Best Famous Soften Poems

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Written by T S (Thomas Stearns) Eliot | Gus: The Theatre Cat Gus is the Cat at the Theatre Door. His name, as I ought to have told you before, Is really Asparagus. That's such a fuss To pronounce, that we usually call him just Gus. His coat's very shabby, he's thin as a rake, And he suffers from palsy that makes his paw shake. Yet he was, in his youth, quite the smartest of Cats-- But no longer a terror to mice and to rats. For he isn't the Cat that he was in his prime; Though his name was quite famous, he says, in its time. And whenever he joins his friends at their club (Which takes place at the back of the neighbouring pub) He loves to regale them, if someone else pays, With anecdotes drawn from his palmiest days. For he once was a Star of the highest degree-- He has acted with Irving, he's acted with Tree. And he likes to relate his success on the Halls, Where the Gallery once gave him seven cat-calls. But his grandest creation, as he loves to tell, Was Firefrorefiddle, the Fiend of the Fell. "I have played," so he says, "every possible part, And I used to know seventy speeches by heart. I'd extemporize back-chat, I knew how to gag, And I knew how to let the cat out of the bag. I knew how to act with my back and my tail; With an hour of rehearsal, I never could fail. I'd a voice that would soften the hardest of hearts, Whether I took the lead, or in character parts. I have sat by the bedside of poor Little Nell; When the Curfew was rung, then I swung on the bell. In the Pantomime season I never fell flat, And I once understudied Dick Whittington's Cat. But my grandest creation, as history will tell, Was Firefrorefiddle, the Fiend of the Fell." Then, if someone will give him a toothful of gin, He will tell how he once played a part in East Lynne. At a Shakespeare performance he once walked on pat, When some actor suggested the need for a cat. He once played a Tiger--could do it again-- Which an Indian Colonel purused down a drain. And he thinks that he still can, much better than most, Produce blood-curdling noises to bring on the Ghost. And he once crossed the stage on a telegraph wire, To rescue a child when a house was on fire. And he says: "Now then kittens, they do not get trained As we did in the days when Victoria reigned. They never get drilled in a regular troupe, And they think they are smart, just to jump through a hoop." And he'll say, as he scratches himself with his claws, "Well, the Theatre's certainly not what it was. These modern productions are all very well, But there's nothing to equal, from what I hear tell, That moment of mystery When I made history As Firefrorefiddle, the Fiend of the Fell."

Written by D. H. Lawrence | Craving for Spring I wish it were spring in the world. Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous. I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing. This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship. I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs. I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience. I wish it were spring, thundering delicate, tender spring. I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent. Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair. The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience. The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave. Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses. Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world. Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold. Coma and cajole the gawky colt’s-foot flowers. Come quickly, and vindicate us. against too much death. Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew. Come now, to us, your adherents, who cannot flower from the ice. All the world gleams with the lilies of death the Unconquerable, but come, give us our turn. Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death. Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy. Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn. Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man. Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die. Show me the violets that are out. Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring. Pray not to die on this Pisgah blossoming with violets. Pray to live through. If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons. Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.

