Written by
Sylvia Plath |
This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.
The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.
The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.
I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence
|
Written by
Robert Browning |
Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night--
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made verse--still, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:--
But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the world--loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,--yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.
|
Written by
Philip Levine |
A blue jay poses on a stake
meant to support an apple tree
newly planted. A strong wind
on this clear cold morning
barely ruffles his tail feathers.
When he turns his attention
toward me, I face his eyes
without blinking. A week ago
my wife called me to come see
this same bird chase a rat
into the thick leaves
of an orange tree. We came as
close as we could and watched
the rat dig his way into an orange,
claws working meticulously.
Then he feasted, face deep
into the meal, and afterwards
washed himself in juice, paws
scrubbing soberly. Surprised
by the whiteness of the belly,
how open it was and vulnerable,
I suggested I fetch my .22.
She said, "Do you want to kill him?"
I didn't. There are oranges
enough for him, the jays, and us,
across the fence in the yard
next door oranges rotting
on the ground. There is power
in the name rat, a horror
that may be private. When I
was a boy and heir to tales
of savagery, of sleeping men
and kids eaten half away before
they could wake, I came to know
that horror. I was afraid
that left alive the animal
would invade my sleep, grown
immense now and powerful
with the need to eat flesh.
I was wrong. Night after night
I wake from dreams of a city
like no other, the bright city
of beauty I thought I'd lost
when I lost my faith that one day
we would come into our lives.
The wind gusts and calms
shaking this miniature budding
apple tree that in three months
has taken to the hard clay
of our front yard. In one hop
the jay turns his back on me,
dips as though about to drink
the air itself, and flies.
|
Written by
Katherine Mansfield |
The Half-Soled-Boots-With-Toecaps-Child
Walked out into the street
And splashed in all the pubbles till
She had such shocking feet
The Patent-Leather-Slipper-Child
Stayed quietly in the house
And sat upon the fender stool
As still as any mouse.
The Half-Soled-Boots-With-Toecaps-Child
Her hands were black as ink;
She would come running through the house
And begging for a drink.
The Patent-Leather-Slipper-Child
Her hands were white as snow;
She did not like to play around,
She only liked to sew.
The Half-Soled-Boots-With-Toecaps-Child
Lost hair ribbons galore;
She dropped them on the garden walks,
She dropped them on the floor.
The Patent-Leather-Slipper-Child
O thoughtful little girl!
She liked to walk quite soberly,
It kept her hair in curl.
The Half-Soled-Boots-With-Toecaps-Child
When she was glad or proud
Just flung her arms round Mother's neck
And kissed her very loud.
The Patent-Leather-Slipper-Child
Was shocked at such a sight,
She only offered you her cheek
At morning and at night.
O Half-Soled-Boots-With-Toecaps-Child
Your happy laughing face
Does like a scented Summer rose
Make sweet the dullest place.
O Patent-Leather-Slipper-Child
My dear, I'm well content
To have my daughter in my arms,
And not an ornament.
|
Written by
Robert William Service |
He's yonder, on the terrace of the Cafe de la Paix,
The little wizened Spanish man, I see him every day.
He's sitting with his Pernod on his customary chair;
He's staring at the passers with his customary stare.
He never takes his piercing eyes from off that moving throng,
That current cosmopolitan meandering along:
Dark diplomats from Martinique, pale Rastas from Peru,
An Englishman from Bloomsbury, a Yank from Kalamazoo;
A poet from Montmartre's heights, a dapper little Jap,
Exotic citizens of all the countries on the map;
A tourist horde from every land that's underneath the sun --
That little wizened Spanish man, he misses never one.
Oh, foul or fair he's always there, and many a drink he buys,
And there's a fire of red desire within his hollow eyes.
And sipping of my Pernod, and a-knowing what I know,
Sometimes I want to shriek aloud and give away the show.
I've lost my nerve; he's haunting me; he's like a beast of prey,
That Spanish man that's watching at the Cafe de la Paix.
Say! Listen and I'll tell you all . . . the day was growing dim,
And I was with my Pernod at the table next to him;
And he was sitting soberly as if he were asleep,
When suddenly he seemed to tense, like tiger for a leap.
And then he swung around to me, his hand went to his hip,
My heart was beating like a gong -- my arm was in his grip;
His eyes were glaring into mine; aye, though I shrank with fear,
His fetid breath was on my face, his voice was in my ear:
"Excuse my brusquerie," he hissed; "but, sir, do you suppose --
That portly man who passed us had a wen upon his nose?"
And then at last it dawned on me, the fellow must be mad;
And when I soothingly replied: "I do not think he had,"
The little wizened Spanish man subsided in his chair,
And shrouded in his raven cloak resumed his owlish stare.
But when I tried to slip away he turned and glared at me,
And oh, that fishlike face of his was sinister to see:
"Forgive me if I startled you; of course you think I'm *****;
No doubt you wonder who I am, so solitary here;
You question why the passers-by I piercingly review . . .
Well, listen, my bibacious friend, I'll tell my tale to you.
