Written by
Billy Collins |
Now it is time to say what you have to say.
The room is quiet.
The whirring fan has been unplugged,
and the girl who was tapping
a pencil on her desktop has been removed.
So tell us what is on your mind.
We want to hear the sound of your foliage,
the unraveling of your tool kit,
your songs of loneliness,
your songs of hurt.
The trains are motionless on the tracks,
the ships are at restn the harbor.
The dogs are cocking their heads
and the gods are peering down from their balloons.
The town is hushed,
and everyone here has a copy.
So tell us about your parents—
your father behind the steering wheel,
your cruel mother at the sink.
Let's hear about all the clouds you saw, all the trees.
Read the poem you brought with you tonight.
The ocean has stopped sloshing around,
and even Beethoven
is sitting up in his deathbed,
his cold hearing horn inserted in one ear.
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Written by
George Herbert |
1
Against the stone breakwater,
Only an ominous lapping,
While the wind whines overhead,
Coming down from the mountain,
Whistling between the arbors, the winding terraces;
A thin whine of wires, a rattling and flapping of leaves,
And the small street-lamp swinging and slamming against
the lamp pole.
Where have the people gone?
There is one light on the mountain.
2
Along the sea-wall, a steady sloshing of the swell,
The waves not yet high, but even,
Coming closer and closer upon each other;
A fine fume of rain driving in from the sea,
Riddling the sand, like a wide spray of buckshot,
The wind from the sea and the wind from the mountain contending,
Flicking the foam from the whitecaps straight upward into the darkness.
A time to go home!--
And a child's dirty shift billows upward out of an alley,
A cat runs from the wind as we do,
Between the whitening trees, up Santa Lucia,
Where the heavy door unlocks,
And our breath comes more easy--
Then a crack of thunder, and the black rain runs over us, over
The flat-roofed houses, coming down in gusts, beating
The walls, the slatted windows, driving
The last watcher indoors, moving the cardplayers closer
To their cards, their anisette.
3
We creep to our bed, and its straw mattress.
We wait; we listen.
The storm lulls off, then redoubles,
Bending the trees half-way down to the ground,
Shaking loose the last wizened oranges in the orchard,
Flattening the limber carnations.
A spider eases himself down from a swaying light-bulb,
Running over the coverlet, down under the iron bedstead.
Water roars into the cistern.
We lie closer on the gritty pillow,
Breathing heavily, hoping--
For the great last leap of the wave over the breakwater,
The flat boom on the beach of the towering sea-swell,
The sudden shudder as the jutting sea-cliff collapses,
And the hurricane drives the dead straw into the living pine-tree.
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Written by
Carl Sandburg |
THIRTY-TWO Greeks are dipping their feet in a creek.
Sloshing their bare feet in a cool flow of clear water.
All one midsummer day ten hours the Greeks
stand in leather shoes shoveling gravel.
Now they hold their toes and ankles
to the drift of running water.
Then they go to the bunk cars
and eat mulligan and prune sauce,
Smoke one or two pipefuls, look at the stars,
tell smutty stories
About men and women they have known,
countries they have seen,
Railroads they have built—
and then the deep sleep of children.
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