Written by
Majeed Amjad |
Who can say
Why her eyes,
Those playmates of the hamlet where Beauty dwells,
Why her eyes smile that way ?
When notes arising from her soul,
That Temple-Palace of Music,
And traipsing through the land of glad tidings,
Mirthfully smothering the tinkling of their anklets,
Tip toe up, haltingly, secretively,
To the gates of her lips,
Why her gaze sparkles and smiles ?
Leaping over islands of silence
And wastelands of sealed lip pining,
When the silhouettes of desire
Come waltzing in
To nestle in an intimate moment’s nest,
Why her gaze sparkles and smiles ?
Her soul, that Sprite-Princess,
Neither lifts her veil
Nor voices her song
And when her heart’s ballad
Passes through distant, unexplored worlds
As the faint, lingering sounds of a flute …
Why her gaze sparkles and smiles !
|
Written by
Mark Twain |
The Bombola faints in the hot Bowral tree,
Where fierce Mullengudgery's smothering fires
Far from the breezes of Coolgardie
Burn ghastly and blue as the day expires;
And Murriwillumba complaineth in song
For the garlanded bowers of Woolloomooloo,
And the Ballarat Fly and the lone Wollongong
They dream of the gardens of Jamberoo;
The wallabi sighs for the Murrubidgee,
For the velvety sod of the Munno Parah,
Where the waters of healing from Muloowurtie
Flow dim in the gloaming by Yaranyackah;
The Koppio sorrows for lost Wolloway,
And sigheth in secret for Murrurundi,
The Whangeroo wombat lamenteth the day
That made him an exile from Jerrilderie;
The Teawamute Tumut from Wirrega's glade,
The Nangkita swallow, the Wallaroo swan,
They long for the peace of the Timaru shade
And thy balmy soft airs, O sweet Mittagong!
The Kooringa buffalo pants in the sun,
The Kondoparinga lies gaping for breath,
The Kongorong Camaum to the shadow has won,
But the Goomeroo sinks in the slumber of death;
In the weltering hell of the Moorooroo plain
The Yatala Wangary withers and dies,
And the Worrow Wanilla, demented with pain,
To the Woolgoolga woodlands despairingly flies;
Sweet Nangwarry's desolate, Coonamble wails,
And Tungkillo Kuito in sables is drest,
For the Whangerei winds fall asleep in the sails
And the Booleroo life-breeze is dead in the west.
Mypongo, Kapunda, O slumber no more
Yankalilla, Parawirra, be warned
There's death in the air!
Killanoola, wherefore
Shall the prayer of Penola be scorned?
Cootamundra, and Takee, and Wakatipu,
Toowoomba, Kaikoura are lost
From Onkaparinga to far Oamaru
All burn in this hell's holocaust!
Paramatta and Binnum are gone to their rest
In the vale of Tapanni Taroom,
Kawakawa, Deniliquin - all that was best
In the earth are but graves and a tomb!
Narrandera mourns, Cameron answers not
When the roll of the scathless we cry
Tongariro, Goondiwindi, Woolundunga, the spot
Is mute and forlorn where ye lie.
|
Written by
Anne Sexton |
Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.
Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant leper.
Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.
Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.
Watch out for games, the actor's part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
pissing on your own child-bed.
Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.
Love? Be it man.
Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land.
To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.
Special person,
if I were you I'd pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you'll root
and the real green thing will come.
Let go.
Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.
|
Written by
Anne Sexton |
A young man is afraid of his demon and puts his hand
over the demon's mouth sometimes.
.
.
-- D.
H.
Lawrence
I mentioned my demon to a friend
and the friend swam in oil and came forth to me
greasy and cryptic
and said,
"I'm thinking of taking him out of hock.
I pawned him years ago.
"
Who would buy?
The pawned demon,
Yellowing with forgetfulness
and hand at his throat?
Take him out of hock, my friend,
but beware of the grief
that will fly into your mouth like a bird.
My demon,
too often undressed,
too often a crucifix I bring forth,
too often a dead daisy I give water to
too often the child I give birth to
and then abort, nameless, nameless.
.
.
earthless.
Oh demon within,
I am afraid and seldom put my hand up
to my mouth and stitch it up
covering you, smothering you
from the public voyeury eyes
of my typewriter keys.
If I should pawn you,
what bullion would they give for you,
what pennies, swimming in their copper kisses
what bird on its way to perishing?
No.
No.
I accept you,
you come with the dead who people my dreams,
who walk all over my desk
(as in Mother, cancer blossoming on her
Best & Co.
****--
waltzing with her tissue paper ghost)
the dead, who give sweets to the diabetic in me,
who give bolts to the seizure of roses
that sometimes fly in and out of me.