Written by Henry Wadsworth Longfellow | The Poets Calendar January Janus am I; oldest of potentates; Forward I look, and backward, and below I count, as god of avenues and gates, The years that through my portals come and go. I block the roads, and drift the fields with snow; I chase the wild-fowl from the frozen fen; My frosts congeal the rivers in their flow, My fires light up the hearths and hearts of men. February I am lustration, and the sea is mine! I wash the sands and headlands with my tide; My brow is crowned with branches of the pine; Before my chariot-wheels the fishes glide. By me all things unclean are purified, By me the souls of men washed white again; E'en the unlovely tombs of those who died Without a dirge, I cleanse from every stain. March I Martius am! Once first, and now the third! To lead the Year was my appointed place; A mortal dispossessed me by a word, And set there Janus with the double face. Hence I make war on all the human race; I shake the cities with my hurricanes; I flood the rivers and their banks efface, And drown the farms and hamlets with my rains. April I open wide the portals of the Spring To welcome the procession of the flowers, With their gay banners, and the birds that sing Their song of songs from their aerial towers. I soften with my sunshine and my showers The heart of earth; with thoughts of love I glide Into the hearts of men; and with the Hours Upon the Bull with wreathed horns I ride. May Hark! The sea-faring wild-fowl loud proclaim My coming, and the swarming of the bees. These are my heralds, and behold! my name Is written in blossoms on the hawthorn-trees. I tell the mariner when to sail the seas; I waft o'er all the land from far away The breath and bloom of the Hesperides, My birthplace. I am Maia. I am May. June Mine is the Month of Roses; yes, and mine The Month of Marriages! All pleasant sights And scents, the fragrance of the blossoming vine, The foliage of the valleys and the heights. Mine are the longest days, the loveliest nights; The mower's scythe makes music to my ear; I am the mother of all dear delights; I am the fairest daughter of the year. July My emblem is the Lion, and I breathe The breath of Libyan deserts o'er the land; My sickle as a sabre I unsheathe, And bent before me the pale harvests stand. The lakes and rivers shrink at my command, And there is thirst and fever in the air; The sky is changed to brass, the earth to sand; I am the Emperor whose name I bear. August The Emperor Octavian, called the August, I being his favorite, bestowed his name Upon me, and I hold it still in trust, In memory of him and of his fame. I am the Virgin, and my vestal flame Burns less intensely than the Lion's rage; Sheaves are my only garlands, and I claim The golden Harvests as my heritage. September I bear the Scales, where hang in equipoise The night and day; and whenunto my lips I put my trumpet, with its stress and noise Fly the white clouds like tattered sails of ships; The tree-tops lash the air with sounding whips; Southward the clamorous sea-fowl wing their flight; The hedges are all red with haws and hips, The Hunter's Moon reigns empress of the night. October My ornaments are fruits; my garments leaves, Woven like cloth of gold, and crimson dyed; I do no boast the harvesting of sheaves, O'er orchards and o'er vineyards I preside. Though on the frigid Scorpion I ride, The dreamy air is full, and overflows With tender memories of the summer-tide, And mingled voices of the doves and crows. November The Centaur, Sagittarius, am I, Born of Ixion's and the cloud's embrace; With sounding hoofs across the earth I fly, A steed Thessalian with a human face. Sharp winds the arrows are with which I chase The leaves, half dead already with affright; I shroud myself in gloom; and to the race Of mortals bring nor comfort nor delight. December Riding upon the Goat, with snow-white hair, I come, the last of all. This crown of mine Is of the holly; in my hand I bear The thyrsus, tipped with fragrant cones of pine. I celebrate the birth of the Divine, And the return of the Saturnian reign;-- My songs are carols sung at every shrine, Proclaiming "Peace on earth, good will to men."

Written by Sidney Lanier | Corn To-day the woods are trembling through and through With shimmering forms, that flash before my view, Then melt in green as dawn-stars melt in blue. The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart. The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning. Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving. Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines. I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky. I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen. I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone. Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green. I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn. There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties. Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed. Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge. Thou lustrous stalk, that ne'er mayst walk nor talk, Still shalt thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme -- Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements. Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument. As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones. Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun. So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruised heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all. O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not -- Type of the home-fond heart, the happy lot! -- Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides. Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die. Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil. Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain. He sailed in borrowed ships of usury -- A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery. Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance. Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell. Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an `oh' and `if' and `but alas' Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood. At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store Till his small borrowings will yield no more. Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind. In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail -- In hope or fear alike for ever pale. And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave. Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest. Old hill! old hill! thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer -- King, that no subject man nor beast may own, Discrowned, undaughtered and alone -- Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate. Lo, through hot waverings of the August morn, Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn -- Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.

Written by Thomas Gray | Hymn To Adversity Daughter of Jove, relentless Power, Thou tamer of the human breast, Whose iron scourge and tort'ring hour The Bad affright, afflict the Best! Bound in thy adamantine chain The Proud are taught to taste of pain, And purple Tyrants vainly groan With pangs unfelt before, unpitied and alone. When first thy Sire to send on earth Virtue, his darling child, designed, To thee he gave the heav'nly Birth, And bade to form her infant mind. Stern rugged Nurse! thy rigid lore With patience many a year she bore: What sorrow was, thou bad'st her know, And from her own she learned to melt at others' woe. Scared at thy frown terrific, fly Self-pleasing Folly's idle brood, Wild Laughter, Noise, and thoughtless Joy, And leave us leisure to be good. Light they disperse, and with them go The summer Friend, the flatt'ring Foe; By vain Prosperity received, To her they vow their truth, and are again believed. Wisdom in sable garb arrayed Immersed in rapt'rous thought profound, And Melancholy, silent maid With leaden eye, that loves the ground, Still on thy solemn steps attend: Warm Charity, the gen'ral Friend, With Justice, to herself severe, And Pity dropping soft the sadly-pleasing tear. Oh, gently on thy Suppliant's head, Dread Goddess, lay thy chast'ning hand! Not in thy Gorgon terrors clad, Not circled with the vengeful Band (As by the Impious thou art seen), With thund'ring voice, and threat'ning mien, With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty. Thy form benign, O Goddess, wear, Thy milder influence impart, Thy philosophic Train be there To soften, not to wound my heart. The gen'rous spark extinct revive, Teach me to love and to forgive, Exact my own defects to scan, What others are, to feel, and know myself a Man.

