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Best Famous Smuggle Poems

Here is a collection of the all-time best famous Smuggle poems. This is a select list of the best famous Smuggle poetry. Reading, writing, and enjoying famous Smuggle poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of smuggle poems.

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Written by Sophie Hannah | Create an image from this poem

Rondeau Redoublé

 I know the rules and hear myself agree
Not to invest beyond this one night stand.
I know your patter: in, out, like the sea.
The sharp north wind must blow away the sand.

Soon my supply will meet your last demand
And you will have no further use for me.
I will not swim against the tide, to land.
I know the rules. I hear myself agree.

I've kept a stash of hours, just two or three
To smuggle off your coast like contraband.
We will both manage (you more easily)
Not to invest beyond this one night stand.

To narrow-minded friends I will expand
On cheap not being the same as duty free.
I'll say this was exactly what I planned.
I know your pattern: in, out, like the sea.

It's not as if we were designed to be
Strolling along the beach front, hand in hand.
Things change, of natural necessity.
The sharp north wind must blow away the sand

And every storm to rage, however grand,
Will end in pain and shipwreck and debris
And each time there's a voice I have to strand
On a bare rock, hardened against its plea;
I know the rules.


Written by Eugene Field | Create an image from this poem

De Amicitiis

 Though care and strife
Elsewhere be rife,
Upon my word I do not heed 'em;
In bed I lie
With books hard by,
And with increasing zest I read 'em.

Propped up in bed,
So much I've read
Of musty tomes that I've a headful
Of tales and rhymes
Of ancient times,
Which, wife declares, are "simply dreadful!"

They give me joy
Without alloy;
And isn't that what books are made for?
And yet--and yet--
(Ah, vain regret!)
I would to God they all were paid for!

No festooned cup
Filled foaming up
Can lure me elsewhere to confound me;
Sweeter than wine
This love of mine
For these old books I see around me!

A plague, I say,
On maidens gay;
I'll weave no compliments to tell 'em!
Vain fool I were,
Did I prefer
Those dolls to these old friends in vellum!

At dead of night
My chamber's bright
Not only with the gas that's burning,
But with the glow
Of long ago,--
Of beauty back from eld returning.

Fair women's looks
I see in books,
I see them, and I hear their laughter,--
Proud, high-born maids,
Unlike the jades
Which men-folk now go chasing after!

Herein again
Speak valiant men
Of all nativities and ages;
I hear and smile
With rapture while
I turn these musty, magic pages.

The sword, the lance,
The morris dance,
The highland song, the greenwood ditty,
Of these I read,
Or, when the need,
My Miller grinds me grist that's gritty!

When of such stuff
We've had enough,
Why, there be other friends to greet us;
We'll moralize
In solemn wise
With Plato or with Epictetus.

Sneer as you may,
I'm proud to say
That I, for one, am very grateful
To Heaven, that sends
These genial friends
To banish other friendships hateful!

And when I'm done,
I'd have no son
Pounce on these treasures like a vulture;
Nay, give them half
My epitaph,
And let them share in my sepulture.

Then, when the crack
Of doom rolls back
The marble and the earth that hide me,
I'll smuggle home
Each precious tome,
Without a fear my wife shall chide me!
Written by Robert Burns | Create an image from this poem

260. Sketch in Verse inscribed to the Right Hon. C. J. Fox

 HOW wisdom and Folly meet, mix, and unite,
How Virtue and Vice blend their black and their white,
How Genius, th’ illustrious father of fiction,
Confounds rule and law, reconciles contradiction,
I sing: If these mortals, the critics, should bustle,
I care not, not I—let the Critics go whistle!


 But now for a Patron whose name and whose glory,
At once may illustrate and honour my story.


 Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem just lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of ’em e’er could go wrong;
With passions so potent, and fancies so bright,
No man with the half of ’em e’er could go right;
A sorry, poor, misbegot son of the Muses,
For using thy name, offers fifty excuses.
Good L—d, what is Man! for as simple he looks,
Do but try to develop his hooks and his crooks;
With his depths and his shallows, his good and his evil,
All in all he’s a problem must puzzle the devil.


 On his one ruling passion Sir Pope hugely labours,
That, like th’ old Hebrew walking-switch, eats up its neighbours:
Mankind are his show-box—a friend, would you know him?
Pull the string, Ruling Passion the picture will show him,
What pity, in rearing so beauteous a system,
One trifling particular, Truth, should have miss’d him;
For, spite of his fine theoretic positions,
Mankind is a science defies definitions.


 Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t’other? There’s more in the wind;
As by one drunken fellow his comrades you’ll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature called Man,
No two virtues, whatever relation they claim.
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you’ve the other.


 But truce with abstraction, and truce with a Muse
Whose rhymes you’ll perhaps, Sir, ne’er deign to peruse:
Will you leave your justings, your jars, and your quarrels,
Contending with Billy for proud-nodding laurels?
My much-honour’d Patron, believe your poor poet,
Your courage, much more than your prudence, you show it:
In vain with Squire Billy for laurels you struggle:
He’ll have them by fair trade, if not, he will smuggle:
Not cabinets even of kings would conceal ’em,
He’d up the back stairs, and by G—, he would steal ’em,
Then feats like Squire Billy’s you ne’er can achieve ’em;
It is not, out-do him—the task is, out-thieve him!

Book: Reflection on the Important Things