Written by
Vladimir Mayakovsky |
Thoughts, go your way home.
Embrace,
depths of the soul and the sea.
In my view,
it is
stupid
to be
always serene.
My cabin is the worst
of all cabins -
All night above me
Thuds a smithy of feet.
All night,
stirring the ceiling’s calm,
dancers stampede
to a moaning motif:
“Marquita,
Marquita,
Marquita my darling,
why won’t you,
Marquita,
why won’t you love me …”
But why
Should marquita love me?!
I have
no francs to spare.
And Marquita
(at the slightest wink!)
for a hundred francs
she’d be brought to your room.
The sum’s not large -
just live for show -
No,
you highbrow,
ruffling your matted hair,
you would thrust upon her
a sewing machine,
in stitches
scribbling
the silk of verse.
Proletarians
arrive at communism
from below -
by the low way of mines,
sickles,
and pitchforks -
But I,
from poetry’s skies,
plunge into communism,
because
without it
I feel no love.
Whether
I’m self-exiled
or sent to mamma -
the steel of words corrodes,
the brass of the brass tarnishes.
Why,
beneath foreign rains,
must I soak,
rot,
and rust?
Here I recline,
having gone oversea,
in my idleness
barely moving
my machine parts.
I myself
feel like a Soviet
factory,
manufacturing happiness.
I object
to being torn up,
like a flower of the fields,
after a long day’s work.
I want
the Gosplan to sweat
in debate,
assignning me
goals a year ahead.
I want
a commissar
with a decree
to lean over the thought of the age.
I want
the heart to earn
its love wage
at a specialist’s rate.
I want
the factory committee
to lock
My lips
when the work is done.
I want
the pen to be on a par
with the bayonet;
and Stalin
to deliver his Politbureau
reports
about verse in the making
as he would about pig iron
and the smelting of steel.
“That’s how it is,
the way it goes …
We’ve attained
the topmost level,
climbing from the workers’ bunks:
in the Union
of Republics
the understanding of verse
now tops
the prewar norm …”
Transcribed: by Mitch Abidor.
|
Written by
John Clare |
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone
When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
wing
Leaving nothing but a little naked spring
When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play
When for school oer 'little field' with its brook and wooden
brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
chains
And in a silent murmuring complains
Here was commons for the hills where they seek for
freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow
I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
done
Till vanished was the morning spring and set that summer
sun
And winter fought her battle strife and won
By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
running still
It runs a naked brook cold and chill
O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay
|
Written by
Robert Louis Stevenson |
Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day and every night,
Warm, and fresh, and sweet, and white.
Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat;
They perhaps will make it sweet.
Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there to dine.
|
Written by
Rudyard Kipling |
To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
Oh, it's sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be "Rider" to your troop,
And branded with a blasted worsted spur,
When you envy, O how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes calls you "Sir".
If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantern gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
|
Written by
John Betjeman |
From the geyser ventilators
Autumn winds are blowing down
On a thousand business women
Having baths in Camden Town
Waste pipes chuckle into runnels,
Steam's escaping here and there,
Morning trains through Camden cutting
Shake the Crescent and the Square.
Early nip of changeful autumn,
Dahlias glimpsed through garden doors,
At the back precarious bathrooms
Jutting out from upper floors;
And behind their frail partitions
Business women lie and soak,
Seeing through the draughty skylight
Flying clouds and railway smoke.
Rest you there, poor unbelov'd ones,
Lap your loneliness in heat.
All too soon the tiny breakfast,
Trolley-bus and windy street!
|
Written by
Du Fu |
Boy draw water well shining
Agile container rise hand
Wet sprinkle not soak earth
Sweep surpass like without broom
Bright rosy clouds shining again pavilion
Clear mist lift high window
Lean fill cover path flower
Dance end steps willow
Difficulty world affair compel
Hide away right time after
Meet talk agree deep heart
How can all restrain mouth
Offer goodbye return cane riding crop
Temporary part end turn head
Vast expanse mud defile person
Listen country many dogs
Although not free yoke
Sometimes come rest rush about
Near you like white snow
Grasp hot upset how be The boy draws shining water from the well,
He nimbly lifts the bucket to his hand.
He sprinkles water without soaking the earth,
And sweeps so well as if no broom had passed.
The rosy dawn again lights the pagoda,
The clearing mist lifts from the higher windows.
Leaning blossoms cover over the path,
Dancing willow leaves reach down to the steps.