Written by Charlotte Bronte | Pilates Wifes Dream I've quenched my lamp, I struck it in that start Which every limb convulsed, I heard it fall­ The crash blent with my sleep, I saw depart Its light, even as I woke, on yonder wall; Over against my bed, there shone a gleam Strange, faint, and mingling also with my dream. It sunk, and I am wrapt in utter gloom; How far is night advanced, and when will day Retinge the dusk and livid air with bloom, And fill this void with warm, creative ray ? Would I could sleep again till, clear and red, Morning shall on the mountain-tops be spread! I'd call my women, but to break their sleep, Because my own is broken, were unjust; They've wrought all day, and well-earned slumbers steep Their labours in forgetfulness, I trust; Let me my feverish watch with patience bear, Thankful that none with me its sufferings share. Yet, Oh, for light ! one ray would tranquilise My nerves, my pulses, more than effort can; I'll draw my curtain and consult the skies: These trembling stars at dead of night look wan, Wild, restless, strange, yet cannot be more drear Than this my couch, shared by a nameless fear. All black­one great cloud, drawn from east to west, Conceals the heavens, but there are lights below; Torches burn in Jerusalem, and cast On yonder stony mount a lurid glow. I see men stationed there, and gleaming spears; A sound, too, from afar, invades my ears. Dull, measured, strokes of axe and hammer ring From street to street, not loud, but through the night Distinctly heard­and some strange spectral thing Is now upreared­and, fixed against the light Of the pale lamps; defined upon that sky, It stands up like a column, straight and high. I see it all­I know the dusky sign­ A cross on Calvary, which Jews uprear While Romans watch; and when the dawn shall shine Pilate, to judge the victim will appear, Pass sentence­yield him up to crucify; And on that cross the spotless Christ must die. Dreams, then, are true­for thus my vision ran; Surely some oracle has been with me, The gods have chosen me to reveal their plan, To warn an unjust judge of destiny: I, slumbering, heard and saw; awake I know, Christ's coming death, and Pilate's life of woe. I do not weep for Pilate­who could prove Regret for him whose cold and crushing sway No prayer can soften, no appeal can move; Who tramples hearts as others trample clay, Yet with a faltering, an uncertain tread, That might stir up reprisal in the dead. Forced to sit by his side and see his deeds; Forced to behold that visage, hour by hour, In whose gaunt lines, the abhorrent gazer reads A triple lust of gold, and blood, and power; A soul whom motives, fierce, yet abject, urge Rome's servile slave, and Judah's tyrant scourge. How can I love, or mourn, or pity him ? I, who so long my fettered hands have wrung; I, who for grief have wept my eye-sight dim; Because, while life for me was bright and young, He robbed my youth­he quenched my life's fair ray­ He crushed my mind, and did my freedom slay. And at this hour­although I be his wife­ He has no more of tenderness from me Than any other wretch of guilty life; Less, for I know his household privacy­ I see him as he is­without a screen; And, by the gods, my soul abhors his mien ! Has he not sought my presence, dyed in blood­ Innocent, righteous blood, shed shamelessly ? And have I not his red salute withstood ? Aye,­when, as erst, he plunged all Galilee In dark bereavement­in affliction sore, Mingling their very offerings with their gore. Then came he­in his eyes a serpent-smile, Upon his lips some false, endearing word, And, through the streets of Salem, clanged the while, His slaughtering, hacking, sacrilegious sword­ And I, to see a man cause men such woe, Trembled with ire­I did not fear to show. And now, the envious Jewish priests have brought Jesus­whom they in mockery call their king­ To have, by this grim power, their vengeance wrought; By this mean reptile, innocence to sting. Oh ! could I but the purposed doom avert, And shield the blameless head from cruel hurt! Accessible is Pilate's heart to fear, Omens will shake his soul, like autumn leaf; Could he this night's appalling vision hear, This just man's bonds were