Yes.
Yes.
I accept you, demon.
I will not cover your mouth.
If it be man I love, apple laden and foul
or if it be woman I love, sick unto her blood
and its sugary gasses and tumbling branches.
Demon come forth,
even if it be God I call forth
standing like a carrion,
wanting to eat me,
starting at the lips and tongue.
And me wanting to glide into His spoils,
I take bread and wine,
and the demon farts and giggles,
at my letting God out of my mouth
anonymous woman
at the anonymous altar.
|
Written by
Amy Clampitt |
Lost aboard the roll of Kodac-
olor that was to have super-
seded all need to remember
Somerset were: a large flock
of winter-bedcover-thick-
pelted sheep up on the moor;
a stile, a church spire,
and an excess, at Porlock,
of tenderly barbarous antique
thatch in tandem with flower-
beds, relentlessly pictur-
esque, along every sidewalk;
a millwheel; and a millbrook
running down brown as beer.
Exempt from the disaster.
however, as either too quick
or too subtle to put on rec-
ord, were these: the flutter
of, beside the brown water,
with a butterfly-like flick
of fan-wings, a bright black-
and-yellow wagtail; at Dulver-
ton on the moor, the flavor
of the hot toasted teacake
drowning in melted butter
we had along with a bus-tour-
load of old people; the driver
's way of smothering every r
in the wool of a West Countr-
y diphthong, and as a Somer-
set man, the warmth he had for
the high, wild, heather-
dank wold he drove us over.
|
Written by
Robert Burns |
WHEN biting Boreas, fell and dour,
Sharp shivers thro’ the leafless bow’r;
When Phoebus gies a short-liv’d glow’r,
Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
Or whirling drift:
Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreaths up-choked,
Wild-eddying swirl;
Or, thro’ the mining outlet bocked,
Down headlong hurl:
List’ning the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
O’ winter war,
And thro’ the drift, deep-lairing, sprattle
Beneath a scar.
Ilk happing bird,—wee, helpless thing!
That, in the merry months o’ spring,
Delighted me to hear thee sing,
What comes o’ thee?
Whare wilt thou cow’r thy chittering wing,
An’ close thy e’e?
Ev’n you, on murdering errands toil’d,
Lone from your savage homes exil’d,
The blood-stain’d roost, and sheep-cote spoil’d
My heart forgets,
While pityless the tempest wild
Sore on you beats!
Now Phoebe in her midnight reign,
Dark-****’d, view’d the dreary plain;
Still crowding thoughts, a pensive train,
Rose in my soul,
When on my ear this plantive strain,
Slow, solemn, stole:—
“Blow, blow, ye winds, with heavier gust!
And freeze, thou bitter-biting frost!
Descend, ye chilly, smothering snows!
Not all your rage, as now united, shows
More hard unkindness unrelenting,
Vengeful malice unrepenting.
Than heaven-illumin’d Man on brother Man bestows!
“See stern Oppression’s iron grip,
Or mad Ambition’s gory hand,
Sending, like blood-hounds from the slip,
Woe, Want, and Murder o’er a land!
Ev’n in the peaceful rural vale,
Truth, weeping, tells the mournful tale,
How pamper’d Luxury, Flatt’ry by her side,
The parasite empoisoning her ear,
With all the servile wretches in the rear,
Looks o’er proud Property, extended wide;
And eyes the simple, rustic hind,
Whose toil upholds the glitt’ring show—
A creature of another kind,
Some coarser substance, unrefin’d—
Plac’d for her lordly use thus far, thus vile, below!
“Where, where is Love’s fond, tender throe,
With lordly Honour’s lofty brow,
The pow’rs you proudly own?
Is there, beneath Love’s noble name,
Can harbour, dark, the selfish aim,
To bless himself alone?
Mark maiden-innocence a prey
To love-pretending snares:
This boasted Honour turns away,
Shunning soft Pity’s rising sway,
Regardless of the tears and unavailing pray’rs!
Perhaps this hour, in Misery’s squalid nest,
She strains your infant to her joyless breast,
And with a mother’s fears shrinks at the rocking blast!
“Oh ye! who, sunk in beds of down,
Feel not a want but what yourselves create,
Think, for a moment, on his wretched fate,
Whom friends and fortune quite disown!
Ill-satisfy’d keen nature’s clamorous call,
Stretch’d on his straw, he lays himself to sleep;
While through the ragged roof and chinky wall,
Chill, o’er his slumbers, piles the drifty heap!
Think on the dungeon’s grim confine,
Where Guilt and poor Misfortune pine!
Guilt, erring man, relenting view,
But shall thy legal rage pursue
The wretch, already crushed low
By cruel Fortune’s undeserved blow?