I'm driven by these troublesome affairs,
Retirement from the world must be put off.
We've met and talked, our deepest hearts agreeing,
How can our mouths be forced completely shut?
I say goodbye and fetch my riding crop,
Parting for now, I turn my head at the last.
There's so much mud that can defile a man,
Just listen to all the dogs throughout the land.
Although I cannot get free from this yoke,
I'll sometimes come to rest from all the bustle.
Your presence, Abbot, acts just like white snow,
How can I be upset to grasp what's hot?
|
Written by
Les Murray |
All the air conditioners now slacken
their hummed carrier wave.
Once again
we've served our three months with remissions
in the steam and dry iron of this seaboard.
In jellied glare, through the nettle-rash season
we've watched the sky's fermenting laundry
portend downpours.
Some came, and steamed away,
and we were clutched back into the rancid
saline midnights of orifice weather,
to damp grittiness and wiping off the air.
Metaphors slump irritably together in
the muggy weeks.
Shark and jellyfish shallows
become suburbs where you breathe a fat towel;
babies burst like tomatoes with discomfort
in the cotton-wrapped pointing street markets;
the Lycra-bulging surf drips from non-swimmers
miles from shore, and somehow includes soil.
Skins, touching, soak each other.
Skin touching
any surface wets that and itself
in a kind of mutual digestion.
Throbbing heads grow lianas of nonsense.
It's our annual visit to the latitudes
of rice, kerosene and resignation,
an averted, temporary visit
unrelated, for most, to the attitudes
of festive northbound jets gaining height -
closer, for some few, to the memory
of ulcers scraped with a tin spoon
or sweated faces bowing before dry
where the flesh is worn inside out,
all the hunger-organs clutched in rank nylon,
by those for whom exhaustion is spirit:
an intrusive, heart-narrowing season
at this far southern foot of the monsoon.
As the kleenex flower, the hibiscus
drops its browning wads, we forget
annually, as one forgets a sickness.
The stifling days will never come again,
not now that we've seen the first sweater
tugged down on the beauties of division
and inside the rain's millions, a risen
loaf of cat on a cool night verandah.
|
Written by
Carl Sandburg |
I HAVE been watching the war map slammed up for
advertising in front of the newspaper office.
Buttons--red and yellow buttons--blue and black buttons--
are shoved back and forth across the map.
A laughing young man, sunny with freckles,
Climbs a ladder, yells a joke to somebody in the crowd,
And then fixes a yellow button one inch west
And follows the yellow button with a black button one
inch west.
(Ten thousand men and boys twist on their bodies in
a red soak along a river edge,
Gasping of wounds, calling for water, some rattling
death in their throats.
)
Who would guess what it cost to move two buttons one
inch on the war map here in front of the newspaper
office where the freckle-faced young man is laughing
to us?
|
Written by
Robert William Service |
It's cruel cold on the water-front, silent and dark and drear;
Only the black tide weltering, only the hissing snow;
And I, alone, like a storm-tossed wreck, on this night of the glad New Year,
Shuffling along in the icy wind, ghastly and gaunt and slow.
They're playing a tune in McGuffy's saloon, and it's cheery and bright in there
(God! but I'm weak -- since the bitter dawn, and never a bite of food);
I'll just go over and slip inside -- I mustn't give way to despair --
Perhaps I can bum a little booze if the boys are feeling good.
They'll jeer at me, and they'll sneer at me, and they'll call me a whiskey soak;
("Have a drink? Well, thankee kindly, sir, I don't mind if I do.
")
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
Sunk and sodden and hopeless -- "Another? Well, here's to you!"
McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
The barman is talking of Tammany Hall, and why the ward boss got fired.
I'll just sneak into a corner and they'll let me alone a bit;
The room is reeling round and round .
.
.
O God! but I'm tired, I'm tired.
.
.
.
* * * * *
Roses she wore on her breast that night.
Oh, but their scent was sweet!
Alone we sat on the balcony, and the fan-palms arched above;
The witching strain of a waltz by Strauss came up to our cool retreat,
And I prisoned her little hand in mine, and I whispered my plea of love.
Then sudden the laughter died on her lips, and lowly she bent her head;
And oh, there came in the deep, dark eyes a look that was heaven to see;
And the moments went, and I waited there, and never a word was said,
And she plucked from her bosom a rose of red and shyly gave it to me.
Then the music swelled to a crash of joy, and the lights blazed up like day,
And I held her fast to my throbbing heart, and I kissed her bonny brow.