loosed, his life were safe, Unless that bitter priesthood should prevail, And make even terror to their malice quail. Yet if I tell the dream­but let me pause. What dream ? Erewhile the characters were clear, Graved on my brain­at once some unknown cause Has dimmed and rased the thoughts, which now appear, Like a vague remnant of some by-past scene;­ Not what will be, but what, long since, has been. I suffered many things, I heard foretold A dreadful doom for Pilate,­lingering woes, In far, barbarian climes, where mountains cold Built up a solitude of trackless snows, There, he and grisly wolves prowled side by side, There he lived famished­there methought he died; But not of hunger, nor by malady; I saw the snow around him, stained with gore; I said I had no tears for such as he, And, lo ! my cheek is wet­mine eyes run o'er; I weep for mortal suffering, mortal guilt, I weep the impious deed­the blood self-spilt. More I recall not, yet the vision spread Into a world remote, an age to come­ And still the illumined name of Jesus shed A light, a clearness, through the enfolding gloom­ And still I saw that sign, which now I see, That cross on yonder brow of Calvary. What is this Hebrew Christ ? To me unknown, His lineage­doctrine­mission­yet how clear, Is God-like goodness, in his actions shewn ! How straight and stainless is his life's career ! The ray of Deity that rests on him, In my eyes makes Olympian glory dim. The world advances, Greek, or Roman rite Suffices not the inquiring mind to stay; The searching soul demands a purer light To guide it on its upward, onward way; Ashamed of sculptured gods­Religion turns To where the unseen Jehovah's altar burns. Our faith is rotten­all our rites defiled, Our temples sullied, and methinks, this man, With his new ordinance, so wise and mild, Is come, even as he says, the chaff to fan And sever from the wheat; but will his faith Survive the terrors of to-morrow's death ? * * * * * I feel a firmer trust­a higher hope Rise in my soul­it dawns with dawning day; Lo ! on the Temple's roof­on Moriah's slope Appears at length that clear, and crimson ray, Which I so wished for when shut in by night; Oh, opening skies, I hail, I bless your light ! Part, clouds and shadows ! glorious Sun appear ! Part, mental gloom ! Come insight from on high ! Dusk dawn in heaven still strives with daylight clear, The longing soul, doth still uncertain sigh. Oh ! to behold the truth­that sun divine, How doth my bosom pant, my spirit pine ! This day, time travails with a mighty birth, This day, Truth stoops from heaven and visits earth, Ere night descends, I shall more surely know What guide to follow, in what path to go; I wait in hope­I wait in solemn fear, The oracle of God­the sole­true God­to hear.

Written by Algernon Charles Swinburne | Ave atque Vale (In memory of Charles Baudelaire) SHALL I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea, Or simplest growth of meadow-sweet or sorrel, Such as the summer-sleepy Dryads weave, Waked up by snow-soft sudden rains at eve? Or wilt thou rather, as on earth before, Half-faded fiery blossoms, pale with heat And full of bitter summer, but more sweet To thee than gleanings of a northern shore Trod by no tropic feet? For always thee the fervid languid glories Allured of heavier suns in mightier skies; Thine ears knew all the wandering watery sighs Where the sea sobs round Lesbian promontories, The barren kiss of piteous wave to wave That knows not where is that Leucadian grave Which hides too deep the supreme head of song. Ah, salt and sterile as her kisses were, The wild sea winds her and the green gulfs bear Hither and thither, and vex and work her wrong, Blind gods that cannot spare. Thou sawest, in thine old singing season, brother, Secrets and sorrows unbeheld of us: Fierce loves, and lovely leaf-buds poisonous, Bare to thy subtler eye, but for none other Blowing by night in some unbreathed-in clime; The hidden harvest of luxurious time, Sin without shape, and pleasure without speech; And where strange dreams in a tumultuous sleep Make the shut eyes of stricken spirits weep; And with each face thou sawest the shadow on each, Seeing as men sow men reap. O sleepless heart and