"It happened twenty years ago, and in another land:
A maiden young and beautiful, two suitors for her hand.
My rival was the lucky one; I vowed I would repay;
Revenge has mellowed in my heart, it's rotten ripe to-day.
My happy rival skipped away, vamoosed, he left no trace;
And so I'm waiting, waiting here to meet him face to face;
For has it not been ever said that all the world one day
Will pass in pilgrimage before the Cafe de la Paix?"
"But, sir," I made remonstrance, "if it's twenty years ago,
You'd scarcely recognize him now, he must have altered so."
The little wizened Spanish man he laughed a hideous laugh,
And from his cloak he quickly drew a faded photograph.
"You're right," said he, "but there are traits (oh, this you must allow)
That never change; Lopez was fat, he must be fatter now.
His paunch is senatorial, he cannot see his toes,
I'm sure of it; and then, behold! that wen upon his nose.
I'm looking for a man like that. I'll wait and wait until . . ."
"What will you do?" I sharply cried; he answered me: "Why, kill!
He robbed me of my happiness -- nay, stranger, do not start;
I'll firmly and politely put -- a bullet in his heart."
And then that little Spanish man, with big cigar alight,
Uprose and shook my trembling hand and vanished in the night.
And I went home and thought of him and had a dreadful dream
Of portly men with each a wen, and woke up with a scream.
And sure enough, next morning, as I prowled the Boulevard,
A portly man with wenny nose roamed into my regard;
Then like a flash I ran to him and clutched him by the arm:
"Oh, sir," said I, "I do not wish to see you come to harm;
But if your life you value aught, I beg, entreat and pray --
Don't pass before the terrace of the Cafe de la Paix."
That portly man he looked at me with such a startled air,
Then bolted like a rabbit down the rue Michaudière.
"Ha! ha! I've saved a life," I thought; and laughed in my relief,
And straightway joined the Spanish man o'er his apéritif.
And thus each day I dodged about and kept the strictest guard
For portly men with each a wen upon the Boulevard.
And then I hailed my Spanish pal, and sitting in the sun,
We ordered many Pernods and we drank them every one.
And sternly he would stare and stare until my hand would shake,
And grimly he would glare and glare until my heart would quake.
And I would say: "Alphonso, lad, I must expostulate;
Why keep alive for twenty years the furnace of your hate?
Perhaps his wedded life was hell; and you, at least, are free . . ."
"That's where you've got it wrong," he snarled; "the fool she took was me.
My rival sneaked, threw up the sponge, betrayed himself a churl:
'Twas he who got the happiness, I only got -- the girl."
With that he looked so devil-like he made me creep and shrink,
And there was nothing else to do but buy another drink.
Now yonder like a blot of ink he sits across the way,
Upon the smiling terrace of the Cafe de la Paix;
That little wizened Spanish man, his face is ghastly white,
His eyes are staring, staring like a tiger's in the night.
I know within his evil heart the fires of hate are fanned,
I know his automatic's ready waiting to his hand.
I know a tragedy is near. I dread, I have no peace . . .
Oh, don't you think I ought to go and call upon the police?
Look there . . . he's rising up . . . my God!
He leaps from out his place . . .
Yon millionaire from Argentine . . . the two are face to face . . .
A shot! A shriek! A heavy fall! A huddled heap! Oh, see
The little wizened Spanish man is dancing in his glee. . . .
I'm sick . . . I'm faint . . . I'm going mad. . . .
Oh, please take me away . . .
There's BLOOD upon the terrace of the Cafe de la Paix. . . .
|
Written by
Sir Henry Newbolt |
I was out early to-day, spying about
From the top of a haystack -- such a lovely morning --
And when I mounted again to canter back
I saw across a field in the broad sunlight
A young Gunner Subaltern, stalking along
With a rook-rifle held at the read, and -- would you believe it? --
A domestic cat, soberly marching beside him.
So I laughed, and felt quite well disposed to the youngster,
And shouted out "the top of the morning" to him,
And wished him "Good sport!" -- and then I remembered
My rank, and his, and what I ought to be doing:
And I rode nearer, and added, "I can only suppose
You have not seen the Commander-in-Chief's order
Forbidding English officers to annoy their Allies
By hunting and shooting."
But he stood and saluted
And said earnestly, "I beg your pardon, Sir,
I was only going out to shoot a sparrow
To feed my cat with."
So there was the whole picture,
The lovely early morning, the occasional shell
Screeching and scattering past us, the empty landscape, --
Empty, except for the young Gunner saluting,
And the cat, anxiously watching his every movement.
I may be wrong, or I may have told it badly,
But it struck me as being extremely ludicrous.
|
Written by
Robert Browning |
I.
Of the million or two, more or less,
I rule and possess,
One man, for some cause undefined,
Was least to my mind.
II.
I struck him, he grovelled of course---
For, what was his force?
I pinned him to earth with my weight
And persistence of hate:
And he lay, would not moan, would not curse,
As his lot might be worse.
III.
``Were the object less mean, would he stand
``At the swing of my hand!
``For obscurity helps him and blots
``The hole where he squats.''
