Written by
Anne Sexton |
If you danced from midnight
to six A.
M.
who would understand?
The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.
The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.
The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.
The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.
The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.
M.
and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.
The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.
The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic missile,
would understand.
Once
this king had twelve daughters,
each more beautiful than the other.
They slept together, bed by bed
in a kind of girls' dormitory.
At night the king locked and bolted the door
.
How could they possibly escape?
Yet each morning their shoes
were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation
that anyone who could discover
where the princesses did their dancing
could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried,
each sitting outside the dormitory,
the door ajar so he could observe
what enchantment came over the shoes.
But each time the twelve dancing princesses
gave the snoopy man a Mickey Finn
and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier
heard about these strange goings on
and decided to give it a try.
On his way to the castle
he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine
and gave him a cloak that would make
him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine
but he fastened a sponge beneath his chin,
looking the opposite of Andy Gump.
The sponge soaked up the wine,
and thus he stayed awake.
He feigned sleep however
and the princesses sprang out of their beds
and fussed around like a Miss America Contest.
Then the eldest went to her bed
and knocked upon it and it sank into the earth.
They descended down the opening
one after the other.
They crafty soldier
put on his invisisble cloak and followed.
Yikes, said the youngest daughter,
something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees,
each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break
and said, Oof! Who goes there?
But the oldest said, Those are
the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell
and the youngest said: Wait up! He is here!
But the oldest said: Trumpets, my dear.
Next they came to a lake where lay
twelve boats with twelve enchanted princes
waiting to row them to the underground castle.
The soldier sat in the youngest's boat
and the boat was as heavy as if an icebox
had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland
as if those tickets would run right out.
They were painted in kisses with their secret hair
and though the soldier drank from their cups
they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up
naked and angry and so they returned
by the same strange route.
The soldier
went forward through the dormitory and into
his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery
like blood in a wound, his purpose brutal
as if facing a battle, hurried with his answer
as if to the Sphinx.
The shoes! The shoes!
The soldier told.
He brought forth
the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance
no more.
The princesses were torn from
their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes
and sagged like old sweatshirts.
Now the runaways would run no more and never
again would their hair be tangled into diamonds,
never again their shoes worn down to a laugh,
never the bed falling down into purgatory
to let them climb in after
with their Lucifer kicking.
|
Written by
Robert Frost |
We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said.
"Come in.
No one will care.
"
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane.
"You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boys.
They haven't come this year.
They live so far away--one is out west--
It will be hard for them to keep their word.
Anyway they won't have the place disturbed.
"
A buttoned hair-cloth lounge spread scrolling arms
Under a crayon portrait on the wall
Done sadly from an old daguerreotype.
"That was the father as he went to war.
She always, when she talked about war,
Sooner or later came and leaned, half knelt
Against the lounge beside it, though I doubt
If such unlifelike lines kept power to stir
Anything in her after all the years.
He fell at Gettysburg or Fredericksburg,
I ought to know--it makes a difference which:
Fredericksburg wasn't Gettysburg, of course.
But what I'm getting to is how forsaken
A little cottage this has always seemed;
Since she went more than ever, but before--
I don't mean altogether by the lives
That had gone out of it, the father first,
Then the two sons, till she was left alone.
(Nothing could draw her after those two sons.
She valued the considerate neglect
She had at some cost taught them after years.
)
I mean by the world's having passed it by--
As we almost got by this afternoon.
It always seems to me a sort of mark
To measure how far fifty years have brought us.
Why not sit down if you are in no haste?
These doorsteps seldom have a visitor.
The warping boards pull out their own old nails
With none to tread and put them in their place.
She had her own idea of things, the old lady.
And she liked talk.
She had seen Garrison
And Whittier, and had her story of them.
One wasn't long in learning that she thought
Whatever else the Civil War was for
It wasn't just to keep the States together,
Nor just to free the slaves, though it did both.
She wouldn't have believed those ends enough
To have given outright for them all she gave.
Her giving somehow touched the principle
That all men are created free and equal.
And to hear her quaint phrases--so removed
From the world's view to-day of all those things.
That's a hard mystery of Jefferson's.