sombre soul unsleeping, That were athirst for sleep and no more life And no more love, for peace and no more strife! Now the dim gods of death have in their keeping Spirit and body and all the springs of song, Is it well now where love can do no wrong, Where stingless pleasure has no foam or fang Behind the unopening closure of her lips? Is it not well where soul from body slips And flesh from bone divides without a pang As dew from flower-bell drips? It is enough; the end and the beginning Are one thing to thee, who art past the end. O hand unclasp'd of unbeholden friend, For thee no fruits to pluck, no palms for winning, No triumph and no labour and no lust, Only dead yew-leaves and a little dust. O quiet eyes wherein the light saith naught, Whereto the day is dumb, nor any night With obscure finger silences your sight, Nor in your speech the sudden soul speaks thought, Sleep, and have sleep for light. Now all strange hours and all strange loves are over, Dreams and desires and sombre songs and sweet, Hast thou found place at the great knees and feet Of some pale Titan-woman like a lover, Such as thy vision here solicited, Under the shadow of her fair vast head, The deep division of prodigious breasts, The solemn slope of mighty limbs asleep, The weight of awful tresses that still keep The savour and shade of old-world pine-forests Where the wet hill-winds weep? Hast thou found any likeness for thy vision? O gardener of strange flowers, what bud, what bloom, Hast thou found sown, what gather'd in the gloom? What of despair, of rapture, of derision, What of life is there, what of ill or good? Are the fruits gray like dust or bright like blood? Does the dim ground grow any seed of ours, The faint fields quicken any terrene root, In low lands where the sun and moon are mute And all the stars keep silence? Are there flowers At all, or any fruit? Alas, but though my flying song flies after, O sweet strange elder singer, thy more fleet Singing, and footprints of thy fleeter feet, Some dim derision of mysterious laughter From the blind tongueless warders of the dead, Some gainless glimpse of Proserpine's veil'd head, Some little sound of unregarded tears Wept by effaced unprofitable eyes, And from pale mouths some cadence of dead sighs-- These only, these the hearkening spirit hears, Sees only such things rise. Thou art far too far for wings of words to follow, Far too far off for thought or any prayer. What ails us with thee, who art wind and air? What ails us gazing where all seen is hollow? Yet with some fancy, yet with some desire, Dreams pursue death as winds a flying fire, Our dreams pursue our dead and do not find. Still, and more swift than they, the thin flame flies, The low light fails us in elusive skies, Still the foil'd earnest ear is deaf, and blind Are still the eluded eyes. Not thee, O never thee, in all time's changes, Not thee, but this the sound of thy sad soul, The shadow of thy swift spirit, this shut scroll I lay my hand on, and not death estranges My spirit from communion of thy song-- These memories and these melodies that throng Veil'd porches of a Muse funereal-- These I salute, these touch, these clasp and fold As though a hand were in my hand to hold, Or through mine ears a mourning musical Of many mourners roll'd. I among these, I also, in such station As when the pyre was charr'd, and piled the sods. And offering to the dead made, and their gods, The old mourners had, standing to make libation, I stand, and to the Gods and to the dead Do reverence without prayer or praise, and shed Offering to these unknown, the gods of gloom, And what of honey and spice my seed-lands bear, And what I may of fruits in this chill'd air, And lay, Orestes-like, across the tomb A curl of sever'd hair. But by no hand nor any treason stricken, Not like the low-lying head of Him, the King, The flame that made of Troy a ruinous thing, Thou liest and on this dust no tears could quicken. There fall no tears like theirs that all men hear Fall tear by sweet imperishable tear Down the opening leaves of holy poets' pages. Thee not Orestes, not Electra mourns; But bending us-ward with memorial urns The most high Muses that fulfil all ages Weep, and