So, I set my five wits on the stretch
To inveigle the wretch.
All in vain! Gold and jewels I threw,
Still he couched there perdue;
I tempted his blood and his flesh,
Hid in roses my mesh,
Choicest cates and the flagon's best spilth:
Still he kept to his filth.
IV.
Had he kith now or kin, were access
To his heart, did I press:
Just a son or a mother to seize!
No such booty as these.
Were it simply a friend to pursue
'Mid my million or two,
Who could pay me in person or pelf
What he owes me himself!
No: I could not but smile through my chafe:
For the fellow lay safe
As his mates do, the midge and the nit,
---Through minuteness, to wit.
V.
Then a humour more great took its place
At the thought of his face,
The droop, the low cares of the mouth,
The trouble uncouth
'Twixt the brows, all that air one is fain
To put out of its pain.
And, ``no!'' I admonished myself,
``Is one mocked by an elf,
``Is one baffled by toad or by rat?
``The gravamen's in that!
``How the lion, who crouches to suit
``His back to my foot,
``Would admire that I stand in debate!
``But the small turns the great
``If it vexes you,---that is the thing!
``Toad or rat vex the king?
``Though I waste half my realm to unearth
``Toad or rat, 'tis well worth!''
VI.
So, I soberly laid my last plan
To extinguish the man.
Round his creep-hole, with never a break
Ran my fires for his sake;
Over-head, did my thunder combine
With my underground mine:
Till I looked from my labour content
To enjoy the event.
VII.
When sudden ... how think ye, the end?
Did I say ``without friend''?
Say rather, from marge to blue marge
The whole sky grew his targe
With the sun's self for visible boss,
While an Arm ran across
Which the earth heaved beneath like a breast
Where the wretch was safe prest!
Do you see? Just my vengeance complete,
The man sprang to his feet,
Stood erect, caught at God's skirts, and prayed!
---So, _I_ was afraid!
|
Written by
Robert Herrick |
Come pity us, all ye who see
Our harps hung on the willow-tree;
Come pity us, ye passers-by,
Who see or hear poor widows' cry;
Come pity us, and bring your ears
And eyes to pity widows' tears.
CHOR. And when you are come hither,
Then we will keep
A fast, and weep
Our eyes out all together,
For Tabitha; who dead lies here,
Clean wash'd, and laid out for the bier.
O modest matrons, weep and wail!
For now the corn and wine must fail;
The basket and the bin of bread,
Wherewith so many souls were fed,
CHOR. Stand empty here for ever;
And ah! the poor,
At thy worn door,
Shall be relieved never.
Woe worth the time, woe worth the day,
That reft us of thee, Tabitha!
For we have lost, with thee, the meal,
The bits, the morsels, and the deal
Of gentle paste and yielding dough,
That thou on widows did bestow.
CHOR. All's gone, and death hath taken
Away from us
Our maundy; thus
Thy widows stand forsaken.
Ah, Dorcas, Dorcas! now adieu
We bid the cruise and pannier too;
Ay, and the flesh, for and the fish,
Doled to us in that lordly dish.
We take our leaves now of the loom
From whence the housewives' cloth did come;
CHOR. The web affords now nothing;
Thou being dead,
The worsted thread
Is cut, that made us clothing.
Farewell the flax and reaming wool,
With which thy house was plentiful;
Farewell the coats, the garments, and
The sheets, the rugs, made by thy hand;
Farewell thy fire and thy light,
That ne'er went out by day or night:--
CHOR. No, or thy zeal so speedy,
That found a way,
By peep of day,
To feed and clothe the needy.
But ah, alas! the almond-bough
And olive-branch is wither'd now;
The wine-press now is ta'en from us,
The saffron and the calamus;
The spice and spikenard hence is gone,
The storax and the cinnamon;
CHOR. The carol of our gladness
Has taken wing;
And our late spring
Of mirth is turn'd to sadness.
How wise wast thou in all thy ways!
How worthy of respect and praise!
How matron-like didst thou go drest!
How soberly above the rest
Of those that prank it with their plumes,
And jet it with their choice perfumes!
CHOR. Thy vestures were not flowing;
Nor did the street
Accuse thy feet
Of mincing in their going.
And though thou here liest dead, we see
A deal of beauty yet in thee.
How sweetly shews thy smiling face,
Thy lips with all diffused grace!
Thy hands, though cold, yet spotless, white,
And comely as the chrysolite.
CHOR. Thy belly like a hill is,
Or as a neat
Clean heap of wheat,
All set about with lilies.
Sleep with thy beauties here, while we
Will shew these garments made by thee;
These were the coats; in these are read
The monuments of Dorcas dead:
These were thy acts, and thou shalt have
These hung as honours o'er thy grave:--
CHOR. And after us, distressed,
Should fame be dumb,
Thy very tomb
Would cry out, Thou art blessed.
|
Written by
Emily Dickinson |
Exhilaration is the Breeze
That lifts us from the Ground
And leaves us in another place
Whose statement is not found --
Returns us not, but after time
We soberly descend
A little newer for the term
Upon Enchanted Ground --
|