What did he mean? Of course the easy way
Is to decide it simply isn't true.
It may not be.
I heard a fellow say so.
But never mind, the Welshman got it planted
Where it will trouble us a thousand years.
Each age will have to reconsider it.
You couldn't tell her what the West was saying,
And what the South to her serene belief.
She had some art of hearing and yet not
Hearing the latter wisdom of the world.
White was the only race she ever knew.
Black she had scarcely seen, and yellow never.
But how could they be made so very unlike
By the same hand working in the same stuff?
She had supposed the war decided that.
What are you going to do with such a person?
Strange how such innocence gets its own way.
I shouldn't be surprised if in this world
It were the force that would at last prevail.
Do you know but for her there was a time
When to please younger members of the church,
Or rather say non-members in the church,
Whom we all have to think of nowadays,
I would have changed the Creed a very little?
Not that she ever had to ask me not to;
It never got so far as that; but the bare thought
Of her old tremulous bonnet in the pew,
And of her half asleep was too much for me.
Why, I might wake her up and startle her.
It was the words 'descended into Hades'
That seemed too pagan to our liberal youth.
You know they suffered from a general onslaught.
And well, if they weren't true why keep right on
Saying them like the heathen? We could drop them.
Only--there was the bonnet in the pew.
Such a phrase couldn't have meant much to her.
But suppose she had missed it from the Creed
As a child misses the unsaid Good-night,
And falls asleep with heartache--how should I feel?
I'm just as glad she made me keep hands off,
For, dear me, why abandon a belief
Merely because it ceases to be true.
Cling to it long enough, and not a doubt
It will turn true again, for so it goes.
Most of the change we think we see in life
Is due to truths being in and out of favour.
As I sit here, and oftentimes, I wish
I could be monarch of a desert land
I could devote and dedicate forever
To the truths we keep coming back and back to.
So desert it would have to be, so walled
By mountain ranges half in summer snow,
No one would covet it or think it worth
The pains of conquering to force change on.
Scattered oases where men dwelt, but mostly
Sand dunes held loosely in tamarisk
Blown over and over themselves in idleness.
Sand grains should sugar in the natal dew
The babe born to the desert, the sand storm
Retard mid-waste my cowering caravans--
"There are bees in this wall.
" He struck the clapboards,
Fierce heads looked out; small bodies pivoted.
We rose to go.
Sunset blazed on the windows.
|
Written by
Rudyard Kipling |
Eyes aloft, over dangerous places,
The children follow the butterflies,
And, in the sweat of their upturned faces,
Slash with a net at the empty skies.
So it goes they fall amid brambles,
And sting their toes on the nettle-tops,
Till, after a thousand scratches and scrambles,
They wipe their brows and the hunting stops.
Then to quiet them comes their father
And stills the riot of pain and grief,
Saying, "Little ones, go and gather
Out of my garden a cabbage-leaf.
"You will find on it whorls and clots of
Dull grey eggs that, properly fed,
Turn, by way of the worm, to lots of
Glorious butterflies raised from the dead.
" .
.
.
"Heaven is beautiful, Earth is ugly,"
The three-dimensioned preacher saith;
So we must not look where the snail and the slug lie
For Psyche's birth.
.
.
.
And that is our death!
|
Written by
Carl Sandburg |
EVERY year Emily Dickinson sent one friend
the first arbutus bud in her garden.
In a last will and testament Andrew Jackson
remembered a friend with the gift of George
Washington’s pocket spy-glass.
Napoleon too, in a last testament, mentioned a silver
watch taken from the bedroom of Frederick the Great,
and passed along this trophy to a particular friend.
O.
Henry took a blood carnation from his coat lapel
and handed it to a country girl starting work in a
bean bazaar, and scribbled: “Peach blossoms may or
may not stay pink in city dust.
”
So it goes.
Some things we buy, some not.
Tom Jefferson was proud of his radishes, and Abe
Lincoln blacked his own boots, and Bismarck called
Berlin a wilderness of brick and newspapers.
So it goes.
There are accomplished facts.
Ride, ride, ride on in the great new blimps—
Cross unheard-of oceans, circle the planet.
When you come back we may sit by five hollyhocks.
We might listen to boys fighting for marbles.