our God's heart yearns. For, sparing of his sacred strength, not often Among us darkling here the lord of light Makes manifest his music and his might In hearts that open and in lips that soften With the soft flame and heat of songs that shine. Thy lips indeed he touch'd with bitter wine, And nourish'd them indeed with bitter bread; Yet surely from his hand thy soul's food came, The fire that scarr'd thy spirit at his flame Was lighted, and thine hungering heart he fed Who feeds our hearts with fame. Therefore he too now at thy soul's sunsetting, God of all suns and songs, he too bends down To mix his laurel with thy cypress crown, And save thy dust from blame and from forgetting. Therefore he too, seeing all thou wert and art, Compassionate, with sad and sacred heart, Mourns thee of many his children the last dead, And hollows with strange tears and alien sighs Thine unmelodious mouth and sunless eyes, And over thine irrevocable head Sheds light from the under skies. And one weeps with him in the ways Lethean, And stains with tears her changing bosom chill; That obscure Venus of the hollow hill, That thing transform'd which was the Cytherean, With lips that lost their Grecian laugh divine Long since, and face no more call'd Erycine-- A ghost, a bitter and luxurious god. Thee also with fair flesh and singing spell Did she, a sad and second prey, compel Into the footless places once more trod, And shadows hot from hell. And now no sacred staff shall break in blossom, No choral salutation lure to light A spirit sick with perfume and sweet night And love's tired eyes and hands and barren bosom. There is no help for these things; none to mend, And none to mar; not all our songs, O friend, Will make death clear or make life durable. Howbeit with rose and ivy and wild vine And with wild notes about this dust of thine At least I fill the place where white dreams dwell And wreathe an unseen shrine. Sleep; and if life was bitter to thee, pardon, If sweet, give thanks; thou hast no more to live; And to give thanks is good, and to forgive. Out of the mystic and the mournful garden Where all day through thine hands in barren braid Wove the sick flowers of secrecy and shade, Green buds of sorrow and sin, and remnants gray, Sweet-smelling, pale with poison, sanguine-hearted, Passions that sprang from sleep and thoughts that started, Shall death not bring us all as thee one day Among the days departed? For thee, O now a silent soul, my brother, Take at my hands this garland, and farewell. Thin is the leaf, and chill the wintry smell, And chill the solemn earth, a fatal mother, With sadder than the Niobean womb, And in the hollow of her breasts a tomb. Content thee, howsoe'er, whose days are done; There lies not any troublous thing before, Nor sight nor sound to war against thee more, For whom all winds are quiet as the sun, All waters as the shore.

Written by John Wilmot | An Allusion to Horace Well Sir, 'tis granted, I said Dryden's Rhimes, Were stoln, unequal, nay dull many times: What foolish Patron, is there found of his, So blindly partial, to deny me this? But that his Plays, Embroider'd up and downe, With Witt, and Learning, justly pleas'd the Towne, In the same paper, I as freely owne: Yet haveing this allow'd, the heavy Masse, That stuffs up his loose Volumes must not passe: For by that Rule, I might as well admit, Crownes tedious Scenes, for Poetry, and Witt. 'Tis therefore not enough, when your false Sense Hits the false Judgment of an Audience Of Clapping-Fooles, assembling a vast Crowd 'Till the throng'd Play-House, crack with the dull Load; Tho' ev'n that Tallent, merrits in some sort, That can divert the Rabble and the Court: Which blundring Settle, never cou'd attaine, And puzling Otway, labours at in vaine. But within due proportions, circumscribe What e're you write; that with a flowing Tyde, The Stile, may rise, yet in its rise forbeare, With uselesse Words, t'oppresse the wearyed Eare: Here be your Language lofty, there more light, Your Rethorick, with your Poetry, unite: For Elegance sake, sometimes alay the force Of Epethets; 'twill soften the discourse; A Jeast in Scorne, poynts out, and hits the thing, More home, than the Morosest