"She is mine, she is mine for evermore!" the violins seemed to say,
And the bells were ringing the New Year in -- O God! I can hear them now.
Don't you remember that long, last waltz, with its sobbing, sad refrain?
Don't you remember that last good-by, and the dear eyes dim with tears?
Don't you remember that golden dream, with never a hint of pain,
Of lives that would blend like an angel-song in the bliss of the coming years?
Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
The red, red rose is faded now, and it's fifty years ago.
'Twere better to die a thousand deaths than live each day as I live!
I have sinned, I have sunk to the lowest depths -- but oh, I have suffered so!
Hark! Oh, hark! I can hear the bells! .
.
.
Look! I can see her there,
Fair as a dream .
.
.
but it fades .
.
.
And now -- I can hear the dreadful hum
Of the crowded court .
.
.
See! the Judge looks down .
.
.
NOT GUILTY, my Lord, I swear .
.
.
The bells -- I can hear the bells again! .
.
.
Ethel, I come, I come! .
.
.
* * * * *
"Rouse up, old man, it's twelve o'clock.
You can't sleep here, you know.
Say! ain't you got no sentiment? Lift up your muddled head;
Have a drink to the glad New Year, a drop before you go --
You darned old dirty hobo .
.
.
My God! Here, boys! He's DEAD!"
|
Written by
Robert William Service |
Ma tried to wash her garden slacks but couldn't get 'em clean
And so she thought she'd soak 'em in a bucket o' benzine.
It worked all right.
She wrung 'em out then wondered what she'd do
With all that bucket load of high explosive residue.
She knew that it was dangerous to scatter it around,
For Grandpa liked to throw his lighted matches on the ground.
Somehow she didn't dare to pour it down the kitchen sink,
And what the heck to do with it, poor Ma jest couldn't think.
Then Nature seemed to give the clue, as down the garden lot
She spied the edifice that graced a solitary spot,
Their Palace of Necessity, the family joy and pride,
Enshrined in morning-glory vine, with graded seats inside;
Jest like that cabin Goldylocks found occupied by three,
But in this case B-E-A-R was spelt B-A-R-E----
A tiny seat for Baby Bare, a medium for Ma,
A full-sized section sacred to the Bare of Grandpapa.
Well, Ma was mighty glad to get that worry off her mind,
And hefting up the bucket so combustibly inclined,
She hurried down the garden to that refuge so discreet,
And dumped the liquid menace safely through the centre seat.
Next morning old Grandpa arose; he made a hearty meal,
And sniffed the air and said: 'By Gosh! how full of beans I feel.
Darned if I ain't as fresh as paint; my joy will be complete
With jest a quiet session on the usual morning seat;
To smoke me pipe an' meditate, an' maybe write a pome,
For that's the time when bits o' rhyme gits jiggin' in me dome.
'
He sat down on that special seat slicked shiny by his age,
And looking like Walt Whitman, jest a silver-whiskered sage,
He filled his corn-cob to the brim and tapped it snugly down,
And chuckled: 'Of a perfect day I reckon this the crown.
'
He lit the weed, it soothed his need, it was so soft and sweet:
And then he dropped the lighted match clean through the middle seat.
His little grand-child Rosyleen cried from the kichen door:
'Oh, Ma, come quick; there's sompin wrong; I heared a dreffel roar;
Oh, Ma, I see a sheet of flame; it's rising high and higher.
.
.
Oh, Mummy dear, I sadly fear our comfort-cot's caught fire.
'
Poor Ma was thrilled with horror at them words o' Rosyleen.
She thought of Grandpa's matches and that bucket of benzine;
So down the garden geared on high, she ran with all her power,
For regular was Grandpa, and she knew it was his hour.
Then graspin' gaspin' Rosyleen she peered into the fire,
A roarin' soarin' furnace now, perchance old Grandpa's pyre.
.
.
.
But as them twain expressed their pain they heard a hearty cheer----
Behold the old rapscallion squattinn' in the duck pond near,
His silver whiskers singed away, a gosh-almighty wreck,
Wi' half a yard o' toilet seat entwined about his neck.
.
.
.
He cried: 'Say, folks, oh, did ye hear the big blow-out I made?
It scared me stiff - I hope you-uns was not too much afraid?
But now I best be crawlin' out o' this dog-gasted wet.
.
.
.
For what I aim to figger out is----WHAT THE HECK I ET?'
|