The grasshopper will look good to us.
So it goes …
|
Written by
Louis Untermeyer |
Can that be you, la mouche? Wait till I lift
This palsied eye-lid and make sure... Ah, true.
Come in, dear fly, and pardon my delay
In thus existing; I can promise you
Next time you come you'll find no dying poet—
Without sufficient spleen to see me through,
The joke becomes too tedious a jest.
I am afraid my mind is dull to-day;
I have that—something—heavier on my chest
And then, you see, I've been exchanging thoughts
With Doctor Franz. He talked of Kant and Hegel
As though he'd nursed them both through whooping cough
And, as he left, he let his finger shake
Too playfully, as though to say, "Now off
With that long face—you've years and years to live."
I think he thinks so. But, for Heaven's sake,
Don't credit it—and never tell Mathilde.
Poor dear, she has enough to bear already....
This was a month! During my lonely weeks
One person actually climbed the stairs
To seek a cripple. It was Berlioz—
But Berlioz always was original.
Meissner was also here; he caught me unawares,
Scribbling to my old mother. "What!" he cried,
"Is the old lady of the Dammthor still alive?
And do you write her still?" "Each month or so."
"And is she not unhappy then, to find
How wretched you must be?" "How can she know?
You see," I laughed, "she thinks I am as well
As when she saw me last. She is too blind
To read the papers—some one else must tell
What's in my letters, merely signed by me.
Thus she is happy. For the rest—
That any son should be as sick as I,
No mother could believe."
Ja, so it goes.
Come here, my lotus-flower. It is best
I drop the mask to-day; the half-cracked shield
Of mockery calls for younger hands to wield.
Laugh—or I'll hug it closer to my breast.
So ... I can be as mawkish as I choose
And give my thoughts an airing, let them loose
For one last rambling stroll before—Now look!
Why tears? You never heard me say "the end."
Before ... before I clap them in a book
And so get rid of them once and for all.
This is their holiday—we'll let them run—
Some have escaped already. There goes one ...
What, I have often mused, did Goethe mean?
So many years ago at Weimar, Goethe said
"Heine has all the poet's gifts but love."
Good God! But that is all I ever had.
More than enough! So much of love to give
That no one gave me any in return.
And so I flashed and snapped in my own fires
Until I stood, with nothing left to burn,
A twisted trunk, in chilly isolation.
Ein Fichtenbaum steht einsam—you recall?
I was that Northern tree and, in the South,
Amalia... So I turned to scornful cries,
Hot iron songs to save the rest of me;
Plunging the brand in my own misery.
Crouching behind my pointed wall of words,
Ramparts I built of moons and loreleys,
Enchanted roses, sphinxes, love-sick birds,
Giants, dead lads who left their graves to dance,
Fairies and phœnixes and friendly gods—
A curious frieze, half Renaissance, half Greek,
Behind which, in revulsion of romance,
I lay and laughed—and wept—till I was weak.
Words were my shelter, words my one escape,
Words were my weapons against everything.
Was I not once the son of Revolution?
Give me the lyre, I said, and let me sing
My song of battle: Words like flaming stars
Shot down with power to burn the palaces;
Words like bright javelins to fly with fierce
Hate of the oily Philistines and glide
Through all the seven heavens till they pierce
The pious hypocrites who dare to creep
Into the Holy Places. "Then," I cried,
"I am a fire to rend and roar and leap;
I am all joy and song, all sword and flame!"
Ha—you observe me passionate. I aim
To curb these wild emotions lest they soar
Or drive against my will. (So I have said
These many years—and still they are not tame.)
Scraps of a song keep rumbling in my head ...
Listen—you never heard me sing before.
When a false world betrays your trust
And stamps upon your fire,
When what seemed blood is only rust,
Take up the lyre!
How quickly the heroic mood
Responds to its own ringing;
The scornful heart, the angry blood
Leap upward, singing!
Ah, that was how it used to be. But now,
Du schöner Todesengel, it is odd
How more than calm I am. Franz said it shows
Power of religion, and it does, perhaps—
Religion or morphine or poultices—God knows.
I sometimes have a sentimental lapse
And long for saviours and a physical God.