Satyrs Sting. Shakespeare, and Johnson, did herein excell, And might in this be Immitated well; Whom refin'd Etheridge, Coppys not at all, But is himself a Sheere Originall: Nor that Slow Drudge, in swift Pindarique straines, Flatman, who Cowley imitates with paines, And rides a Jaded Muse, whipt with loose Raines. When Lee, makes temp'rate Scipio, fret and Rave, And Haniball, a whineing Am'rous Slave; I laugh, and wish the hot-brain'd Fustian Foole, In Busbys hands, to be well lasht at Schoole. Of all our Moderne Witts, none seemes to me, Once to have toucht upon true Comedy, But hasty Shadwell, and slow Witcherley. Shadwells unfinisht workes doe yet impart, Great proofes of force of Nature, none of Art. With just bold Stroakes, he dashes here and there, Shewing great Mastery with little care; And scornes to varnish his good touches o're, To make the Fooles, and Women, praise 'em more. But Witcherley, earnes hard, what e're he gaines, He wants noe Judgment, nor he spares noe paines; He frequently excells, and at the least, Makes fewer faults, than any of the best. Waller, by Nature for the Bayes design'd, With force, and fire, and fancy unconfin'd, In Panigericks does Excell Mankind: He best can turne, enforce, and soften things, To praise great Conqu'rours, or to flatter Kings. For poynted Satyrs, I wou'd Buckhurst choose, The best good Man, with the worst Natur'd Muse: For Songs, and Verses, Mannerly Obscene, That can stirr Nature up, by Springs unseene, And without forceing blushes, warme the Queene: Sidley, has that prevailing gentle Art, That can with a resistlesse Charme impart, The loosest wishes to the Chastest Heart, Raise such a Conflict, kindle such a ffire Betwixt declineing Virtue, and desire, Till the poor Vanquisht Maid, dissolves away, In Dreames all Night, in Sighs, and Teares, all Day. Dryden, in vaine, try'd this nice way of Witt, For he, to be a tearing Blade thought fit, But when he wou'd be sharp, he still was blunt, To friske his frollique fancy, hed cry ****; Wou'd give the Ladyes, a dry Bawdy bob, And thus he got the name of Poet Squab: But to be just, twill to his praise be found, His Excellencies, more than faults abound. Nor dare I from his Sacred Temples teare, That Lawrell, which he best deserves to weare. But does not Dryden find ev'n Johnson dull? Fletcher, and Beaumont, uncorrect, and full Of Lewd lines as he calls em? Shakespeares Stile Stiffe, and Affected? To his owne the while Allowing all the justnesse that his Pride, Soe Arrogantly, had to these denyd? And may not I, have leave Impartially To search, and Censure, Drydens workes, and try, If those grosse faults, his Choyce Pen does Commit Proceed from want of Judgment, or of Witt. Of if his lumpish fancy does refuse, Spirit, and grace to his loose slatterne Muse? Five Hundred Verses, ev'ry Morning writ, Proves you noe more a Poet, than a Witt. Such scribling Authors, have beene seene before, Mustapha, the English Princesse, Forty more, Were things perhaps compos'd in Half an Houre. To write what may securely stand the test Of being well read over Thrice oat least Compare each Phrase, examin ev'ry Line, Weigh ev'ry word, and ev'ry thought refine; Scorne all Applause the Vile Rout can bestow, And be content to please those few, who know. Canst thou be such a vaine mistaken thing To wish thy Workes might make a Play-house ring, With the unthinking Laughter, and poor praise Of Fopps, and Ladys, factious for thy Plays? Then send a cunning Friend to learne thy doome, From the shrew'd Judges in the Drawing-Roome. I've noe Ambition on that idle score, But say with Betty Morice, heretofore When a Court-Lady, call'd her Buckleys Whore, I please one Man of Witt, am proud on't too, Let all the Coxcombs, dance to bed to you. Shou'd I be troubled when the Purblind Knight Who squints more in his Judgment, than his sight, Picks silly faults, and Censures what I write? Or when the poor-fed Poets of the Towne For Scrapps, and Coach roome cry my Verses downe? I loath the Rabble, 'tis enough for me, If Sidley, Shadwell, Shepherd, Witcherley, Godolphin, Buttler, Buckhurst, Buckingham, And some few more, whom I omit to name Approve my Sense, I count their Censure Fame.

