere 'tis asked, Your more or less, your little mole that marks You brother and your kinship seals to man.
But Thee, but Thee, O sovereign Seer of time, But Thee, O poets' Poet, Wisdom's Tongue, But Thee, O man's best Man, O love's best Love, O perfect life in perfect labor writ, O all men's Comrade, Servant, King, or Priest, -- What `if' or `yet', what mole, what flaw, what lapse, What least defect or shadow of defect, What rumor, tattled by an enemy, Of inference loose, what lack of grace Even in torture's grasp, or sleep's, or death's, -- Oh, what amiss may I forgive in Thee, Jesus, good Paragon, thou Crystal Christ?"
Written by Christina Rossetti | Create an image from this poem

The Thread of Life

 I
The irresponsive silence of the land, 
The irresponsive sounding of the sea, 
Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?--
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
II Thus am I mine own prison.
Everything Around me free and sunny and at ease: Or if in shadow, in a shade of trees Which the sun kisses, where the gay birds sing And where all winds make various murmuring; Where bees are found, with honey for the bees; Where sounds are music, and where silences Are music of an unlike fashioning.
Then gaze I at the merrymaking crew, And smile a moment and a moment sigh Thinking: Why can I not rejoice with you? But soon I put the foolish fancy by: I am not what I have nor what I do; But what I was I am, I am even I.
III Therefore myself is that one only thing I hold to use or waste, to keep or give; My sole possession every day I live, And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring From crudeness ripeness mellow and sanitive; Ever mine own, till Death shall ply his sieve; And still mine own, when saints break grave and sing.
And this myself as king unto my King I give, to Him Who gave Himself for me; Who gives Himself to me, and bids me sing A sweet new song of His redeemed set free; he bids me sing: O death, where is thy sting? And sing: O grave, where is thy victory?
Written by Walt Whitman | Create an image from this poem

Whoever You are Holding Me now in Hand

 WHOEVER you are, holding me now in hand, 
Without one thing, all will be useless, 
I give you fair warning, before you attempt me further, 
I am not what you supposed, but far different.
Who is he that would become my follower? Who would sign himself a candidate for my affections? The way is suspicious—the result uncertain, perhaps destructive; You would have to give up all else—I alone would expect to be your God, sole and exclusive, Your novitiate would even then be long and exhausting, The whole past theory of your life, and all conformity to the lives around you, would have to be abandon’d; Therefore release me now, before troubling yourself any further—Let go your hand from my shoulders, Put me down, and depart on your way.
Or else, by stealth, in some wood, for trial, Or back of a rock, in the open air, (For in any roof’d room of a house I emerge not—nor in company, And in libraries I lie as one dumb, a gawk, or unborn, or dead,) But just possibly with you on a high hill—first watching lest any person, for miles around, approach unawares, Or possibly with you sailing at sea, or on the beach of the sea, or some quiet island, Here to put your lips upon mine I permit you, With the comrade’s long-dwelling kiss, or the new husband’s kiss, For I am the new husband, and I am the comrade.
Or, if you will, thrusting me beneath your clothing, Where I may feel the throbs of your heart, or rest upon your hip, Carry me when you go forth over land or sea; For thus, merely touching you, is enough—is best, And thus, touching you, would I silently sleep and be carried eternally.
But these leaves conning, you con at peril, For these leaves, and me, you will not understand, They will elude you at first, and still more afterward—I will certainly elude you, Even while you should think you had unquestionably caught me, behold! Already you see I have escaped from you.
For it is not for what I have put into it that I have written this book, Nor is it by reading it you will acquire it, Nor do those know me best who admire me, and vauntingly praise me, Nor will the candidates for my love, (unless at most a very few,) prove victorious, Nor will my poems do good only—they will do just as much evil, perhaps more; For all is useless without that which you may guess at many times and not hit—that which I hinted at; Therefore release me, and depart on your way.

Book: Reflection on the Important Things