Affliction’s sons are brothers in distress;
A brother to relieve, how exquisite the bliss!”
I heard nae mair, for Chanticleer
Shook off the pouthery snaw,
And hail’d the morning with a cheer,
A cottage-rousing craw.
But deep this truth impress’d my mind—
Thro’ all His works abroad,
The heart benevolent and kind
The most resembles God.
|
Written by
Anne Sexton |
Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.
Watch out for hate,
it can open its mouth and you’ll fling yourself out
to eat off your leg, an instant leper.
Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.
Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.
Watch out for games, the actor’s part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
pissing on your own child-bed.
Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won’t be heard
and none of your running will end.
Love? Be it man.
Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land.
To love another is something
like prayer and can’t be planned, you just fall
into its arms because your belief undoes your disbelief.
Special person,
if I were you I’d pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you’ll root
and the real green thing will come.
Let go.
Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.
|
Written by
Stanley Kunitz |
Now in the suburbs and the falling light
I followed him, and now down sandy road
Whitter than bone-dust, through the sweet
Curdle of fields, where the plums
Dropped with their load of ripeness, one by one.
Mile after mile I followed, with skimming feet,
After the secret master of my blood,
Him, steeped in the odor of ponds, whose indomitable love
Kept me in chains.
Strode years; stretched into bird;
Raced through the sleeping country where I was young,
The silence unrolling before me as I came,
The night nailed like an orange to my brow.
How should I tell him my fable and the fears,
How bridge the chasm in a casual tone,
Saying, "The house, the stucco one you built,
We lost.
Sister married and went from home,
And nothing comes back, it's strange, from where she goes.
I lived on a hill that had too many rooms;
Light we could make, but not enough of warmth,
And when the light failed, I climbed under the hill.
The papers are delivered every day;
I am alone and never shed a tear.
"
At the water's edge, where the smothering ferns lifted
Their arms, "Father!" I cried, "Return! You know
The way.
I’ll wipe the mudstains from your clothes;
No trace, I promise, will remain.
Instruct
You son, whirling between two wars,
In the Gemara of your gentleness,
For I would be a child to those who mourn
And brother to the foundlings of the field
And friend of innocence and all bright eyes.
0 teach me how to work and keep me kind.
"
Among the turtles and the lilies he turned to me
The white ignorant hollow of his face.
|
Written by
Dale Harcombe |
Your ears will never hear sounds
that to me are ordinary as air.
From the hour that you were born
the tight white shell of silence
closed around you.
You edged away from friendship.
Silence clung and stung like sand,
smothering words before they could
break free.
Sand has a brittle sound
as it stutters underfoot.
But you are no longer like sand.
Though your ears will still never hear,
words gather, demanding as seagulls.
Now, you stretch wings towards the sky.
Glide closer to other lives.
Reach them with the rising tide
of your imperfect speech.
*first published Westerly 1993 - Republished Central Western Daily January 12, 1996
recently republished in ‘On Common Water’ the Ginninderra 10th birthday anthology
|
Written by
Vachel Lindsay |
And must the Senator from Illinois
Be this squat thing, with blinking, half-closed eyes?
This brazen gutter idol, reared to power
Upon a leering pyramid of lies?
And must the Senator from Illinois
Be the world's proverb of successful shame,
Dazzling all State house flies that steal and steal,
Who, when the sad State spares them, count it fame?
If once or twice within his new won hall
His vote had counted for the broken men;
If in his early days he wrought some good —
We might a great soul's sins forgive him then.
But must the Senator from Illinois
Be vindicated by fat kings of gold?
And must he be belauded by the smirched,
The sleek, uncanny chiefs in lies grown old?
Be warned, O wanton ones, who shielded him —
Black wrath awaits.
You all shall eat the dust.
You dare not say: "To-morrow will bring peace;
Let us make merry, and go forth in lust.
"
What will you trading frogs do on a day
When Armageddon thunders thro' the land;
When each sad patriot rises, mad with shame,
His ballot or his musket in his hand?
In the distracted states from which you came
The day is big with war hopes fierce and strange;
Our iron Chicagos and our grimy mines
Rumble with hate and love and solemn change.
Too many weary men shed honest tears,
Ground by machines that give the Senate ease.
Too many little babes with bleeding hands
Have heaped the fruits of empire on your knees.
And swine within the Senate in this day,
When all the smothering by-streets weep and wail;
When wisdom breaks the hearts of her best sons;
When kingly men, voting for truth, may fail: —
These are a portent and a call to arms.
Our protest turns into a battle cry:
"Our shame must end, our States be free and clean;
And in this war we choose to live and die.
"
|