Written by Francesco Petrarch | Canzone II CANZONE II. Amor, se vuoi ch' i' torni al giogo antico. UNLESS LOVE CAN RESTORE HER TO LIFE, HE WILL NEVER AGAIN BE HIS SLAVE. If thou wouldst have me, Love, thy slave again,One other proof, miraculous and new,Must yet be wrought by you,Ere, conquer'd, I resume my ancient chain—Lift my dear love from earth which hides her now,For whose sad loss thus beggar'd I remain;Once more with warmth endowThat wise chaste heart where wont my life to dwell;And if as some divine, thy influence so,From highest heaven unto the depths of hell,Prevail in sooth—for what its scope below,'Mid us of common race,Methinks each gentle breast may answer well—Rob Death of his late triumph, and replaceThy conquering ensign in her lovely face! Relume on that fair brow the living light,Which was my honour'd guide, and the sweet flame.Though spent, which still the sameKindles me now as when it burn'd most bright;For thirsty hind with such desire did ne'erLong for green pastures or the crystal brook,As I for the dear look,Whence I have borne so much, and—if arightI read myself and passion—more must bear:This makes me to one theme my thoughts thus bind,An aimless wanderer where is pathway none,With weak and wearied mind[Pg 237]Pursuing hopes which never can be won.Hence to thy summons answer I disdain,Thine is no power beyond thy proper reign. Give me again that gentle voice to hear,As in my heart are heard its echoes still,Which had in song the skillHate to disarm, rage soften, sorrow cheer,To tranquillize each tempest of the mind,And from dark lowering clouds to keep it clear;Which sweetly then refinedAnd raised my verse where now it may not soar.And, with desire that hope may equal vie,Since now my mind is waked in strength, restoreTheir proper business to my ear and eye,Awanting which life mustAll tasteless be and harder than to die.Vainly with me to your old power you trust,While my first love is shrouded still in dust. Give her dear glance again to bless my sight,Which, as the sun on snow, beam'd still for me;Open each window brightWhere pass'd my heart whence no return can be;Resume thy golden shafts, prepare thy bow,And let me once more drink with old delightOf that dear voice the sound,Whence what love is I first was taught to know.And, for the lures, which still I covet so,Were rifest, richest there my soul that bound,Waken to life her tongue, and on the breezeLet her light silken hair,Loosen'd by Love's own fingers, float at ease;Do this, and I thy willing yoke will bear,Else thy hope faileth my free will to snare. Oh! never my gone heart those links of gold,Artlessly negligent, or curl'd with grace,Nor her enchanting face,Sweetly severe, can captive cease to hold;These, night and day, the amorous wish in meKept, more than laurel or than myrtle, green,When, doff'd or donn'd, we seeOf fields the grass, of woods their leafy screen.[Pg 238]And since that Death so haughty stands and sternThe bond now broken whence I fear'd to flee,Nor thine the art, howe'er the world may turn,To bind anew the chain,What boots it, Love, old arts to try again?Their day is pass'd: thy power, since lost the armsWhich were my terror once, no longer harms. Thy arms were then her eyes, unrivall'd, whenceLive darts were freely shot of viewless flame;No help from reason came,For against Heaven avails not man's defence;Thought, Silence, Feeling, Gaiety, Wit, Sense,Modest demeanour, affable discourse,In words of sweetest forceWhence every grosser nature gentle grew,That angel air, humble to all and kind,Whose praise, it needs not mine, from all we find;Stood she, or sat, a grace which often threwDoubt on the gazer's mindTo which the meed of highest praise was due—O'er hardest hearts thy victory was sure,With arms like these, which lost I am secure. The minds which Heaven abandons to thy reign,Haply are bound in many times and ways,But mine one only chain,Its wisdom shielding me from more, obeys;Yet freedom brings no joy, though that he burst.Rather I mournful ask, "Sweet pilgrim mine,Alas! what doom divineMe earliest bound to life yet frees thee first:God, who has snatch'd thee from the world so soon,Only to kindle our desires, the boonOf virtue, so complete and lofty, gaveNow, Love, I may derideThy future wounds, nor fear to be thy slave;In vain thy bow is bent, its bolts fall wide,When closed her brilliant eyes their virtue died. "Death from thy every law my heart has freed;She who my lady was is pass'd on high,Leaving me free to count dull hours drag by,To solitude and sorrow still decreed." Macgregor.

Written by Aleister Crowley | Colophon TO LAYLAH EIGHT-AND-TWENTY Lamp of living loveliness, Maid miraculously male, Rapture of thine own excess Blushing through the velvet veil Where the olive cheeks aglow Shadow-soften into snow, Breasts like Bacchanals afloat Under the proudly phallic throat! Be thou to my pilgrimage Light, and laughter sweet and sage, Till the darkling day expire Of my life in thy caress, Thou my frenzy and my fire, Lamp of living loveliness! Thou the ruler of the rod That beneath thy clasp extends To the galaxies of God From the gulph where ocean ends, Cave of dragon, ruby rose, Heart of hell, garden-close, Hyacinth petal sweet to smell, Split-hoof of the glad gazelle, Be thou mine as I am thine, As the vine's ensigns entwine At the sacring of the sun, Thou the even and I the odd Being and becoming one On the abacus of God! Thou the sacred snake that rears Death, a jewelled crest across The enchantment of the years, All my love that is my loss. Life and death, two and one, Hate and love, moon and sun, Light and darkness, never swerve From the norm, note the nerve, Name the name, exceed the excess Of thy lamp of loveliness, Living snake of lazy love, Ithyphallic that uprears Its Palladium above The enchantment of the years!