When health is all used up, when money goes,
When courage cracks and leaves a shattered will,
Then Christianity begins. For a sick Jew,
It is a very good religion ... Still,
I fear that I will die as I have lived,
A long-nosed heathen playing with his scars,
A pagan killed by weltschmerz ... I remember,
Once when I stood with Hegel at a window,
I, being full of bubbling youth and coffee,
Spoke in symbolic tropes about the stars.
Something I said about "those high
Abodes of all the blest" provoked his temper.
"Abodes? The stars?" He froze me with a sneer,
"A light eruption on the firmament."
"But," cried romantic I, "is there no sphere
Where virtue is rewarded when we die?"
And Hegel mocked, "A very pleasant whim.
So you demand a bonus since you spent
One lifetime and refrained from poisoning
Your testy grandmother!" ... How much of him
Remains in me—even when I am caught
In dreams of death and immortality.
To be eternal—what a brilliant thought!
It must have been conceived and coddled first
By some old shopkeeper in Nuremberg,
His slippers warm, his children amply nursed,
Who, with his lighted meerschaum in his hand,
His nightcap on his head, one summer night
Sat drowsing at his door. And mused, how grand
If all of this could last beyond a doubt—
This placid moon, this plump gemüthlichkeit;
Pipe, breath and summer never going out—
To vegetate through all eternity ...
But no such everlastingness for me!
God, if he can, keep me from such a blight.
Death, it is but the long, cool night,
And Life's a dull and sultry day.
It darkens; I grow sleepy;
I am weary of the light.
Over my bed a strange tree gleams
And there a nightingale is loud.
She sings of love, love only ...
I hear it, even in dreams.
My Mouche, the other day as I lay here,
Slightly propped up upon this mattress-grave
In which I've been interred these few eight years,
I saw a dog, a little pampered slave,
Running about and barking. I would have given
Heaven could I have been that dog; to thrive
Like him, so senseless—and so much alive!
And once I called myself a blithe Hellene,
Who am too much in love with life to live.
(The shrug is pure Hebraic) ... For what I've been,
A lenient Lord will tax me—and forgive.
Dieu me pardonnera—c'est son metier.
But this is jesting. There are other scandals
You haven't heard ... Can it be dusk so soon?
Or is this deeper darkness ...? Is that you,
Mother? How did you come? Where are the candles?...
Over my bed a strange tree gleams—half filled
With stars and birds whose white notes glimmer through
Its seven branches now that all is stilled.
What? Friday night again and all my songs
Forgotten? Wait ... I still can sing—
Sh'ma Yisroel Adonai Elohenu,
Adonai Echod ...
Mouche—Mathilde!...
|
Written by
Carl Sandburg |
BORN a million years ago you stay here a million years …
watching the women come and live and be laid away …
you and they thin-gray thin-dusk lovely.
So it goes: either the early morning lights are lovely or the early morning star.
I am glad I have seen racehorses, women, mountains.
|
Written by
Stephen Vincent Benet |
Tobacco smoke drifts up to the dim ceiling
From half a dozen pipes and cigarettes,
Curling in endless shapes, in blue rings wheeling,
As formless as our talk.
Phil, drawling, bets
Cornell will win the relay in a walk,
While Bob and Mac discuss the Giants' chances;
Deep in a morris-chair, Bill scowls at "Falk",
John gives large views about the last few dances.
And so it goes -- an idle speech and aimless,
A few chance phrases; yet I see behind
The empty words the gleam of a beauty tameless,
Friendship and peace and fire to strike men blind,
Till the whole world seems small and bright to hold --
Of all our youth this hour is pure gold.
|
Written by
Dorothy Parker |
We shall have our little day.
Take my hand and travel still
Round and round the little way,
Up and down the little hill.
It is good to love again;
Scan the renovated skies,
Dip and drive the idling pen,
Sweetly tint the paling lies.
Trace the dripping, pierced heart,
Speak the fair, insistent verse,
Vow to God, and slip apart,
Little better, Little worse.
Would we need not know before
How shall end this prettiness;
One of us must love the more,
One of us shall love the less.
Thus it is, and so it goes;
We shall have our day, my dear.
Where, unwilling, dies the rose
Buds the new, another year.
|